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Coupland, Geoffrey and Coupland, Orson (2015) PigWooL @ Yuri Suzuki's Imaginary Record Shop, Tate Modern Turbine Festival. [Art/Design Item]
Vormittag, Luise (2014) Making (the) subject matter: Illustration as interactive, collaborative practice. Journal of Illustration, 1 (1). pp. 41-67. ISSN 2052-0204
Tarr, Jen and Thomas, Helen (2011) Mapping embodiment: methodologies for representing pain and injury. Qualitative Research, 11 (2). pp. 141-157. ISSN 1468-7941
Hall, Peter A. and Coles-Kemp, Lizzie and Heath, Claude (2015) Critical visualization: a case for rethinking how we visualize risk and security. Journal of Cyber Security, 1 (1). pp. 93-108. ISSN 2057-2093
Cook, Siân (2010) Honest and True? Authenticity in the visual representation of gay relationships in HIV/AIDS health promotion. The Everyday Experiment, 1 (1). pp. 64-70. ISSN 2045-1180
Caldwell, Cath (2010) Winning Portfolios for Graphic Designers: Create Your Own Graphic Design Portfolio Online and in Print. Barron's Educational Series, New York. ISBN 9780764145056
Baines, Jess (2016) See Red Women's Workshop: Feminist Posters 1974-1990. Four Corners, London. ISBN 978-1-909-82907-7
Abbott, Charlie and Hopwood, Jake and Hough, Alex and Lindsay, Alice and Willis, Peter and Nencini, Peter and Holme, Adrian and Clifton, Darryl (2014) Original Risographies. Studio Operative, London. ISBN 978-0-9575223-2-9
Cook, Siân and Triggs, Teal (2013) Passion & Possession: the Visual in the Portrayal of Lolita by Nabokov, Kubrick and Stern. In: Lolita: the Story of a Cover Girl: Vladimir Nabokov's novel in art and design. Print Books, an imprint of F+W Media Inc, Blue Ash, Ohio, 52-61 & 140. ISBN 9781440329869 (pbk.) 1440329869 (pbk.)
Windle, Amanda (2014) Visualising Complex Data: A Workshop Approach to Infographics and Knowledge Transmission. In: 4S and ESOCITES, 19-23rd August 2014, 4S, Buenos Aires.
Vormittag, Luise (2016) Illustrating alternative urban imaginaries. In: Shaping the View: Shaping the View: Understanding Landscape through lllustration, 10 & 11 November 2016, Edinburgh College of Art.
Triggs, Teal (2009) 'Do it Yourself' Girl Revolution: LadyFest, Performance and Fanzine Culture. In: UAL Professorial Platform Series 2008-09, 12 February 2009, London College of Communication, Elephant & Castle, London SE1 6SB.
Roberts-Bowman, Sarah (2015) Visual Communication and Organisational Change: Interdisciplinary Approaches Linking Arts, Communication and Management. In: EUPRERA Annual Congress. The Management Game of Communication: How PR/ Corporate Communication Supports Organizations and What Communicators Can Learn from Management Disciplines, 1-3 October 2015, BI Norwegian Business School, Oslo, Norway.
Ramanathan, Rathna (2013) We two, ours two: towards building an Indian graphic design history. In: Towards Global Histories of Design: Postcolonial Perspectives, Design History Society Annual Conference, 5-8 September 2013, Ahmedabad.
Palmer, Val, Rowan Arts (2014) Documenting London's Legendary Club Culture. In: Documenting London's Legendary Club Culture, 15 October 2014, Central Saint Martins, Granary Building, 1 Granary Square, London N1C 4AA.
Maloney, Peter (2007) Blogs, Reflective Practice and Autonomous Learning in Graphic Design Communication. In: ALT-C 2007: Beyond Control, learning technology for the social network generation, 4-6 September 2007, Nottingham UK.
Lioy, Andrea (2014) The uniqueness of the art student vs institutional homogenization: a study of creative writing as a dialectic process to bridge the gap between international students’ expectations and UK teaching methods in an art university. In: The Asian Conference on Arts and Humanities, April 3-6 2014, Osaka, Japan.
Hall, Peter A. (2016) Re-integrating Design Education: Lessons from History. In: DRS 2016, 27-30 June 2016, Brighton, UK.
Cook, Siân (2014) Graphic Communication: the design of HIV/AIDS health promotion ephemera. In: HIV/AIDS: Controlling and Eradicating A Modern Epidemic, Monday 20 October 2014 to Wednesday 30 December 2015, London School of Hygiene & Tropical Medicine, Manson Lecture Theatre.
Biagioli, Monica (2014) Fine art installations: Expressions of cultural identity and catalysts for intuitive business models. In: The 7th Art of Management and Organization Conference, 28 - 31 August 2014, Copenhagen Business School, Copenhagen, Denmark.
Biagioli, Monica (2014) Modelling the organic: Case study for the cultural value of vernacular forms of art production. In: Mapping Culture: Communities, Sites and Stories, 28 to 30 May 2014, Coimbra, Portugal.
Williams, Leon and Jenkyn-Jones, Sue (2011) N-STAR PROJECT - Novel - Science, Technologies and Aspirational Research. Project Report. N/A. (Unpublished)
Black, Sandy and Edwards, Mary Jane (2015) What's Digtial about Fashion Design? Fashion, Technology and the Digital Economy. Project Report. AAM Associates and LCF,UAL, London UK.
Rennie, Paul (2005) An investigation into the design, production and display contexts of industrial safety posters produced by the Royal Society for the Prevention of Accidents during WW2 and a catalogue of posters. PhD thesis, University of the Arts London.
Pontis, Sheila Victoria (2012) Guidelines for conceptual design to assist diagram creators in information design practice. PhD thesis, University of the Arts London.
Kenna, Hilary (2012) A Practice-led Study of Design Principles for Screen Typography — with reference to the teachings of Emil Ruder. PhD thesis, University of the Arts London.