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von Zwehl, Bettina (2004) ALINA - 12 portrait photographs. [Art/Design Item]
von Zwehl, Bettina (2002) Profiles Series I, II and III (Profiles I 2001; Profiles II 2002; Profiles III 2005-6). [Art/Design Item]
von Zwehl, Bettina (2004) RAIN - A series of photographic portraits. [Art/Design Item]
von Muller, Johannes and Anderson, Joanne and Finch, Mick (2019) Bilder Auf Wanderschaft. [Show/Exhibition]
von Muller, Johannes and Anderson, Joanne and Finch, Mick (2019) Image Journeys: The Warburg Institute and a British Art History. Dietmar Klinger Verlag, Passau Germany. ISBN 978-3-86328-171-7
van Kesteren, Geert and Gruiters, Jan and Lardinois, Brigitte (2008) Baghdad Calling: Reports from Turkey, Syria, Jordan and Iraq. In: Baghdad Calling: Reports from Turkey, Syria, Jordan and Iraq. post editions, pp. 11-14.
lok, susan pui san (2019) Fast Forward, Rewind - Slow, Slow, Quick, Quick, Slow. In: Fast Forward: How Do Women Work?, 30 November - 2 December 2019, Tate Modern, London.
lok, susan pui san (2019) We Will Be. In: The Place Is Here: The Work of Black Artists in 1980s Britain. Sternberg Press, Berlin, pp. 14-19. ISBN 9783956794667
fitzPatrick, Edwina (2014) Lost and Found. [Show/Exhibition]
fitzPatrick, Edwina (2008) An Orchid Collection. [Show/Exhibition]
dos Anjos Afonso, Manoela (2016) Language and place in the life of Brazilian women in London: writing life narratives through art practice. PhD thesis, University of the Arts London.
Zimmerman, Andrea Luka and Roberts, David and Forrester, Elam and Campbell, Briony (2012) From Heroin to Heroines. [Show/Exhibition]
Zimmerman, Andrea Luka and Johansson, Lasse (2011) In Wait. Homecultures (The Journal of Architecture, Design and Domestic Space), 8 (1). pp. 91-102. ISSN 1740-6315
Zimmerman, Andrea Luka (2022) Notes on making Wayfaring Stranger. In: Swedenborg Review 0.04. Swedenborg Society, pp. 14-15. ISBN 978-0-85448-226-9
Zimmerman, Andrea Luka (2022) Sounding The Voices. [Art/Design Item]
Young, Carey (2011) Memento Park. [Show/Exhibition]
Young, Carey (2010) Redshift series. [Art/Design Item]
Yass, Catherine (2003) Split Sides (Merce Cunningham 50th Anniversary commission). [Art/Design Item]
Wynne, John and Wainwright, Tim (2016) Pain and Renewal in Organ Transplantation. In: Encountering Pain: hearing, seeing, speaking, 1-2 July 2016, University College London.
Wynne, John and Wainwright, Tim (2016) Transplant (excerpt). In: Beyond text? Critical practices and sensory anthropology. University of Manchester Press, Manchester. ISBN 978-0-7190-8505-5
Wynne, John and Wainwright, Tim (2017) Transplant and Life. [Show/Exhibition]
Wynne, John (2010) Anspayaxw. [Art/Design Item]
Wynne, John (2010) Artist Talk by John Wynne. In: Artist Talk by John Wynne, July 2010, Museum of Anthropology, Vancouver. (Unpublished)
Wynne, John (2014) Hearing Voices: Research and creative practice across cultures and disciplines. Language Documentation and Description, 12. pp. 120-150. ISSN 1740-6234
Wynne, John (2011) Hearing faces, seeing voices: sound art, experimentalism and the ethnographic gaze. In: Between Art and Anthropology: Contemporary Ethnographic Practice. Berg Publishers, London, UK, pp. 49-67. ISBN 9781847885005
Wynne, John (2016) >Image>Memory>Sound>Text>. In: The Routledge Companion to Sounding Art. Routledge/Taylor and Francis, London and New York, pp. 111-124. ISBN 978-1-138-78061-3
Wynne, John (2011) Sound art, documentary practices and ethical minefields: Trust, interpretive freedom and responsible engagement with vulnerable subjects. In: Documentary Now! A Conference on the Contemporary Contexts and Possibilities of the Documentary, 28-30 January 2011, University of Westminster, London. (Unpublished)
Wylie, Gus (2005) Stewart boat builders in North Uist, in the Western Isles of Scotland - 1974/2004. [Art/Design Item]
Wylie, Gus (2002) When the evening mist surrounds us. [Art/Design Item]
Wooldridge, Duncan and Williams, Anne (2016) In Superposition (exhibition). [Show/Exhibition]
Wooldridge, Duncan and Campany, David (2018) Tomorrow's Headlines are Today's Chip Papers: Some Thoughts on Response-ability. In: Photography Reframed: Visions in Photographic Culture. I. B. Tauris, London, pp. 31-35. ISBN 978-1784538835
Wooldridge, Duncan (2014) John Hilliard: Not Black and White. Ridinghouse, London. ISBN 9781905464937
Wooldridge, Duncan (2021) The Open Photograph. In: Niko Luoma - For Each Minute Sixty-Five Seconds. Hatje Cantz Verlag, Berlin, pp. 170-175. ISBN 978-3-7757-4689-2
Wooldridge, Duncan (2021) The Photograph is a Question: Takano and Photographic Seeing. In: Takano Ryudai: Daily Photographs 1999-2021. The National Museum of Art, Osaka, The Asahi Shimbun.
Wooldridge, Duncan (2018) The Process The Photograph is Threaded Through: The Images of the Marina Gadonneix and Louise Lawler. In: PaintingDigitalPhotography: Synthesis and Difference in the Age of Media Equivalence. Cambridge Scholars Publishing. ISBN 1527511103
Wooldridge, Duncan (2021) Ryudai Takano - Kikuo (Reclining Woo-Man) Preface. In: Ryudai Takano: Kikuo (Reclining Woo-Man). Libraryman, Hägersten, Sweden, p. 7. ISBN 978–91–88113–43–6
Wooldridge, Duncan (2017) Stretching Painting and Photography: the morphologies of the digital image file. In: Painting Digital Photography International Conference, 9th May 2017, Derby QUAD.
Wooldridge, Duncan (2018) Technology and Interaction: Penelope Umbrico's TVs from Craigslist. In: Photography Reframed: Visions in Photographic Culture. I. B. Tauris, London, pp. 3-7. ISBN 978-1784538835
Wooldridge, Duncan (2021) To Be Determined: Photography and the Future. SPBH Essays . SPBH Editions, London and Milan. ISBN 978-1916041233
Wooldridge, Duncan (2016) Visibility and Realism: Photography and the Problems of Transparency. Philosophy of Photography, 7 (1 & 2). pp. 11-20. ISSN 2040-3682
Williams, Val and Wilde, Jason (2010) Jason Wilde free photographic studio. [Show/Exhibition]
Williams, Val and Silva, Corinne (2017) The Re-making of the English Landscape: in the footsteps of WG Hoskins and FL Attenborough’. In: Landscape Now, 30 November and 1 December 2017, The Building Centre, London.
Williams, Val and Shepherdson, Karen (2019) Seaside Photographed. [Show/Exhibition]
Williams, Val and Lippett, Zoe and Dickson, Malcolm and Ryley, Marjolaine (2012) Growing up in the new age. [Show/Exhibition]
Williams, Val and Liley, Hannah and Marchant, Alison (2012) Road: artists and the stop the M11 link road campaign 1984 - 1994.
Williams, Val and Lardinois, Brigitte (2009) Photographs from the Glyndebourne Opera archive, 1934–1939. Photography and Culture, 2 (1). pp. 89-94. ISSN 17514517
Williams, Val and Hart, Janice (2005) Directory of Photographic Collections in the UK.
Williams, Val and Crabbe, Lorna and Thomas, Laura (2005) Private Museum. [Art/Design Item]
Williams, Val and Bright, Susan (2007) How We Are: Photographing Britain. [Show/Exhibition]
Williams, Val (2007) Anna Fox monograph. Photoworks, Brighton. ISBN 1903796172
Williams, Val (2011) Beyond experience. In: The New Gypsies. Prestel, London, UK, pp. 109-114. ISBN 3791345192/9783791345192
Williams, Val (2013) Beyond the Machine: Carlo Van de Roer's Aura Portraits. In: The Portrait Machine Book. Diamani Editions, New York. ISBN 978-88-6208-268-6
Williams, Val, Fotonow (2010) Cameras in the community. In: Cameras in the community symposium, 09 December 2010, Plymouth, UK.
Williams, Val (2010) The Daniel Meadows Archive: The shop on Graeme Street, 1972. Photography and Culture, 3 (1). pp. 81-90. ISSN 17514517
Williams, Val (2014) Daniel Meadows: Early Photographs. [Show/Exhibition]
Williams, Val (2014) Daniel Meadows: Early Photographs. [Art/Design Item]
Williams, Val (2011) Daniel Meadows: early photographic works, 1972-1987. [Show/Exhibition]
Williams, Val (2011) Daniel Meadows: edited photographs from the 70s and 80s. Photoworks, UK. ISBN 9781903796467
Williams, Val (2012) Enchantment and Haunting: Bimbling in Jarra: Chris Harrison’s Photographs. In: I Belong Jarrow. Schildt, Amsterdam, pp. 105-107. ISBN 9789053307809
Williams, Val (2013) Encountering the Counterculture. In: Growing Up In The New Age. Daylight Books, New York, pp. 23-28. ISBN 978-0-9832316-8-4
Williams, Val (2011) Found Archives: Pictures from Roberts; Found in Bethnal Green; English Murders. [Show/Exhibition]
Williams, Val (2018) From the Supermarket to the Elephant. In: Fables of Faubus. GOST, London. ISBN 978-1-910401-10-1
Williams, Val (2013) Going North: 'Northern-ness' and the Photographic Imagination. In: Understanding North, 25-26 April 2013, Umea University.
Williams, Val (2014) Keynote Conference Response: Beyond the View (New) Perspectives on Seaside Photography. In: Beyond the View (New) Perspectives on Seaside Photography, July 10 and July 11, 2014, Sidney Cooper Gallery, Canterbury and Turner Contemporary, Margate.
Williams, Val (2010) Looking for the Ordinary: British documentary photography. In: Krakow Photomonth 2010, 04-31 May 2010, Krakow, Poland.
Williams, Val (2014) Making Networks in British Photography in the 1970s and 80s: The Midland Group Gallery. In: National Photography Symposium 2014, 12 June 2014, Library of Birmingham.
Williams, Val (2002) Martin Parr: Photographic Work 1970-2000. [Show/Exhibition]
Williams, Val (2021) Men Alone. Parakeet, London UK. ISBN 978-1-7398127-0-6
Williams, Val (2023) Mortal Remains. In: Sunspots. Bare Pipes Press, UK, pp. 134-139. ISBN 978-1-3999-4434-2
Williams, Val (2012) Our own personal Venice. In: Tourists & Nomads: Amateur Images of Migration. Jonas Verlag, Marburg. ISBN 9783894454647
Williams, Val (2011) Photographed narratives in London, 1900–35. Modern Painters: The Camden Town Group (web project).
Williams, Val (2011) Pictures from Robert's. Photography and Culture, 4 (2). pp. 201-212. ISSN 1751-4517, 1751-4525
Williams, Val (2012) Remembering the counterculture. In: Growing up in the New Age. Wolverhampton Art Gallery, Wolverhampton.
Williams, Val (2012) Stuart Griffiths. Jocks&Nerds, 1 (5). pp. 142-147.
Williams, Val (2004) "When We Were Young: Derek Ridgers: Club and Street Portraits 1978-1987". Photoworks, Brighton. ISBN 190379613X
Williams, Val (2012) When photography really works. Barron's Educational Series, New York. ISBN 9780764147890
Williams, Val (2010) The casting of the real: Mohamed Bourouissa. Foam International Photography Magazine (23). pp. 52-54. ISSN 15704874
Williams, Val (2011) The unredeemed past: enigmas of collective memory 1980-1992. In: Reading Photography: A Sourcebook of Critical Texts. Lund Humphries, Farnham, UK. ISBN 97808353319764
Williams, Val (2011) The war in colour. British Journal of Photography, 158 (7784). pp. 46-51. ISSN 0007-1196
Williams, Anne (2009) Identity Crisis. Photographies, 2 (2). pp. 125-133. ISSN 1754-0763 (Print), 1754-0771 (Online)
Watson, Luke (2018) Defence Mechanisms: The Plotting Room. [Art/Design Item]
Watson, Luke (2017) Silencer in the Woods. [Art/Design Item]
Wainwright, Chris and Kippin, John (2012) Futureland Now - Reflections on the post-industrial landscape. [Show/Exhibition]
Wainwright, Chris (2013) A Catalogue of Errors. [Show/Exhibition]
Wainwright, Chris (2008) If you believe they put a man on the moon. [Art/Design Item]
Wainwright, Chris (2015) Pause. In: UAL Professorial Platform Series 2014-15, 17 March 2015, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.
Wainwright, Chris (2009) Red Ice - White Ice. [Art/Design Item]
Wainwright, Chris (2007) Refusal. [Art/Design Item]
Wainwright, Chris (2009) Semaphores. [Art/Design Item]
Veness, Alex (2015) 'The Irresistible Ascendancy of Slovenian Situationism'. [Show/Exhibition]
Veness, Alex (2010) The game of war. [Performance]
Vale, Sam (2014) Collecting Rooms: Objects, Identities and Domestic Spaces. PhD thesis, University of the Arts London.
Tulloch, Carol (2009) Just One Shot. In: MA Photography Lecture, 12th March 2009, University of Bolton, UK. (Unpublished)
Tulloch, Carol (2008) Photographic Archives and Dress History. In: Nostalgia Symposium, 26th June 2008, Winchester School of Art. (Unpublished)
Tulloch, Carol (2018) A Riot of Our Own: A Reflection on Agency. In: Disturbing Pasts: Memories, Controversies and creativity. Manchester University Press, Manchester, pp. 36-68. ISBN 978-1-5261-1545-4
Tsutsumi, Maiko and Padilha, Eduardo (2012) The Laundry Room. [Show/Exhibition]
Trangmar, Susan (2013) A Divided Glance: A Dialogue Between the Photographic Project “A Forest of Signs” and the Figure of the Tree in Virginia Woolf’s Writing. The Literary London Journal, 10 (1).
Trangmar, Susan (2009) A Forest of Signs: Imagining Trees in the Contemporary Urban Environment. [Art/Design Item]
Trangmar, Susan (2012) A Forest of Signs: Trees and the Urban Imaginary. Journal of Photography and Culture, 5 (2). pp. 231-238. ISSN 17514517
Trangmar, Susan (2019) From Topography to Topology. In: Fragmentation of the Image in the Digital Age. Routledge History of Photography . Routledge, London: New York. ISBN 978-1-138-49349-0
Trangmar, Susan (2019) Landscape as a Twist of Thought: A Line of Enquiry. Philosophy of Photography, 10 (2). pp. 207-224. ISSN 2040-3682
Trangmar, Susan (2018) Passages of Inscription. Photographies, 12 (1). ISSN 1754-0763 (Print), 1754-0771 (Online)
Trangmar, Susan (2019) Some Places, Some Things. In: Seventeen of Sixty Eight. Ingrid Pollard, pp. 17-24. ISBN 978-0-36-825210-5
Trangmar, Susan (2016) Territories of Remembrance. In: Land and Water, 23rd June 2016, Plymouth University.
