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UAL Research Online

Items where Subject is "Creative Arts and Design > Theatre studies"

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Number of items at this level: 98.

Art/Design Item

Collins, Jane (2010) Craig: In His Own Words in Space and Light. [Art/Design Item]

Article

Windle, Amanda (2014) How to be a resilient researcher of social isolation. Native.

Thornett, Lucy (2017) Prosthetic Scenographies: Scenographic Extension of the Senses and Mediation of the Performance Space in Tower. International Journal of Performance Arts and Digital Media, 14 (1).

Sabin, Roger (2009) Ally Sloper on Stage. European Comic Art, 2 (2). pp. 205-225. ISSN 17543800

Mirodan, Vladimir (2015) Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis. Theatre, Dance and Performance Training, 6 (1). pp. 30-45. ISSN 1944-3927 (Print), 1944-3919 (Online)

Margolies, Eleanor (2018) Women, Fairytales and Cultural Myths. Animations Online.

Mackey, Sally and Cole, Sarah (2013) Cuckoos in the Nest: performing place, artists and excess. Applied Theatre Research, 1 (1). pp. 43-61. ISSN 20493010

Leister, Wiebke and Anderson, Joel (2019) The Theatre of Photography / Le Théâtre de la Photographie. Revue Sens Public. ISSN 2104-3272 (In Press)

Leister, Wiebke (2017) ‘Echoes and Afterlives’ (journal article). Journal of Photography and Culture, 10 (1). pp. 85-94. ISSN 17514517

Leister, Wiebke (2019) Pro-Photographic Gestures. Photography and Culture. ISSN 17514517

Komporaly, Jozefina (2014) “Don’t you dare to vote with the Communists!”: Timeliness, Nostalgia and the Authenticity of Experience in I’m a Communist Biddy! Adaptation, 7 (2). ISSN 1755-0637

Komporaly, Jozefina (2015) Interferences International Theatre Festival, Cluj, Romania, 26 November-7 December 2014. Theatre Journal, 67 (3). pp. 550-554. ISSN 0192-2882

Komporaly, Jozefina (2016) Making a Spectacle: Motherhood in Contemporary British Theatre and Performance. Theatre History Studies, 35 (1). pp. 161-178. ISSN 0733-2033

Komporaly, Jozefina (2014) Narratives of Belonging in Multilingual Performance: The Case Study of 20/20. Linguistica Antverpiensia, 13. pp. 30-44. ISSN 2295-5739

Komporaly, Jozefina (2019) Open Dramaturgy and Collaboration in András Visky’s Theatre in English Translation. Hungarian Literature Online.

Komporaly, Jozefina (2014) Showcase in Budapest. New Theatre Quarterly, 30 (4). pp. 391-396. ISSN 0266-464X

Komporaly, Jozefina (2019) Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking into the Festival Circuit. The Theatre Times.

Kear, Adrian and Kelleher, Joe (2000) The Wolf-Man. Performance Research: A Journal of the Performing Arts, 5 (2). pp. 82-91. ISSN 13528165/14699990

Kear, Adrian (1998) Between Two Deaths: Tragic Ideology and the Work of Mourning. JPCS: Journal for the Psychoanalysis of Culture and Society, 3 (1). pp. 131-136.

Kear, Adrian (2005) A Handbook of Theatrical Devices. Performance Research: A Journal of the Performing Arts, 10 (4). pp. 83-96. ISSN 13528165/14699990

Kear, Adrian (2008) Intensities of Appearance. Performance Research: A Journal of the Performing Arts, 13 (4). pp. 16-24. ISSN 13528165/14699990

Kear, Adrian (2001) Parasites. Parallax, 7 (2). pp. 31-45. ISSN 1353-4645

Kear, Adrian (2015) Restaging the Anxiety of the Image. Performance Research: A Journal of the Performing Arts, 20 (5). pp. 51-62. ISSN 13528165/14699990

Kear, Adrian (2002) Seduction and Translation. Performance Research: A Journal of the Performing Arts, 7 (2). pp. 35-49. ISSN 13528165/14699990

Kear, Adrian (2012) Thinking on your feet: Richard Maxwell’s Neutral Hero and the tragic impediment of contemporary theatre. Performance Research: A Journal of the Performing Arts, 17 (2). pp. 22-29. ISSN 13528165/14699990

