| Creators: | Toop, David and Herrington, Tony |
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| Description: | An exhibition of images, artefacts, sound and video curated by David Toop and Tony Herrington (managing editor of The Wire) in which the development of a noise aesthetic in the UK is traced through the work of artists John Latham and Gustav Metzger, filmmaker Jeff Keen, jazz musicians Joe Harriott and Coleridge Goode, improvisers AMM and John Stevens and sound poets Bob Cobbing and Annea Lockwood. Also an essay (published as a catalogue essay and in The Wire magazine) written by David Toop. |
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| Type of Research: | Show/Exhibition |
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| Keywords/subjects not otherwise listed: | Noise, improvisation, destruction-in-art, Britishjazz, experimental film |
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| Your affiliations with UAL: | Colleges > London College of Communication Research Centres/Networks > Creative Research into Sound Arts Practice (CRiSAP) |
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| Date: | June 2010 |
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| Related Websites: | http://www.flattimeho.org.uk/project/41/ |
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| Projects or Series: | Research Outputs Review (April 2010 - April 2011) |
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| Locations / Venues: | | Location | From Date | To Date |
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| Flat Time House, Bellenden Road, London, SE15 4BW | June 2010 | July 2010 | | Blow Up: The Legacy of Bomb Culture – The Wire Salon, Café Otto (discussion event associated with Bomb Culture exhibition, with David Toop, Mathieu Copeland, Rob Chapman, moderated by Tony Herrington) | July 2010 | UNSPECIFIED |
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| Material/Media: | photographs, original artworks (drawings, sculpture, etc.), audio recordings, texts |
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| ID Code: | 3064 |
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| Deposited By: | David Toop |
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| Deposited On: | 02 Nov 2011 14:48 |
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| Last Modified: | 02 Nov 2011 14:48 |
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