Creative Arts and Design > Fine Art Conservation]
|Creators:||Geary, Angela and Sandy, Mark|
Abstract. This paper presents the preliminary development and testing of a prototype haptic simulation environment for skilled manual tasks applied in the field of paper conservation. The procedure of backing removal involves
|Type of Research:||Book Section|
|Additional Information (Publicly available):|
The research investigated the efficacy and implementation of touch-interactive (haptic) virtual simulation training for conservation practice. Such training methods, although already being developed for surgeons, had not been investigated in the context of conservation or other applied arts and this project was the first to advance the field in this domain.
Research in medicine had established methods primarily for the haptic modelling of elastic and viscoelastic tissue. However, prior to the study little development had been done for the modelling of the complex plastic behaviour that is typical of materials found in conservation. The problems of achieving perceptually convincing modelling of complex multi-layered structures and of a facsimile virtual task were addressed. The material displacement of the virtual backing required the development of a novel software algorithm for haptic plastic deformation.
A method of gathering and processing force and the positional data from the “Phantom” simulation device and an experimental test application were developed. A series of quantitative skill indicators, such as peak force, were established and used to assess performance in the visual task. A group of 15 novice conservation students were selected to take part in the experimental study.
The outcome was produced after the development of a prototype environment and an extensive phase of field-testing and evaluation. The results of an investigation into skill acquisition in the virtual haptic environment confirmed fundamental validity of the use of simulation training in conservation by establishing that motor learning does take place in the simulation environment. Testing additionally revealed new information on novice learning trends and the advantages of haptic training, particularly in the very early stages of skill acquisition when excessive or ineffectual forces are most likely to occur.
EuroHaptics 2004 was held between the 5th and 7th of June 2004. It was hosted by Technische Universität München, and organised by Martin Buss, Marc Ernst and Matthias Harders. Three days of intensive paper and poster sessions were capped off by keynote speakers including Vincent Hayward, Robert Howe and Hiroo Iwata.
A feedback form was distributed at the end of the conference. The results of this survey are available here
Copies of the Eurohaptics 2004 proceedings are available for purchase. Prices are 30 Euro for a print copy, 20 Euro for a CD and 40 Euro for both print and CD. Please contact firstname.lastname@example.org to order copies.
|Your affiliations with UAL:||Colleges > Camberwell College of Arts|
Research Centres No Longer Active > Sensory Computer interface Research and Innovation for the Arts (SCIRIA)
|Date:||05 June 2004|
|Deposited By:||INVALID USER|
|Deposited On:||07 Dec 2009 12:25|
|Last Modified:||30 Jan 2014 13:23|