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UAL Research Online

Items where Subject is "Creative Arts and Design not elsewhere classified"

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Number of items at this level: 597.

Art/Design Item

de Maat, Jaap (2014) I Know What You Did Last Summer. [Art/Design Item]

Ziesche, Anna-Nicole (2011) Childhood storage: maquette. [Art/Design Item]

Young, Carey (2003) Conflict Management. [Art/Design Item]

Young, Carey (2001) I am a Revolutionary. [Art/Design Item]

Young, Carey (2004) Lines Made by Walking. [Art/Design Item]

Weneger, Claudia (2004) 24 Hrs. [Art/Design Item]

Weneger, Claudia (2007) Long Walk. [Art/Design Item]

Weneger, Claudia (2007) No-Go Zones. [Art/Design Item]

Weneger, Claudia (2006) Street Writings. [Art/Design Item]

Wallace, Marina and Kemp, Martin and Wells, Thereza (2006) Universal Leonardo. [Art/Design Item]

Voss, Georgina (2018) Resonance. [Art/Design Item]

Voorsanger, Jessica (2002) TV Swansong. [Art/Design Item]

Tillotson, Jenny and Woodward, Joanna (1997) The Wellness Collection: a science fashion story. [Art/Design Item]

Tillotson, Jenny and Lowe, Chris (2010) RCUK Business Plan competition. [Art/Design Item]

Tillotson, Jenny and Baxendale, Don and Manz, Andreas and Jenkins, Gareth (2009) Scent whisper. [Art/Design Item]

Tillotson, Jenny (1997) Flow of life wellness olfaction box. [Art/Design Item]

Tillotson, Jenny (2005) Scentsory Design®. [Art/Design Item]

Tillotson, Jenny (1997) sense6. [Art/Design Item]

Tan, Erika (2008) The Syntactical Impossibility of Approaching with a Pure Heart. [Art/Design Item]

Tallentire, Anne (2010) Nowhere Else. [Art/Design Item]

Tallentire, Anne (2010) There. [Art/Design Item]

Storey, Helen (2013) Dress of Glass and Flame. [Art/Design Item]

Storey, Helen (2011) White Lung Dress/Primitive Streak. [Art/Design Item]

Stevenson, Caroline (2010) Content. [Art/Design Item]

Stephens, T (2002) Out of Africa - Visual Display Material and an Interactive Database for Vitafoods. [Art/Design Item]

Ryan, Paul (2009) Souvenir. [Art/Design Item]

Ryan, Nicky (2012) London College of Communication and Southwark Arts Collection collaboration. [Art/Design Item]

Rughani, Pratap and Burge, Jim (2001) Brief Encounter. [Art/Design Item]

Rughani, Pratap (2004) Glass Houses. [Art/Design Item]

Ridge, Sue and Dwyer, Julia (2011) The Homerton tree. [Art/Design Item]

Ridge, Sue and Davies, John (2011) Our storeys. [Art/Design Item]

Ridge, Sue (2010) Artworks for radiology department at Northwick Park Hospital. [Art/Design Item]

Ridge, Sue (2005) From the Outside in – Navigating the Hospital 2005. [Art/Design Item]

Ridge, Sue (2010) Media wall. [Art/Design Item]

Priest, Colin (2015) Bay Watch. [Art/Design Item]

Parry, Nye and Campell, Jamie (2012) Exploded Sound. [Art/Design Item]

Palmer, Val (2016) Creative Approaches: A New Way of Thinking for Industry. [Art/Design Item]

Orta, Lucy and Orta, Jorge (2017) 70 x 7 The Meal act XL. (NTU Centre for Contemporary Art, Singapore). [Art/Design Item]

Ocean, Humphrey (2006) Love Chair. [Art/Design Item]

Layzell, Richard (2007) Changing Space/Critical Space: Commission and Residency for Stroud Valleys Artspace. [Art/Design Item]

Kovats, Tania (2009) TREE. [Art/Design Item]

Kesseler, Rob (2002) Mitosis: a Unique Collection of Glass Vessels. [Art/Design Item]

Karamath, Joel (2005) Analysis and Commentary: two films commissioned for the exhibition 'the West Indian front room: memories and impressions of black British homes'. [Art/Design Item]

Karamath, Joel (2004) Black British style: documentary film. [Art/Design Item]