Kear, Adrian (2004) Thinking out of Time: Theatre and the Ethic of Interruption. Performance Research: A Journal of the Performing Arts, 9 (4). pp. 99-110. ISSN 13528165/14699990

Kear, Adrian (2005) Troublesome Amateurs: Theatre, Ethics and the Labour of Mimesis. Performance Research: A Journal of the Performing Arts, 10 (1). pp. 26-46. ISSN 13528165/14699990

Collins, Jane and Anandhakrishnan, B. (2018) Against a hierarchy of expressive means; arguments for new pedagogies in performer education in India and the UK. Studies in Theatre and Performance. ISSN 2040-0616 online Print 14682761

Collins, Jane (2013) A Scenography Workshop on Campus in Hyderabad: Romeo, Juliet and the Security Guard. Studies in Theatre and Performance, 33 (3). pp. 383-396. ISSN 1468-2761

Collins, Jane (2007) Umuntu, ngumuntu, ngabantu: the story of the African choir. Studies in Theatre and Performance, 27 (2). pp. 95-114. ISSN 14682761

Askew, Benjamin (2017) The action to the verse: Shakespeare, Stanislavski, and the motion in poetry metaphor. Stanislavski Studies, 5 (2). pp. 141-157. ISSN 2056-7790

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Journal of Photography and Culture, 11 (2). pp. 121-138. ISSN 1751-4517

Book

Willson, Jacki (2008) The Happy Stripper: Pleasures and Politics of the New Burlesque. I.B.Tauris, London and New York. ISBN 978-1-84511-318-6

Visniec, Matéi and Komporaly, Jozefina (2015) How to Explain the History of Communism to Mental Patients and Other Plays. In Performance . Seagull Books, London, New York, Calcutta. ISBN 9780857422200

Visky, Andras and Komporaly, Jozefina and Orlich, Ileana Alexandra and Knapp, Jeremy and Koonrod, Karin and O'Sullivan, Ailisha and Daray, Erzsebet and Evans, David Robert and Hawkins, Melissa (2017) András Visky’s Barrack Dramaturgy: Memories of the Body. Playtext . Intellect, Bristol. ISBN 9781783207329

McCartney, Nicola (2018) Death of the Artist: Art World Dissidents and their Alternative Identities. International Library of Modern and Contemporary Art . I.B. Tauris, London. ISBN 9781784534158

Leister, Wiebke (2016) Echoes and Afterlives (Fieldstudy). Fieldstudy, 22 . Photography and the Archive Research Centre, London.

Leister, Wiebke (2001) Theaterszene-Jahrbuch Köln 2001. Theaterszene-Jahrbuch Köln . M7 Verlag, Cologne. ISBN 3934511031

Komporaly, Jozefina (2017) Radical Revival as Adaptation: Theatre, Politics, Society. Adaptation in Theatre and Performance . Palgrave Macmillan, London. ISBN 978-1-137-48101-6

Kear, Adrian (2013) International Politics and Performance: Critical Aesthetics and Creative Practice. Interventions . Routledge, Abingdon. ISBN 9780415706230

Kear, Adrian (1999) Mourning Diana: Nation, Culture and the Performance of Grief. Routledge, London. ISBN 9780415193931

Kear, Adrian (2008) On Appearance. Performance Research, 13 (4). Routledge, London. ISBN 978-0-415-49442

Kear, Adrian (2001) Psychoanalysis and Performance. Routledge, London. ISBN 9780415212052

Kear, Adrian (2013) Theatre and Event: Staging the European Century. Studies in International Theatre and Performance . Palgrave, Basingstoke. ISBN 978-0-230-00808-3

Kear, Adrian (2019) Thinking Through Theatre and Performance. Thinking Through Theatre . Methuen Bloomsbury, London. ISBN 9781472579607 (In Press)

Collins, Jane and Nisbet, Andrew (2010) Theatre and performance design: a reader in scenography. Routledge Taylor Francis Group, Oxford, U.K.. ISBN 9780415432092, 9780415432108

Barbieri, Donatella (2017) Costume in Performance: Materiality, Culture and the Body. Bloomsbury Academic, London and New York. ISBN 978-1-4742-3687-4

