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Tan, Erika (2008) The Syntactical Impossibility of Approaching with a Pure Heart. [Art/Design Item]
Stephens, Tim (2002) Out of Africa - Visual Display Material and an Interactive Database for Vitafoods. [Art/Design Item]
Ryan, Nicky (2012) London College of Communication and Southwark Arts Collection collaboration. [Art/Design Item]
Rughani, Pratap and Burge, Jim (2001) Brief Encounter - second film in a three part series 'Untold: An India Affair'. [Art/Design Item]
Rughani, Pratap (2004) Glass Houses - 48 minute documentary film commissioned by the British Council. [Art/Design Item]
Ridge, Sue (2010) Artworks for radiology department at Northwick Park Hospital. [Art/Design Item]
Ridge, Sue (2005) From the Outside in – Navigating the Hospital 2005. [Art/Design Item]
Palmer, Val (2016) Creative Approaches: A New Way of Thinking for Industry. [Art/Design Item]
Layzell, Richard (2007) Changing Space/Critical Space: Commission and Residency for Stroud Valleys Artspace. [Art/Design Item]
Hughes, Ben and Milton, Alex (2003) Claystation: Methodologies for Mass-Participation and User-Generated Content for Design Practice. [Art/Design Item]
Cunningham, David (2003) A Position Between Two Curves site specific installation. [Art/Design Item]
Brown, Chris (2007) In the Spirit of Edward Bawden and Eric Ravilious. [Art/Design Item]
Biagioli, Monica (2003) Strasse 2003 installation: seven leather handbags, and kiosk design. [Art/Design Item]
Beech, Dave and Jordan, Mel and Hewitt, Andy, Freee art collective (2009) The New Futurist Manifesto, (Revised, Expanded and Updated). [Art/Design Item]
Zeilig, Hannah (2011) The critical use of narrative and literature in gerontology. International Journal of Ageing and Later Life, 6 (2). pp. 7-37. ISSN 1652-8670
Walsh, Maria (2014) The Poetic Reactivation of Historical Time: Eija-Liisa Ahtila’s Where is Where? Moving Image Review & Art Journal (MIRAJ), 3 (2). pp. 150-161. ISSN 2045-6298
Vodanovic, Lucia (2013) The New Art of Being Amateur: Distance as Participation. Journal of Visual Art Practice, 12 (2). pp. 169-179. ISSN 1470-2029
Smith, Dan (2013) Architecture, Violence and Sensation: A Visitor’s Guide to Mega City One. Intensities: The Journal of Cult Media (5).
Slater, Alix (2004) Revisiting membership scheme typologies in museums and galleries. International Journal of Nonprofit and Voluntary Sector Marketing, volume (number). pp. 238-260. ISSN 14654520
Slater, Alix (2003) Users or supporters? Understanding the motivations and behaviors of members. Curator: The Museum Journal, 46 (2). pp. 182-207. ISSN 0011-3069
Scrivener, Stephen and Zheng, Su (2012) Projective artistic design making and thinking: the artification of design research. The Journal of Contemporary Aesthetics, 10.
Ryan, Nicky (2009) Millstone or milestone: the perceived value of cultural studies for art and design students and teachers. Art, Design and Communication in Higher Education, 8 (1). pp. 9-25. ISSN 1474273X
Roodhouse, Simon (2006) "The Unreliability of Cultural Management Information: Defining the Visual Arts". Journal of Arts Management, Law and Society, volume (number). pp. 48-65. ISSN 10632921
Radclyffe-Thomas, Natascha (2008) White Heat or Blue Screen? Digital Technology in Art & Design Education. International Journal of Art & Design Education, 27 (2). pp. 158-167.
Quinn, Malcolm (2009) Britishness and Visual Culture: Research in Process: Programme A: Education Practice at Tate 1970 – Present. Tate Online, Tate Encounters Series.
Quinn, Malcolm (2008) Critique Conscious and Unconscious: Listening to the Barbarous Language of Art and Design. Journal of Visual Art Practice, 7 (3). pp. 225-240. ISSN 1470-2029
Quinn, Malcolm (2011) The invention of facts: Bentham’s ethics and the education of public taste. Revue d’études benthamiennes: The Journal of Bentham Studies. ISSN 17607507
Panesar, Lucy (2017) Academic support and the BAME attainment gap: Using data to challenge assumptions. Spark: UAL Creative Teaching and Learning Journal, 2 (1). pp. 45-49. ISSN 2397-6594
Orr, Susan (2010) We kind of try to merge our own experience with the objectivity of the criteria’: The role of connoisseurship and tacit practice in undergraduate fine art assessment. Art, Design and Communication in Higher Education, 9 (1). pp. 5-19. ISSN 1474273X
Morra, Joanne (2009) Contemporary art inside the Freud Museum: working-through transit documents, postmemory, and the Holocaust. Journal of History of Modern Art, 26. pp. 249-273. ISSN 1598-7728
McMillan, Michael (2009) The West Indian Front Room: Reflections on a Diasporic Phenomenon. Small Axe: A Caribbean Journal of Criticism, 13 (28). pp. 135-156. ISSN 0799-0537
McMillan, Michael (2003) The 'West Indian" Front Room in the African Diaspora. Fashion Theory: The Journal of Dress, Body and Culture, 7 (3/4). pp. 1-18. ISSN 1362-704X
Hanceri, Ellen (2016) Finding your place: preparing creative students for industry. Spark: UAL Creative Teaching and Learning Journal, 1 (2). pp. 98-101. ISSN 2397-6594
Green, Phil and Honess, Mike (2010) Effect of short-term simulated daylight exposure on optically brightened papers. Journal of Physics: Conference Series. 4th International Conference on Preservation and Conservation Issues in Digital Printing and Digital Photography., 231. ISSN 1742-6588
Green, Phil (2010) Effect of fluorescent agents on the permanence of printed materials. Journal of Physics Conference Series. Proceedings of the 4th International Conference on Preservation and Conservation Issues in Digital Printing and Digital Photography, 231. pp. 1-5. ISSN 17426588
Green, Phil (2010) Standards for illumination of digital prints and photographs. Proceedings of the 4th International Conference on Preservation and Conservation Issues in Digital Printing and Digital Photography (Journal of Physics Conference Series), 231. pp. 1-5.