Jones, Kieren and Shannon, Will and Ventiroso, Ottilie and Wainwright, Oliver (2009) Blue Fence Project. [Art/Design Item]

Jones, Kieren and Murakami, Azusa and Groves, Alexander (2011) Sea Chair. [Art/Design Item]

Jones, Kieren (2011) The Chicken Project. [Art/Design Item]

Ireland, James (2003) All of the known Universe. [Art/Design Item]

Hughes, Ben and Milton, Alex (2003) Claystation: Methodologies for Mass-Participation and User-Generated Content for Design Practice. [Art/Design Item]

Houldsworth, Austin (2010) 2 Million & 1AD. [Art/Design Item]

Houldsworth, Austin (2013) Crime Pays. [Art/Design Item]

Houldsworth, Austin (2008) Electric Money. [Art/Design Item]

Houldsworth, Austin (2014) Walden Note Money. [Art/Design Item]

Houldsworth, Austin (2015) Wealth Beyond Big Brother. [Art/Design Item]

Hopkins, Amanda and Geliot, Steve and Twinham-Cauci, Anna (2006) Ropetackle Lenses. [Art/Design Item]

Hollington, Simon and Kyprianou, Kypros (2002) Values for a New Age. [Art/Design Item]

Hodes, Charlotte (2017) Remember Me: Charlotte Hodes Papercuts & Ceramics. [Art/Design Item]

Goatley, Wesley and Voss, Georgina (2015) Familiars. [Art/Design Item]

Gernand, Bruce and Nold, Christian and Hays, Dan (2008) Close to the surface: Digital Presence. [Art/Design Item]

Fox, Shelley (2008) Fat Map Collection for Nobel Textiles. [Art/Design Item]

Florence, Linda (2009) Meta Table Setting. [Art/Design Item]

Finch, Mick (2011) Modes of address. [Art/Design Item]

Evans, Sian (2010) Medals. [Art/Design Item]

Cusumano, Andrea (2005) Santa Kate de Gavorrano. [Art/Design Item]

Cunningham, David (2004) Interior - site specific installation. [Art/Design Item]

Cunningham, David (2003) A Position Between Two Curves site specific installation. [Art/Design Item]

Courtenay, Philip (2002) Loop-pool. [Art/Design Item]

Cottell, Fran (2006) Cab Drivers. [Art/Design Item]

Corby, Tom and Baily, Gavin (2016) Minima-Maxima. [Art/Design Item]

Cook, Siân (2014) Stow Tools Safely. [Art/Design Item]

Collet, Carole (2003) Remote Home, One Home Two Cities. [Art/Design Item]

Cobbing, William (2009) Clapper Tongue and Moon Walker. [Art/Design Item]

Clarke, Leigh (2006) Desperate Measures. [Art/Design Item]

Clarke, Leigh (2006) Save the Kidz Campaign. [Art/Design Item]

Clarke, Leigh (2005) Stage Fright. [Art/Design Item]

Cheung, Lin (2011) London 2012 Paralympic Games Medal. [Art/Design Item]

Carruthers, Beverley (2018) A Potent Charm. [Art/Design Item]

Cain, Ben (2012) Work in the Dark. [Art/Design Item]

Brown, Chris (2007) In the Spirit of Edward Bawden and Eric Ravilious. [Art/Design Item]

Brock, Philippa (2008) Self Assembly. [Art/Design Item]

Branagan, Ben and Verhoeven, Eva and Pendrell, Luke (2017) Submerged Territories. [Art/Design Item]

Boyce, Sonia (2008) The Devotional Wallpaper. [Art/Design Item]

Boyce, Sonia (2010) Like Love. [Art/Design Item]

Boyce, Sonia (2013) MOVE. [Art/Design Item]

Bowditch, Isobel (2005) Onlookers. [Art/Design Item]

Biagioli, Monica (2003) Strasse 2003 installation: seven leather handbags, and kiosk design. [Art/Design Item]

Beech, Dave and Jordan, Mel and Hewitt, Andy, Freee art collective (2013) Every Shop Window is a Soap Box. [Art/Design Item]

Beech, Dave and Jordan, Mel and Hewitt, Andy, Freee art collective (2009) The New Futurist Manifesto, (Revised, Expanded and Updated). [Art/Design Item]

Beech, Dave and Jordan, Mel and Hewitt, Andy, Freee art collective (2010) Protest Drives History. [Art/Design Item]