Trangmar, Susan (2019) Turbulence. [Art/Design Item]
Trangmar, Susan (2016) UNFOUND. [Show/Exhibition]
Trangmar, Susan (2014) Wandering Shards. Philosophy of Photography, 5 (2). pp. 146-157. ISSN 2040-3682
Trangmar, Susan (2015) Wandering Shards. [Art/Design Item]
Trangmar, Susan (2011) A forest of signs: trees and the urban imaginary. In: Framing the City: CRESC Annual conference, 6-9th September 2011, University of Manchester. (Unpublished)
Tran, John (2005) From Yokohama to Manchuria: a photography-based investigation of nostalgia in the construction of Japanese landscape. PhD thesis, University of the Arts London.
Till, Jeremy (2013) Six Inches of Power. In: Chateau Despair. Gost Books, London. ISBN 978-0-9574272-0-4
Teles, Ana (2023) Painted Copies, Digital Reproductions, and Originals: A Case Study of Copying Frank Bowling’s 'Lent'. The Journal of Art Theory and Practice (36).
Teichmann, Esther (2017) Heavy the Sea. [Show/Exhibition]
Teichmann, Esther (2015) Mondschwimmen. [Show/Exhibition]
Teichmann, Esther (2015) Staging Disorder. In: Staging Disorder. Black Dog Publishing, London. ISBN 978-1-910433-15-7
Teichmann, Esther (2011) 'Wahlverwandtschaften'. [Show/Exhibition]
Taylor, Roger and Schaaf, Larry (2007) Impressed by Light: British Photographs from Paper Negatives, 1840-1860. Yale University Press, in association with The Metropolitan Museum of Art, New York, N.Y., USA. ISBN 0300124058, 9780300124057
Taylor, Finlay (2011) Night time day light. [Show/Exhibition]
Taylor, Finlay (2011) Scientists. [Art/Design Item]
Taylor, Finlay (2011) Viva la vida. [Art/Design Item]
Taylor, Allan S (2017) Performance, Photography, Performativity: What performance 'does' in the still image. PhD thesis, University of the Arts London and Falmouth University.
Tallentire, Anne (2006) Arena Industriale. [Art/Design Item]
Swinson, James (2004) SE11 (re)generations: an exploration of the city in flux. In: Fixed Architecture, Incompleteness and Change, 7-8th April 2004, School of Architecture, Design and Environment, University of Plymouth, Plymouth, UK. (Unpublished)
Sutherland, Patrick and Tsering, Tashi (2011) Disciples of a crazy saint: The Buchen of Spiti. Pitt Rivers Museum, University of Oxford, Oxford, UK. ISBN 9780902793514
Sutherland, Patrick and Reas, Paul and Takvam, Monica (2012) From a Distance. [Show/Exhibition]
Sutherland, Patrick and Hutchings, Roger (2003) No Heroes: The photographs of Roger Hutchings. The London Institute, London, UK. ISBN 0 9539967 2 7
Sutherland, Patrick and Coldstream, John (2015) Spiti. [Show/Exhibition]
Sutherland, Patrick (2008) Community: The Elephant and Castle. The Elephant Vanishes, 2 . London College of Communication, London, UK. ISBN 9780954807450
Sutherland, Patrick (2008) Community: the Elephant and Castle. [Show/Exhibition]
Sutherland, Patrick (2010) Disciples of A Crazy Saint The Buchen of Spiti. [Show/Exhibition]
Sutherland, Patrick (2011) Disciples of a Crazy Saint: Photographing the Buchen of Spiti. In: Disciples of a Crazy Saint: Photographing the Buchen of Spiti, 14 February 2011, University of Cambridge.
Sutherland, Patrick (2010) Disciples of a crazy saint: the Buchen of Spiti. [Show/Exhibition]
Sutherland, Patrick (2016) Documenting the material culture of the Buchen. In: First International Conference on Spiti: Recovering the Past & Exploring the Present, May 6-7 2016, Wolfson College, University of Oxford.
Sutherland, Patrick (2011) Down the ages: the contribution of Buddhism to India and the world. [Show/Exhibition]
Sutherland, Patrick (2012) Economy: photographs of the Elephant and Castle. [Show/Exhibition]
Sutherland, Patrick (2012) Economy: the Elephant and Castle. The Elephant Vanishes, 3 . London College of Communication, London, UK. ISBN 9781906908157
Sutherland, Patrick (2017) Fieldwork: A Photographer in Spiti. In: UAL Professorial Platform Series 2017.
Sutherland, Patrick (2007) Home: the Elephant and Castle. [Show/Exhibition]
Sutherland, Patrick (2008) Home: the Elephant and Castle. The Elephant Vanishes, 1 . London College of Communication, London, UK. ISBN 9780954807443
Sutherland, Patrick (2006) No Place for Men. [Art/Design Item]
Sutherland, Patrick (2007) "Permanent Archive of Spiti Photographs at The British Library". [Art/Design Item]
Sutherland, Patrick (2016) The Photo Essay: Patrick Sutherland. Visual Anthropology Review, 32 (2). pp. 115-121. ISSN 1058-7187
Sutherland, Patrick (2000) Spiti The Forbidden Valley. Network Photographers, London UK. ISBN 0953675637
Sutherland, Patrick (2016) Spiti: Some notes on the practice of documentary photography. In: Beyond text? Critical practices and sensory anthropology. Manchester University Press, Manchester, UK, pp. 33-57. ISBN 978-0-7190-8505-5
Storey, Helen and Knifton, Robert (2015) Life on the Outskirts. [Show/Exhibition]
Stewart, Christopher and Teichmann, Esther (2015) Staging Disorder. [Show/Exhibition]
Stevenson, Caroline and Charalambous, Tony and Finnigan, Terry and Rose, Winston and Scrivener, Chloe and Hamilton Butler, James and Fernandes, Gavin (2011) Disruption: A Fashion Performance. [Performance]
Stephens, Tim and Pantridge, Keith (2011) Dosimetry, Personal Monitoring Film. Philosophy of Photography, 2 (1). pp. 153-158. ISSN 2040-3682
Stephens, Tim (2011) ‘The End(s) of the Still’ – Releasing rhythm from photographic geometry. In: Rhythm & Event, 29 October 2011, London Graduate School.
Stephens, Tim (2012) From Palimpsest and Pentimento to Decalcomania: A presentation of the works of Jean-Yves Michalik. In: Beyond Representation: Photography, Humans & Computers, 24 May 2012, Centre for Media & Culture Research, London South Bank University.
Stephens, Tim (2018) I am what is a photograph: photo-fiction as performative auto-ethnography. Cultural Studies - Critical Methodologies, 19 (2). pp. 79-83. ISSN 1532-7086
Stephens, Tim (2023) Photographic Non-Self. In: Handbook of Research on the Relationship Between Autobiographical Memory and Photography. Advances in Media, Entertainment, and the Arts (AMEA) . IGI Global, Pennsylvania, pp. 485-509. ISBN 9781668453377
Stephens, Tim (2011) Walking as Photographic Reinterpretation. In: EastBordNet ISO803 Remaking Borders, 20-22 January 2011, Monastero dei Benedettini, Catania Sicily.
Stephens, Tim (2010) What is rhythm in relation to photography? Philosophy of Photography, 1 (2). pp. 157-175. ISSN 2040-3682
Stephens, T (2005) Contemporary Photography and Innovative Image Technology Applied to New Architecture and the Conservation of Historic Interiors - 8 photographs exhibited. [Art/Design Item]
Soon, Winnie (2023) Unerasable Images. In: Screen Images: In-Game Photography, Screenshot, Screencast. Kulturverlag Kadmos Berlin. Wolfram Burckhardt, Berlin, pp. 43-50. ISBN 978-3-86599-535-3
Sliwinska, Basia and Bohr, Marco (2018) Introduction. In: The Evolution of the Image Political Action and the Digital Self. Routledge Advances in Art and Visual Studies . Routledge, New York, pp. 1-11. ISBN 97811382160372
Sliwinska, Basia (2018) The Evolution of the Image: Political Action and the Digital Self. Routledge, New York. ISBN 9781138216037
Sliwinska, Basia (2020) Feminist Visual Activism and the Body. Routledge, Taylor & Francis, London, New York. ISBN 9780367278991
Simonson, Caryn (2007) Esther and Lyn with The Cossack, at The Yard, London. [Art/Design Item]
Simonson, Caryn (2013) Motorcycle Cultures: fashioning bikes, building identities. [Show/Exhibition]
Simonson, Caryn (2008) On crafting humanity: an interview with Margi Geerlinks. Textile: The Journal of Cloth and Culture, 6 (3). pp. 274-285. ISSN 14759756
Simonson, Caryn (2007) Textile transporter. [Show/Exhibition]
Silva, Corinne and Sajovic, Eva (2017) Open Lab: Plant/Lives. [Show/Exhibition]
Silva, Corinne (2014) Dreamlands and Ecotones: How can a photographic language be constructed to explore the politics of landscape on the political equator? PhD thesis, University of the Arts London.
Silva, Corinne (2015) Garden State. [Show/Exhibition]
Silva, Corinne (2016) Garden State. Ffotogallery, The Mosaic Rooms, London. ISBN 978-1-872771-58-8
Silva, Corinne (2014) Gardening the Suburbs. [Show/Exhibition]
Silva, Corinne (2013) I See Europe. [Show/Exhibition]
Silva, Corinne (2010) Imported Landscapes. [Show/Exhibition]
Silva, Corinne (2014) My Sister Who Travels. [Show/Exhibition]
Silva, Corinne (2014) Over and Over the Rainbow. [Show/Exhibition]
Shepherdson, Karen and Williams, Val (2019) Seaside Photographed. Thames & Hudson, London, UK. ISBN 978-0-500-02206-1
Shepherdson, Karen and Ball, Rob (2014) Beyond the View, Reframing the Sunbeam Photographic Collection. [Show/Exhibition]
Shepherdson, Karen and Ball, Rob (2014) Beyond the View: New Perspectives on Seaside Photography. Burton Press, Verona. ISBN 978-0-9571637-5-1
Shepherdson, Karen (2014) Aftermath I & II. [Art/Design Item]
Shepherdson, Karen (2018) Beyond the View: Reframing the Early Seaside Photographer. In: Coastal Cultures of the Long Nineteenth Century. Edinburgh University Press, Edinburgh, pp. 225-241. ISBN 9781474435734
Selejan, Ileana L. and Vicki, Goldberg and Beverly, Brannan and Lisa, Fischman (2016) Charlotte Brooks at LOOK: 1951-1971 (exhibition catalogue). The Davis Museum at Wellesley College, Wellesley, MA.
Selejan, Ileana L. (2022) How Claudia Gordillo Documented the Realities of Life in Nicaragua. Aperture.
Selejan, Ileana L. (2021) Vandalism as Symbolic Reparation: Imaginaries of Protest in Nicaragua. Cambridge Journal of Anthropology, 39 (2). ISSN 2047-7716
Selejan, Ileana L. (2015) War in paradise: Solentiname and the Sandinista. Visual Studies, 30 (2). pp. 151-165. ISSN 1472-586X
Seitz, Dallas (2011) In Search For Lake Victoria. [Show/Exhibition]
Seitz, Dallas (2010) Shot. [Show/Exhibition]
Sealy, Mark (2019) Decolonising the Camera: Photography in Racial Time. Lawrence and Wishart, London. ISBN 9781912064755
Schuman, Aaron and Teichmann, Esther (2012) InAppropriation. [Show/Exhibition]
Schaaf, Larry (2002) "In Focus: William Henry Fox Talbot: Photographs from the J. Paul Getty Museum". Getty Trust Publications. ISBN 0892366605
Schaaf, Larry (2001) Sun Pictures Catalogues - Series of catalogues (17 to date), each volume containing exacting reproductions of rare photographs, produced to standards suitable for reference. [Art/Design Item]
Sajovic, Eva and Czajka, Agnes (2019) Picturing Climate. [Show/Exhibition]
Sajovic, Eva and Colner, Miha (2021) Hanging By A Thread. [Show/Exhibition]
Sajovic, Eva and Butler, Sarah (2018) Hold Me Together. [Art/Design Item]
Sajovic, Eva (2020) Botteghe Digitali / Digital Manufacturing. [Show/Exhibition]
Sajovic, Eva (2017) Elephant's Trumpet. [Art/Design Item]
Sajovic, Eva (2015) Hidden Presence. [Show/Exhibition]
Sajovic, Eva (2017) Photographic (Communities of) Displacement. [Show/Exhibition]
Sajovic, Eva (2022) Plantscapes. [Show/Exhibition]
Sajovic, Eva (2018) Taking Part. [Show/Exhibition]
Sajovic, Eva (2022) Weaving as Ethical Photography. Trigger.
Sajovic, Eva (2023) #end of empire. [Show/Exhibition]
Růžička, Vít (2019) Latent Jungle. [Art/Design Item]
Rughani, Pratap (2010) Are you a vulture? Reflecting on the ethics and aesthetics of atrocity coverage and its aftermath. In: Peace Journalism, War and Conflict Resolution. Peter Lang, Oxford, pp. 157-172. ISBN 9781433107252/9781433107269
Rughani, Pratap (2015) Kubrick's Lens: Dispatches from the Edge. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, London, pp. 310-327. ISBN 9781908966421
Rughani, Pratap (2011) Where Three Dreams Cross. Photography & Culture, 4 (3). pp. 359-362.
Ruggaber, Karin (2011) Just photography. [Show/Exhibition]
Ruggaber, Karin (2011) Karin Ruggaber: artist’s talk. In: UWE Fine Art / Art in the City Spring 2011 Lecture Series, 09 Mar - 06 April 2011, Bristol, UK. (Unpublished)
Ruggaber, Karin (2010) Villas. The Block, London, UK. ISBN 9780956675705
Ruggaber, Karin (2010) Yesilyurt and Karin Ruggaber in conversation with Megan O’Shea. P.E.A.R. (Paper for Emerging Architectural Research) (2). pp. 20-26. ISSN 2041-2878
Rubinstein, Daniel and Sluis, Katrina (2013) The Digital Image in Photographic Culture; Algorithmic Photography and the Crisis of Representation. In: The Photographic Image in Digital Culture. Routledge, London, UK, pp. 22-40. ISBN 9780415535298
Rubinstein, Daniel and Sluis, Katrina (2008) A Life More Photographic, Mapping the Networked Image. Photographies, 1 (1). pp. 9-29. ISSN 1754-0763 (Print), 1754-0771 (Online)
Rubinstein, Daniel and Sluis, Katrina (2013) Notes on the Margins of Metadata; Concerning the Undecidability of the Digital Image. Photographies, 6 (1). pp. 151-158. ISSN 1754-0763 (Print), 1754-0771 (Online)
Rubinstein, Daniel and Golding, Johnny and Fisher, Andy (2013) On The Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham. ISBN 9781873352021
Rubinstein, Daniel (2016) Assassination of Experience by Photography. Bijutsu Techo, 68 (1042). pp. 98-104. ISSN 0287-2218
Rubinstein, Daniel (2009) Digitally Yours; The Body in Contemporary Photography. The Issues in Contemporary Culture and Aesthetics, 2&3. pp. 181-195. ISSN 0955003725
Rubinstein, Daniel (2012) GIF Today. Born in 1987.
