This publication is a printed booklet and hypertext CD. Slid into the back of the booklet is 'List of Illustrations', a poem on CD with hypertext links, using the descriptive and proscriptive language of waste management guides, boxed into charts with arrows mapping difficulties of containment and fear of leakage. Textual blocks and repetitive dots of models, reference sliced-earth diagrams as frozen depictions of change. Fossils are naturally formed symbols where one substance takes the form of another, becoming (textual) evidence in an evolutionary narrative. Nuclear waste has been reprocessed into glass pellets, graphite rods, then buried. Plates are to be read as visual strata; sequences to scroll down on a computer screen. Locations referred to in this book are off the coast of Sweden, the former USSR, Fernald, Idaho Falls and Maxey Flats, USA, places where nuclear waste has been dumped/processed/reprocessed.
‘Subsequent Drainage on Folding Rocks’ has been exhibited as part of the touring exhibition ‘Arcadia id est: Artists’ books, Nature and the Landscape’.
|Type of Research:||Art/Design Item|
|Additional Information (Publicly available):|
Artists' books, Book Art, Contemporary poetics, Small press publishing
Studied English Literature at the University of Vermont, Burlington, USA (1973-77) and Fine Art and Printmaking at the Central School of Art (1981-86). Lectured extensively on Printmaking and Book Arts in the UK since 1985, including at Oxford Brookes University and Central Saint Martins College of Art & Design, joined Camberwell College of Art in 1997.
She has most recently co-curated - and exhibited in - 'Cunning Chapters: A Collaborative Artists' Book', on show at the British Library, London until January 2008.
"My research focuses on the development and production of artists' books under the imprint of Gefn Press. The press has published thirty books to date and will have a retrospective exhibition at the University of Vermont, Burlington, USA in 2006/07. Projects from the last decade have explored relationships between digital sequences, photo-animations outputted onto CD-ROM or DVD and the physical book. Discussing this work in 'Literary Value / Cultural Power: Verbal Arts in the Twenty-first Century' (Manchester University Press), Lynette Hunter describes the pieces as 'synergetic texts'.
Another recent collaborative project was co-editing the book 'Here are my Instructions' (2004) with Dr. Redell Olsen of Royal Holloway, University of London in response to the 'writing instructions / reading walls' series of installations we curated at the Poetry Society, London in 2003. I am continuing to consider physicality and poetics through my investigation of letterpress printing and writing practice (recent poems are published in HOW(2), internet journal of Contemporary and Innovative Writing by Women hosted by Bucknell University, and PORES, avant-gardist journal of poetic research hosted by Birkbeck College).
|Your affiliations with UAL:||Colleges > Camberwell College of Arts|
|Date:||01 January 2004|
|Deposited By:||INVALID USER|
|Deposited On:||07 Dec 2009 12:17|
|Last Modified:||15 Sep 2010 14:48|