|Creators:||Boyce, Sonia and Bailey, David A. and Baucom, Ian|
This book, co-authored with Ian Baucom and edited by David A Bailey, is the outcome of a lengthy period of research into the last twenty years of Black Art in Britain. It focuses particularly on the Thatcher period and the explosion of the Black Arts Movement in the wake of civil unrest and rioting in a number of British cities.
The book is extensively illustrated bringing together a dialogue between leading artists, curators, art historians, and critics including Stanley Abe Jawad, Adelaide Bannerman, Allan deSouza, Kobena Mercer, Yong Soon Min and Judith Wilson. Combining cultural theory with anecdote and experience, it examines how the black British artists of the 1980s should be viewed historically and explores the political, cultural, and artistic developments that sparked the movement. It reviews practice in the context of public funding, and the trans-national art market and its legacy for today's artists and activists.
The volume includes a unique catalogue of images, a comprehensive bibliography, and a series of descriptive timelines situating the movement in relation to relevant artworks, films, exhibitions, cultural criticism, and political events from 1960 to 2000. The book has become an established point of reference for the study of Black Art and cultural developments of Braitain during the period.
In March 2007 it was awarded the INIVA Historians of British Art Book Prize.
|Type of Research:||Book|
|Additional Information (Publicly available):|
'Shades of Black is a remarkable document of creative thinking and archival importance...'
'The explosion of creativity and the critical debates on black culture that emerged in Britain in the 1980s transformed reigning assumptions about black art around the world. This collection is an important effort to assess the work of that period and its lasting impact.'
'Shades of Black is an invaluable text for anyone and everyone in diaspora studies, cultural studies, and comparative British and American studies and for historians and critics of visual art...'
In the 1980s - at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities - the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume presents a history of that movement. It brings together in a lively dialogue leading artists, curators, art historians and critics, many of whom were actively involved in the Black Arts Movement.
Thirteen original essays combine cultural theory with anecdote and experience, and the collection debates how the work of the black British artists of the 1980s might be viewed historically. The book includes a unique catalogue of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000.
|Publisher/Broadcaster/Company:||Duke University Press|
|Your affiliations with UAL:||Colleges > Central Saint Martins College of Art and Design|
Colleges > Central Saint Martins College of Art and Design
|Deposited By:||INVALID USER|
|Deposited On:||03 Dec 2009 22:54|
|Last Modified:||26 Sep 2011 13:47|