Historical and Philosophical studies > British History
Historical and Philosophical studies > History of Design
Creative Arts and Design > Design studies]
A collection of critical encounters with the material remains of the past as living and dynamic influences upon the present.
This book offers critical engagements with four objects from the nineteenth century: The ruins of the Crystal Palace in Sydenham and the dinosaurs that remain, the Albert Memorial in Kensington Gardens, Oxford’s Pitt Rivers Museum and the short novel by H.G. Wells – The Time Machine. These provide very different forms of encounter, but are bound by the shadow of the Great Exhibition of 1851. This immense spectacle helped forge our understanding of display, surveillance and commodity. This legacy can be detected in the development of the modern museum and gallery as well as the shaping of spaces and structures of trade, commerce and political display, denying any possibility of conceptually separating these sites. Linked by a cumulative narrative that binds the mid nineteenth century to the early twenty first, these four objects are identified as formative traces of the past within the present. They provide models for critical thought and suggest answers to the problematic conditions that they present as ideologically specific relics from a previous age.
|Type of Research:||Book|
|Your affiliations with UAL:||Colleges > Chelsea College of Art and Design|
Colleges > Chelsea College of Art and Design
|Date:||29 June 2012|
|Copyright Holders:||Dan Smith|
|Projects or Series:||Research Outputs Review (April 2010 - April 2011)|
|Deposited By:||Dan Smith|
|Deposited On:||11 Jul 2012 16:04|
|Last Modified:||23 Aug 2013 12:31|