Beech, Dave and Jordan, Mel and Hewitt, Andy, Freee art collective (2013) Protest is Beautiful (all around the world). [Art/Design Item]

Ball, Ralph (2014) Cantilever. [Art/Design Item]

Ball, Ralph (2014) God is in the Detail. [Art/Design Item]

Ball, Ralph (2015) Provisional Yes. [Art/Design Item]

Baines, Phil and Dixon, Catherine (2009) Pozza Palace. [Art/Design Item]

Baines, Phil (2009) Memorial Lettering. [Art/Design Item]

Ayers, Alain (2004) The Permeable Institution. [Art/Design Item]

Artinian, Emily (2009) Voulu/oblige: outskirts of a small contradiction. [Art/Design Item]

Araujo, Ana and de Bruijn, Willem (2009) Idomenee en profils. [Art/Design Item]

Anderson, Peter (2004) The Castleford Project. [Art/Design Item]

Anderson, Peter (2006) Installation Piece. [Art/Design Item]

Anderson, Peter (2001) Magnetic Man. [Art/Design Item]

Alarcon, Ximena (2009) Sounding Underground. [Art/Design Item]

Al-Ani, Jananne (2010) Excavators. [Art/Design Item]

Al-Ani, Jananne (2008) The Guide and Flock. [Art/Design Item]

Al-Ani, Jananne (2009) A loving man. [Art/Design Item]

Addison, Gill and Oechsler, Monika (2009) The S.C.U.M. Manifesto dinner. [Art/Design Item]

Addison, Gill (2006) Landscape for leaving her(e). [Art/Design Item]

Addison, Gill (2008) This is what it feels like to be a girl: C20 toy. [Art/Design Item]

Addison, Gill (2009) The restorative scar. [Art/Design Item]

Ackermann, Max, Ludopoli (2009) PlusPad. [Art/Design Item]

Ackermann, Max, Ludopoli (2009) Sportegg. [Art/Design Item]

Peckham Space, The People Speak (2008) Peckham TV. [Art/Design Item]

Article

Zeilig, Hannah and West, Julian and van der byl Williams, Millie (2018) Co-creativity: possibilities for using the arts with people with a dementia. Quality in Ageing and Older Adults, 19 (2). pp. 135-145. ISSN 1471-7794

Zeilig, Hannah and Tischler, Victoria and van der byl Williams, Millie and West, Julian and Strohmaier, Sarah (2019) Co-creativity, well-being and agency: A case study analysis of a co-creative arts group for people with dementia. Journal of Aging Studies, 49. pp. 16-24. ISSN 0890-4065

Zeilig, Hannah (2013) Dementia as a cultural metaphor. Gerontologist. ISSN 0016-9013

Zeilig, Hannah (2011) The critical use of narrative and literature in gerontology. International Journal of Ageing and Later Life, 6 (2). pp. 7-37. ISSN 1652-8670

Whitelegg, Isobel (2010) Oiticica in translation. A Pureza É um Mito/Purity is a Myth. pp. 36-39.

Whitelegg, Isobel (2011) Tucumán arde. Concinnitas. ISSN 19819867

Walsh, Maria (2013) I Object. Art Monthly (371). pp. 9-12. ISSN 0142-6702

Walsh, Maria (2014) The Poetic Reactivation of Historical Time: Eija-Liisa Ahtila’s Where is Where? Moving Image Review & Art Journal (MIRAJ), 3 (2). pp. 150-161. ISSN 2045-6298

Voss, Georgina and Lock, Simon and Cassidy, Angela (2016) Sexual Nature? (Re)presenting Sexuality and Science in the Museum. Science as Culture, 25 (2). pp. 214-238. ISSN 1470-1189

Voss, Georgina (2018) A Small Key, Rotating Along Its Axis. Harvard Design Magazine, 46. ISSN 1093-4421

Vodanovic, Lucia (2013) The New Art of Being Amateur: Distance as Participation. Journal of Visual Art Practice, 12 (2). pp. 169-179. ISSN 1470-2029

Vodanovic, Lucia (2017) Social Aesthetics: Old and New Makings in Chile's Street Art. International Journal of Social Sciences and Interdisciplinary Studies, 2 (2). pp. 37-47. ISSN 2147-9879

Tsutsumi, Maiko (2016) Seeing and Knowing. Crafts (259). p. 30. ISSN 0306-610X

Tillotson, Jenny (2009) CSM is 20. CSM Times, 5.

