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Scalvini, Marco (2020) 13 Reasons Why: Can a TV Show About Suicide Be 'Dangerous?’ What are the Moral Obligations of a Producer? Media, Culture & Society, 42 (7-8). ISSN 1460-3675
Macdonald, Iain (2014) Cultural Change in the Creative Industries: a case study of BBC Graphic Design from 1990-2011. Visual Communication, 13 (1). pp. 31-49. ISSN 14703572
Macdonald, Iain (2015) Designing to engage a television audience: how are different media used in TV ident creation? Arts and the Market, 5 (2). pp. 139-153. ISSN ISSN: 2056-4945
Brown, Lucy (2016) The TV Studio Production Handbook. I.B.Tauris / Bloomsbury, London, UK. ISBN 9781784536282
October, Dene (2017) Journeys through Cathay: Remediation and Televisuality in “Marco Polo”. In: Doctor Who and History. McFarland, North Carolina, pp. 13-34. ISBN 978-1-4766-6656-3
de Selincourt, Chris (2018) The right thing is the wrong thing to do – Narrative strategies for the attention economy. In: NECS 2018 Conference: Media Tactics and Engagement, June 27-29 2018, The University of Amsterdam, VU Amsterdam and Utrecht University.
Patel, Shreepali and Hardin, Marques (2023) Memory and the Value of Life. In: Visible Evidence XXIX, 6-9 September 2023, University of Udine, Italy.
October, Dene (2018) “A Change of Identity”: The First Doctor, Costume and the Perils of Time Travel. In: Critical Costume 2018, 12-14 September 2018, University of Surrey, Guildford School of Acting.
de Selincourt, Chris (2017) Where is the mind of the media editor? An analysis of editors as intermediaries between technology and the cinematic experience. PhD thesis, Cardiff School of Art and Design - Cardiff Metropolitan University.