Gamman, Lorraine and Thorpe, Adam (2015) Building Resilience of Returning Citizens: Creative ways to survive prison and thrive outside without crime. Cultures of Resilience. pp. 67-73.
Francis, Mary Anne (2010) Here and there: an artist's writing as aesthetic form. Journal of Writing in Creative Practice, 3 (2). pp. 97-109. ISSN 17535190
Francis, Mary Anne (2008) A theory of critique... in practice: practice as critique. Journal of Visual Art Practice, 7 (3). pp. 241-251. ISSN 1470-2029
Crowe, Thereza and Wells, Francis (2004) Leonardo da Vinci as a Paradigm for Modern Clinical Research. The Journal of Thoracic and Cardiovascular Surgery, 127 4. pp. 929-994. ISSN 0022-5223
Cherry, Deborah (2003) The Art of the Senses and the Making of a Diasporan Aesthetics: Zarina Bhimji's 'She Loved to Breathe–Pure Silence', 1987-2002. Tessera, 32. pp. 34-45. ISSN 1923-9408
Cairns, Jon (2012) “Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells”. Contemporary Theatre Review, 22 (3). pp. 355-371. ISSN 1048-6801, 1477-2264
Bond, Peter (2015) A Pertinent Interruption, A Reflection on Performance Art in the West Whilst Acknowledging Performance Practices Around the World. Arts Illustrated, 3 (4). pp. 82-88.
Bloxham, Sue and Boyd, Pete and Orr, Susan (2011) Mark my words: the role of assessment criteria in UK higher education grading practices. Studies in Higher Education, 36 (6). pp. 655-670. ISSN 1470-174X (electronic) 0307-5079 (paper)
Belova, Olga and King, Ian and Sliwa, Martyna (2008) Introduction: Polyphony and Organization Studies: Mikhail Bakhtin and Beyond. Organization Studies, 29 (4). pp. 493-500. ISSN 0170-8406
Barton, Graham and James, Alison (2015) Threshold Concepts, LEGO Serious Play® and systems thinking: towards a combined methodology. Practice and Evidence of Scholarship of Teaching and Learning in Higher Education (PESTLHE). ISSN 1750-8428 (In Press)
Araujo, Ana (2013) Unmasking: a speculation on the meanings of domestic patterns and their cultural bearings. Home Cultures, 10 (1). pp. 5-24. ISSN 1751-7427
Albano, Caterina (2013) At the Edge: Balnakiel, a video and sound installation by artist Shona Illingworth. Memory Studies, 6 (4). pp. 404-417. ISSN 1750-6980
Albano, Caterina (2008) The puzzle of human emotions: some historical considerations. Developmental Medicine and Child Neurology, 50 (7). pp. 494-497. ISSN 1469-8749
Addison, Nicholas (2012) 'Fallen Angel': making a space for queer identities in schools. International Journal of Inclusive Education, 16 (5-6). pp. 535-550. ISSN 1360-3116
Addison, Nicholas (2011) Moments of intensity: affect and the making and teaching of art. International Journal of Art & Design Education, 30 (3). pp. 363-378. ISSN 14768070
Addison, Nicholas (2008) Researching education through embodied knowledge: MA students' practice-based dissertations. UNESCO Observatory: Journal of Multi-disciplinary Research in the Arts, 1 (3). pp. 1-15. ISSN 1835-2776
Addison, Nicholas (2011) The dirtying of David: transgression, affect, and the potential space of art. Emotion, Space and Society, 4 (3). pp. 172-179. ISSN 1755-4586
Newman, Avis (2006) Documents: A series of 3 publications capturing the exchange of ideas and thoughts between young artists at an early stage in their development. Rijksadademie van beeldende kunsten. ISBN 90-78681-01-2
McMillan, Michael (2009) The Front Room: Migrant Aesthetics in the Front Room. Black Dog Publishing, London. ISBN 978-1-906155-85-8
King, Ian and Vickery, Jonathan (2013) Experiencing Organisations: New Aesthetic Perspectives. Libri Publishing, Faringdon, UK. ISBN 9781907471551
Hernández Velázquez, Yaiza María and Roig, Marc and Hispano, Andrés (2007) El Rei de la Casa. Adults als deu, nens al quaranta. Institut de Cultura de Barcelona, Barcelona. ISBN 978-84-9850-009-7
Cummings, Neil (2011) Parade: public modes of assembly and forms of address. BRIGHT . CCW Graduate School, London, UK. ISBN 9780955862830
Wilder, Ken (2013) Standing By Their Words: The Manifestos of the Freee Art Collective. In: Manifesto Now! Instructions for Performance, Philosophy, Politics. Intellect, London, pp. 1-16. ISBN 9781783200054
Vodanovic, Lucia (2016) From Performance to Objects and Back: London's InterAction. In: Materiality and Popular Culture: The Popular Life of Things. Routledge Research in Cultural and Media Studies . Routledge, London, pp. 132-142. ISBN 9781138657809
Tsutsumi, Maiko (2013) What does it mean to be a “materially attuned” practitioner? In: Design learning for tomorrow: design education from kindergarten to PhD. Proceedings from the 2nd International Conference for Design Education Researchers, 14-17 May 2013, Oslo, Norway. ABM-media, Oslo, pp. 878-893. ISBN 9788293298021
Tillotson, Jenny (2006) Scentsory design: the emotional living tissue. In: The Future of the 20th Century: Collecting, Interpreting and Conserving Modern Materials. Archetype Publications. ISBN 1904982174
Smith, Dan (2010) Reading the Albert Memorial. In: Cultural Memory: Reformations of the Past in the Present, and the Present in the Past. University of Plymouth Press, Plymouth, pp. 10-25. ISBN 9781841022536
Silverthorne, Diane (2013) Vienna's 'Holy Spring' and beyond: Ver Sacrum (1898-1903), Almanach der Wiener Werkstätte (1911), Hohe Warte (1904-9), Deutsche Kunst und Dekoration (1897-1932). In: The Oxford critical and cultural history of modernist magazines. Volume III, Europe 1880-1940. Oxford University Press, Oxford, pp. 992-1013. ISBN 9780199659586
Scrivener, Stephen and Clements, Wayne (2010) Triangulating artworlds: gallery, new media and academy. In: Triangulating artworlds: gallery, new media and academy. Ashgate Publishing Ltd., Aldershot, Hants, pp. 9-26.