Stevenson, Caroline and Sliwinska, Basia (2022) Whisper Game: Practicing Attention Through Caring and Pacing. OnCurating, 53. pp. 71-80.

Smith, Dan (2013) Architecture, Violence and Sensation: A Visitor’s Guide to Mega City One. Intensities: The Journal of Cult Media (5).

Slater, Alix (2004) Revisiting membership scheme typologies in museums and galleries. International Journal of Nonprofit and Voluntary Sector Marketing, volume (number). pp. 238-260. ISSN 14654520

Slater, Alix (2003) Users or supporters? Understanding the motivations and behaviors of members. Curator: The Museum Journal, 46 (2). pp. 182-207. ISSN 0011-3069

Silverthorne, Diane (2019) Vienna-London Passage to Safety: The Portrait Photographer As Secondary Witness in Post-Anschluss Émigré Narratives. Austrian Studies, 26. pp. 252-269. ISSN 1350-7532

Scrivener, Stephen and Zheng, Su (2012) Projective artistic design making and thinking: the artification of design research. The Journal of Contemporary Aesthetics, 10.

Salmon, Maureen, Creative Lenses Partners (2019) Future Facing With Tomorrow’s Jazz Warriors. Models to Manifestos: Conceptual Toolkit for Arts Organisations. ISSN 978-2-930897-42-4

Salmon, Maureen (2018) Triple Action: The Power of Empathy + Happiness + Optimism For Student Performance. Coaching Perspectives (16). pp. 19-21.

Ryan, Nicky (2009) Millstone or milestone: the perceived value of cultural studies for art and design students and teachers. Art, Design and Communication in Higher Education, 8 (1). pp. 9-25. ISSN 1474273X

Roodhouse, Simon (2006) "The Unreliability of Cultural Management Information: Defining the Visual Arts". Journal of Arts Management, Law and Society, volume (number). pp. 48-65. ISSN 10632921

Richards, Polly (2004) Dogon masks at the turn of the millennium.

Radclyffe-Thomas, Natascha (2008) White Heat or Blue Screen? Digital Technology in Art & Design Education. International Journal of Art & Design Education, 27 (2). pp. 158-167.

Quinn, Malcolm (2009) Britishness and Visual Culture: Research in Process: Programme A: Education Practice at Tate 1970 – Present. Tate Online, Tate Encounters Series.

Quinn, Malcolm (2008) Critique Conscious and Unconscious: Listening to the Barbarous Language of Art and Design. Journal of Visual Art Practice, 7 (3). pp. 225-240. ISSN 1470-2029

Quinn, Malcolm (2013) Stupidity is anything at all. Parallax, 19 (3). pp. 70-82. ISSN 1353-4645

Quinn, Malcolm (2011) The disambiguation of the royal academy of arts. History of European Ideas, 37 (1). pp. 53-62. ISSN 0191-6599

Quinn, Malcolm (2011) The invention of facts: Bentham’s ethics and the education of public taste. Revue d’études benthamiennes: The Journal of Bentham Studies. ISSN 17607507

Quinn, Malcolm (2011) The political economy of the art school 1835-52. The International Journal of Art & Design Education, 30 (1). pp. 62-70. ISSN 1476-8062, 1476-8070

Panesar, Lucy and Crilly, Jessica and Suka-Bill, Zeynab (2020) Co-constructing a Liberated / Decolonised Arts Curriculum. Journal of University Teaching & Learning Practice, 17 (2).

Panesar, Lucy (2017) Academic support and the BAME attainment gap: Using data to challenge assumptions. Spark: UAL Creative Teaching and Learning Journal, 2 (1). pp. 45-49. ISSN 2397-6594

Panesar, Lucy (2018) Troublesome knowledge and conversations: Learning how to talk about race at UAL. Changing Mindsets (weblog).

Orr, Susan (2016) Editorial. Art Design and Communication in Higher Education, 15 (2). ISSN 1474273X

Orr, Susan (2010) We kind of try to merge our own experience with the objectivity of the criteria’: The role of connoisseurship and tacit practice in undergraduate fine art assessment. Art, Design and Communication in Higher Education, 9 (1). pp. 5-19. ISSN 1474273X

Morra, Joanne (2009) Contemporary art inside the Freud Museum: working-through transit documents, postmemory, and the Holocaust. Journal of History of Modern Art, 26. pp. 249-273. ISSN 1598-7728

Milic, Nela (2018) Performing Objects – an archive of artefacts from the protest in Belgrade 1996/1997. Hakara (5).