Rubinstein, Daniel (2015) Gift of the Selfie. In: Ego Update. Alain Bieber, NRW-Forum, Düsseldorf. ISBN 9783863358310
Rubinstein, Daniel (2013) The Grin of Schrödinger's Cat; Quantum Photography and the limits of Representation. In: On the Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham, pp. 33-48. ISBN 9781873352021
Rubinstein, Daniel (2022) How Photography Changed Philosophy. Routledge History of Photography . Routledge, UK. ISBN 9780367694227
Rubinstein, Daniel (2018) Keeping up with the Cartesians: on the culture of the selfie with continual reference to Kim Kardashian. In: Public, Private, Secret: On Photography & the Configuration of Self. Aperture, USA. ISBN 978-1-59711-438-7
Rubinstein, Daniel (2016) Nothing to see here: Fractal Photography and the politics of invisibility. In: The Routledge Companion to Photography Theory. Routledge, London. ISBN 9781138845770
Rubinstein, Daniel (2020) Philosophie nach der Fotografie (Philosophy after Photography). Contemporary Philosophy . Merve / Verlag, Berlin, Germany. ISBN 978-3-96273-022-2
Rubinstein, Daniel (2019) Photography after Philosophy. In: The Handbook of Photography Studies. Bloomsbury, London. ISBN 9781474242219
Rubinstein, Daniel (2013) Photography as the Aesthetic Determination of Difference. PhD thesis, Birmingham City University.
Rubinstein, Daniel (2018) Post-representational Photography, or the Grin of Schrödinger’s Cat. In: Photography Reframed: New Visions in Contemporary Photographic Culture. IB Tauris, UK. ISBN 9781350137745
Rubinstein, Daniel (2018) Posthuman Photography. In: The Evolution of The Image; Political Action and the Digital Self. Routledge Advances in Art and Visual Studies . Routledge, Taylor & Francis, London, pp. 100-112. ISBN 978-1-138-21603-7
Rubinstein, Daniel (2021) Size does not matter (until it does); philosophic and psychoanalytic perspectives on a photographic scale. In: The promise of photography: scale, measure and proportion in a conflicted visual milieu, 17 September 2021, Online.
Rubinstein, Daniel (2018) Techniques of The Self; On the art of Cindy Sherman from Untitled Film Stills to Instagram. ZUM Revista De Fotografia, 15.
Rubinstein, Daniel (2009) Towards Photographic Education. Photographies, 2 (2). pp. 135-142. ISSN 1754-0763 (Print), 1754-0771 (Online)
Rubinstein, Daniel (2017) Value of Nothing. Journal of Visual Art Practice, 15 (2-3). pp. 127-137. ISSN 1470-2029
Rubinstein, Daniel (2015) What is 21st Century Photography? The Photographers' Gallery Blog.
Rubinstein, Daniel (2023) “A knife without a blade, for which a handle is missing”; on the pleasure of photographic violence. Philosophy of Photography, 13 (1). pp. 207-212. ISSN 2040-3682
Rowe, Lois (2011) Film, screened at 'Where is the photograph now?'. [Art/Design Item]
Round, Kathryn (2015) Keep it Country. [Art/Design Item]
Robinson, Simon (2017) Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway? PhD thesis, University of the Arts London.
Rickett, Sophy and von Zwehl, Bettina (2015) Album 31. [Art/Design Item]
Rickett, Sophy and Aitken, Judy (2018) Elephant Atlas: New Art, Performance, Writing and Workshops at LCC inspired by Southwark's Coming Museum Collection. [Show/Exhibition]
Rickett, Sophy (2019) Cupid and the Curious Moaning of Kenfig Burrows. [Show/Exhibition]
Rickett, Sophy (2017) The Curious Moaning of Kenfig Burrows. [Art/Design Item]
Rickett, Sophy (2019) The Curious Moaning of Kenfig Burrows. GOST, London. ISBN 978-1-910401-30-9
Rickett, Sophy (2015) The Death of a Beautiful Subject. Gost, London. ISBN 978-1-910401-06-4
Rickett, Sophy (2018) Elephant Atlas: A Compendium. Studio at the Elephant, London. ISBN 978-0-9575086-8-2
Rickett, Sophy (2013) Objects in the Field. [Show/Exhibition]
Rickett, Sophy (2014) Objects in the Field - Camilla Grimaldi Gallery. [Show/Exhibition]
Rickett, Sophy (2022) There it is, the Soil. [Art/Design Item]
Rickett, Sophy (2011) To The River. [Art/Design Item]
Reimers, Anne (2022) Fashion, Photography and Celebrity Culture in two Portraits by Otto Dix. In: Réévaluer la Nouvelle Objectivité et August Sander. Colloque International, 12-13 May 2022, Centre Pompidou, Paris.
Reimers, Anne (2022) “I am in favour of a black-and-white print that does not correspond to the original” (Otto Dix): Weimar Germany’s Print Media Culture and Oil Painting in Reproduction. In: Avant-Garde Art on Paper in Europe, 1905-1950, 23- 25 March 2022, Royal Museums of Fine Arts of Belgium.
Reid, Clunie (2005) God is bored of us II. [Show/Exhibition]
Reid, Clunie (2009) Take No Photographs, Leave Only Ripples. [Art/Design Item]
Reid, Clunie (2010) Your Higher Plane Awaits. [Art/Design Item]
Redd, Denise (2010) The hidden project. [Show/Exhibition]
Razian, Nora and Kubicki, Katherine and Wooldridge, Duncan (2014) Beyond The Frame: Photography and Experimentation. In: Beyond The Frame: Photography and Experimentation, 14th June 2014, Tate Modern.
Rakotoniaina, Sitraka and Popper, Joseph (2019) Reimagining Outer Space. In: 70th International Astronautical Congress, 21-25 October 2019, Washington D.C., United States of America.
Putnam, James (2018) Through The Looking Glass. [Show/Exhibition]
Putnam, James (2018) ‘Eyedentity’, Stephane Graff. In: Eyedentity, Stephane Graff. Galleria Mucciaccia, Rome. ISBN 978-88-6403-283-2
Pollen, Annebella (2010) Identity, Memory, Compassion and Competition: Mass-Participation Photography and Everyday Life. PhD thesis, University of the Arts London.
Pollard, Jennifer (2011) Seen, seared and sealed: Trauma and the visual presentation of September 11. Health, Risk & Society, 13 (1). pp. 81-101. ISSN 1369 8575
Pollard, Jennifer (2011) The Spectacle of Social Reform: Tracing the history of the photographic slideshow. In: PARC Research Seminar in the History, Theory and Practice of Photography, 16th March 2011, LCC. (Submitted)
Pollard, Jennifer (2007) "We Will Keep Looking": Digital Representations of 9/11. The International Journal of the Humanities, 4 (5). pp. 11-17. ISSN 1447-9508
Peters, Charley (2013) Print and Photo Salon. [Show/Exhibition]
Orta, Lucy (2010) Mapping the invisible: Eu-Roma Gypsies. Black Dog Publishing, London, UK. ISBN 9781906155919, 1906155917
Oles, James and Selejan, Ileana L. (2019) War and Loss. In: Art_Latin_America Against the Survey. University of Texas Press, Davis Museum at Wellesley College. ISBN 978-1-4773-1909-3
O'Riley, Tim (2011) Accidental Journey. In: Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Melbourne: Monash University Press. ISBN 978-1-921867-56-9
O'Riley, Tim (2010) Accidental journey. Ponsonby Press, London, UK. ISBN 9780956228604
O'Riley, Tim (2009) Acts of seeing. In: Acts of Seeing: Artists, scientists and the history of the visual, a volume dedicated to Martin Kemp. Zidane Press, London, UK. ISBN 9780955485084
O'Riley, Tim (2015) Exactitude and Uncertainty. In: Borders and Crossings: the artist as explorer. Duncan of Jordanstone College of Art & Design.
O'Riley, Tim (2010) (From) A to B (and back). Printed Project (13). pp. 18-23. ISSN 16494075
O'Riley, Tim (2013) Twenty-Seven Kilometres. Revolver, Berlin. ISBN 9783868952940
O'Riley, Tim (2009) www.timoriley.net. [Art/Design Item]
O'Neill, Alistair (2023) A Hard Man is Good to Find! [Show/Exhibition]
O'Kane, Paul (2018) Let Them Eat Photographs. In: Writing Photographs, 13th October 2018, Tate Modern, London.
O'Kane, Paul (2018) Technologies of Romance - Part II (plus events). Technologies of Romance, II . eeodo, London UK. ISBN 9780992985745
O'Kane, Paul (2010) The Time Before That. eeodo, London.
O'Kane, Paul, eeodo (Bada Song, Barnaby Lambert, Paul O'Kane) (2014) Where Is That Light Now? eeodo, London. ISBN 97800992985707
Nichols, Claire (2014) Blue Window. [Art/Design Item]
Newth, Martin and Holman, Martin and Monarchi, Christiane (2018) Martin Newth: Rezension – Skulptur, Objekt, Apparat. MEWO Kunsthalle, Germany. ISBN 978-3-9816274-5-9
Newth, Martin (2012) Arthur's Stone. [Art/Design Item]
Newth, Martin (2012) Double Take. Photography, Film, Urban Experiences and Capital. In: Visible Economies: Photography, Economic Conditions, Urban Experiences. Ideas in photographic practice (1). Photoworks, Brighton, UK, pp. 22-29. ISBN 9781903796481
Newth, Martin (2018) Martin Newth: Re-view. [Show/Exhibition]
Newth, Martin (2018) Martin Newth: Rezension – Skulptur, Objekt, Apparat. [Show/Exhibition]
Newth, Martin (2011) Sentinel. Broken Glass, London, London. ISBN 9780955113826
Newth, Martin (2012) Sentinel. [Show/Exhibition]
Newth, Martin (2012) Sentinel (South). Text+Work, Bournemouth. ISBN 9780955113826
Newth, Martin (2005) Slow Burn. [Art/Design Item]
Newth, Martin (2006) Solar Cinema. [Art/Design Item]
Naldi, Pat and Rubinstein, Daniel (2018) The Death of the Image and the Birth of Photography. [Show/Exhibition]
Naldi, Pat (2019) Creating London's Image. In: Fragmentation of the Photographic Image in the Digital Age. History of Photography . Routledge. ISBN 978 1 13 849349 0
Naldi, Pat (2022) The End of Reference.
Naldi, Pat (2023) The End of Reference. [Show/Exhibition]
Naldi, Pat (2022) Generating Images on the Urgency of Climate Responsibility. In: Climate in Crisis, Activism, Apathy, and Responsibility: Social Responses to and Social Causes of the Current Climate Crisis, 23-24 September 2022, aculty of Liberal Arts & Sciences, Humber College, Toronto, Canada.
Naldi, Pat (2023) In Theoretical Space No-One Can Hear You Scream.
Naldi, Pat (2017) Managing Arcadia. In: Art and the Environment in Britain 1700 to Today, 2 - 3 March 2017, Universite Rennes 2 / FRAC Bretagne, Rennes, France.
Naldi, Pat (2023) Monere Data. [Art/Design Item]
Naldi, Pat (2023) Performing Mersea Island: Out of Place. [Show/Exhibition]
Naldi, Pat (2024) Place, People and Living Memory. [Show/Exhibition]
Naldi, Pat (2016) Private [e]state. [Show/Exhibition]
Naldi, Pat (2014) Views of a city: creating London's image. [Art/Design Item]
Naldi, Pat (2014) Views of the City: Creating London's Image. In: Seeing Like a City, 6-7 June 2014, Queen Mary University of London.
Naldi, Pat (2015) The view: a historicised and contemporary socio‐political mediation. PhD thesis, University of the Arts London.
Morra, Joanne (2021) Her Time. In: About Her: Teresy Gierzynska. Zacheta - National Gallery of Art, Warsaw, pp. 180-226. ISBN 9788366979086
Moore, David (2011) 28 days. [Show/Exhibition]
Moore, David (2010) The Last Things. [Show/Exhibition]
Moore, David (2008) The Last Things. Dewi Lewis, Stockport, England. ISBN 9781904587668
Moore, David (2011) National photography symposium. In: National photgraphy symposium, 13-15 May 2011, The Bluecoat Gallery, Liverpool.
Moore, David, Diaphane association (2010) Office. [Show/Exhibition]
Moore, David (2013) Pictures From The Real World. Dewi Lewis Publishing. ISBN 9781907893339
Moore, David (2011) Secrets of Whitehall: BBC television documentary: use of unique photographs. [Art/Design Item]
Minogue, Sally and Shepherdson, Karen (2013) Close To Home. Burton Press, Verona. ISBN 978-0-9571637-1-3
Minkin, Louisa and Dawson, Ian (2012) François Willème's Photosculpture Apparatus Reconstructed at WSA. [Art/Design Item]
Minkin, Louisa (2015) Photosculpture: a sum of the profiles. In: Shadow Without Object, 4 December 2015, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.
Minkin, Louisa (2023) Prisoners of Love: Affect, containment and alternative futures. [Show/Exhibition]
Milnes, Tom (2021) Spatially Immersive Networked Composites: A Media Archaeology of the Photogrammetric Imagethrough Glitch Practice. PhD thesis, University of Falmouth.
Milic, Nela (2018) Artefacts from the Protest. Hakara (5).
Milic, Nela (2017) Embodied Narrative. In: Heritages of Migration: Moving Stories, Objects and Home, 6-10 April 2017, Museum of Immigration, Buenos Aires, Argentina.
Milic, Nela (2016) Embodied Narrative. In: Locating and Dislocating Memory: In search of transcultural memory in Europe, 1-3 September 2016, Dublin, Ireland.
Milic, Nela (2018) Wedding Bellas. [Show/Exhibition]
Milic, Nela (2023) Wedding Bellas. [Show/Exhibition]
Milic, Nela (2016) Wedding Bellas – migrancy as a dispute to photographic traditions. Crossings: Journal of Migration & Culture, 7 (1). pp. 75-80. ISSN 2040-4352
Michael, Marcia (2023) Did it Work? Re-enacting the maternal body as a site for ancestral memories: photography and oral history as vehicles for reconstructing history in the re-embodiment of Black Matrilineage. PhD thesis, University of the Arts London.
Mey, Adeena and Roh Bannwart, Kyung (2017) Neo Geography II 네오지오그래피 II. [Show/Exhibition]
Mey, Adeena (2012) Art contemporain et paracinéma : Rosa Barba, Juliana Borinski et David Maljkovic. Décadrages: Cinéma, à travers champs (21-22). pp. 108-121.
Mey, Adeena (2015) Dialogue avec Monologue. Notes sur Vandy Rattana et la question de l’art contemporain au Cambodge. Le magazine du Jeu de Paume.
Melvin, Jo and Weir, Grace (2017) Grace Weir Unfolded. [Show/Exhibition]
Melvin, Jo and Pavel, Pys (2015) Christine Kozlov: Information. [Show/Exhibition]
Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London.
Melvin, Jo (2021) This is NOT art this is ART 'pataphysics, counterpoise and the tightrope in Barry Flanagan's sculptural practice. In: Barry Flanagan Newspaper. von Bartha, Switzerland.
Mejia Moreno, Catalina (2019) Returns-- towards a photographic criticism : [or, the case of the Berliner Bild-Bericht and the North American grain elevators]. PhD thesis, Newcastle University.