Scrivener, Stephen (2011) Reflections on interactive art and practitioner research: establishing a frame. In: Interacting: Art, Research and the Creative Practitioner. Libri Publishing, Faringdon, Oxfordshire. ISBN 9781907471483
Scrivener, Stephen (2010) Transformational practices: on the place of material novelty in artistic change. In: The Routledge Companion to Research in the Arts. Routledge, Abingdon, Oxford, pp. 259-276. ISBN 9780415581691
Sabin, Roger and Barker, Martin (2006) A Very American Fable: The Making of a Mohican's Adaptation. In: Nineteenth-Century American Fiction on Screen. Cambridge University Press, Cambridge, pp. 9-35. ISBN 9780521842211
Sabin, Roger (2017) 'Ally Sloper meets Jack the Ripper': Comedy and fear in the 19th century'. In: Comics An Der Grenze. Christian Bachmann Verlag, Berlin, pp. 59-79. ISBN 978-3-941030-68-8
Sabin, Roger (2006) Barefoot Gen in the US and UK: Activist Comic, Graphic Novel, Manga. In: Reading Manga: Local and Global Perceptions of Japanese Comics. University of Leipzig Press, Germany, pp. 39-57. ISBN 3865831230
Sabin, Roger (2001) The Comics Connection: Low Culture Meets Even Lower Culture. In: Action TV. Routledge, UK, pp. 205-220. ISBN 041522621X
Sabin, Roger (2015) 'Comics versus books: the new criticism at the 'fin de siècle'. In: Transforming Anthony Trollope. Studies in European Comics and Graphic Novels . Leuven University Press, Belgium, pp. 107-129. ISBN 9789462700413
Ryan, Nicky (2009) The network museum: commerce, culture and exchange. In: Networks of Design. Universal Publishers, Boca-Raton, pp. 486-491. ISBN 9781599429069
Quinn, Malcolm and James, Elkins and Newman, Michael and Legge, Elizabeth and Tuer, Dot (2011) Chigurh’s haircut: three dialogues on provocation. In: Transmission Annual: Provocation. Transmission . Artwords Press, London.
Quinn, Malcolm (2011) Art and psychoanalysis: among other discourses. In: Vicissitudes: Histories and Destinies of Psychoanalysis. The Institute of Germanic & Romance Studies [IGRS], University of London, London, UK.
Quinn, Malcolm (2013) The Pedagogy of Capital: Art History and Art School Knowledge. In: The Concept of the 'Master' in Art Education in Britain and Ireland, 1770 to the Present. Ashgate, London, UK, pp. 215-233.
