Social studies > Human and Social Geography]
The essay was developed as part of a year long project with the Federal University of Rio, looking into how place (our institutions, and beyond this our geopolitical locations) informs and affects our own methodological approaches to the history and theory of art and its practices.
My essay developed themes around the topic of the transnational and the construction of the idea of the authentic.
|Type of Research:||Book Section|
|Additional Information (Publicly available):|
Transnational Art, Mexican Art, Cultural Identity, Latin American Art, Cultural Hybridity
Between 2001 - 2005, she has been working on a joint AHRB funded project on nation and identity, focusing on art and design of India, Mexico and Japan (University of Sussex, Chelsea College of Art & Design and Camberwell College of Arts). This lead to a major book project in collaboration with Toshio Watanabe and Partha Mitter entitled 'Nation, Identity and Modernity: Visual Culture of India, Japan and Mexico, 1860s -1940', forthcoming by Duke University Press (2007/08).
|Publisher/Broadcaster/Company:||Universidade Federal do Rio de Janeiro|
|Your affiliations with UAL:||Research Centres/Networks > Transnational Art Identity and Nation (TrAIN)|
Colleges > Camberwell College of Arts
|Deposited By:||INVALID USER|
|Deposited On:||03 Dec 2009 22:58|
|Last Modified:||22 Apr 2010 11:51|