Creative Arts and Design > Fine Art]
In contrast to earlier studies that have asked visitors the reason why they visited the gallery, this research built on an earlier exploratory piece of work at another London based site where items were used to develop a multi-dimensional scale, with content and construct validity to measure specific and general leisure motivation. The sample was comprised of visitors attending gallery events. This group are normally ignored in visitor studies and the response rate was between 70% and 100% depending on the type of event. This paper is significant for a number of reasons. A three-factor structure was identified, supporting previous research; however escapism was the core motive, something that had not been previously identified. In a society where traditional museum and gallery visitors are becoming cash rich and time poor these findings are not entirely surprising and support some of the ideas outlined in the Henley Centre’s (2000) report. The research is also important to museums in relation to their marketing communications strategy. Increasing pressure on leisure time of the traditional museum visitor is potentially a threat to museums in the medium term and something that their staff need to consider.
The findings from this paper were originally presented at a Marketing Colloquium. An outcome of this paper has been a chapter in a book, “Marketing Museums: A global perspective for the Information Age”, published in May 2007.
|Type of Research:||Article|
|Keywords/subjects not otherwise listed:||RAE2008 UoA63|
|Your affiliations with UAL:||Colleges > London College of Communication|
Colleges > London College of Communication
|Date:||01 May 2007|
|Digital Object Identifier:||10.1002/nvsm.282|
|Deposited By:||INVALID USER|
|Deposited On:||03 Dec 2009 23:56|
|Last Modified:||03 May 2011 11:21|