Parab, Nikhil and Green, Phil (2011) Soft proofing of colours on substrates with optical brightening agents. In: Color Imaging XVI: Displaying, Processing, Hardcopy, and Applications (Proceedings Volume). Society of Photo-optical instrumentation Engineers and Society for Imaging Science and Technology (SPIE), Bellingham, WA. ISBN 9780819484031
Orr, Susan and McDougall, Julian (2014) Enquiry into Learning and Teaching in Arts and Creative Practice. In: Teaching and Learning in Higher Education: Disciplinary Approaches to Educational Enquiry. Sage, London. ISBN 9781446254639
Morra, Joanne (2008) The work of research: remembering, repeating and working-through. In: What is research in the visual arts? Obsession, archive, encounter. Clark studies in the visual arts . Yale University Press and Sterling and Francine Clark Art Institute, Williamstown, Mass., pp. 46-63. ISBN 9780300134131
Melvin, Jo (2011) Kantor in Edinburgh in the photographs of Ian Knox. In: Kantor was here: Tadeusz Kantor in Great Britain. Black Dog, London, pp. 44-50. ISBN 9781907317323
Melvin, Jo (2011) The living archive, the death of rubbish and the aesthetics of the dustbin. In: Kantor was here: Tadeusz Kantor in Great Britain. Black Dog, London, pp. 148-157. ISBN 9781907317323
King, Ian (2008) How We Know What We Know: The Potentiality of Art and Aesthetics. In: The SAGE Handbook of New Approaches in Management and Organization. SAGE, London, pp. 42-49. ISBN 9781412912181
Kikuchi, Yuko (2012) Shui-Long Yen and Vernacularism in the Development of Modern Taiwanese Crafts. In: Shui-Long Yen: The Public Spirit, Beauty in the Making. Taipei Fine Arts Museum (TFAM), pp. 300-313. ISBN 9789860320060
Hernández Velázquez, Yaiza María (2010) De los usos y desventajas del archivo para el arte. In: Memorias y Olvidos del Archivo. Lampreave, Madrid. ISBN 978-84-614-4738-1
Hatton, Kate (2016) A Poetical Journey: in what ways are theories derived from postcolonialism, whiteness and poststructural feminism implicated in matters of intercultural arts research? In: The Routledge International Handbook of Intercultural Arts Research. The Routledge International Handbook Series . Routledge/Taylor & Francis, London and New York, pp. 46-56. ISBN 9781138909939
Green, Phil and Revie, Craig and McDowell, David Q. (2011) A virtual printer and reference printing conditions. In: Proceedings of SPIE 7866 Color Imaging XVI: Displaying, Processing, Hardcopy, and Applications. Society of Photo-optical instrumentation Engineers and Society for Imaging Science and Technology, USA. ISBN 9780819484031
Green, Phil and High, Gregory and Coates, David and Hughes, Chris (2010) Colour management for cholesteric displays. In: Proceedings of the 31st International Congress On Imaging Science, Beijing. UNSPECIFIED, Springfield, VA, USA, pp. 35-38. ISBN 978092082896
Green, Phil and Gibson, Ian (2010) Implementing colour appearance and local adaptation in digital photography. In: Proceedings of the 31st International Congress On Imaging Science, Beijing. UNSPECIFIED, pp. 145-148. ISBN 978092082896
Green, Phil and Chang, Yerin (2011) A method to estimate the UV content of illumination sources. In: Color Imaging XVI: Displaying, Processing, Hardcopy, and Applications (Proceedings Volume). SPIE, USA. ISBN 9780819484031
Green, Phil (2010) Requirements for digital colour reproduction. In: Proceedings of the 31st International Congress On Imaging Science, Beijing. Society for Imaging Science and Technology, Springfield VA, USA, pp. 272-277. ISBN 978092082896
Green, Phil (2008) A smoothness metric for colour transforms. In: Proceedings of SPIE 6807 Color Imaging XIII: Processing, Hardcopy, and Applications. Society of Photo-Optical Instrumentation Engineers and Society for Imaging Science and Technology, USA, pp. 1-5. ISBN 9780819469793
Grandal Montero, Gustavo (2012) Kinkon biobib: life and work of Dom Sylvester Houedard. In: Notes from the Cosmic Typewriter: The life and work of Dom Sylvester Houédard. Occasional Papers, London, pp. 177-185. ISBN 978-0-9569623-3-1
Grainger, Hilary J. (2010) Ambiguity, evasion and remembrance in British crematoria. In: Lest We Forget. The History Press, Gloucestershire, UK, pp. 124-127. ISBN 9780752459653
Grainger, Hilary J. (2010) Maxwell Fry and the 'anatomy of mourning': Coychurch Crematorium, Bridgend, Glamorgan, South Wales. In: Deathscapes: Spaces for Death, Dying, Mourning and Remembrance. Ashgate Publishing, Farnham, UK, pp. 243-261. ISBN 9780754679752
Fortnum, Rebecca (2009) Commentary in the book, 'Unspoken Interactions: Exploring the Role of Emotions and Social Interactions in Art and Design Education'. In: Unspoken Interactions: Exploring the Role of Emotions and Social Interactions in Art and Design Education. The Centre for Learning in Art and Design, University of the Arts, London. ISBN 9780954143992
Dibosa, David and Dewdney, Andrew and Walsh, Victoria (2012) Cultural diversity: politics, policy and practices. The case of Tate Encounters. In: Museums, Equality and Social Justice. Museum Meanings . Routledge, Abingdon, Oxon; New York, pp. 114-124. ISBN 9780415504683
Courtney, Cathy (2007) Two interviews by Cathy Courtney with Stephen Willats and David Tremlett. In: Talking Art: Interviews with Artists since 1976. Ridinghouse and Art Monthly, 373-378; 393. ISBN 978-1-905464-04-3
Church Gibson, Pamela (2008) Concerning Blondeness: Gender, Ethnicity, Spectacle And Footballers' Waves. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 141-149. ISBN 9781845207922
Cairns, Jon (2016) My Audiences with Adrian: Performance, Photography and Writing the Intimate Encounter. In: It’s All Allowed: The Performance Works of Adrian Howells. Intellect Live . Live Art Development Agency / Intellect. (In Press)
Biddle-Perry, Geraldine and Miller, Janice (2009) ...and if looks could kill: making up the face of evil. In: Something Wicked This Way Comes: Essays on Evil and Human Wickedness. At the Interface: Probing the Boundaries (57). Rodopi, Amsterdam/New York, pp. 7-25. ISBN 9789042025509
Beech, Dave (2010) Weberian Lessons: Art, Pedagogy and Managerialism. In: Curating and the Educational Turn. Open Editions; De Appel, London; Amsterdam. ISBN 9781906155650
Austin, Patricia (2009) Methods of teaching and learning to develop the city as a resource and site of art and design practices. In: City and Art Forum. Mimar Sinan Fine Arts University, Istanbul, Turkey. ISBN 9789756264324
Asbury, Michael (2006) The Bienal de São Paulo: Between Nationalism and Internationalism. In: Espaço Aberto/ Espaço Fechado: Sites for Sculpture in Modern Brazil. The Henry Moore Institute, Leeds, pp. 72-83. ISBN 1900081997
Windle, Amanda and Burley, Tim and Din, Zahida and Giagkoglou, Thomas, Artsdepot, Ingelby (2014) What arts and culture venues need to know about the 65+ arts and culture attendees. In: Digital R&D Learning Event, Nesta, Plough Lane, London.
