Voegelin, Salomé (2001) "The Aesthetic and Conceptual Digital as Artistic Strategy". In: Digital Creativity: Crossing the Border The Proceedings of CADE 2001: the 4th Computers in Art and Design Education Conference, held at the Glasgow School of Art 9-12 April 2001.
|Type of Research:||Conference, Symposium or Workshop Item|
The researcher’s original paper arrived at a timely moment in the evolution of the critical discourse surrounding digital aesthetics. The paper has subsequently been republished a number of times including at the online Netwissenschaft (Net Knowledge) resource (www.netzwissenschaft.de).
A logical extension of the arguments deployed in “Digital Sensitivity” arose when the researcher was commissioned to curate the online exhibition Clickanywhere for the Creative Research into Sound Arts Practice (CRiSAP) at the University of the Arts, London. In this exhibition, the researcher played with our conventional ‘point-and-click’ notions of interactivity in the web site’s design and selected artistic work that negotiated alternative conceptions of immersion. (http://clickanywhere.crisap.org/).
The text “The Anxiety of the Lonely Listener” published in the 5th issue of the international peer-reviewed online journal /seconds (ISSN 1751-4134), brings the analysis begun in “Digital Sensitivity” and continued in Clickanywhere full circle, with the analogue-digital divide and notions of interactivity and immersion being shown to remain underproblematised conventions of contemporary digital aesthetics.
|Keywords/subjects not otherwise listed:||RAE2008 UoA63|
|Your affiliations with UAL:||Colleges > London College of Communication
Research Centres/Networks > Creative Research into Sound Arts Practice (CRiSAP)
|Date:||9 April 2001|
|Date Deposited:||03 Dec 2009 23:53|
|Last Modified:||11 Apr 2011 13:31|
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