Mehta, Roy (2023) Revival, London 1989-1993: Reflections on the Past, Present and Future. [Art/Design Item]
Mehta, Roy (2021) Revival: London 1989–1993. Hoxton Mini Press, UK. ISBN 978-1-910566-95-4
Mehta, Roy (2020) Sixteen. [Show/Exhibition]
Mehta, Roy (2022) Women of the Match: Portraits of Brent’s Female Football Stars. [Show/Exhibition]
McMillan, Michael, Dubmorphology (2015) Rockers, Soulheads & Lovers: Sound Systems back in da Day. [Show/Exhibition]
McLeod, Gary (2016) An Unfolding Voyage: Rephotography and the Challenger Expedition. PhD thesis, University of the Arts London.
McCloy, Anne and McCloy, A M, Gavin Turk (2019) 1. New Easter Rising (She Is Risen) Éire 2019. 2. And You Dare To Call Me an Egg (While You Look Down Your Gun). 3. Good Egg Bad Egg. As part of Gavin Turk, Portrait Of An Egg, 2019. [Show/Exhibition]
McCloy, Anne (2019) Burns Night Lates with Louise Gray SketchSesh. [Show/Exhibition]
McCartney, Nicola (2011) Claude Cahun. The British Art Journal, 12 (1). pp. 77-78. ISSN 1467-2006
McCartney, Nicola (2018) Death of the Artist: Art World Dissidents and their Alternative Identities. International Library of Modern and Contemporary Art . I.B. Tauris, London. ISBN 9781784534158
Mansour, Wasma (2013) Single Saudi Women in the Diaspora: A Photographic Study. PhD thesis, University of the Arts London.
Madsen, Jane (2018) Running at the Edge. [Art/Design Item]
Madsen, Jane (2018) Waycroft Quarry Panorama. [Art/Design Item]
Mackinnon, Lee (2012) 'No one has yet Determined What Art Can Do': Gaming in Waziristan. Third Text, 26 (5). pp. 625-628. ISSN 0952-8822
Mackinnon, Lee (2017) Toward a Materialist Photography: The Body of Work. Third Text, 30 (3-4). pp. 149-158. ISSN 0952-8822
Mackinnon, Lee (2022) Unseeing Photography: Academic Freedom and Human Rights after Tiananmen. Photography and Culture, 15 (1). pp. 77-89. ISSN 1751-4517
Lunt, Matthew (2020) Harry Penhaul and the Subject of the Real: Photographing post-war Cornish community through a Lacanian lens. PhD thesis, University of Falmouth.
Lowe, Paul and Pollard, Jennifer (2011) Landscapes of Conflict: A one-day symposium on photographers responding to modern warfare. In: Landscapes of Conflict, 25 May 2011, Novas Centre, Liverpool.
Lowe, Paul and Morrison, Kenneth (2021) Reporting the Siege of Sarajevo. Bloomsbury Academic, London. ISBN 9781350081796
Lowe, Paul and Kahn, Leora (2020) Facing up to Rape in Conflict: Challenging Stigma through Photography. The International Journal of the Image, 11 (2). pp. 1-17. ISSN 2154-8579
Lowe, Paul and Haas, Ernst (2022) Ernst Haas: The American West. Prestel, London. ISBN 978-3-7913-8825-0
Lowe, Paul and Good, Jennifer and Bush, Lewis (2017) 1001 Photographs to see before you die. Cassell Illustrated, London. ISBN 184403917X
Lowe, Paul (2010) Antiphotojournalism. [Show/Exhibition]
Lowe, Paul (2011) Bearing Witness conference paper, Photography and Conflict Conference, UCD Dublin May 2011. In: Photography and Conflict Conference, May 4-5 2011, University College Dublin. (Unpublished)
Lowe, Paul (2005) Bosnians. [Art/Design Item]
Lowe, Paul (2018) A Chronology of Photography. Thames and Hudson, London. ISBN 978-0500545034
Lowe, Paul (2011) Collateral Damage. [Show/Exhibition]
Lowe, Paul (2015) The Forensic Turn. [Show/Exhibition]
Lowe, Paul (2014) The Forensic Turn: Bearing Witness and the Thingness of the Photograph. In: The Violence of the Image: Photography and International Conflict. I. B. Tauris. ISBN 9781780767888
Lowe, Paul (2014) The Forensic Turn: Bearing Witness and the Thingness of the Photograph. In: The Violence of the Image: Photography and International Conflict. IB Tauris, London. ISBN 1780767897
Lowe, Paul (2019) Framing the Perpetrators: Lee Miller's Photography of the Liberation of Dachau. Journal of Perpetrator Research, 2 (2). pp. 216-223. ISSN 2514-7897
Lowe, Paul (2011) Introduction in the Book, 'Burke and Norfolk: Photographs from the War in Afghanistan'. In: Burke and Norfolk: Photographs from the War in Afghanistan. Dewi Lewis Publishing, Manchester. ISBN 9781907893117
Lowe, Paul (2016) Photography Masterclass:Creative Techniques of 100 master photographers. Thames and Hudson, London. ISBN 050054462X
Lowe, Paul (2022) Photography, Bearing Witness and the Yugoslav Wars, 1988-2021: Testimonies of Light. Routledge, London. ISBN 9781474243759
Lowe, Paul (2012) Picturing the perpetrator. In: Picturing Atrocity: Photography in Crisis. Reaktion Books, London, pp. 189-200. ISBN 9781861898722
Lowe, Paul (2010) Rescuers. [Show/Exhibition]
Lowe, Paul (2015) Testimonies of Light: Bearing Witness, Photography and Genocide. PhD thesis, University of the Arts London.
Lowe, Paul (2018) Traces of Traces: Time, Space, Objects, and the Forensic Turn in Photography. Humanities, 7 (3). ISSN 2076-0787
Love, Johanna (2015) Dust: Exploring new ways of viewing the printed photographic image. In: Shadows: Traditional Photography Techniques in a Digital World., 18th May 2015, Camberwell College of Art, Wilson Road Lecture Theatre Wilson Rd Camberwell, London SE5 8PB.
Love, Johanna (2012) Dust: Exploring the relationship between contemporary modes of viewing the printed photographic image. PhD thesis, University of the Arts London.
Love, Johanna (2015) Jo Love. [Show/Exhibition]
Love, Johanna (2016) Lichtlose Luft / Lightless Air. [Show/Exhibition]
Love, Johanna (2018) Lichtlose Luft: Staub und Verschwinden Zeichnen /Lightless Air: drawing dust and disappearance. Camberwell Press, Camberwell Press, London. ISBN 978-1-908971-55-5
Love, Johanna (2015) RE:Print/RE:Present. [Show/Exhibition]
Love, Johanna (2015) Somewhere between Printmaking, Photography and Drawing: Viewing contradictions within the printed image. Journal of Visual Art Practice, 14 (3). pp. 214-223. ISSN 1470-2029
Love, Johanna (2021) Under a Darkening Sky. [Art/Design Item]
Love, Johanna (2015) A small constellation of photographic evidence. [Show/Exhibition]
Loscialpo, Flavia (2020) Subject, Power and Political Critique. In: Already But Not Yet. Punctum Press. ISBN 978-88-95410-63-0
Leister, Wiebke and Wood, Adrian (2014) Photography as Installation. [Show/Exhibition]
Leister, Wiebke and Williams, Val (2005) Family Archives Lost and Found. [Show/Exhibition]
Leister, Wiebke and Toop, David (2016) Echoes and Afterlives. [Performance]
Leister, Wiebke and Toop, David (2018) Echoes and Callings. [Performance]
Leister, Wiebke and Lomax, Yve (2008) Meanwhile (featuring 'Eigenzeit' and 'Hals über Kopf'). Source: Photographic Review, 54. pp. 26-35. ISSN 1369-2224
Leister, Wiebke and Carruthers, Beverley (2017) Writing Photographs. [Show/Exhibition]
Leister, Wiebke and Carruthers, Beverley (2019) Writing Photographs – an exhibition project for text-image environments. [Show/Exhibition]
Leister, Wiebke (2016) 26 Caledonian Road. [Show/Exhibition]
Leister, Wiebke (2018) The Afterlife of Medical Casts from the UCL Pathology Collection. In: Becoming Image: Medicine and the Algorithmic Gaze. Digital Insides, London, pp. 11-17. ISBN 978-1-9996758-0-6
Leister, Wiebke (2009) Apropos Laughter in Photography. In: Fotografie im Diskurs performativer Kulturen. Kehrer Verlag, Heidelberg, pp. 52-67. ISBN 978-3-939583-42-4
Leister, Wiebke (2019) Brasenose College Diversity Portraiture Project. [Art/Design Item]
Leister, Wiebke, Max-Planck-Institut für Kunstgeschichte, Deutsches Archäologisches Institut Rom, Bibliotheca Hertziana (2021) Duchenne’s Frontispiece: Idealised Facticity and the Politics of Photographic Double Portraiture. In: Faktizität und Gebrauch früher Fotografie – Factuality and Utilization of Early Photography. Harrassowitz Verlag, Wiesbaden, pp. 225-241. ISBN 978-3-447-11637-4
Leister, Wiebke (2016) Echoes and Afterlives. [Show/Exhibition]
Leister, Wiebke (2016) Echoes and Afterlives (Fieldstudy). Fieldstudy, 22 . Photography and the Archive Research Centre, London.
Leister, Wiebke (2018) Echoes and Callings. [Show/Exhibition]
Leister, Wiebke (2019) Echoes and Callings. [Show/Exhibition]
Leister, Wiebke (2019) Echoes and Callings in 100 Jahre DFA – 1000 Wirklichkeiten. [Show/Exhibition]
Leister, Wiebke (2018) Echoes and Object Alliances. [Show/Exhibition]
Leister, Wiebke (2016) Echoes and Transformations. [Show/Exhibition]
Leister, Wiebke (2016) Echoes and Transformations (performed publication). [Performance]
Leister, Wiebke (2003) Ethics of Photographic Portraiture. In: Ethisierung – Ethikferne; Wieviel Ethik braucht die Wissenschaft? Akademie Verlag, Berlin, pp. 160-176. ISBN 3-05-003855-1
Leister, Wiebke (2011) Ever After (journal article). Journal for Visual Communication, 10 (3). pp. 401-418. ISSN 1470-3572
Leister, Wiebke (2009) 'Ever After', facade installation E&C. [Show/Exhibition]
Leister, Wiebke (2010) Figuring Out, Taking Shape, Facing In. [Show/Exhibition]
Leister, Wiebke (2017) Gesture, Trace and Performance. [Show/Exhibition]
Leister, Wiebke (2009) The Grain of the Voice. [Show/Exhibition]
Leister, Wiebke (2003) Laughing in the Face of the Enemy. [Show/Exhibition]
Leister, Wiebke (2011) 'Love at First Sight'. In: Rattle Journal – a journal for the convergence of art and writing. Rattle Journal, London, pp. 1-4. ISBN ISSN 2047-3885
Leister, Wiebke (2008) Lovers, Liars and Laughter. Fieldstudy, 11 . Photography and the Archive Research Centre, London.
Leister, Wiebke (2008) 'Lovers, Liars and Laughter', performance. [Performance]
Leister, Wiebke (2010) Mona Lisa on a Bad Day: Or the Impossibility of Neutrality and the Non-Likeness of Photographic Portraiture. Journal of Photography and Culture, 3 (2). pp. 153-174. ISSN 17514517
Leister, Wiebke (2008) Performing Laughter: Duchenne's Smile in the Light of Photographic Practice. About Performance, 8. pp. 209-228. ISSN 1324-6089
Leister, Wiebke (2014) Photography In-the-Round: Gerhard Richter’s “48 Portraits”, 1972 and 1998. Photographies, 7 (2). pp. 217-246. ISSN 1754-0763
Leister, Wiebke (2019) Pro-Photographic Gestures. Photography and Culture. ISSN 17514517
Leister, Wiebke (2010) The Skinned City. [Show/Exhibition]
Leister, Wiebke (2001) Theaterszene-Jahrbuch Köln 2001. Theaterszene-Jahrbuch Köln . M7 Verlag, Cologne. ISBN 3934511031
Leister, Wiebke (2006) Unjoyful Laughter and the Non-Likeness of Photographic Portraiture. PhD thesis, Royal College of Art, London.
Leister, Wiebke (2021) Urgroßvaterstraße / Great Grandfather Street. In: 50 Jahre Zukunft – FH Bielefeld 1971-2021 / 50 Years of Future – Bielefeld UAS 1971–2021. transcript, Bielefeld, pp. 202-205. ISBN 978-3-8376-5750-0
Leister, Wiebke (2017) Vacant. In Use. [Show/Exhibition]
Leister, Wiebke (2014) The Whitened Face as a Visual Gap: Thoughts and Methods. In: Unsettling Whiteness; Images of Whiteness 3. Images of Whiteness, 3 . Inter-Disciplinary Press, Oxford, pp. 3-10. ISBN 978-1-84888-282-9
Leister, Wiebke (2006) Wiebke Leister. In: Photography Final Degree Show 2006. Royal College of Art, London.
Lebas, Chrystel (2006) Between Dog and Wolf. Azure Publishing. ISBN 0954647815
Lebas, Chrystel (2017) Field Studies: Walking through Landscapes and Archives. Fw:Books, Amsterdam, The Netherlands. ISBN 13 978-94-90119-46-1
Lebas, Chrystel (2003) L'espace temps (Time in space). Azure Publishing. ISBN 0954647807
Lebas, Chrystel (2016) Regarding Nature. [Show/Exhibition]
Layzell, Richard (2016) Softly Softly 2 for Whitstable Biennale. [Show/Exhibition]
Lardinois, Brigitte and Williams, Val and Silas, Robin (2007) "An Exploration of the Work of Ian Berry, UK Photojournalist From Early 60's till the Present". [Show/Exhibition]
Lardinois, Brigitte and Williams, Val (2009) Glyndebourne: a visual history. Glyndebourne, UK. ISBN 9781847248657
Lardinois, Brigitte and Williams, Val (2005) Magnum Ireland. Thames and Hudson. ISBN 0500543038
Lardinois, Brigitte and Williams, Val (2020) Magnum Ireland (2nd Edition). Thames and Hudson, London. ISBN 978-0-500-29562-5
Lardinois, Brigitte (2012) All about Eve: the photography of Eve Arnold. [Show/Exhibition]
Lardinois, Brigitte (2014) Discovering the Story of the Reeves Archive in Sussex. In: Beyond the View: (New) Perspectives on Seaside Photography, 10-11 July 2014, Southeast Archive of Seaside Photography, Canterbury Christ Church University.
Lardinois, Brigitte (2009) Eve Arnold's People. Thames & Hudson, London. ISBN 9780500543719
Lardinois, Brigitte (2013) The Greenpeace Archive. Photography and Culture, 6 (2). pp. 217-224. ISSN 1751-4517
Lardinois, Brigitte (2013) Interviews with Philip Jones Griffiths and Geert Van Kesteren. In: Memory of Fire: Images of War and the War of Images. Photoworks, Brighton. ISBN 9781903796498
Lardinois, Brigitte (2007) Magnum Magnum, Portrait of Magnum at Its 60th Anniversary. Thames and Hudson, London. ISBN 9780500543429
Lardinois, Brigitte (2016) Stories See Though a Glass Plate II 1916:Lewes Remembers. [Show/Exhibition]
Lardinois, Brigitte (2016) Unveiling the Edward Reeves Archive in Lewes. In: International Conference of Photography and Theory (IAPT), 02-04 December 2016, Nicosia Cyprus.
Lardinois, Brigitte (2017) Unveiling the Edward Reeves Archive in Lewes. In: Under A Dark Cloth, 8 April 2017, QUAD, Derby.