Wade, Glenis (2007) Listening to the locals: exploring how cultural norms persuade actions of new creative industry entrepreneurs. In: Perspectives on Entrepreneurship: Cultures and Contexts? 13-15 September 2007 Conference, RGU and Sorbonne Pariss III. (Unpublished)
Wade, Glenis (2007) There’s no point bargaining: Exploring the commerce- creative divide in perceptions of creative industry entrepreneurs. In: BAM (British Academy of Management) 2007 conference, Management Research, Education and Business Success: is the future as clear as the past?, University of Warwick 11-13 September 2007. (Unpublished)
Tulloch, Carol and Stockwell, Susan and Charles, Avis (2009) Conversations within Conversations. In: Black British Perspectives - Style, 12th November 2009, Impressions Gallery, Bradford. (Unpublished)
Tillotson, Jenny (2010) Avatars and robots: healthcare and wellbeing in the future. In: The Health and Wellbeing Lunch Debate, 2010. (Unpublished)
Tillotson, Jenny, Polyphotonix (2012) Check The Smell Print: Printed Electronic Perfumery. In: Plastic Electronics Seminar, 14th March 2012, Royal College of Arts. (Unpublished)
Tillotson, Jenny (2012) From flower to shower to empower: the fragrant future. In: From Flower to Shower, 18th October 2012, The Royal Society, London, UK. (Unpublished)
Tillotson, Jenny (2010) Personalized timed/controlled fragrance delivery that changes with emotion. In: The UK Semiochemistry Network Chemical Signals in Vertebrates, British Workshop XVIII, 7 - 8th September 2010, Gonville and Caius College, Cambridge.
Tillotson, Jenny (2012) Scent phone: sensory mobiles where different scents could be transmitted across devices for wellbeing, fashion, lifestyle and social networking. In: The 4th Future of Wireless International Conference, 26 - 27th June 2012, The Møller Centre and Churchill College, Cambridge. (Unpublished)
Tillotson, Jenny (2010) Scentient beings and the external nervous system: ancient memories for fashion futures. In: Human Document Project, 30th June - 02nd July 2010, Saarbrucken, Germany. (Unpublished)
Tillotson, Jenny (2012) Scentsory Design® to enhance user experience through the sense of smell - our most evocative sense. In: Improving the User Experience in the Next Decade: A 2020 Vision, 22nd March 2012, Philips Research Laboratories, 101 Cambridge Science Park, Milton Road, Cambridge, CB4 0FY. (Unpublished)
Tillotson, Jenny, Olfacom, DIAM Europe and AC2i (2006) Smart Second Skin at Lille3000 Futuro Textile. In: Lille3000 'Futuro Textile', 14th October 2006 - 14th January 2007, Lille, France. (Unpublished)
Tillotson, Jenny (2011) Smell the colour of the rainbow. In: European Chemoreception Research Organization XXIst Congress 2011, 7 – 10th September 2011, Manchester Conference Centre, Manchester, UK. (Unpublished)
Tillotson, Jenny (2011) A vision of preventing my bipolar relapse through smell. In: Quantified Self Europe Conference, 26 - 27th November 2011, Amsterdam, Netherlands. (Unpublished)
Tillotson, Jenny (2011) A wearable therapeutic stress management mood monitoring tools for bipolar affective disorder. In: Quantified Self Europe Conference 2011, 26 - 27th November 2011, Amsterdam, Netherlands. (Unpublished)
Stevenson, Caroline (2015) ‘Reading the landscape: The Performative Labour of Sue Tompkins and Matthew Damhave’. In: Fashioning Professionals: A Symposium on the Historical and Contemporary Representation of Cultural and Creative Professions, V&A Museum, London.
Stevenson, Caroline (2016) Working in the Interzone: Fashion as Interdisciplinary Practice. In: Working in the Interzone: Fashion as Interdisciplinary Practice, 11 May 2016, London College of Fashion.
Simonson, Caryn (2010) Chintz my ride. In: The Inaugural Conference for the International Journal of Motorcycle Studies, 3rd - 6th June 2010, University of Colorado, Colorado Springs, USA. (Unpublished)
Sabin, Roger (2008) Graham Rawle, Julie Doucet and the Art of Collage. In: In the Fold: Between Art and Narrative, April 2008, Chelsea College of Art and Design. (Unpublished)
Ryan, Nicky and Steele, Alistair (2011) From the gallery to the street: universities, museums and public engagement. In: Leisure in Transition: People, Policy and Places. Leisure Studies Association Conference, 5-7th July 2011, Southampton Solent University. (Unpublished)
Ryan, Nicky and Eysler, Adriana and Glavey, Paul (2010) Fear of Foucault: mapping the anxieties of art & design students in relation to critical theory. In: CAPPE: The Politics of Fear, Fear of Politics, 15-18th September 2010, Centre for Applied Philosophy, Politics and Ethics, Brighton University, UK. (Unpublished)
Ryan, Nicky (2010) Art and urban renewal: public and private developments in Las Vegas. In: 2nd International Colloquium on Place Marketing and Nation Branding, 23-24th September 2010, Brunel University. (Unpublished)
Ryan, Nicky (2005) Between the Store and the Gallery: Museums, art and shopping and Intersections: Retail Hybrid Spaces. In: Interrogating Fashion: New Paradigms for Fashion Design in the 21st Century conferences. (Unpublished)
Ryan, Nicky (2010) From New York to the Congo via Marfa: branded occupation. In: Constructed Space, 2-4th July 2009, University of Brighton.
