Creative Arts and Design > Visual Communication]
One-day conference organised by Dr Malcolm Quinn
This latter paper, initially delivered at a conference that included many of the most important researchers in the field, made a decisive shift from discussion of the epistemology of Millian liberty to an address to questions of art, sensibility and aesthetics. It formed part of Quinn’s development of ideas for the ‘On Liberty and Art’ conference at Tate Britain, which has initiated a WCA research project investigating frameworks and reference points for a discourse on liberty conducted through art practice, with presentations from the artists John Russell, Dave Beech, Bob and Roberta Smith, Pil and Galia Kollectiv, Amanda Beech and Roman Vasseur.
Quinn’s opening address isolated the question of aesthetic liberty as a ‘sensibility of freedom’ and discussed how artists are included within a current media conversation on the crisis of liberty and free speech. Quinn also discussed the work of Ian Hamilton Finlay as exemplifying a discourse on liberty developed through art practice that directly challenged the utilitarian model of liberty as non-coercion and equal distribution developed by Mill and Bentham. Quinn also included reference to the ‘rights to art’ cited in the UN Declaration of human rights of 1948, which produce a conflation of collective/moral and personal rights that have influenced current understanding of the relationship of liberty and art.
|Type of Research:||Conference, Symposium or Workshop Item (Paper)|
|Additional Information (Publicly available):|
Politics and aesthetics, art and the social bond, psychoanalytic models of the social bond
Dr Malcolm Quinn (PhD and MA RCA) is Reader in Critical Practice and Research Co-Ordinator at Wimbledon College of Art, where he leads the 'Agendas, Agendas, Agendas' research initiative. His writing deals with relations of aesthetics, politics and social structures, with particular emphasis on psychoanalytic models of the social bond. He is a member of the AHRC College and an editor of Journal for Lacanian Studies.
Current research is focused on art and the social bond, employing the psychoanalytic model set out in Jacques Lacan's theory of four discourses, in his Seminar XVII (1969-70). The four discourses of the Master, the University, the Hysteric and the Analyst, express four different forms of the social bond. The four discourses are logical (i.e. not existential) forms of the social bond, constructed from Lacan's critique of the Oedipus myth (the father as the origin of the social bond) and of the myth of the commodity (calculation as basis of spectacular social links). An analysis
|Your affiliations with UAL:||Colleges > Wimbledon College of Art|
|Date:||18 October 2006|
|Related Websites:||http://www.malcolmquinn.com, http://www.textandwork.org.uk, http://informationenvironments.academia.edu/MalcolmQuinn|
|Event Location:||Tate Britain|
|Deposited By:||INVALID USER|
|Deposited On:||26 Nov 2009 23:09|
|Last Modified:||05 Jun 2013 17:34|