Lange, Silke (2010) Learning through creative conversations. In: Teaching Creativity - Creativity in Teaching. Libri Publishing, Oxfordshire, pp. 173-187. ISBN 978-1-907471-17-9
Laing, Morna (2012) ‘Heavenly creatures’ in Vogue: Childlike femininity and longing for innocence lost. In: Working Papers in Fashion Studies 2. London College of Fashion, London, pp. 17-32. ISBN 978-1-903455-26-5
Laing, Morna (2014) The Lula girl as ‘sublime and childlike’: nostalgic investments in contemporary fashion magazines. Critical Studies in Fashion and Beauty, 5 (2). pp. 271-293. ISSN 2040-4417
Laing, Morna (2016) The ‘Woman-child’ in Fashion Photography, 1990-2015: Childlike Femininities, Performativity, and Reception Studies. PhD thesis, University of the Arts London.
Kul-want, Christopher and Yass, Catherine (2002) Horse's Rear; After Garicault. [Art/Design Item]
Kuc, Kamila and Stark, Scott (2023) The Last Forever. [Performance]
Kuc, Kamila and MacKenzie, Jané (2022) Spectrum of the Everyday. [Show/Exhibition]
Kriel, Charles (2004) Noise, artifact and the uncanny in large scale digital photographic practice. PhD thesis, University of the Arts London.
Klenz, Steffi and Teichmann, Esther (2013) Convulsive Walls. [Show/Exhibition]
Kippin, John and Wainwright, Chris (2012) Futureland Now. University of Plymouth Press, Plymouth, England. ISBN 9781841023236
King, Ian (2017) Interview with Ian King about Portraiture.
Kesseler, Rob and Stuppy, Wolfgang (2008) Fruit: edible, inedible, incredible. Papadakis, London. ISBN 9781901092745
Kesseler, Rob and Stuppy, Wolfgang (2006) Seeds: time capsules of life. Papadakis. ISBN 9781901092660
Kesseler, Rob and Neumann, Ulla and Przybyl, Marine (2019) Barley Tales. infocus Magazine (The Proceedings of the Royal Microscopical Society) (53). pp. 4-24. ISSN 1750-4740
Kesseler, Rob and Harley, Madeline (2004) Pollen, the Hidden Sexuality of Flowers. Papadakis, London. ISBN 1901092674
Kesseler, Rob and Harley, Madeline (2014) Pollen: the Hidden Sexuality of Flowers. Papadakis Publisher, UK. ISBN 9781906506513
Kesseler, Rob (2015) Arquetipos de la naturaleza: el micromundo de las plantas. [Show/Exhibition]
Kesseler, Rob (2010) Canopy. [Show/Exhibition]
Kesseler, Rob (2013) Convergent Territories. Arcade, Science Art & Enquiry, 31 (3). pp. 40-46.
Kesseler, Rob (2018) GENUS. [Art/Design Item]
Kesseler, Rob (2018) GENUS: On the imaging of plants. Antennae (51). pp. 145-159. ISSN 1756-9575
Kesseler, Rob (2014) Invisible Garden. [Show/Exhibition]
Kesseler, Rob (2010) Lusciousness - flora and the crafted image in a digital environment. Professorial Platform Lecture, University of the Arts London (Unpublished)
Kesseler, Rob (2010) Lusciousness - flora and the crafted image in a digital environment. In: UAL Professorial Platform Series 2009-10, 3 March 2010, Cochrane Theatre, Central Saint Martins, Southampton Row, Camden, London WC1B 4AP.
Kesseler, Rob (2011) Lusciousness, the crafted image in a digital environment. In: Colour in Art, Design and Nature. WIT Press, Southampton, UK, pp. 25-32. ISBN 9781845645687
Kesseler, Rob (2014) Medicago arborea. [Art/Design Item]
Kesseler, Rob (2014) MiPattern. [Show/Exhibition]
Kesseler, Rob (2016) Nature Revisioned, Finding Meaning at the Intersection of Science and Art. [Art/Design Item]
Kesseler, Rob (2014) Neurons and Other Memories. [Show/Exhibition]
Kesseler, Rob (2016) On The Origin Of Art - Natural Pattern. [Show/Exhibition]
Kesseler, Rob (2016) Plant. Exploring the Botanical World. Phaidon, London. ISBN 9780714871486
Kesseler, Rob (2016) Seeds. [Show/Exhibition]
Kesseler, Rob (2010) Selwood living landscape. [Show/Exhibition]
Kesseler, Rob (2015) Territorios convergentes. In: Puerto de Ideas, 10th - 12th April 2015, Antofagasta, Chile.
Kesseler, Rob (2017) Worlds Within. [Art/Design Item]
Kesseler, Rob (2008) A new phytopia. infocus Magazine (The Proceedings of the Royal Microscopical Society) (10). pp. 31-61. ISSN 1750-4740
Kesseler, Rob (2006) The power of x2 : a botanical collaboration. infocus Magazine (The Proceedings of the Royal Microscopical Society) (2). pp. 4-17. ISSN 1750-4740
Kantas, Vasileios (2014) Unfolding the act of photography. PhD thesis, University of the Arts London, University of Surrey.
Kane, Alan and Spender, Humphrey (2007) Alan Kane and Humphrey Spender. [Show/Exhibition]
Johnson, Julia (2022) Beyond Participation: The therapeutic ‘self-photograph’ and participatory photography in peer-led mental health design and evaluation. PhD thesis, University of the Arts London.
Janes, Dominic (2017) “The cleavage raises questions”: queer indeterminacies of gender in an alleged photographic portrait of the painter Francis Bacon.
Jahoda, Christian and Gyalpo, Tsering and Papa-Kalantari, Christiane and Sutherland, Patrick (2013) Khorchag. Studies and Materials on Historical Western Tibet, 1 . Bod ljongs bod yig dpe rnying dpe skrun khang, Lhasa, Tibet, Republic of China.. ISBN 978-7-80589-204-7
Ingham, Mark and Beech, Amanda and Poole, Matthew and Joseph-Lester, Jaspar and Marshall, Mike and Henry, Julie and Jones, Alison and Kulkarni, Nayan and Miranda Bilbao, Jasone and Perry, Giles (2005) Episode. [Show/Exhibition]
Ingham, Mark and Baseman, Jordan and Newth, Martin and Wainwright, Chris (2011) SCOPE New Photographic Practices. [Show/Exhibition]
Ingham, Mark (2012) 120 päivää ja yötä hoipertelua + änkytystä (120 Days and Nights Of STAGGERING + STAMMERING). ADDICTION — RIIPUVUUS/HESA INPRINT, 1 (14). pp. 19-23. ISSN 1799-8549 (printed) 1799-8557 (Online)
Ingham, Mark (2005) AFTERIMAGES: Photographs as an External Autobiographical Memory System and a Contemporary Art Practice. PhD thesis, Goldsmiths College.
Ingham, Mark (2014) ART III Limits of Unprotected AREAS. [Art/Design Item]
Ingham, Mark (2008) Ars Magna Lucis et Umbrae (120 Days and Nights of Staggering and Stammering). [Show/Exhibition]
Ingham, Mark (2014) A Bird in the Hand. [Show/Exhibition]
Ingham, Mark (2018) Editorial: Spark: UAL Creative Teaching and Learning Journal. Spark: UAL Creative Teaching and Learning Journal, 3 (1). pp. 1-4. ISSN 2397-6594
Ingham, Mark (2005) Episode: an exhibition of new lens-based work by 9 London-based artists. [Show/Exhibition]
Ingham, Mark (2010) Holes in Venice. [Art/Design Item]
Ingham, Mark (2014) NO BALL GAMES. [Show/Exhibition]
Hutchinson, Tim and Edwards, Jason (1995) Self Storage. [Art/Design Item]
Hutchinson, Tim and Edwards, Jason (2000) Top Shop Unique, Exhibition design and promotional materials. [Art/Design Item]
Hutchinson, Tim and Edwards, Jason (2011) Your Paper Edition 1. [Art/Design Item]
Hunter, Tom and Smyth, Diane (2010) Think global, act local. British Jounal of Photography, 157 (7781). pp. 54-59. ISSN 0007-1196
Hunter, Tom and Read, Shirley and Simmons, Mike (2016) Photographers and Research, the role of research in contemporary photographic practice. In: Photographers and Research The role of research in contemporary photographic practice. Focal Press, U.K., pp. 76-90. ISBN 978-1-138-84431-5, 978-1-138-84432-2
Hunter, Tom and Pulver, Andrew (2009) Tom Hunter's best shot. The Guardian.
Hunter, Tom and Pickering, Sarah and Shafran, Nigel and Chandler, David (2010) Panel Discussion: Theatres of the Real. In: Panel Discussion: Theatres of the Real, 2 June 2011, Host Gallery, London.
Hunter, Tom and May, Julian (2011) Tom Hunter. The Essay, Under the Influence. BBC
Hunter, Tom (2016) Annual Photographer’s Lecture 2013 - Home. Studies in Photography 2016, 30th Anniversary Edition ii, 30 (ii). pp. 8-19. ISSN 1462-0510
Hunter, Tom (2011) Caravaggio yesterday and today: art, genius and legend. In: Caravaggio Yesterday and Today: Art, Genius and Legend, 28 january 2011, University College London.
Hunter, Tom (2010) Community Halls. [Show/Exhibition]
Hunter, Tom (2017) The English Riviera. [Show/Exhibition]
Hunter, Tom (2018) Figures in a Landscape. [Show/Exhibition]
Hunter, Tom (2013) Findings. [Art/Design Item]
Hunter, Tom (2017) Flaneur in an Ancient Landscape. [Show/Exhibition]
Hunter, Tom (2009) Flashback. [Show/Exhibition]
Hunter, Tom (1994) The Ghetto Series. [Art/Design Item]
Hunter, Tom (2010) The Ghetto. [Show/Exhibition]
Hunter, Tom (2009) Hackney Fandango. [Art/Design Item]
Hunter, Tom (2003) Headlines. [Art/Design Item]
Hunter, Tom (2014) Home. In: UAL Professorial Platform Series 2013-14, 12 February 2014, London College of Communication, Elephant & Castle, London SE1 6SB.
Hunter, Tom (2011) I promise to love you. [Show/Exhibition]
Hunter, Tom (2000) Life and Death in Hackney. [Art/Design Item]
Hunter, Tom (2006) Living in hell and other stories. [Art/Design Item]
Hunter, Tom (2011) A Midsummer Night's Dream. [Art/Design Item]
Hunter, Tom (2010) Murder, two men wanted. [Show/Exhibition]
Hunter, Tom (2010) Persons Unknown. [Show/Exhibition]
Hunter, Tom (1997) Persons unknown. [Art/Design Item]
Hunter, Tom, Portfolio Magazine (2010) Prayer Places features in Portfolio Magazine. Portfolio, 52 (52). pp. 58-63. ISSN 1354-4446
Hunter, Tom (2010) Prayer places. [Show/Exhibition]
Hunter, Tom (2011) Princess Toshi. The Observer.
Hunter, Tom (2012) Punch Professors in England. [Art/Design Item]
Hunter, Tom (2017) Searching for Ghosts. [Show/Exhibition]
Hunter, Tom (2004) Swan songs series. [Art/Design Item]
Hunter, Tom (2003) Thoughts of life and death. [Art/Design Item]
Hunter, Tom (1996) Travellers. [Art/Design Item]
Hunter, Tom (2010) Unheralded Stories. [Show/Exhibition]
Hunter, Tom (2010) The Way Home. [Art/Design Item]
Hunter, Tom (2012) The Way Home. [Show/Exhibition]
Hunter, Tom (2016) Winterville. [Show/Exhibition]
Hunter, Tom (2010) A palace for us. [Show/Exhibition]
Hunter, Tom, Local artist in Jordan (2015) a side show of a side show. [Show/Exhibition]
Hodes, Charlotte (2008) When photography and drawing meet fashion. [Show/Exhibition]
Hock, Katja Kerstin (2005) The absent Presence of the Subject: an investigation of the place of the individual in the modem hospital through a photographic practice, which refers to German photographic discourses. PhD thesis, University of the Arts London.
Hilton, Kathy (2005) Teaching and Professional Fellowship Report 2004/5 : An Investigation into the feasibility of developing a Virtual Newsroom - An e-learning tool for journalism. Project Report. University of the Arts London, London.
Hillman, John (2018) Photography and its failure to represent. PhD thesis, University of the Arts London and Falmouth University.
Hendley, David (2016) Tokyo Photo Walk. Self-published, London, United Kingdom.
Hedman, Sofia and Kling, Karolina and Williams, Gemma A. (2010) Shades down in Tokyo Town. [Art/Design Item]
Haworth-Booth, Mark (2007) The Art of Lee Miller. [Show/Exhibition]
Haworth-Booth, Mark (2007) The Genius of Photography - consultant on a six-part series for BBCTV4 from Wall to Wall Media Ltd. [Art/Design Item]
Hartnett, John-Patrick (2015) Heartfield, John (1891–1968). In: The Bloomsbury Encyclopedia of Design. Bloomsbury. ISBN 9781472521576
Hartnett, John-Patrick (2015) Kepes, György (1906–2001). In: The Bloomsbury Encyclopedia of Design. Bloomsbury. ISBN 9781472521576
Hart, Janice and Edwards, Elizabeth (2004) Photographs Objects Histories: On the Materiality of Images. Routledge Taylor and Francis Group. ISBN 0415254418
Hart, Janice (2004) The Girl No One Knew: photographs, narratives, and secrets in modern fiction. Mosaic a journal for the interdisciplinary study of literature, volume (number). pp. 111-126. ISSN 00271276
Hargreaves, Roger (2003) Circling the Square: Trafalgar Square Through the Camera. [Show/Exhibition]
Hamann, Sigune (2014) Blown off roof, Tatekawa 2014. [Art/Design Item]
Hamann, Sigune (2014) Changing Perception of Images. In: The Land of Zero, 21st and 22nd of September 2014, Crawford Art Gallery, Cork.
