Asbury, Michael (2009) From constructivism to pop: Avant-Garde practices in Brazil, Britain and North America between the 1950s and 1960s. In: Crossing Cultures: Conflict, Migration and Convergence: The Proceedings of the 32nd International Congress of the History of Art. The Miegunyah Press, Melbourne, Australia, pp. 743-746. ISBN 9780522855005
|Type of Research:||Book Section|
The Proceedings of the 32nd International Congress of Art Historians (CIHA), University of Melbourne, Australia.
Crossing Cultures: Conflict, Migration and Convergence is an in-depth examination of the effect of globalism on art and art history. Covering all aspects of art--including traditional media, painting, sculpture, architecture and the crafts, as well as design, film, visual performance and new media--it explores the themes of conflict, migration and convergence in the visual, symbolic and artistic exchanges between cultures throughout history.
Crossing Cultures is a compliation of the conference papers from the 32nd International Congress in the History of Art organised by the International Committee of the History of Art (CIHA), edited by conference convenor Professor Jaynie Anderson.
This volume contains more than 200 papers presented at the congress by art historians from twenty-five countries, including Homi K Bhabha (Harvard University), Michael Brand (Director of the John Paul Getty Museum, Los Angeles), Marcia Langton (Chair of Australian Indigenous Studies, University of Melbourne), Ronald de Leeuw (Director of the Rijksmuseum, Amsterdam), Neil McGregor (Director of the British Museum, London) and Ruth B Phillips (Canada Research Chair in Modern Culture and Professor of Art History, Carleton University, Ottawa).
Never before has the state of art history in our polycentric world been demonstrated so well. Crossing Cultures encourages fresh thinking about global art history. Read the English version of Michael Asbury's paper 'From constructivism to pop: avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s' in the conference publication 'Crossing Cultures: Conflict Migration and Convergence' edited by Jaynie Anderson (isbn: 9780522855005).
|Keywords/subjects not otherwise listed:||32nd international conference proceedings Melbourne, crossing cultures, constructivism, pop, avant-garde practices|
|Publisher/Broadcaster/Company:||The Miegunyah Press|
|Your affiliations with UAL:||Colleges > Chelsea College of Arts
Research Centres/Networks > Transnational Art Identity and Nation (TrAIN)
|Projects or Series:||Research Outputs Review (April 2010 - April 2011)|
|Date Deposited:||03 Jul 2012 10:00|
|Last Modified:||04 Sep 2015 21:10|
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