|Type of Research:||Thesis|
|Group or Collective Creators:||Francesco Buranelli, Florian Roithmayr|
The thesis explores the use of religious themes and the notion of self-design in contemporary art practice. It argues that art today that addresses religion does so primarily for its rhetorical function: for a recognizable pattern of persuasiveness, which is ultimately defined by its established mechanisms of belief. Furthermore, it suggests that it is through an engagement with this secularized rhetoric that the art viewer today can potentially be provoked to re-create oneself in ones own terms; or, in Richard Rorty's terms, to 'revocabularize'.
|Additional Information (Publicly available):||
The thesis is supervised by Dr Andrea Phillips, of Goldsmiths College and was completed as a written report accompanied by two films with sound.
|Keywords/subjects not otherwise listed:||Spirituality and contemporary art, Vatican Pavilion at Venice Biennale, Florian Roithmayr|
|Your affiliations with UAL:||Colleges > Wimbledon College of Arts|
|Funders:||Assisted financing from Wimbledon College of Art|
|Projects or Series:||Research Outputs Review (April 2010 - April 2011)|
|Date Deposited:||10 Feb 2012 09:44|
|Last Modified:||17 May 2016 11:17|
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