Hamann, Sigune (2019) Did you spot the Gorilla? [Show/Exhibition]
Hamann, Sigune (2016) Fair's fair. [Art/Design Item]
Hamann, Sigune (2017) Film-strip ( Mayday ) at Sigune Hamann Thomas Rentmeister Jörg Sasse. [Show/Exhibition]
Hamann, Sigune (2019) Film-strip, 20.10.2018, Film-strip, 23.06.2018 and Film-strip, 9.09.2017. [Art/Design Item]
Hamann, Sigune (2019) Film-strip, Did you spot the Gorilla? [Art/Design Item]
Hamann, Sigune (2019) Film-strip, Papworth Surround, Diorama Clouds and Sky Circles at New Papworth Hospital. [Show/Exhibition]
Hamann, Sigune (2016) Film-strips. [Art/Design Item]
Hamann, Sigune (2014) Film-strips, V&A (East Asian and Theatre and Performance Departments). [Art/Design Item]
Hamann, Sigune (2016) Freshers. [Art/Design Item]
Hamann, Sigune (2019) Freshers. [Art/Design Item]
Hamann, Sigune (2017) Freshers (Camberwell). [Art/Design Item]
Hamann, Sigune (2013) In the name of. [Show/Exhibition]
Hamann, Sigune (2017) Interventions. [Show/Exhibition]
Hamann, Sigune (2008) I’ll walk alone - you’ll never walk alone. [Show/Exhibition]
Hamann, Sigune (2019) Loops, Seeing Being Seen. [Art/Design Item]
Hamann, Sigune (2007) The Moment We Knew Nothing of Each Other. [Show/Exhibition]
Hamann, Sigune (2015) The Multiple Store @ Canary Wharf. [Art/Design Item]
Hamann, Sigune (2014) Reading urban landscapes: E-makimono and photographic film-strips. [Art/Design Item]
Hamann, Sigune (2008) Undercurrent. [Show/Exhibition]
Hamann, Sigune (2008) Very Short Space of Time Through Very Short Times of Space. [Show/Exhibition]
Hamann, Sigune (2011) film-strip (Whitehall 9.12.10). [Art/Design Item]
Gregory, Joy (2001) Cinderella Tours Europe. [Art/Design Item]
Gregory, Joy (2001) The Handbag Project. [Art/Design Item]
Gregory, Joy (2004) Objects of Beauty. Chris Boot and Autograph. ISBN 0954281349
Green, Alison (2010) Believing in the devil: Caitlin Duennebier. Source Photographic Review, 64. pp. 40-49. ISSN 1369-2224
Green, Alison (2008) What Remains. In: Trevor Appleson: los loss. Photographs made in Mexico. Booth-Clibborn, London, i-xvi. ISBN 9781861543066
Green, Alison (2011) A desire to know. Source Photographic Review, 65. ISSN 1369-2224
Good, Jennifer and Zoo, Alice (2023) Witnessing Future Violence: On images from Gaza: A Conversation with Dr Jennifer Good.
Good, Jennifer and Lowe, Paul and Lardinois, Brigitte and Williams, Val (2014) Mythologizing the Vietnam War - Introduction. In: Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge Scholars Publishing, Newcastle Upon Tyne, xiii-xv. ISBN 978-1-4438-5442-9
Good, Jennifer and Lowe, Paul (2017) Understanding Photojournalism. Bloomsbury Academic Press, London. ISBN 9781472594907
Good, Jennifer and Fox, Charles (2018) The Unseen. In: Buried. Catfish Books, pp. 23-26. ISBN 978 1916163102
Good, Jennifer (2017) 9/11: Street photography and terror. In: Engaging in Urban Image Making, 28th April 2017, Goldsmiths, University of London.
Good, Jennifer (2014) Buildings and Bodies: Religious imagery and 9/11. In: Conflict Through the Eye of the Lens, 19 July 2014, MOSTYN Gallery, Llandudno, Wales.
Good, Jennifer (2023) The Burden of the Screen: Virtual presence and death during Covid-19. In: Handbook of Research on the Relationship Between Autobiographical Memory and Photography. IGI Global. ISBN 9781668453377
Good, Jennifer (2020) Critical Paralysis: Confronting Colonialism in Photography. Viewfinder Magazine (114).
Good, Jennifer (2018) Critical Paralysis: Threshold Concepts in Photographing the Other. In: International Association of Visual Culture Conference 2018: Visual Pedagogies, 13-15 September 2018, LCC, UAL.
Good, Jennifer (2021) Day Zero: Photographs at the Epicenter of History. In: Screening American Nostalgia: Essays on Pop Culture Constructions of Past Times. McFarland & Company, Jefferson, NC, USA, pp. 147-161. ISBN 978-1476680743
Good, Jennifer (2019) Dialectics of Division: Don McCullin’s photographs of the Berlin Wall under construction, 1961. In: Why Remember? Memory and Forgetting in Times of War and Its Aftermath, 9-10 July 2019, Sarajevo, Bosnia.
Good, Jennifer (2012) Five New Photography Galleries. Source Photographic Review, 73. pp. 22-25. ISSN 1369-2224
Good, Jennifer (2018) Framing Terror. In: The Mediated Visibility of Conflicts, 7-8 May 2018, University of Copenhagen.
Good, Jennifer (2019) The Impossible Photograph: Blur and Domestic Violence. Photography and Culture, 12 (4). pp. 415-427. ISSN 1751-4517
Good, Jennifer (2019) Moving Through Critical Paralysis. In: UAL Learning and Teaching Conference 2019, 21 March 2019, London College of Communication, University of the Arts London.
Good, Jennifer (2024) On Point of View: Writing photography, violence and the self. In: Archive and Conflict: Photographic (Im)Materialities in the Digital Age', 15 February - 9 May 2024, Archivo Platform Webinar.
Good, Jennifer (2015) Photography and September 11th: Spectacle, Memory, Trauma. Bloomsbury Academic, London. ISBN 9781472533319
Good, Jennifer (2017) Photography of 9/11: Remembering, Repeating and Working Through. In: Why Remember? Memory and Forgetting in Times of War and Its Aftermath, June 30th-July 2nd 2017, Sarajevo, Bosnia.
Good, Jennifer (2019) Remembering Writing about 9/11. In: UAL Research Fortnight, 4-15 March 2019, London College of Communication, University of the Arts London.
Good, Jennifer (2015) The Unconscious Abides. In: Staging Disorder. Black Dog, London, pp. 24-25. ISBN 978-1910433157
Good, Jennifer (2020) An Unkindness of Ravens. Source Photographic Review, 102. pp. 36-37. ISSN 1369-2224
Good, Jennifer (2018) 'The World Strikes the Body': Blur and Violence. In: Art and Violence Now, 11 June 2018, University of Edinburgh.
Good, Jennifer (2016) The blinding cross: Totalising narratives of 9/11. In: Art and Terrorism, 27th February 2016, Courtauld Institute of Art.
Golbach, Jilke and Mehta, Roy, Hoxton Mini Press (2021) Lockdown. In: London In Lockdown. Hoxton Mini Press, London, pp. 198-205. ISBN 978-1-910566-96-1
Fricker, Anna (2010) 4th International Conference on: Preservation and Conservation Issues in Digital Printing and Digital Photography. Journal of Physics: Conference Series, 231 (1). Institute of Physics. ISBN 1742-6596
Findlay, Rosie (2016) Strange and Familiar: Britain as Revealed by International Photographers, Curated by Martin Parr, Barbican Centre, London, 16 March 2016 – 19 June 2016. Australasian Journal of Popular Culture, 5 (2-3). pp. 225-226. ISSN 2045-5860
Findlay, Rosie (2016) You Can’t Lose Something You Never Had: Longing and the fashion photograph. In: Crossroads in Cultural Studies, 14-17 December 2016, Sydney, Australia.
Finch, Mick and Westwood, Martin (2017) The Warburg Haus: Apparatus, inscription, data, speculation. Philosophy of Photography, 8 (1-2). pp. 3-7. ISSN 2040-3682
Finch, Mick and Motion, Sid (2017) 'Inner Landscapes' (group exhibition, Sid Motion Gallery, London). [Art/Design Item]
Finch, Mick (2010) Bare Life: tableaux 2009-2010. [Show/Exhibition]
Finch, Mick (2023) Book of Knowledge. [Art/Design Item]
Finch, Mick (2020) Book of Knowledge 150. [Art/Design Item]
Finch, Mick (2016) Book of Knowledge 26. [Show/Exhibition]
Finch, Mick (2022) The Bounded and the Synoptic: The Archive and Photographic Appropriation. In: Painting, Photography, and the Digital: Crossing the Borders of the Mediums. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 1-21. ISBN 978-1-5275-8917-9
Finch, Mick (2021) The Bounded and the Synoptic: the archive and photographic appropriation. In: DigitalPaintingPhotography, 21-22 October 2021, University of Derby, Online.
Finch, Mick (2016) The British Society of Self-Deprecation: Works on Paper by Contemporary British Artists. [Show/Exhibition]
Finch, Mick (2021) Doubt thou the Stars are Fire. [Show/Exhibition]
Finch, Mick (2013) Engrams 2013. [Show/Exhibition]
Finch, Mick (2011) Fragments, openness and contradiction in painting and photography. In: Research Symposium 2: Fragments, Openness and Contradiction in Painting and Photography, 21st May 2011, Central Saint Martins College of Art and Design. (Unpublished)
Finch, Mick (2010) Fragments, openness and contradiction in painting and photography. In: Research Symposium 1, 27 November 2010, Central Saint Martins College of Art and Design. (Unpublished)
Finch, Mick (2017) L’Artiste Comme Chercheur. In: La céramique comme expérience. École nationale supérieure d’art de Limoges / Naima, Limoges, pp. 31-51. ISBN ISBN 978-2-37440-041-9
Finch, Mick (2018) Recherche: un mode d'emploi. In: Passeur:enseignants & médiateurs. Exposer/Démontrer. Les écarts de la recherche en art. Art, enseignement & médiation, 3 (3). Opemap, Art, enseignement & médiation, Bruxelles, pp. 124-137. ISBN 978-2-9601926-1-2
Finch, Mick (2011) Tableau. In: Tableau, 28th and 29th October 2011, Starr Auditorium, Tate Modern. (Unpublished)
Finch, Mick (2017) The Technical Apparatus of the Warburg Haus: possible returns from oblivion. Philosophy of Photography, 8 (1-2). pp. 35-51. ISSN 2040-3682
Finch, Mick (2023) Tell Me Where Your Freedom Lies. [Show/Exhibition]
Finch, Mick (2018) Warburg's Trans-disciplinarity: the iconographic and technical apparatuses. In: Itching Powder or “How much harmony?”, 2 - 4 May 2018.
Finch, Michael (2017) Book of Knowledge 32, 37, 40 and 43 (four prints). [Show/Exhibition]
Fernandes, Gavin and Rees, Dai and Teunissen, José and Lütgens, Annelie (2011) Art and Fashion: Between Skin and Clothing. In: Art & Fashion: Between Skin and Clothing. Kunstmuseum, Wolfsburg, Germany, Germany.
Fernandes, Gavin and Alexander, Caroline (2011) Global Threads, Asian Textiles and Fashion. [Show/Exhibition]
Fernandes, Gavin (2010) British Asian Style: Fashion & Textiles / Past & Present - Portfolio by Gavin Fernandes. In: British Asian Style: Fashion & Textiles / Past & Present. V&A Publishing, London, pp. 88-105. ISBN 9781851776191
Fernandes, Gavin (2002) Englisheritage: a photographic installation. [Show/Exhibition]
Fass, John, Arup ingegneria multidisciplinare (2006) Il Palasport di Torino. Motta Architettura, Milano. ISBN 88-6116-001-8
Falconer, Vicky and Kalodera, Irena (2014) The tongue shapes words all too quickly. [Show/Exhibition]
Fairey, Tiffany (2017) These Photos Were My Life: understanding the impact of participatory photography projects. Community Development Journal, 1 (19). ISSN 1468-2656
Fairey, Tiffany (2015) Whose Pictures Are These? Re-framing the promise of participatory photography. PhD thesis, Goldsmiths College.
Fahey, Kate (2020) Unruly Encounters: Re-staging Images of Drone Warfare through an Embodied Art Practice. PhD thesis, University of the Arts London.
Evans, Sian (2010) False memory sydrome. [Show/Exhibition]
Eva, Sajovic and Agnes, Czajka (2017) A Manifesto for UnLearning. Open Democracy.
Edwards, Elizabeth and Peter, James (2006) A Record of England: Sir Benjamin Stone and the National Photographic Association 1897-1910. Dewi Lewis / V&A Publications, UK. ISBN 1904587372
Edwards, Elizabeth (2005) Photographs and the Sound of History. Visual Anthropology Review, 21 (1). pp. 27-46. ISSN 15487458
Edwards, Elizabeth (2001) Raw Histories: Photographs, Anthropology and Museums. Berg, Oxford. ISBN 1859734979
Edwards, Elizabeth (2007) Samuel Butler's Photography: Observation and the Dynamic Past. In: Samuel Butler, Victorian Against the Grain: a Critical Overview. University of Toronto Press, Canada, pp. 251-286. ISBN 0802097456
Edmund, Clark (2017) In Place Of Hate, Ikon Gallery Exhibition Catalogue. Ikon Gallery, Birmingham. ISBN 978-1-911155-16-4
Edmund, Clark (2017) Solo Exhibition: Situation #81: Edmund Clark, Letters to Omar. [Show/Exhibition]
Dunhill, Mark and O'Brien, Tamiko (2003) Examples in Sculpture. [Show/Exhibition]
Dryden, Sarah (2022) Imagining the Home: A practice based critical investigation into the western frontier domestic space and its mediated form. PhD thesis, University of the Arts London.
Doron, Itai and Perry, Martin (2010) Spotlight: Itai Doron, photographer, London UK. Out There, 2. pp. 12-17. ISSN 20439210
Doron, Itai and Braun, Stefanie (2011) Strays. [Show/Exhibition]
Doron, Itai and Beard, Jason and Szabo, Joseph (2009) Yassin. Other Criteria, London. ISBN 978-1-904212-48-5
Doron, Itai and Beard, Jason (2011) Chokras' Mahal. Other Criteria, London. ISBN 9781904212478
Doron, Itai (2016) Boys' Palace. [Art/Design Item]
Doron, Itai (2012) Fifteen Minutes With You. Super Labo, Tokyo, Japan. ISBN ISBN 978-4-905052-44-9
Doron, Itai (2015) Helden für einen Tag (Heroes For A Day). [Art/Design Item]
Doron, Itai (2010) Keep me posted. [Show/Exhibition]
Doron, Itai (2015) Orientalist Reveries: the Visual Representations and Appropriations of the ‘Arabian’ Space by the Non-Muslim Male Traveller - from Travel Literature to Photography and Contemporary Fashion imagery. In: CONTEMPHOTO '15 / 2nd International Contemporary Photography Conference, 9-10 June 2015, Nazim Hikmet Cultural Center, Istanbul, Turkey.
Doron, Itai (2014) ‘Penal Colony’: Guest Álbum. [Art/Design Item]
Doron, Itai (2012) Portrait of Miroslav Stoykov in The World in London exhibition. [Art/Design Item]
Doron, Itai (2015) Queering Foreign Bodies: Discourse and Identity in Visual Representations of Straight Migrant Men. In: Ways of Queering, Ways of Seeing. Inter-Disciplinary.Net, Oxford, UK, pp. 115-147. ISBN 978-1-84888-298-0
Doron, Itai (2015) Rockers Galore & Selected Photographs: Josh Cheuse, Itai Doron and Ross McNicol. [Show/Exhibition]
Doron, Itai (2011) Strays. [Show/Exhibition]
Doron, Itai (2014) Tinker, Soldier, Sailor, Thief: Identity, Discourse, Narrative and Representation of the Male Sexual Outlaw as a Gay Fantasy Figure and its Appropriation from Art and Literature into Fashion Imagery. In: Fashion in Fiction: Style Stories and Transglobal Narratives Conference, 12-14 June 2014, City University of Hong Kong.
Doron, Itai (2016) Waahid in Jaffa. [Show/Exhibition]
Donszelmann, Bernice and Renshaw, Tim, Outside Architecture (2018) Mary Maclean: What is Seen, What is Shown. [Show/Exhibition]
Dobai, Sarah and Melvin, Jo (2016) The Copyists, The Forged Coupon or L'Argent. [Art/Design Item]
Dobai, Sarah and McCarthy, Tom (2018) Bees in a Hive of Glass. [Art/Design Item]
Dobai, Sarah and Gogol, Nicolai (2015) The Overcoat. [Art/Design Item]
Dobai, Sarah and Durden, Mark (2010) Mark Durden interviews Sarah Dobai. Source Photographic Review (64). ISSN 1369-2224
Dobai, Sarah (2009) Darkside II: power and violence, disease and death photographed. [Show/Exhibition]
Dobai, Sarah (2021) The Donkey Field. [Show/Exhibition]
Dobai, Sarah (2022) The Donkey Field. [Show/Exhibition]
Dobai, Sarah (2008) Figuring landscapes. [Show/Exhibition]
Dobai, Sarah (2009) Now you see it. [Show/Exhibition]
Dobai, Sarah (2010) Peeping Tom. [Show/Exhibition]
Dobai, Sarah (2016) Performance/ screening of 'Hidden in Plain Sight' at Photographers Gallery, London.