Melvin, Jo and Gunning, Lucy and Worsley, Victoria (2008) Tangentially: The Archive and the Bathroom. Tate Papers (9). ISSN 1753-9854

McMillan, Michael (2009) The West Indian Front Room: Reflections on a Diasporic Phenomenon. Small Axe: A Caribbean Journal of Criticism, 13 (28). pp. 135-156. ISSN 0799-0537

McMillan, Michael (2003) The 'West Indian" Front Room in the African Diaspora. Fashion Theory: The Journal of Dress, Body and Culture, 7 (3/4). pp. 1-18. ISSN 1362-704X

Livergant, Elyssa (2020) The Call to Play: New Work and Labor at Artsadmin. Theatre Survey, 61 (2). pp. 252-271. ISSN 0040-5574

Livergant, Elyssa, Precarious Workers Brigade (2017) Learning to stand together: Elyssa Livergant interviews Precarious Workers Brigade. Interventions Contemporary Theatre Review Online, 27 (2).

Lange, Silke and Clements, Mark (2020) Co-creation Across Spaces of Uncertainty: Interdisciplinary Research and Collaborative Learning. Leonardo. pp. 1-9. ISSN 0024-094X

Hibbett, Mark (2019) In Search of Doom. Tracking a Wandering Character Through Data. Journal of Interdisciplinary Image Science, 1 (29). pp. 81-97.

Hewett, Richard (2021) Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python. Critical Studies in Television, 16 (4). pp. 465-467. ISSN 1749-6039

Hewett, Richard (2021) Book Review: Contemporary British Television Drama. Critical Studies in Television, 16 (3). pp. 330-332. ISSN 1749-6039

Hewett, Richard (2020) Book Review: You’re Nicked: Investigating British Television Police Series. Critical Studies in Television, 15 (3). pp. 321-324. ISSN 1749-6039

Hewett, Richard (2015) Canon Doyle?: Getting Holmes Right (and Getting the Rights) for Television. Adaptation, 8 (2). pp. 192-206. ISSN 17550645

Hewett, Richard (2020) Who’s in Charge?: Changing Character Agency in Early Doctor Who. SERIES: International Journal of Serial TV Narratives, 6 (1). pp. 1-15. ISSN 2421-454X

Hanceri, Ellen (2016) Finding your place: preparing creative students for industry. Spark: UAL Creative Teaching and Learning Journal, 1 (2). pp. 98-101. ISSN 2397-6594

Green, Phil and Honess, Mike (2010) Effect of short-term simulated daylight exposure on optically brightened papers. Journal of Physics: Conference Series. 4th International Conference on Preservation and Conservation Issues in Digital Printing and Digital Photography., 231. ISSN 1742-6588

Green, Phil (2010) Effect of fluorescent agents on the permanence of printed materials. Journal of Physics Conference Series. Proceedings of the 4th International Conference on Preservation and Conservation Issues in Digital Printing and Digital Photography, 231. pp. 1-5. ISSN 17426588

Green, Phil (2010) Standards for illumination of digital prints and photographs. Proceedings of the 4th International Conference on Preservation and Conservation Issues in Digital Printing and Digital Photography (Journal of Physics Conference Series), 231. pp. 1-5.

Glinkowski, Paul and Jones, Susan (2005) Future Forecast: future space, addressing future roles and functions of artists' workspace. a-n.

Francis, Mary Anne (2010) Here and there: an artist's writing as aesthetic form. Journal of Writing in Creative Practice, 3 (2). pp. 97-109. ISSN 17535190

Francis, Mary Anne (2009) Situational fiction. Journal of Writing in Creative Practice, 2 (2). pp. 151-158. ISSN 17535190

Francis, Mary Anne (2008) A theory of critique... in practice: practice as critique. Journal of Visual Art Practice, 7 (3). pp. 241-251. ISSN 1470-2029

Farid, Mark (2016) Why I am publishing all my private emails, messages and phone calls to the internet in real time. The Telegraph. ISSN 0307-1235

Ekblom, Paul (2011) Guest editor’s introduction. European Journal on Criminal Policy and Research, 17. pp. 1-5. ISSN 09281371

Dovey, Max (2018) Must We All Become Meme Artists? Memes, Art and Financial Modes of Cultural Production. Making and Breaking, 01.