Book Section

Komporaly, Jozefina (2017) The Ghosts of History Redux: Intertextuality, Rewriting, Adaptation. In: Subversive Stages: Theatre in Pre- and Post-communist Hungary, Romania and Bulgaria. Central European University Press, Budapest and New York, ix-xx. ISBN 978-963-386-116-5

Komporaly, Jozefina (2015) Staging History: Memory and Representation in the Theatre of Matéi Visniec and András Visky. In: Literatura, Teatrul si Filmul, in onoarea dramaturgului Matei Visniec. Ovidius University Press, Constanta, Romania. ISBN 978-973-614-855-2

Kear, Adrian (2014) Consensus/Dissensus. In: Keywords, Concepts and Theories in Performance Studies. Palgrave, Basingstoke, pp. 164-173. ISBN 9780230247307

Kear, Adrian (2006) Desire Amongst the Dodgems: Alain Platel and the Scene of Seduction. In: Contemporary Theatres in Europe. Routledge, London, pp. 106-119. ISBN 041532940X

Kear, Adrian (1999) Diana Between Two Deaths: Spectral Ethics and the Time of Mourning. In: Mourning Diana: Nation, Culture and the Performance of Grief. Routledge, London, pp. 169-186. ISBN 9780415193931

Kear, Adrian (2019) How Does Theatre Think Through Theatricality? In: Thinking Through Theatre and Performance. Methuen Bloomsbury, London. ISBN 9781472579614 (In Press)

Kear, Adrian (2015) Mourning. In: Vocabulary for the Study of Religion. Brill, Leiden. ISBN 978-9004290433

Kear, Adrian (2001) Speak Whiteness: Staging ‘Race’, Performing Responsibility. In: Psychoanalysis and Performance. Routledge, London, pp. 192-202. ISBN 9780415212052

Kear, Adrian (2011) Theatre, Ethics and the Labour of Mimesis. In: A Life of Ethics and Performance. Cambridge Scholars, Cambridge, pp. 87-114. ISBN 1443841781

Kear, Adrian (2006) The memory of promise: theatre and the ethic of the future. In: A Performance Cosmology: Testimony from the Future, Evidence from the Past. Routledge, London, pp. 148-151. ISBN 0415372585

Granville, Andrew and Granville, Jennifer and Spencer, Michael (2015) Writing and performing mathematics as metaphor. In: Art in the Life of Mathematicians. American Mathematical Society, USA. ISBN ISBN-10: 1470419564 ISBN-13: 978-1470419561

Collins, Jane and Brooks, Ethel (2017) Scenography Matters: Performing Romani Identities as Strategy and Critique. In: Scenography Expanded. Performance and design . Bloomsbury, London, pp. 95-111. ISBN 9781474244398

Conference, Symposium or Workshop Item

Thornett, Lucy (2016) Landscape, Place and the Gothic in Contemporary Australian Scenography. In: Theatre and Performance Research Association annual conference, scenography working group, 5-7 September 2016, University of Bristol.

Spencer, Michael (2013) Documentation AS Scenography. In: Performing Documents, 12-14 April 2013, Arnolfini, Bristol.

Sidey, Tessa (2010) Creative image maker: Edward Gordon Craig’s achievements in the visual arts. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A museum, London. (Unpublished)

Mendelson, Zoë (2017) Spectacular Evidence: Theatres of the Observed Mind. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, Artsadmin, Toynbee Studios, 28 Commercial Street, London E1 6AB.

Collins, Jane (2017) Anecdotal Evidence: Tales from the stage edge. In: Professorial Platform Lecture Series 2017, 3 March 2017, Wimbledon College of Arts.

Collins, Jane (2010) Embodied presence and dislocated spaces: ten thousand several doors a site specific re-staging of John Webster's the Duchess of Malfi. In: World Congress: Cultures of Modernity, 25-31 July 2010, Munich, Germany. (Unpublished)

Collins, Jane (2011) Looking: the experience of seeing, a scenographic perspective. In: Indian Society of Theatre Research (ISTR): Theatre Research Conference, January 2011, Hyderabad , India. (Unpublished)

Cole, Sarah and Mackey, Sally (2014) Home Fit for Heroes? Performing Carer Landscapes. In: Theatre and Performance Research Association, 3-5 September 2014, Royal Holloway University, Egham.