Dobai, Sarah (2018) Principles & Deceptions. [Show/Exhibition]
Dobai, Sarah (2016) Principles and Deception. [Show/Exhibition]
Dobai, Sarah (2006) Sarah Dobai, Photographs and Filmworks. [Show/Exhibition]
Dobai, Sarah (2008) Sarah Dobai: new photographs and a film. [Show/Exhibition]
Dobai, Sarah (2010) Splitting in two. [Show/Exhibition]
Dobai, Sarah (2010) Splitting in two. [Show/Exhibition]
Dobai, Sarah (2009) Studio/location photographs. [Art/Design Item]
Dobai, Sarah (2009) Theatres of the real. [Show/Exhibition]
Dobai, Sarah (2015) The Vanishing Point in History. [Art/Design Item]
Diprose, Graham and Seabourne, Mike and Cannings, Peter (2003) London Riverscape. [Art/Design Item]
Diprose, Graham and Robins, Jeff (2007) In the Footsteps of Henry Taunt: tourning exhibition. [Show/Exhibition]
Diprose, Graham and Robins, Jeff (2007) The River Thames Revisited. Frances Lincoln Limited. ISBN 978-0711227651
Diprose, Graham and Cannings, Peter and Layton, Peter (2005) Liquid light and silicon dreams. [Art/Design Item]
Diprose, Graham (2004) The Big Picture. [Art/Design Item]
Diprose, Graham (2007) Dance collaboration. [Art/Design Item]
Diprose, Graham (2000) Riverscape dissolve. [Art/Design Item]
Dines, Naomi and Biddulph, Dom (2019) Creative Reverse Engineering – from remote sensuality to haptic metrology. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019). ISSN 1477-9358
Dines, Naomi (2017) 3D Coded Targets for Photogrammetric Capture. [Art/Design Item]
Dines, Naomi (2019) Cumulative lessons in more accessible photogrammetry. In: 2 and 3D Photography Practices and Prophecies 2019, 8-10 May 2019, Rijksmuseum, Amsterdam, Netherlands.
Dines, Naomi (2017) Forensic Capture - Digital Found Objects. In: Entre capture et production (Between capture and production), Laboratoire de Recherche CCE - ENSA Limoges, France, 20-22 November 2017, Limoges, France.
Dines, Naomi (2004) Island. [Art/Design Item]
Dines, Naomi (2017) Precious, Tiny and Shiny: Close range photogrammetry for artists and others. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2017). ISSN 1477-9358
Dines, Naomi (2017) Precious, Tiny and Shiny: Close-range photogrammetry for artists and others. In: 'Electronic Visualisation and the Arts', EVA London 2017, 11/07/2017 - 13/07/2017, British Computer Society, London.
Dines, Naomi (2017) Prototype Single-Camera Close Range Photogrammetry Rig. [Show/Exhibition]
Dines, Naomi (2017) Semi-Automated Single Camera Close Range Photogrammetry Rig and Capture Cave. [Art/Design Item]
Denton, Beatrice (2006) Modern Day Miracles. [Art/Design Item]
Denton, Beatrice (2009) Soul imaging. [Art/Design Item]
Davies, Colin and Parrinder, Monika, Limited Language (2003) Shooting images: photographs from the war in Iraq ...a review (of sorts). Limited Language.
Davidmann, Sara and Williams, Val and Christian, Robin (2017) Ken. To be destroyed. [Show/Exhibition]
Davidmann, Sara and Williams, Val and Christian, Robin (2016) Ken. To be destroyed (2016 exhibition). [Show/Exhibition]
Davidmann, Sara and Williams, Val (2014) Fieldstudy 19: Ken. to be destroyed.
Davidmann, Sara and Williams, Val (2016) Ken. To be destroyed (book). Schilt Publishing, Amsterdam. ISBN 9789053308615
Davidmann, Sara and Williams, Val (2017) The Ken. To be destroyed Project Archive (exhibition). [Show/Exhibition]
Davidmann, Sara and Williams, Val (2017) The Ken. To be destroyed Project Archive. Photography and Culture, 10 (1). pp. 77-84.
Davidmann, Sara and Sullivan, Nikki (2016) Re-imag(in)ing Life-making, or Queering the Somatechnics of Reproductive Futurity. In: Critical Kinship Studies: Kinship (trans) formed. Rowman & Littlefiel, London, pp. 239-254. ISBN HB 978-1-7834-8416-4
Davidmann, Sara and Lowe, Paul and Hunter, Tom and Moore, David and Skelton, Pam and Sutherland, Patrick (2011) Photography and the archive research centre core members exhibition. [Show/Exhibition]
Davidmann, Sara and Faulds, Catherine (2015) Extreme. [Show/Exhibition]
Davidmann, Sara and Croft, Simon (2008) Trans Lives: Presenting the (Extra) Ordinary. [Show/Exhibition]
Davidmann, Sara and Brown, Elspeth (2015) Queering the Trans* Family Album. Elspeth H. Brown and Sara Davidmann, in conversation. Queering Archives: Intimate tracings. Special Journal Issue Radical History Review. Issue 122., 2015 (122). pp. 188-200. ISSN 0163-6545
Davidmann, Sara (2011) Are you looking at me? In: Collaborations, 01 April 2011, London, UK. (Unpublished)
Davidmann, Sara (2010) Beyond borders: lived experiences of atypically gendered transsexual people. In: Transgender Identities: Towards a Social Analysis of Gender Diversity. Routledge Research in Gender and Society . Routledge, New York, London, pp. 186-207. ISBN 9780415999304
Davidmann, Sara (2017) Catharsis. [Show/Exhibition]
Davidmann, Sara (2009) Censored. [Art/Design Item]
Davidmann, Sara (2003) Crossing the Line. Dewi Lewis Publishing, England. ISBN 1-899235-39-6
Davidmann, Sara (2011) Eve, Adam and the garden of earthly delights/invisible genders. [Show/Exhibition]
Davidmann, Sara (2017) Eve, Adam, and the Garden of Earthly Delights. In: Photoworks Annual. Issue 24 LGBTQ+. Photoworks, Brighton, UK, pp. 123-131. ISBN 978-1-903796-54-2
Davidmann, Sara (2011) Gender identity and trans awareness. In: Equality & Diversity Forum: Supporting Trans Students at UAL, 16 May 2011, London, UK. (Unpublished)
Davidmann, Sara (2014) Imag(in)ing Trans Partnerships: Collaborative Photography and Intimacy. Journal of Homosexuality, 61 (5). pp. 636-653. ISSN 0091-8369 (Print), 1540-3602 (Online)
Davidmann, Sara (2009) In/visible genders. [Show/Exhibition]
Davidmann, Sara (2010) Jason and the Birth of Laurie Joe. [Art/Design Item]
Davidmann, Sara (2015) Ken. To be destroyed. [Show/Exhibition]
Davidmann, Sara (2014) Ken. To be destroyed. [Show/Exhibition]
Davidmann, Sara (2014) ‘Ken. To be destroyed ‘ at PARcSPACE Gallery, London College of Communication. [Show/Exhibition]
Davidmann, Sara (2014) 'Ken. To be destroyed' at Museum of Liverpool. [Show/Exhibition]
Davidmann, Sara (2014) ‘Ken. To be destroyed’ at Moving Trans* History Forward. [Show/Exhibition]
Davidmann, Sara (2013) ‘Ken. To be destroyed’ at Unity Theatre, Liverpool. [Show/Exhibition]
Davidmann, Sara (2010) Queer conceptions: procreation beyond gender: a photographic essay. In: Queer Again? Power, Politics and Ethics, 23 - 25 September 2010, Berlin, Germany. (Unpublished)
Davidmann, Sara (2009) Reimag(in)ing somasex. [Show/Exhibition]
Davidmann, Sara (2011) Researching the history and international impact of the medical diagnosis of transsexuality, from 1900 to the present day. In: Research meeting/conference, 13-15 June 2011, London, UK. (Unpublished)
Davidmann, Sara (2018) Reverberations and Aftershocks: Artistic Practice and an ITS case study. In: Reverberations and Aftershocks: Artistic Practice and an ITS case study, 24 May 2018, The Wiener Library, 29 Russell Square, London.
Davidmann, Sara (2013) Trans Portraits. [Show/Exhibition]
Davidmann, Sara (2017) Transgender and love in 'Ken. To be destroyed' and collaborative photography. In: Mutual Conditionings of Gender and Love, October 16-19 2017, Aarhus University, Denmark.
Davidmann, Sara (2014) Transsexual Experiences: Photography, Gender, and the Case of the Emperor’s New Clothes. In: Transgender Experience: Place, Ethnicity, and Visibility. Routledge, New York and Abingdon, pp. 108-122. ISBN ISBN-10: 0415656168; ISBN-13: 978-0415656160
Davidmann, Sara (2007) Visualising the Transexual Self: Photography, Strategies, and Identities. PhD thesis, University of the Arts London.
Davidmann, Sara (2003) nu-gender. [Art/Design Item]
Cussans, John (2011) The walking wounded? In: A Dying Artist, 22nd - 23rd April 2011, ICA, London. (Unpublished)
Crowley, Matthew (2012) Gathering Wool. [Art/Design Item]
Cross, David and Cornford, Matthew (2014) Afterimage I (2012), Afterimage II, III, IV (2014). [Art/Design Item]
Cross, David and Cornford, Matthew (2003) Inside Outside. Third Text, 18 (6). pp. 657-665. ISSN 09528822
Cross, David and Cornford, Matthew (2010) The Treason of Images (2001/2010). [Art/Design Item]
Cross, David (2013) Bonjour tristesse. In: Relational Architectural Ecologies: Architecture, Nature and Subjectivity. Routledge, pp. 109-126. ISBN 9780415508582
Cook, Steve (2009) Secret origins, real comic book heroes. [Show/Exhibition]
Cook, Siân (2010) Honest and True? Authenticity in the visual representation of gay relationships in HIV/AIDS health promotion. The Everyday Experiment, 1 (1). pp. 64-70. ISSN 2045-1180
Collins, Jane and Pavelka, Michael (2007) Stages calling: Photographs from the Market Theatre by Ruphin Coudyzer. [Show/Exhibition]
Coldwell, Paul (2017) Temporarily Accessioned. [Show/Exhibition]
Cobbing, William (2009) Bamiyan Mirror. [Art/Design Item]
Cobbing, William (2010) Man in the Planet. [Show/Exhibition]
Clayman, John (2006) Empty Frames (artist's book). [Art/Design Item]
Clarke, Leigh (2016) Hoader Control, Marion de Canniere Artspace, Antwerp, Belgium. [Show/Exhibition]
Clark, Edmund and Black, Crofton (2018) Group Exhibition: Space of Flows: Framing an Unseen Reality. [Show/Exhibition]
Clark, Edmund and Black, Crofton (2018) Group Exhibition: [Control] No Control. [Show/Exhibition]
Clark, Edmund and Black, Crofton (2018) Negative Publicity [Redacted]. [Art/Design Item]
Clark, Edmund and Black, Crofton (2016) Negative Publicity: Artefacts of Extraordinary Rendition. Aperture Foundation & Magnum Foundation, New York. ISBN 978-1-59711-351-9
Clark, Edmund and Black, Crofton (2021) The Real and the Record. [Show/Exhibition]
Clark, Edmund and Black, Crofton (2016) Rysa na powiece / Scuff Mark on an Eyelid. [Show/Exhibition]
Clark, Edmund and Black, Crofton (2018) Solo Exhibition: Edmund Clark: The Day the Music Died. [Show/Exhibition]
Clark, Edmund (2019) Bending the Screen: Ekphrasis, Plain Sight and the Monster within. In: image/con/text: Complementary Testimonies in Documentary Discourse, 29-30 October 2019, Hochschule Hannover, University of Applied Sciences and Arts, Hanover, Germany.
Clark, Edmund (2023) Civilization: the way we live now. [Show/Exhibition]
Clark, Edmund (2012) Control Order House. Here Press, London. ISBN 978-0-9935853-1-9
Clark, Edmund (2016) Group Exhibition: Caméra(Auto)Contrôle. [Show/Exhibition]
Clark, Edmund (2018) Group Exhibition: Frankenstein's Birthday Party. [Show/Exhibition]
Clark, Edmund (2017) Group Exhibition: Images in Conflict. [Show/Exhibition]
Clark, Edmund (2017) Group Exhibition: Nucleus – Imagining Science. [Show/Exhibition]
Clark, Edmund (2017) Group Exhibition: The Wall. [Show/Exhibition]
Clark, Edmund (2018) Group Exhibtion: In the Still of the Night. [Show/Exhibition]
Clark, Edmund (2017) Group Show: Revealing Pictures: Photographs from the Christopher E. Olofson Collection. [Show/Exhibition]
Clark, Edmund (2010) Guantanamo: If the Light Goes Out. Dewi Lewis Publishing, Stockport. ISBN 978-1-904587-96-5
Clark, Edmund (2019) Home Sweet Home. [Show/Exhibition]
Clark, Edmund (2018) In Place of Hate. In: British Society of Criminology Conference, 3-6 July 2018, Birmingham.
Clark, Edmund (2021) In Place of Hate: Art and Criminal Justice. In: All Souls Criminology Seminar Series, 18 February 2021, All Souls College, Oxford, Online.
Clark, Edmund (2014) The Mountains of Majeed. Here Press, London. ISBN 978–0–9574724–8–8
Clark, Edmund (2019) Negative Publicity and Evidentiary Aesthetics. In: Evidentiary Aesthetics: Architectural Investigations in Contemporary Politics and Conflict, 22 January 2019, Architectural Association School of Architecture.
Clark, Edmund (2022) Photographing the Unseen: Counter-image strategies and the Global War on Terror. In: Taking Sides - Design and art between autonomy and interference, 20-21 May 2022, Faculty of Design ,Würzburg University of Applied Sciences, Germany.
