Items where Subject is "Mass Communications and Documentation > Film studies"

Walsh, Maria (2004) 'Intervals of Inner Flight: Chantal Akerman's News From Home'. Screen, 45 (3). pp. 190-205. ISSN 0036-9543 [Mass Communications and Documentation > Film studies] Item not available online.

Walsh, Maria (2004) 'Narrative Duration: Tacita Dean's Disappearance at Sea'. In: Reading Images and Seeing Words. Rodopi: Amsterdam and New York, pp. 57-69. ISBN 90-420-1771-6 [Mass Communications and Documentation > Film studies] Item not available online.

Walsh, Maria (2004) 'The Immersive Spectator: A Phenomenological Hybrid'. Angelaki: Journal of the Theoretical Humanities, 9 (3). pp. 169-186. ISSN 0969-725X [Mass Communications and Documentation > Film studies] Item not available online.

Walsh, Maria (2011) Film space: invisible sculpture: Jane and Louise Wilson’s haptic visuality. Quarterly Review of Film and Video, 28 (2). pp. 155-161. ISSN 10509208/15435326 [Mass Communications and Documentation > Film studies
Creative Arts and Design > Others in Creative Arts and Design]

Walsh, Maria (2010) Hannah Sawtell. Art Monthly (336). p. 38. ISSN 0142-6702 [Mass Communications and Documentation > Film studies
Creative Arts and Design > Film & Video
Creative Arts and Design > Others in Creative Arts and Design] Item not available online.

Walsh, Maria (2010) Haptic visuality in Jane and Louise Wilson and Salla Tykkä. In: Association of Art Historians Annual Conference, 15-17 April 2010, Glasgow, Scotland. [Mass Communications and Documentation > Film studies
Creative Arts and Design > Others in Creative Arts and Design] (Unpublished) Item not available online.

Walsh, Maria, Subjectivity and Feminisms Research Group (2010) Peepshow: in memory of you. [Show/Exhibition] [Social studies > Feminism
Mass Communications and Documentation > Film studies
Creative Arts and Design > Others in Creative Arts and Design]

Walsh, Maria (2012) Re-enacting cinema at the crossroads: Nicky Coutts’ passing place. The Moving Image Review & Art Journal (MIRAJ), 1 (1). pp. 69-77. ISSN 2045-6298, 2045-6301 [Mass Communications and Documentation > Film studies
Creative Arts and Design > Others in Creative Arts and Design] Item not available online.

Walsh, Maria, College of Arts, Celtic Studies and Social Sciences, University College of Cork (2011) Searching for the real in automated self-presentation. In: Technologies of the Self: New Departures in Self-Inscription, 02 - 03rd September 2011, University College Cork, Ireland. [Mass Communications and Documentation > Film studies] (Unpublished)

Walsh, Maria (2011) You've got me under your spell: the entranced spectator. In: Screen/Space: The Projected Image in Contemporary Art. Rethinking Art's Histories (4). Manchester University Press, Manchester, UK, pp. 111-125. ISBN 9780719084638, 0719084636 [Mass Communications and Documentation > Film studies
Creative Arts and Design > Fine Art
Creative Arts and Design > Visual Communication] Item not available online.

Stuckey, Karyn (2009) 'Lolita': a journey with Nabokov and Kubrick from the page to the screen. In: Archives and Auteurs, 2nd-4th September 2009, University of Stirling. [Mass Communications and Documentation > Librarianship
Mass Communications and Documentation > Library studies
Mass Communications and Documentation > Film studies
Mass Communications and Documentation > Archive studies]

Sabin, Roger (2008) The Perils of Strip Mining. Sight & Sound, 18 (8). pp. 24-27. ISSN 0037-4806 [Mass Communications and Documentation > Film studies
Creative Arts and Design > Graphic Design] Item availablity restricted.

Matthews, Peter and Anderson, Sal (2010) Cinema, subjectivity and psychosis: towards a phenomenological approach. European Psychiatry: 18th European Congress of Psychiatry, 25 (1). p. 72. ISSN 0924-9338 [Mass Communications and Documentation > Film studies] Item not available online.

Gronlund, Melissa (2012) Observational film: Administration of social reality. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 169-179. ISSN 20456298 [Social studies > Feminism
Mass Communications and Documentation > Film studies] Item not available online.

Greenhalgh, Cathy (2005) How Cinematography Creates Meaning in Happy Together (Wong Kar-Wai, 1997). In: Style and Meaning Studies in the Detailed Analysis of Film. Manchester University Press, Manchester England, pp. 195-213. ISBN 0719065259 [Mass Communications and Documentation > Film studies] Item not available online.

Greenhalgh, Cathy (2003) Shooting From the Heart: Cinematographers and Their Medium. In: Making Pictures: A Century of European Cinematography. Aurum Press Ltd, pp. 94-156. ISBN 1854108891 [Mass Communications and Documentation > Film studies] Item not available online.