Ryan, Nicky (2006) How God would do it if he had money: Wynn Las Vegas A New Paradigm for Luxury Destination Resorts? In: Spaces and Places: Exploring the Flagship Concept Symposium, LCC 11 May 2006, London College of Communication, University of the Arts London.
Ryan, Nicky (2010) The new Medici: mediating luxury through art. In: In Pursuit of Luxury: Commercial and Academic Perspectives on Luxury, 18th June 2010, RIBA (organised by the University of Hertfordshire). (Unpublished)
Roth, Cara Lee and Johnston, Antony (2013) Student Enterprise and Sustainability. In: Learning and Teaching Conference 2013: Enhancing and Embedding Employability and Enterprise, Tuesday, 11 June 2013, University of Chichester.
Roth, Cara Lee and Johnston, Antony (2014) Student Enterprise and Sustainability in the Creative Arts. In: Education For Sustainable Development London - Annual Conference, June 10th 2014, London South Bank University.
Roth, Cara Lee (2014) Work of Art: Enterprise and Employability in Art and Design Teaching and Curricula. In: Learning and Teaching Day: Crossing Borders: Enhancing Teaching and Learning at UAL, 15 January 2014, Chelsea College of Art and Design.
Ray, Sandra and La Salvatori, Mariste and Cattani, Maria Lucia and Coldwell, Paul and O'Riley, Tim and Kearney, Jonathan (2009) SCIRIA Symposium, points of contact. In: Points of contact, 28th September 2009. (Unpublished)
Rauch, Barbara and Mackay, Jem and Osborne, Richard and Pickup, Tim and Bunnell, Kate and Jorgensen, Tavs and Masterton, Drummond and Marshall, Justin and Brown, Steve and Folan, Andrew (2009) SCIRIA Openmind seminar series, autonomatic. In: autonomatic, 29th January 2009. (Unpublished)
Quinn, Malcolm (2010) Art schools and the pedagogical impulse: an historical perspective. In: International Journal of Art and Design Education conference: ‘Art and Design Education and Contemporary Culture’, 8 October 2010, Liverpool, UK. (Unpublished)
Quinn, Malcolm (2011) Reading Reynolds with Bentham: the idea of the art school in early nineteenth-century. In: Bentham Seminars, 02-23 March 2011, London, UK. (Unpublished)
Quinn, Malcolm (2009) The education of the Eyes of the People by Our Own Government: Utilitarianism and Sublimation in Public Space 1832 -52. In: History of Education Society, UK Annual Conference, 6 December 2009. (Unpublished)
Quinn, Malcolm (2010) The idea of the art school in early nineteenth-century Britain. In: The idea of the art school in early nineteenth-century Britain, 08 June 2010, London, UK. (Unpublished)
Plessner, Daphne (2011) Citizen artist press: independent publishing and the status of the self. In: To be confirmed, Autumn 2011, London, UK. (Unpublished)
Plessner, Daphne (2011) The citizen artist asks: is the idea of artistic transgression only a conceit? protest, subversion and resistance in contemporary artistic discourse. In: Art & Education and ArtForum Conference, 2011. (Submitted)
Panesar, Lucy (2016) Study support and BAME students - a data driven approach. In: LCF College Conference, Part 3: Race Matters: The attainment of BAME students, 22/06/2016, Mary Ward House, London.
Ling, Wessie (2011) Hybridity, transnationalism and authenticity: the colloquial Hong Kong of G.O.D. In: Trans/National Clothing: Production and Consumption, 04th September 2011, Bath Spa University. (Unpublished)
Ling, Wessie (2012) Transnational flow, cultural production and identity: imagining red-white-blue. In: The Association of Asian Studies Annual Conference, 15th - 18th March 2012, Toronto, Canada. (Unpublished)
Johnston, Antony (2015) Curriculum development towards a sustainable university. In: Education for Sustainability in Higher Education – Achievements and Prospects, 8 January 2015, Plymouth University.
Johnston, Antony (2014) From Consumer to Citizen: engaging students with participative methods in design. In: 2nd World Symposium on Sustainable Development at Universities, 3-5 September 2014, Manchester Metropolitan University.
Horton, Ian (2010) (Inter)national identities and the promotion of modern art. In: Displaying Word and Image: The Museum and the City: Placemaking, Branding, Identity, 04 - 06 June 2010, Belfast, Ireland. (Unpublished)
Hernández Velázquez, Yaiza María (2016) Los estudios expositivos en disputa. In: Departamento De Investigatión, Datos, Documentatión, Cuestionamiento y Causalidad DIDDCC), 4th November, 2016, Madrid, Spain.
Hernández Velázquez, Yaiza María (2013) On The Limits of the Artist as Exemplary Labourer. In: La Empresa Soy Yo. Trabajo y Subjetividad, 29-31 Octubre 2013, Casa del Lago, UNAM, Mexico D.F..
Hammond, Lynne (2010) The strategic challenges of academic collaboration between UK and China in relationship to employability and creative curriculum. In: Knowledge Transfer in Higher Education: Enhancing Entrepreneurship, Employability and Global Citizenship in the 21st Century, April 2010, University of Salford. (Unpublished)
Glinkowski, Paul (2005) National Studios Forum and associated conferences. In: National Studios Forum.