Clark, Edmund (2012) Solo Exhibition: Control Order House, Brighton Photo Biennial. [Show/Exhibition]
Clark, Edmund (2010) Solo Exhibition: Guantanamo: If The Light Goes Out. [Show/Exhibition]
Clark, Edmund (2010) Solo Exhibition: Guantanamo: If The Light Goes Out. [Show/Exhibition]
Clark, Edmund (2010) Solo Exhibition: Guantanamo: If The Light Goes Out & Letters To Omar. [Show/Exhibition]
Clark, Edmund (2012) Solo Exhibition: Guantanamo: If The Light Goes Out, Letters To Omar & Section 4 Part 20: One Day on a Saturday. [Show/Exhibition]
Clark, Edmund (2013) Solo Exhibition: If The Light Goes Out. [Show/Exhibition]
Clark, Edmund (2017) Solo Exhibition: In Place of Hate. [Show/Exhibition]
Clark, Edmund (2012) Solo Exhibition: Section 4 Part 20: One Day on a Saturday. [Show/Exhibition]
Clark, Edmund (2016) Solo Exhibition: Terror Incognitus. [Show/Exhibition]
Clark, Edmund (2018) Solo Exhibition: The Mountains of Majeed. [Show/Exhibition]
Clark, Edmund (2015) Solo Exhibition: The Mountains of Majeed. [Show/Exhibition]
Clark, Edmund (2016) Solo Exhibition: War of Terror. [Show/Exhibition]
Clark, Edmund (2017) Solo Exhibtion: Negative Publicity: Artefacts of Extraordinary Rendition. [Show/Exhibition]
Clark, Edmund (2009) Solo Show: Guantanamo: If The Light Goes Out, British Journal of Photography International Photography Award. [Show/Exhibition]
Clark, Edmund (2023) States of Violence. [Show/Exhibition]
Clark, Edmund (2007) Still Life Killing Time. Dewi Lewis Publishing, Stockport. ISBN 978-1-904587-53-8
Clark, Edmund (2008) Still Life Killing Time. [Art/Design Item]
Clark, Edmund (2018) Unseen Conflicts: War on Terror. [Show/Exhibition]
Clark, Edmund (2019) Unseen in plain sight: control, incarceration and representation in contemporary conflict. In: Exposure: Photography Festival of Alberta, 5 February 2019, Gallery Hall, Taylor Family Digital Library, University of Calgary, Canada.
Clark, Edmund (2019) Walled Off: The Politics of Containment. [Show/Exhibition]
Clark, Edmund (2020) White Cliffs, Blue Channel, Yellowhammer. [Show/Exhibition]
Clark, Edmund (2019) White Cliffs, Blue Channel, Yellowhammer. Here Press, London. ISBN 978–1–9993494–3–1
Christian, Toby (2020) Derma. [Show/Exhibition]
Christian, Toby (2023) no odonata. [Show/Exhibition]
Chesher, Andrew (2018) Reconfiguring the Lifeworld: Spatial Experience in the Universe of Technical Images. In: Time, Space and Mobility. Interdisciplinary Research Foundation, Warsaw, pp. 229-236. ISBN 978-83-949577-1-1
Cattrell, Peter (2005) Photography : Foundation Course. Cassell Illustrated, UK. ISBN 9781844032211
Cattrell, Peter (2005) Scottish Parliament. [Art/Design Item]
Cattrell, Peter (2001) Terrain: Landscapes of the Great War. [Show/Exhibition]
Cattrell, Peter (2003) Threave. [Art/Design Item]
Caruana, Natasha (2014) At First Sight. [Show/Exhibition]
Caruana, Natasha (2009) Clandestine Purse. [Show/Exhibition]
Caruana, Natasha (2013) Love Bomb. [Show/Exhibition]
Caruana, Natasha (2008) Married Man (2008 - 2009). [Show/Exhibition]
Caruana, Natasha (2005) The Other Woman. [Show/Exhibition]
Caruana, Natasha (2017) Timely Tale. [Show/Exhibition]
Carruthers, Beverley and Woollatt, Jane (2019) She is Grieving. She is Furious. [Show/Exhibition]
Carruthers, Beverley and Leister, Wiebke and Teichmann, Esther (2015) The Skin of the Image. Photography and the Contemporary Imaginary Research Hub, UAL, London.
Carruthers, Beverley (2018) A Potent Charm. [Art/Design Item]
Carruthers, Beverley (2018) A Potent Charm. In: Elephant Atlas. Elephant Atlas: A Compedium . Studio at the Elephant. ISBN 978-0-9575086-8-2
Carlyle, Angus (2016) In the Shadow of the Silent Mountain. [Art/Design Item]
Carlyle, Angus (2020) Night Blooms. New Words . Makina Books, London. ISBN 9781916060852
Cardwell, Thomas and Bolivar, Juan (2023) Merchbau. [Show/Exhibition]
Cairns, Jon (2012) “Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells”. Contemporary Theatre Review, 22 (3). pp. 355-371. ISSN 1048-6801, 1477-2264
Cairns, Jon (2010) Intimate trouble: the domestic snap in performance. In: Photographic Portraiture – Transgressive and Transformative Potentials, London, UK.
Cairns, Jon (2016) My Audiences with Adrian: Performance, Photography and Writing the Intimate Encounter. In: It’s All Allowed: The Performance Works of Adrian Howells. Intellect Live . Live Art Development Agency / Intellect. ISBN 9781783205899
Cairns, Jon (2010) Public Intimacies: My Audience with Adrienne. In: Performance Studies International #16, 9-13 June 2010, Toronto, Ontario.
Bush, Lewis and Max, Houghton (2016) Very Now at London College of Communication. [Show/Exhibition]
Bush, Lewis (2016) City of Dust at Westminster Reference Library. [Show/Exhibition]
Bush, Lewis (2016) Images of Power at Seen Fifteen Gallery. [Show/Exhibition]
Bush, Lewis (2015) Metropole at The Sir John Cass School. [Show/Exhibition]
Burford, Samuel (2019) Journey to the Image - Searching for Traces of the Indexical within Photorealistic Rendered Imagery. PhD thesis, University of the Arts London.
Brown, Roni and Martin, Simon and Fox, Anna (2011) Resort: Butlins at 75 years. [Show/Exhibition]
Brown, Roni (2011) Material culture and experience: the Butlins brand. Photoworks Magazine, 17. ISSN 9781903796306
Brown, Elspeth and Ceschel, Bruno and Davidmann, Sara (2014) Queering Photography. Photography and Culture, 7 (3). pp. 235-238. ISSN 1751-4517
Brassett, Jamie (2019) Atoms and Worms (ontologies of fragments). In: Fragmentation of the Photographic in the Digital Age. Routledge History of Photography . Routledge, New York. ISBN 9781138493490
Blackmore, David (2018) European Pa55port. [Art/Design Item]
Bibiano Alves, Fagner (2021) Out of Sight: Exploring Desire, Visuality and the Obscene through Photographic Practice. PhD thesis, University of the Arts London.
Bhat, Mahesh and Biró, Eszter and Dare, Eleanor and Dover, Annabel and Flockhart, Gail and Fontoura, Catarina and Good, Jennifer and Hill, Phil and Hillman, John and Hudson, Carol and Janeiro, Ana and Kangelaris, Fotis and Karlsson, Elin and Krapivina, Ksenija and Llop, Mireia Ludevid and Martin, Jessie and Martin, Rosy and Martinez Estrada, Judith and Molloy, Caroline and Neely, Sarah and Papadimitropoulos, Panayotis and Payne, Natalie and Pearl, Alex and Rickett, Sophy and Sawdon Smith, Richard and Stephens, Tim and Waterman, Sally and Leister, Wiebke and Ingham, Mark and Milic, Nela and Lowe, Paul and Andersdotter, Sara and Kantas, Vasileios (2023) Handbook of Research on the Relationship Between Autobiographical Memory and Photography. IGI Global Publising, Hershey, Pennsylvania, USA. ISBN 9781668453377
Bevan, Paul (2005) Branded Works. [Art/Design Item]
Bevan, Paul (2016) The Everyday and the Epic. [Show/Exhibition]
Bevan, Paul (2000) Exit. [Art/Design Item]
Bevan, Paul (2015) Fashion Today. In: Fashion Today, 6 November 2015, The Photographers' Gallery, 16 - 18 Ramillies St, London W1F 7LW.
Bevan, Paul (2000) Galerie. [Art/Design Item]
Bevan, Paul (2016) In Superposition. [Show/Exhibition]
Bevan, Paul (2017) In Superposition (again). [Show/Exhibition]
Bevan, Paul (2018) In Superposition: Ice and land (Iceland) 2018. [Show/Exhibition]
Bevan, Paul (2001) Interval. [Art/Design Item]
Bevan, Paul (2018) On Not Becoming Der Wanderer (after Caspar David Friedrich), Snæfellsnes, Iceland (2018). [Show/Exhibition]
Bevan, Paul (2021) Photographic Practice and the Status of Superposition: Image, Observation, Event. PhD thesis, University of the Arts London.
Bevan, Paul (2011) Photographic suspension and disbelief: fashioned bodies in oscillation. In: Construct- the Body in Flux, 28th April 2011, Southampton Solent University. (Unpublished)
Bevan, Paul (2011) Photography as religion. 125 Magazine: Religion Issue (17). ISSN 9771479560029
Bevan, Paul (2016) What is Photographic Research? A Pocket Reader. In: What is Photographic Research. Camberwell Press, London, pp. 77-83. ISBN 9781908971548
Bevan, Paul (2015) Where Are We Now, Fashion Photography In An Era of Innovation? In: Where Are We Now, Fashion Photography In An Era of Innovation?, 24 January 2015, Milk Gallery, 450 W 15th St, New York, US.
Bevan, Paul (2019) Zoopraxiscope, from In Superposition : Ice and land (Iceland 2018). [Show/Exhibition]
Behr, Bernd (2014) Akeley in the Elephant Skull. [Art/Design Item]
Behr, Bernd (2016) Akeley inside the elephant: Trajectory of a taxidermic image. Philosophy of Photography, 7 (1-2). pp. 43-61. ISSN 2040-3682
Behr, Bernd (2007) Amoy Gardens. [Show/Exhibition]
Behr, Bernd (2016) Phantom Limbs. In: Sprachen des Sammelns: Literatur als Medium und Reflexionsform des Sammelns. Wilhelm Fink Verlag, Paderborn, pp. 124-129. ISBN 978-3-7705-6097-4
Behr, Bernd (2016) Photographic indexicality: Once more, with feeling. Philosophy of Photography, 7 (1-2). pp. 3-10. ISSN 2040-3690
Beard, Sophie (2009) Collecting Collects: The Family Photograph in the British Newspaper. PhD thesis, University of the Arts London.
Batniji, Taysir and Behr, Bernd and Brognon, David and Cannito, Annalisa and Chernysheva, Olga and Dekyndt, Edith and Hammer, Jan Peter and Hong, James T. and Kovacevic, Milomir and Kriemann, Susanne and Margreiter, Dorit and Paolozzi, Eduardo and Pavlovic, Vesna and Perjovschi, Dan and Perjovschi, Lia and Ribalta, Jorge and Sokurow, Alexander and Sonntag, Jan-Peter E.R. and Vitaljic, Sandra (2017) Tito's Bunker. [Show/Exhibition]
Bate, Jason (2015) The Limits of Medical Discourse: Photography, Facial Disfiguration, and Reconstructive Surgery in England, 1916-1925. PhD thesis, University of the Arts London and Falmouth University.
Barber, Ed (2003) 30/30 Vision. [Show/Exhibition]
Barber, Ed (2002) In the City. [Show/Exhibition]
Barber, Ed (2002) Teenage Kicks 15-18. [Show/Exhibition]
Barber, Ed (2007) Visual Athletics Club. [Show/Exhibition]
Bankale, Sheyi (2013) In Between The Shifts. Next Level (23). pp. 16-19. ISSN 1476 4369
Bankale, Sheyi (2016) Power of the Institution. Next Level (24). pp. 12-15. ISSN 1476 4369
Bailey, Paul (2013) Looking for/through/with/amongst/beyond/around Content. [Show/Exhibition]
Bailey, Paul (2018) THEA SEGALL. (un)edited. Witte de With, Rotterdam & Jan van Eyck Academie, Maastricht, the Netherlands, The Netherlands. ISBN ISBN 9789491435560
Baddeley, Oriana (2017) Boissonnas in Egypt. Saint Catherine Foundation, London. ISBN 9781906908478
Baddeley, Oriana (2018) Fred Boissonnas in Egypt. [Show/Exhibition]
Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Journal of Photography and Culture, 11 (2). pp. 121-138. ISSN 1751-4517
Alexander, Gary (2007) Cornershop - it's a BARGAIN! TWO for the price of ONE! [Art/Design Item]
Al-Ani, Jananne and Withers, Rachel (2011) Interview with Jananne Al-Ani. RES (7). ISSN 978-605-5815-11-0
Al-Ani, Jananne and Withers, Rachel (2010) Making the Cut - Jananne Al-Ani.
Al-Ani, Jananne and Ross, Julian (2016) Interview Jananne Al-Ani. Sonic Acts.
Al-Ani, Jananne and Muller, Nat (2014) Technologies of History. Jananne Al-Ani in conversation with Nat Muller. Ibraaz: Contemporary visual culture in North Africa and the Middle East..
Al-Ani, Jananne and Ayad, Myrna, Canvas Magazine (2010) Look and You Shall Find - Jananne Al-Ani. Canvas Magazine, 6 (3). pp. 132-141. ISSN 1814-7062
Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: March Meeting 2010 - A Focus on Upcoming Projects, 13th - 15th March 2010, Multaqa Al Qasba, Sharjah, UAE. (Unpublished)
Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: Sexuate Subjects: Politics, Poetics and Ethics, 3rd-5th of December 2010, UCL, London. (Unpublished)
Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: A Fluid Resilience, 4th of June 2010, La Fondazione Querini Stampalia, Venice, Italy.
Al-Ani, Jananne, Pia Getty Films (2011) Axis of Light: Contemporary Art from the Arab World and Iran. [Art/Design Item]
Al-Ani, Jananne (2016) Black Powder Peninsula. [Art/Design Item]
Al-Ani, Jananne (2022) Bringing to Light. [Show/Exhibition]
Al-Ani, Jananne (2010) The Disappearing Body. In: Photographic Portraiture Transgressive and Transformative Potentials, November 5th 2010, Chelsea College of Art and Design, London. (Unpublished)
Al-Ani, Jananne (2015) Disembodied Perspective. In: Documents of Contemporary Art: Moving Image. Documents of Contemporary Art . Whitechapel Gallery & MIT Press. ISBN 978-085488-238-0
Al-Ani, Jananne (2014) Excavations. [Show/Exhibition]
Al-Ani, Jananne (2015) In-Dis-Appearance. [Show/Exhibition]
Al-Ani, Jananne (2002) Scenes and Types. In: Home Works:A forum on cultural practices in the region Egypt, Iran, Iraq, Lebanon, Palestine and Syria., 2nd-7th April, 2002, Beirut, Lebanon.
Al-Ani, Jananne (2010) Solo Exhibition. [Show/Exhibition]
Al-Ani, Jananne (2016) Traces of War. [Show/Exhibition]
Al-Ani, Jananne (2002) Untitled. [Art/Design Item]
Al-Ani, Jananne (2006) Untitled I to VI. [Art/Design Item]
Al-Ani, Jananne (1991) Untitled, gulf war work. [Art/Design Item]
Al-Ani, Jananne (2004) The Visit. [Art/Design Item]
Al-Ani, Jananne (2011) Women War Artists. [Show/Exhibition]
Ahrens, Victoria (2016) Bodies of Water. [Show/Exhibition]
Ahrens, Victoria (2016) Paraná Blues. [Show/Exhibition]
Ahrens, Victoria (2016) River Dialogue. [Show/Exhibition]
Adami, Elisa and Bikoko, Baudouin and Crichlow, Warren and Mey, Adeena (2023) Framing & Reframing Kinshasa: Baudouin Bikoko’s Expanded Photographic Practice. In: Photography Network Virtual Symposium: Photography’s Frameworks, 14 October 2023, Western Cape, South Africa, Online.
Adami, Elisa (2019) Akram Zaatari: History and Photographic Memory. Journal of Visual Culture, 18 (2). pp. 169-186. ISSN 1470-4129
Adami, Elisa (2020) Profile: Moyra Davey. Art Monthly (441). pp. 15-17. ISSN 0142-6702