Greenhalgh, Cathy (2007) Travelling Images, Lives on Location: Cinematographers in the Film Industry. In: Going First Class? New Approaches To Privileged Travel and Movement. Berghahn Books, Oxford and New York, pp. 72-86. ISBN 1845451961 [Mass Communications and Documentation > Film studies] Item not available online.

Elwes, Catherine (2004) On Performance, Performativity, Women Artists and Their Critics. Third Text , 18 (2). pp. 193-197. ISSN 09528822 [Mass Communications and Documentation > Film studies] Item not available online.

Elwes, Catherine (2005) Video Art, a guided tour. I.B. Tauris. ISBN 1-85043-546-4 [Mass Communications and Documentation > Film studies]

Elwes, Catherine (2005) Video Confidential: Voice-over Musings in the work of Tom Sherman and Robert Morin. Vertigo , 2 (9). [Mass Communications and Documentation > Film studies
Historical and Philosophical studies > Canadian History] Item not available online.

Elwes, Catherine (2006) War Stories – or why I make videos about old soldiers. In: Experimental Film and Video Anthology. John Libbey Publishing. ISBN 0 86196 664 3 [Mass Communications and Documentation > Film studies] Item not available online.

Ellard, Graham (2006) Anthony McCall (interview). BOMB (New Art Publications) , 97 . pp. 68-75. ISSN 07433204 [Mass Communications and Documentation > Film studies] Item not available online.

Cussans, John (2011) Art, possession and the revolutionary unconscious. In: Pig Party event of the Xism Exhibition, 4th May 2011, Museum of Ethnography, Stockholm, Sweden. [Social studies > Religion in Society
Social studies > Anthropology
Mass Communications and Documentation > Film studies
Historical and Philosophical studies > History of Religions
Historical and Philosophical studies > History of Art] (Unpublished)

Church Gibson, Pamela (2001) "You've been in my life so long I can't remember anything else" : into the labyrinth with Ripley and the alien. In: Keyframes: Popular Cinema and Cultural studies. Routledge, UK, pp. 35-52. ISBN 0415202825 [Mass Communications and Documentation > Film studies] Item not available online.

Church Gibson, Pamela (2005) Fashion, Fetish and Spectacle; The Matrix Dresses Up - And Down. In: The Matrix Trilogy: Cyberpunk Reloaded. Wallflower Press, UK, pp. 114-125. ISBN 1904764320 [Mass Communications and Documentation > Film studies
Fashion > Fashion History & Theory] Item not available online.

Church Gibson, Pamela (2002) From Dancing Queen to Plaster Virgin; Elizabeth and the End of English Heritage. The Journal of Popular British Cinema, 5 . pp. 133-142. ISSN 1461104X [Mass Communications and Documentation > Film studies] Item not available online.

Church Gibson, Pamela (2004) Otherness, Transgression and the Postcolonial Perspective: Patricia Rozema's Mansfield Park. In: Janespotting and Beyond: The British Heritage Retrovisions since the mid-1990s. Gunter Narr Verlag, Tubingen, Germany, pp. 51-65. ISBN 3823360965 [Mass Communications and Documentation > Film studies] Item not available online.

Chesher, Andrew (2007) Seeing Connections: Documentary as an Intervention in the Social World. PhD thesis, University of the Arts London. [Mass Communications and Documentation > Film studies]

Caston, Emily (2010) Celluloid Saviours: Angels and Reform Politics in Hollywood Film. Cambridge Scholars Press, United Kingdom. [Mass Communications and Documentation > Film studies
Creative Arts and Design > Film & Video
Creative Arts and Design > History of Cinematics] Item not available online.

Caston, Emily (2010) Celluloid saviours: Angels and reform politics in Hollywood film. Cambridge Scholars Publishing, Newcastle, UK. ISBN 978-1-4438-2269-5, 1-4438-2269-8 [Mass Communications and Documentation > Film studies]

Caston, Emily (2011) The Artist, the Boss and the Auteur: Observations on the discourse of producer creation and control in British music video production 1995-2002. The Journal of British Cinema and Television . ISSN 1743-4521, 1755-1714 [Mass Communications and Documentation > Film studies] (In Press) Item not available online.

Ball, Steven, CIRCA Contemporary Arts (2010) Recalling the shots. [Show/Exhibition] [Mass Communications and Documentation > Media studies
Mass Communications and Documentation > Film studies
Creative Arts and Design > Film & Video] Item not available online.

Ashery, Oreet and Cussans, John and MacCormack, Patricia (2011) What are we scared of? what should we be scared of? In: Spill Salon 2, Spill Festival of Performance, 22nd April 2011, The Barbican. [Biological Sciences > Social Psychology
Mass Communications and Documentation > Film studies
Creative Arts and Design > Film & Video] (Unpublished)

Anderson, Sal, Raw Productions Ltd (2011) What's the time Mr Wolf? [Art/Design Item] [Mass Communications and Documentation > Film studies
Mass Communications and Documentation > Film Production
Creative Arts and Design > Acting
Creative Arts and Design > Film & Video] Item not available online.