Creative Arts and Design > Design Practice
Creative Arts and Design > Crafts
Creative Arts and Design > Crafts not elsewhere classified]
|Creators:||Fraser, Simon and Oberlack, Ulrike and Wright, Elizabeth|
If the identity of ‘design’ as a practice is contested then the relationship of design and designers to craft and craft practices can be hugely confused. This lack of clarity can encourage non-design based organisations to promote the use of ‘trend forecasting’ as a panacea to the design dilemma associated with craft production for non-traditional markets. Consequently fashion sensitive trends become perceived as the driving force of design-led consumption. In this context how do we understand what ‘trend forecasting’ is and becomes when used in this manner? How does it contribute or not to the sustainability of local design cultures?
This paper examines how these challenges have been interrogated and experienced through practice at Masters Level at Central Saint Martins College of Art and Design. It seeks sustainable strategies for design and craft drawing on a diverse range of examples to illustrate contemporary artefacts realised from a diverse range of projects, sources and geographical locations.
|Type of Research:||Book Section|
|Keywords/subjects not otherwise listed:||trend forecasting|
|Publisher/Broadcaster/Company:||Greenleaf Publishing Limited|
|Your affiliations with UAL:||Colleges > Central Saint Martins College of Art and Design|
Colleges > Central Saint Martins College of Art and Design
|Funders:||Asia Link Programme, EuropeAid, European Commission|
|Projects or Series:||Research Outputs Review (April 2010 - April 2011), LeNS Project|
|Deposited By:||Dr Ulrike Oberlack|
|Deposited On:||05 Jul 2011 11:08|
|Last Modified:||04 Jun 2014 05:38|