This proposal is to amplify the dark space beneath the stairs in the Fine Art Department at Newcastle using the principles expanded in my AHRB proposal (http://www.stalk.net/piano/proposal.htm), taking the sounds in the space and allowing people within that space to hear the space in a qualitatively different way over a few days. Various techniques are employed to allow the resonant frequencies of a room to become audible in real time - see Appendix below. This process is modulated by acoustic changes as people move around the space, by ambient sound, by humidity, by the movement of air.
Considerations with this particular installation will include the visual appearance of the space - lighting etc, a prime concern is to clarify the process at work.
It is my intention to set up the installation at some point during the summer, this should sort out any technical problems and make the eventual October version simpler and quicker to re-install in a configuration more likely to fit the overall context of this exhibition.
The basic system components of the installations are a microphone connected to a noise gate (in principle a switch which activates according to the volume of sound passing through it), amplifier and speakers in a highly reverberant room. The system is arranged in such a way that when the microphone and loudspeaker begin to feed back the amplitude of the sound causes the noise gate to cut off the signal. The feedback notes resonate through the space accentuated by the reverberation time of the space. As the sound falls below the threshold of the noise gate the system switches back on and the process continues.
The available pitches of the sound are primarily determined by the distance between the wall, floor and ceiling surfaces in the space, and by the location of microphone(s) and loudspeaker(s); by the time it takes a sound to travel and be reflected in three dimensions; not a simple equation. Microphones are Pressure Zone type to enable the plane of a room surface to act microphonically.
Equipment will be supplied by myself and the University.
Documentation of such site-specific work with its implicit focus on the real-time presence of the viewer/listener within the active installation presents significant problems - a recording is an inaedequate representation of the experience in the moment - you had to be there.
|Type of Research:||Art/Design Item|
|Additional Information (Publicly available):|
Activated Space is David Cunningham's project to develop and present a series of installations that alter an architectural space in real time to allow its resonant frequencies to become audible and interactive. The project combines elements from sculpture, electronic media, music, architecture and acoustics.
|Keywords/subjects not otherwise listed:||listening, installation, sound art, performance, gallery, buildings, music, interactive technology, feedback, ambient sound, humidity, movement of air, space, acoustic|
|Your affiliations with UAL:||Colleges > London College of Communication|
Research Centres/Networks > Creative Research into Sound Arts Practice (CRiSAP)
|Date:||17 October 2002|
|Copyright Holders:||David Cunningham|
|Related Exhibitions:||The Listening Room, 1m3, L'Exposition Continue, Lausanne October - November 2008, A piano in a gallery, Carter Presents, London July - August 2006, The Listening Room, Camden Arts Centre June - July 2005, Exterior, Architectural Association, London April - May 2005, Interior, Kanazawa October 2004, The Listening Room, Ikon Gallery, Birmingham September - November 2003, Listening to the Architecture, Clerkenwell Magistrates' Court, London August 2003, The Listening Room and Stairwell (untitled), ICC, Tokyo July - September 2003, Where a straight line meets a curve (with Karen Mirza and Brad Butler), A position between two curves, Tate Britain, London, Listening to the Architecture, Helsinki February 2001, The Listening Room, Biennale of Sydney September - November 1998, Open Square, Copenhagen June 1997, The Listening Room, Chisenhale Gallery, London September 1994|
|Event Location:||Fine Art Department, University of Newcastle|
|Projects or Series:||Activated Space, Listening Room|
|Locations / Venues:|
|Material/Media:||speakers, microphone, fine art department|
|Deposited By:||INVALID USER|
|Deposited On:||28 May 2008 14:23|
|Last Modified:||23 Oct 2014 06:42|