This chapter drew on my doctorial research Critical Writing on English Studio Pottery: 1910-1940, R.C.A., 2002, which was the first historiography on English 20th century ceramics. I write regularly for English, European and American journals but believe in the importance of grounding critical debate within historical contexts. This research is ongoing and I have given papers at conferences such as Revisioning Reality: International Japonisme, New York University, U.S.A., 2005. This research also informs my writing on the contemporary such as a recent review for Art in America of the potter Ruth Duckworth’s retrospective at the NY Museum of Art & Design.
|Type of Research:||Book Section|
|Keywords/subjects not otherwise listed:||RAE2008 UoA63|
|Your affiliations with UAL:||Colleges > Camberwell College of Arts|
|Deposited By:||INVALID USER|
|Deposited On:||07 Dec 2009 12:26|
|Last Modified:||04 Oct 2011 11:46|