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Livergant, Elyssa (2016) Belarus Free Theatre, Labour Mobility and the Cultural Politics of the Border. Contemporary Theatre Review, 26 (2). pp. 241-257. ISSN 1477-2264
Jump, Sophie (2020) One hundred and ninety-two thousand, two hundred and forty-eight steps: curating the Site Specific Performance Festival at PQ 2019. Theatre and Performance Design, 6 (1-2). pp. 69-80. ISSN 2332-2551
Creamer, Anne-Marie (2015) The Dilemmas of Adaptation: Making Treatment for Six Characters. Pirandello Studies, 35. pp. 106-115. ISSN 1471-9363
Barokka, Khairani (2017) Deaf-accessibility for spoonies: lessons from touring Eve and Mary Are Having Coffee while chronically ill. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 387-392. ISSN 1470-112X
Pearson, Deborah and Field, Andy and Brand, Ira (2016) Forest Fringe: The First Ten Years. Oberon Books, London. ISBN 9781783197514
Mendelson, Zoë (2017) Spectacular Evidence: Theatres of the Observed Mind. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, Artsadmin, Toynbee Studios, 28 Commercial Street, London E1 6AB.
Verma, Jatinder (2002) Journey to the West: A Trilogy on Migration. [Performance]
Stickland, Peter (2011) Frank and Moustique go boating. [Performance]
Pilgrim, Geraldine (2003) Spa: Site-Specific Performance. [Performance]
Pastor, Eugénie and Turner, Shamira (2023) A Very Serious Performance Lecture. [Performance]
Leister, Wiebke and Toop, David (2018) Echoes and Callings. [Performance]
Pearson, Deborah (2017) The Shape of a Thought: A Made Up Game. PhD thesis, Royal Holloway, University of London.