Ars magna lucis et umbrae

100 modern day ‘magic lanterns’ grouped in a series of narrative sequences and photographic tableaux are
distributed unevenly throughout the cavernous space of the former church. Two types of images are projected.
The first type are from the collection of images that Mark Ingham has been using for the past few years in his
research. These images will occupy the smaller rectangular space at the end of the church. The second type of
image will use photographs taken over recent months of the inside and outside of Dilston Grove and its locale.
These latter images will create a site specific installation that will attempt to deconstruct the physical and
political dimensions of the space and will be sited in the main body of the building.