Davies, Colin and Parrinder, Monika, Limited Language (2008) A tale of (at least) two cities. Limited Language.

Crowe, Thereza and Wells, Francis (2004) Leonardo da Vinci as a Paradigm for Modern Clinical Research. The Journal of Thoracic and Cardiovascular Surgery, 127 4. pp. 929-994. ISSN 0022-5223

Cole, Adam and Grierson, Mick (2023) Kiss/Crash: Using Diffusion Models to Explore Real Desire in the Shadow of Artificial Representations. ACM SIGGRAPH 2023.

Cherry, Deborah (2003) The Art of the Senses and the Making of a Diasporan Aesthetics: Zarina Bhimji's 'She Loved to Breathe–Pure Silence', 1987-2002. Tessera, 32. pp. 34-45. ISSN 1923-9408

Campbell, Lee (2018) The Heckler’s Promise. Performance Paradigm, 14. pp. 126-140. ISSN 1832-5580

Cairns, Jon (2012) “Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells”. Contemporary Theatre Review, 22 (3). pp. 355-371. ISSN 1048-6801, 1477-2264

Bond, Peter (2017) The 'I' of the Beholder. Arts Illustrated, 04 (05). pp. 70-75.

Bond, Peter (2015) A Pertinent Interruption, A Reflection on Performance Art in the West Whilst Acknowledging Performance Practices Around the World. Arts Illustrated, 3 (4). pp. 82-88.

Bloxham, Sue and Boyd, Pete and Orr, Susan (2011) Mark my words: the role of assessment criteria in UK higher education grading practices. Studies in Higher Education, 36 (6). pp. 655-670. ISSN 1470-174X (electronic) 0307-5079 (paper)

Biagioli, Monica (2015) Zones of Intensity Invested with Desire. Култура/Culture. ISSN 1857-7725

Belova, Olga and King, Ian and Sliwa, Martyna (2008) Introduction: Polyphony and Organization Studies: Mikhail Bakhtin and Beyond. Organization Studies, 29 (4). pp. 493-500. ISSN 0170-8406

Barton, Graham and James, Alison (2017) Threshold Concepts, LEGO Serious Play® and whole systems thinking: towards a combined methodology. Practice and Evidence of Scholarship of Teaching and Learning in Higher Education (PESTLHE). ISSN 1750-8428

Barokka, Khairani (2020) How to Make Art in a Pandemic? Art Monthly, 437. ISSN 0142-6702

Araujo, Ana (2013) Unmasking: a speculation on the meanings of domestic patterns and their cultural bearings. Home Cultures, 10 (1). pp. 5-24. ISSN 1751-7427

Ali, Hena and Grimaldi, Silvia and Biagioli, Monica (2017) Service Design pedagogy and effective student engagement: Generative Tools and Methods. The Design Journal, 20. S1304-S1322. ISSN 1756-3062

Albano, Caterina (2013) At the Edge: Balnakiel, a video and sound installation by artist Shona Illingworth. Memory Studies, 6 (4). pp. 404-417. ISSN 1750-6980

Albano, Caterina (2008) The puzzle of human emotions: some historical considerations. Developmental Medicine and Child Neurology, 50 (7). pp. 494-497. ISSN 1469-8749

Addison, Nicholas (2012) 'Fallen Angel': making a space for queer identities in schools. International Journal of Inclusive Education, 16 (5-6). pp. 535-550. ISSN 1360-3116

Addison, Nicholas (2011) Moments of intensity: affect and the making and teaching of art. International Journal of Art & Design Education, 30 (3). pp. 363-378. ISSN 14768070

Addison, Nicholas (2008) Researching education through embodied knowledge: MA students' practice-based dissertations. UNESCO Observatory: Journal of Multi-disciplinary Research in the Arts, 1 (3). pp. 1-15. ISSN 1835-2776

Addison, Nicholas (2011) The dirtying of David: transgression, affect, and the potential space of art. Emotion, Space and Society, 4 (3). pp. 172-179. ISSN 1755-4586

Addison, Gill (2008) Sarah Miles: what falls from pockets. Lux Online.