Franks, Matt (2010) For the public good? public art projects in London and the UK. In: Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010, 16th December 2010, 18th December 2010 and 10th March 2011, Arts college of Sichuan University, Chengdu, Sichuan Museum and Chinese Central Academy of Fine arts, Beijing, China. (Unpublished)
Francis, Mary Anne (2010) Between the studio and seminar: what does art school’s two-fold language do? In: Looking Back at the Life Room, 11 & 12 June 2010, University College London. (Unpublished)
Fortnum, Rebecca and MacDonald, Claire (2008) The internal quality audit: how artists judge themselves. In: Sensuous Knowledge 5: An international working conference on fundamental problems of artistic research and development, 2008, Bergen Academy of Art, Norway. (Unpublished)
Fortnum, Rebecca (2008) The Research Relevance of the Documentation of Artists Processes. In: Graduate Research Conference, March 2008, Southampton University. (Unpublished)
Credland, Tony (2008) Networks of autonomy - opening up spaces for critical engagement. In: Mine Yours Ours: Consumers and/or Citizens, 09th - 12th October 2008, University of Rijeka. (Unpublished)
Credland, Tony (2011) Signs of revolt - creative resistance and social movements since Seattle. In: Memefest: International Festival of Radical Communication, Jan 2011, Slovenia. (Unpublished)
Cheang, Sarah (2010) Sinopticon: Contemporary Chinoiserie in Contemporary Art. In: Sinopticon: Contemporary Chinoiserie in Contemporary Art, 12 October 2010, Victoria and Albert Museum. (Unpublished)
Cheang, Sarah (2011) Why Hong Kong art can challenge cultural imperialism. In: Hong Kong Whispers, 31 January 2011, 198 Contemporary Arts & Learning, 198 Railton Road, London SE24 0JT. (Unpublished)
Cairns, Jon (2013) “Adventures in Critical Closeness: Intimate Encounters and the Writing of Performance”. In: Exhibiting Performance, 1-3 March 2013, University of Westminster.
Brown, Roni (2011) Creativity and the everyday: unravel – a festival of knitting. In: Transforming Audiences 3, Online and Mobile Media, Everyday Creativity and DIY Culture, 1 – 2 September 2011, University of Westminster 35 Marylebone Road London NW1 5LS. (Unpublished)
Asbury, Michael and Tatchell, Nick (2011) José Roca - Essays in Geopoetics: the notion of territory critically redefined from the perspective of artistic practice. In: TrAIN Open Lecture, 19/10/2011, Lecture Theatre - Chelsea College of Art and Design.
Asbury, Michael (2010) Afro modern: journeys through the black Atlantic. In: Ler a historia social através da arte en Brasil desde o século dezoito á actualidade: Algunhas Reflexions sobre o Atlantico Negro, 15 October 2010, Santiago de Compostela, Spain. (Unpublished)
Artinian, Emily (2010) From Ararat to anywhere? a review of the reception history of ‘From Ararat to Angeltown’ in the Armenian diaspora. In: International Conference on the Armenian Diaspora: Desnelle Armenian Artists Group Panel, Boston University, 13 - 14th February 2010. (Unpublished)
Al-Ani, Jananne (2008) Contemporary art: an artist’s perspective exploring how artists from the Middle East negotiate the complexities and pressures of the growing interest in art and artists from the region. In: Spaces and Visions: Historians of Islamic Art Association Symposium, 16 -18th October 2008, Philadelphia, USA. (Unpublished)
Addison, Gill and Bruton, Jo and Oechsler, Monika and Addison, Gill and Walsh, Maria and Throp, Mo and Malacart, Laura (2009) The second sex dinner: a re-enactment. In: Creative Practice/Creative Research conference, 16th April 2009, St. John University, York. (Unpublished)
Ackermann, Max (2010) PlusPad: injecting a little awesomeness into assessment. In: EduCamp conference, March 2010, The Innovation Centre at Central Saint Martins College, London. (Unpublished)
Veronika Kapsali / MMT Textiles Ltd (2016) A material having moisture activatable elements. CA2716700 C.
Walsh, Maria and Throp, Mo and Ashery, Oreet and Addison, Gill and Biswas, Sutapa and Bruton, Jo and Burgin, Yolande and Chalkley, Brian and Cronin, Rose and Foust, Elisha and Fox, Oriana and Kieruzel, Dominika and Lopez de la Torre, Ana Laura and Loizidou, Elena and Maffioletti, Catherine and Lovelock, Kristen and Malacart, Laura and Merman, Mertle and Meynell, Katharine and Oechsler, Monika and Reynolds, Lucy and Suwanrumpha, Lilian and Thomas, Jennet and White, Molly, The Subjectivity and Feminisms Research Group (2011) The impenetrable power of the phallic matron: the Sarah Palin syndrome. [Performance]
Smith, Craig and Freedland, Lilah and Bakkon, Matthew (2005) Crank - collaborative performance staged at number of social sculpture events. [Performance]
Alarcon, Ximena (2012) Networked Migrations: listening to and performing the in-between space. [Performance]
Zeilig, Hannah and Killick, John and Fox, Chris (2014) Mark Making: a critical review of the value of arts and culture for people living with a dementia. Project Report. AHRC. (Submitted)
Saldanha, Charlotte and Smith, Dominic and Windle, Amanda, The Voice of Culture (2015) The Voice of Culture Brainstorming Report: Audience Development Via Digital Means. Working Paper. European Commission.
