Creative Arts and Design > Film & Video]
‘The High Window’ is an artist’s book object (comprising a film and set of pamphlets) exploring correspondences and discontinuities amongst diverse readings of the same fictional text. Drawing on reader response theory, it is also influenced by contemporary visual art with a multi-vocal narrative focus, particularly Susan Hiller’s ‘Witness’, and also Emma Kay’s work, which explores effects of the fragmentary nature of memory on visual imagination.
Twenty-five readers were given a short fictional text I wrote based on video footage of a street scene and were asked to describe their imaginative constructions of that scene. The film component of ‘The High Window’ presents the original footage alongside a selection of the reader interviews. The accompanying pamphlets present full interview transcripts. The work as a whole investigates ways we make cognitive sense out of an absence – by filling in information and creating meaning in the gap between reader and author.
'The High Window’ also explores the relationship between the artist’s book and film, a topic that is developed in my exhibition catalogue essay
|Type of Research:||Art/Design Item|
|Additional Information (Publicly available):|
Subject Area: Artists' books and text-based art
1. Participating in http://www.underconstructionhome.net/, a visual dialogue amongst Diasporan Armenian artists spread around the globe, exploring issues of identity and transnationality. This culminates in a group show - the Alternative Armenian Pavilion at the Venice Biennale 2007.
|Your affiliations with UAL:||Colleges > Chelsea College of Art and Design|
|Date:||15 October 2005|
|Related Websites:||http://www.emilyartinian.com/, http://www.underconstructionhome.net/, http://www.faction.org.uk/|
|Related Exhibitions:||Sense:Absence, London, 2005|
|Deposited By:||INVALID USER|
|Deposited On:||07 Dec 2009 12:49|
|Last Modified:||29 Mar 2010 16:36|