Creative Arts and Design > Fine Art
Creative Arts and Design > Design Practice]
|Creators:||Vowles, H. and Banks, G. and Weinmayr, Eva and de Bondt, S.|
Formed in 1984 by Hannah Vowles and Glyn Banks, Art in Ruins is an English collaborative art practice that was active in the London and Berlin art scenes of the 1980s and 1990s. Together, Vowles and Banks developed an artistic practice based on communication and reflection on their role as artists within the (art)world. They were post-modern, anti-capitalist, anti-apartheid, pro-punk, pro-Marxist and held strong course to make a lasting name for themselves. After a very visible political and artistic phase of activity, Art in Ruins went quiet. When suggested that their silence could be interpreted as a strike, Vowles and Banks countered that ‘it is in no way an art strike (a concept which we consider inappropriate as it implies unionised labour and industrial production)’.
This publication is part of I Wonder What the Silence Was About, a body of work speculating on the (temporary?) disappearance of Art in Ruins by artist Eva Weinmayr. It contains an interview suggested by Vowles and Banks, written for Frieze in 1994 but never printed until now, as well as a complete bio- and bibliography.
|Type of Research:||Book|
|Publisher/Broadcaster/Company:||Occasional Papers, Form Content|
|Your affiliations with UAL:||Colleges > Central Saint Martins College of Art and Design|
|Funders:||FormContent, London, Central Saint Martins School of Art and Design|
|Related Websites:||http://occasionalpapers.org, http://formcontent.org/|
|Projects or Series:||Research Outputs Review (April 2010 - April 2011)|
|Deposited By:||Eva Weinmayr|
|Deposited On:||28 Feb 2012 16:50|
|Last Modified:||21 Mar 2012 11:47|