Roth, Cara Lee and Orr, Susan and Mills, Katie and Johnston, Amanda and Hanceri, Ellen and Caldwell, Cath (2015) CHEAD Regional Seminar: What is the Point of Employability in Art and Design? Discussion Paper. Council for Higher Education in Art & Design.
Roth, Cara Lee (2015) Creative Attributes Framework for Enterprise and Employability: Pilot Report. Working Paper. University of the Arts London. (Unpublished)
Roth, Cara Lee (2015) External Partnerships at University of the Arts London: Overview of findings from focus group and interviews. Project Report. University of the Arts London, London. (Unpublished)
Roth, Cara Lee (2013) Work of Art: Understanding Enterprise and Employability in Art and Design HE. Project Report. University of the Arts London, London, UK.
Blair, Bernadette and Orr, Susan and Yorke, Mantz (2011) How art and design students understand and interpret the National Student Survey. Project Report. Higher Education Academy, HEA Website.
Aronstam, Diana (2009) Bridging from FdA onto honours degrees: a report on students’ perceptions. Project Report. National Arts Learning Network, York, UK.
Wallace, Marina and Albano, Caterina and Kemp, Martin and Cavalli-Sforza, L. (2002) The Genius of Genetics: A Celebration of Gregor Mendel through Science and Art. [Show/Exhibition]
Toop, David and Herrington, Tony (2010) Blow Up: Exploding Sound and Noise (London to Brighton, 1959-1969). [Show/Exhibition]
Talbot, Emma, Galerie Onrust (2016) Emma Talbot/William N Copley/Ina Van Zyl exhibition at Galerie Onrust, Amsterdam. [Show/Exhibition]
Smith, Donald (2011) Stephen Willats: west London social resource project 1972. [Show/Exhibition]
Ryan, Paul (2011) What the folk say - contemporary artist interventions. [Show/Exhibition]
Melvin, Jo (2009) An Impossible Journey: the art and theatre of Tadeusz Kantor. [Show/Exhibition]
Goodwin, Paul (2012) New Diasporic Voices in Migrations: Journeys into British Art. [Show/Exhibition]
Gamman, Lorraine and O'Mara, Séan (2001) Dirty Washing - The Hidden Language of Soap Powder Boxes. [Show/Exhibition]
Faure Walker, James (2008) Digital Eyes: New Aesthetic Dimensions in Computer Visualization. [Show/Exhibition]
Faure Walker, James (2008) Imaging By Numbers: A Historical View of the Computer Print. [Show/Exhibition]
Esche, Charles and Eilat, Galit (2010) It doesn’t always have to be beautiful unless it’s beautiful (S’ëstë e thënë që gjithnjë të jetë e bukur, përveç nëse është e bukur), the 9th Annual Muslim Mulliqi Prize International Exhibition. [Show/Exhibition]
Tillotson, Jenny (1997) Interactive olfactory surfaces: The Wellness Collection: a science fashion story. PhD thesis, Royal College of Art.
Stockburger, Axel (2006) The rendered arena: modalities of space in video and computer games. PhD thesis, University of the Arts London.
Sakuma, Hana (2006) The notion of `we': Articulating ethical moments in art. PhD thesis, University of the Arts London.
Sacchetti, Maria José (2013) A minimal aesthetic: the relationships between fashion and art in New York and Paris, from 1964 to the present day. PhD thesis, University of the Arts London.
Ross, Michaela Louise (2012) The artist-as-educator: dialogue, community and the institutional site. PhD thesis, University of the Arts London.
Narielwalla, Hormazd Geve (2013) Patterns as Documents and Drawings: An artistic exploration of tailoring patterns as historical documents and drawings abstracting the human form. An analysis from the perspective of a creative art practitioner. PhD thesis, University of the Arts London.
McPeake, Aaron (2012) Nibbling at clouds: the visual artist encounters adventitious blindness. PhD thesis, University of the Arts London.
Maffioletti, Catherine (2012) Beyond the Mirror: Towards a feminised (cartographic) process of spatiality in moving-image & installation based art. PhD thesis, University of the Arts London.
Lori, Ope (2014) The oppositional gaze: contemporary image-making practice and the implications of skin colour ideals. PhD thesis, University of the Arts London.
Huang, Shu-fang (2009) The Traces of a Traveller: Textile-Based Narrative in Contemporary Art Practices. PhD thesis, University of the Arts London.
Hjelde, Katrine (2012) Constructing a Reflective Site: Practice between art and pedagogy in the art school. PhD thesis, University of the Arts London.
Hewitt, Andy (2012) Art and counter-publics in Third Way cultural policy. PhD thesis, University of the Arts London.
Corby, Thomas James Patrick (2000) The disappearing frame: a practice-based investigation into composing virtual environment artworks. PhD thesis, University of the Arts London.
Clements, Wayne (2005) Always follow the instructions: rules and rule following in visual art. PhD thesis, University of the Arts London.
Cartiere, Cameron (2003) RE/placing public art: the role of place specificity in new genre public art. PhD thesis, University of the Arts London.
Bradfield, Marsha (2013) Utterance and Authorship in Dialogic Art: or An Account of a Barcamp in Response to the Question, ‘What is Dialogic Art?’. PhD thesis, University of the Arts London.
Arnold, Bram (2016) Walking Home: The path as transect in an 800km autoethnographic enquiry. PhD thesis, University of the Arts London and Falmouth University.
Adil Reid, Alev (2013) Drifting in the Dead Zone in Cyprus: the mediation of memory through expanded life writing. PhD thesis, University of the Arts London.