Cairns, Jon (2018) Critical Closeness, Intimate Distance: Encounters in the Love Art Laboratory. In: Technologies of Romance, 28 November 2018, Science Museum - Dana Studio, Wellcome Wolfson Building, 165 Queen's Gate, SW7 5HD London, United Kingdom.

Cairns, Jon (2019) Down and Dirty: Ecosex intimacies and the appeal of the ‘personal’. In: What’s love got to do with it? Performance, Affectivity, Intimacy, February 18 - 19, 2019, Culturgest, Lisbon, Portugal.

Cairns, Jon (2014) “Feeling My Way: Art and the Intimate Encounter”. In: Intimacy Unguarded: Autobiography, Biography, Memoir, Central Saint Martins.

Cairns, Jon (2010) Public Intimacies: My Audience with Adrienne. In: Performance Studies International #16, 9-13 June 2010, Toronto, Ontario.

Other

Komporaly, Jozefina and Cinpoes, Nicoleta (2018) The Golden Round: Essays on the Politics of Power in Shakespeare. UNSPECIFIED.

Performance

Thornett, Lucy and Lever-Davidson, Amelia (2014) The Double. [Performance]

Spencer, Michael (2019) p e r f o r m 1 3 0 6 1 9. [Performance]

Pilgrim, Geraldine (2007) Dreams of a Winter Night. [Performance]

Leister, Wiebke (2016) Echoes and Transformations (performed publication). [Performance]

Collins, Jane (2011) reSearching: playing in the archive, part 2. [Performance]

Butler, Brad and Mirza, Karen (2013) The Guest of Citation. [Performance]

Brooks, Pete and Quick, Andrew (2006) El Cuidador. [Performance]

Brooks, Pete and Quick, Andrew, Imitating the Dog Theatre Company (2009) Kellerman. [Performance]

Brooks, Pete and Quick, Andrew, Imitating the Dog Theatre Company (2012) Zero Hour (Stunde Null). [Performance]

Brooks, Pete (2011) El Rey Lear. [Performance]

Brooks, Pete, Imitating the Dog Theatre Company (2006) Hotel Methusaleh. [Performance]

Brooks, Pete (2005) In Praise of Folly. [Performance]

Brooks, Pete, Imitating the Dog Theatre Company (2011) Six degrees below the horizon. [Performance]

Brooks, Pete, Hellenic Dance Company, State School of Dance (2010) The splinter in the flesh. [Performance]

Show/Exhibition

Melvin, Jo (2009) An Impossible Journey: the art and theatre of Tadeusz Kantor. [Show/Exhibition]

Meller, Fred (2011) Transformation revelation. [Show/Exhibition]

McMillan, Michael (2016) Doing Nothing is Not an Option. [Show/Exhibition]

Leister, Wiebke (2016) Echoes and Afterlives. [Show/Exhibition]

Leister, Wiebke (2018) Echoes and Callings. [Show/Exhibition]

Leister, Wiebke (2016) Echoes and Transformations. [Show/Exhibition]

Collins, Jane and Pavelka, Michael (2007) Stages calling: Photographs from the Market Theatre by Ruphin Coudyzer. [Show/Exhibition]

Thesis

Simões, Nenita Gouveia (2007) Rehearsing Reality: An Interactive Docufragmentary Exploration of the Theatre of the Oppressed's Engagement with the Brazilian Landless Movement (MST). PhD thesis, University of the Arts London.

Hosea, Birgitta (2012) Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. PhD thesis, University of the Arts London.

Gravestock, Hannah (2011) Drawing and re-drawing: working with the physicality of the performing body in costume design. PhD thesis, University of the Arts London, University of Surrey.

Dunne, Joseph (2015) Regenerating the Live: The Archive as the Genesis of a Performance Practice. PhD thesis, University of Lincoln.

Armstrong, Esther (2010) A scenographic analysis of emergent British 'national' identity, on the stages of the National Theatre between 1995-2005. PhD thesis, University of the Arts London.

This list was generated on Mon Jul 15 21:04:42 2019 BST.