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Items where Subject is "Creative Arts and Design > Theatre studies"

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Group by: Date | Creators | Type of Research | No Grouping
Number of items at this level: 46.

Art/Design Item

Collins, Jane (2010) Craig: In His Own Words in Space and Light. [Art/Design Item]

Article

Windle, Amanda (2014) How to be a resilient researcher of social isolation. Native.

Sabin, Roger (2009) Ally Sloper on Stage. European Comic Art, 2 (2). pp. 205-225. ISSN 17543800

Mirodan, Vladimir (2015) Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis. Theatre, Dance and Performance Training, 6 (1). pp. 30-45. ISSN 1944-3927 (Print), 1944-3919 (Online)

Mackey, Sally and Cole, Sarah (2013) Cuckoos in the Nest: performing place, artists and excess. Applied Theatre Research, 1 (1). pp. 43-61. ISSN 20493010

Komporaly, Jozefina (2014) “Don’t you dare to vote with the Communists!”: Timeliness, Nostalgia and the Authenticity of Experience in I’m a Communist Biddy! Adaptation, 7 (2). ISSN 1755-0637

Komporaly, Jozefina (2015) Interferences International Theatre Festival, Cluj, Romania, 26 November-7 December 2014. Theatre Journal, 67 (3). pp. 550-554. ISSN 0192-2882

Komporaly, Jozefina (2014) Narratives of Belonging in Multilingual Performance: The Case Study of 20/20. Linguistica Antverpiensia, 13. pp. 30-44. ISSN 2295-5739

Collins, Jane (2013) A Scenography Workshop on Campus in Hyderabad: Romeo, Juliet and the Security Guard. Studies in Theatre and Performance, 33 (3). pp. 383-396. ISSN 1468-2761

Collins, Jane (2007) Umuntu, ngumuntu, ngabantu: the story of the African choir. Studies in Theatre and Performance, 27 (2). pp. 95-114. ISSN 14682761

Book

Willson, Jacki (2008) The Happy Stripper: Pleasures and Politics of the New Burlesque. I.B.Tauris, London and New York. ISBN 978-1-84511-318-6

Visniec, Matéi and Komporaly, Jozefina (2015) How to Explain the History of Communism to Mental Patients and Other Plays. In Performance . Seagull Books, London, New York, Calcutta. ISBN 9780857422200

Leister, Wiebke (2016) Echoes and Afterlives (Fieldstudy). Fieldstudy, 22 . Photography and the Archive Research Centre, London.

Leister, Wiebke (2001) Theaterszene-Jahrbuch Köln 2001. Theaterszene-Jahrbuch Köln . M7 Verlag, Cologne. ISBN 3-934511-03-1

Collins, Jane and Nisbet, Andrew (2010) Theatre and performance design: a reader in scenography. Routledge Taylor Francis Group, Oxford, U.K.. ISBN 9780415432092, 9780415432108

Book Section

Komporaly, Jozefina (2015) Staging History: Memory and Representation in the Theatre of Matéi Visniec and András Visky. In: Literatura, Teatrul si Filmul, in onoarea dramaturgului Matei Visniec. Ovidius University Press, Constanta, Romania. ISBN 978-973-614-855-2

Granville, Andrew and Granville, Jennifer and Spencer, Michael (2015) Writing and performing mathematics as metaphor. In: Art in the Life of Mathematicians. American Mathematical Society, USA. ISBN ISBN-10: 1470419564 ISBN-13: 978-1470419561

Conference, Symposium or Workshop Item

Thornett, Lucy (2015) The Double: Towards a Design-Led Dramaturgy. In: Scenographic Things - TaPRA Scenography Working Group Interim Event, 23.04.2015, Trinity College, Dublin.

Spencer, Michael (2013) Documentation AS Scenography. In: Performing Documents, 12-14 April 2013, Arnolfini, Bristol.

Sidey, Tessa (2010) Creative image maker: Edward Gordon Craig’s achievements in the visual arts. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A museum, London. (Unpublished)

Collins, Jane (2010) Embodied presence and dislocated spaces: ten thousand several doors a site specific re-staging of John Webster's the Duchess of Malfi. In: World Congress: Cultures of Modernity, 25-31 July 2010, Munich, Germany. (Unpublished)

Collins, Jane (2011) Looking: the experience of seeing, a scenographic perspective. In: Indian Society of Theatre Research (ISTR): Theatre Research Conference, January 2011, Hyderabad , India. (Unpublished)

Cole, Sarah and Mackey, Sally (2014) Home Fit for Heroes? Performing Carer Landscapes. In: Theatre and Performance Research Association, 3-5 September 2014, Royal Holloway University, Egham.

Cairns, Jon (2014) “Feeling My Way: Art and the Intimate Encounter”. In: Intimacy Unguarded: Autobiography, Biography, Memoir, Central Saint Martins.

Performance

Thornett, Lucy and Lever-Davidson, Amelia (2014) The Double. [Performance]

Pilgrim, Geraldine (2007) Dreams of a Winter Night. [Performance]

Leister, Wiebke and Toop, David (2016) Echoes. [Performance]

Collins, Jane (2011) reSearching: playing in the archive, part 2. [Performance]

Butler, Brad and Mirza, Karen (2013) The Guest of Citation. [Performance]

Brooks, Peter and Quick, Andrew (2006) El Cuidador. [Performance]

Brooks, Peter and Quick, Andrew, Imitating the Dog Theatre Company (2009) Kellerman. [Performance]

Brooks, Peter and Quick, Andrew, Imitating the Dog Theatre Company (2012) Zero Hour (Stunde Null). [Performance]

Brooks, Peter (2011) El Rey Lear. [Performance]

Brooks, Peter, Imitating the Dog Theatre Company (2006) Hotel Methusaleh. [Performance]

Brooks, Peter (2005) In Praise of Folly. [Performance]

Brooks, Peter, Imitating the Dog Theatre Company (2011) Six degrees below the horizon. [Performance]

Brooks, Peter, Hellenic Dance Company, State School of Dance (2010) The splinter in the flesh. [Performance]

Show/Exhibition

Melvin, Jo (2009) An Impossible Journey: the art and theatre of Tadeusz Kantor. [Show/Exhibition]

Meller, Fred (2011) Transformation revelation. [Show/Exhibition]

Leister, Wiebke (2016) Echoes and Afterlives. [Show/Exhibition]

Collins, Jane and Pavelka, Michael (2007) Stages calling: Photographs from the Market Theatre by Ruphin Coudyzer. [Show/Exhibition]

Thesis

Simões, Nenita Gouveia (2007) Rehearsing Reality: An Interactive Docufragmentary Exploration of the Theatre of the Oppressed's Engagement with the Brazilian Landless Movement (MST). PhD thesis, University of the Arts London.

Hosea, Birgitta (2012) Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. PhD thesis, University of the Arts London.

Gravestock, Hannah (2011) Drawing and re-drawing: working with the physicality of the performing body in costume design. PhD thesis, University of the Arts London, University of Surrey.

Dunne, Joseph (2015) Regenerating the Live: The Archive as the Genesis of a Performance Practice. PhD thesis, University of Lincoln.

Armstrong, Esther M (2010) A scenographic analysis of emergent British 'national' identity, on the stages of the National Theatre between 1995-2005. PhD thesis, University of the Arts London.

This list was generated on Wed Aug 24 12:58:09 2016 BST.