The first major public exhibition of Mark Lewis in Toronto, featuring the North American premiere of the critically acclaimed trilogy 'Cold Morning'.
|Type of Research:||Show/Exhibition|
|Additional Information (Publicly available):|
Uses film as gallery installation medium to reflect and form critique of dominant cultural forms as they are reflected in cinema. Exhibited internationally in galleries and film festivals
The work, mainly using film as a gallery installation medium, reflects and forms a critique of dominant cultural forms as they are represented in cinema. The installations, like 'Peeping Tom' and 'Upside Down Touch of Evil' make direct reference to existing works in the cannon and 'The Pitch' reflects on the way the process of cinema production marginalises fundamental aspects of the culture by examining particularly the 'role' of the film extra. The work has received wide exhibition in galleries and film festivals, received critical review and won awards.
|Keywords/subjects not otherwise listed:||RPE|
|Your affiliations with UAL:||Colleges > Central Saint Martins College of Art and Design|
|Date:||08 September 2009|
|Funders:||National Film Board of Canada|
|Related Exhibitions:||53rd International Art Exhibition, La Biennale di Venezia|
|Locations / Venues:|
|Deposited By:||INVALID USER|
|Deposited On:||18 May 2010 10:20|
|Last Modified:||18 May 2010 16:18|