Ackermann, Max (2008) The academic’s view. Creative Review Magazine. Graphic design and D&AD: Who cares.

Book

Tsutsumi, Maiko and Richmond, Karen (2011) Thingness. Camberwell, London. ISBN 9780953639571

Tsutsumi, Maiko (2018) On the Way to Language. Camberwell Space, London.

Silverthorne, Diane (2018) Music, Art and Performance: From Liszt to Riot Grrrl The Musicalisation of Art. Bloomsbury Visual Arts, Bloomsbury Publishing plc, New York, London. ISBN 978-1-501303013-1; 978-1-5013-3014-8

Schiuma, Giovanni (2011) The value of arts for business. Cambridge University Press, Cambridge. ISBN 9781107412460

Salinas, Lara (2011) Arte 2.0. Sendema, Valencia. ISBN 978-84-938045-8-9

Roodhouse, Simon (2006) Cultural Quarters: Principles and Practice. Intellect Books, Bristol UK. ISBN 1841501395

Putnam, James (2009) Art and artifact: the museum as medium. Thames and Hudson, London. ISBN 9780500288351

Plessner, Daphne (2011) Protest. The Citizen Artist . Citizen Artist Press, London, UK.

Newman, Avis (2006) Documents: A series of 3 publications capturing the exchange of ideas and thoughts between young artists at an early stage in their development. Rijksadademie van beeldende kunsten. ISBN 90-78681-01-2

McMillan, Michael (2009) The Front Room: Migrant Aesthetics in the Front Room. Black Dog Publishing, London. ISBN 978-1-906155-85-8

McCartney, Nicola (2018) Death of the Artist: Art World Dissidents and their Alternative Identities. International Library of Modern and Contemporary Art . I.B. Tauris, London. ISBN 9781784534158

Lampert, Catherine and Alys, Francis (2003) The Prophet and the Fly. Turner Ediciones. ISBN 9788475065793

King, Ian and Vickery, Jonathan (2013) Experiencing Organisations: New Aesthetic Perspectives. Libri Publishing, Faringdon, UK. ISBN 9781907471551

Kesseler, Rob (2010) Rob Kesseler: up close. Papadakis Publisher, UK. ISBN 9781906506070

Kear, Adrian (2013) Theatre and Event: Staging the European Century. Studies in International Theatre and Performance . Palgrave, Basingstoke. ISBN 978-0-230-00808-3

Hernández Velázquez, Yaiza María and Roig, Marc and Hispano, Andrés (2007) El Rei de la Casa. Adults als deu, nens al quaranta. Institut de Cultura de Barcelona, Barcelona. ISBN 978-84-9850-009-7

Cummings, Neil (2011) Parade: public modes of assembly and forms of address. BRIGHT . CCW Graduate School, London, UK. ISBN 9780955862830

Cummings, Neil (2011) Self portrait: Arnolfini [publication]. Arnolfini, Bristol, UK. ISBN 9780956888617

Cottell, Fran (2013) House: from Display to BACK to FRONT. KT Press. ISBN 9780953654154

Book Section

Withers, Rachel (2008) On the trail of the outlaw cowgirl. In: Susan Hiller: outlaw cowgirl and other works. BAWAG Foundation, Vienna.

Willcocks, Marcus (2014) London Urban Creativity. In: Urban Creativity Experience. Lemo Editorial, Barcelona.

Willcocks, Marcus, Kognitif (2014) Marcus Willcocks: London Urban Creativity. In: Urban Creativity Experience. Gustavo Gili (Lemo Editorial), Madrid, pp. 42-48. ISBN 978-8494115431

Wilder, Ken (2013) Standing By Their Words: The Manifestos of the Freee Art Collective. In: Manifesto Now! Instructions for Performance, Philosophy, Politics. Intellect, London, pp. 1-16. ISBN 9781783200054

Voss, Georgina (2018) Drive By Wire. In: Night Shifter. TLTRPreß. ISBN 978-3-9-819640-1-1

Vodanovic, Lucia (2016) From Performance to Objects and Back: London's InterAction. In: Materiality and Popular Culture: The Popular Life of Things. Routledge Research in Cultural and Media Studies . Routledge, London, pp. 132-142. ISBN 9781138657809

Tsutsumi, Maiko (2013) What does it mean to be a “materially attuned” practitioner? In: Design learning for tomorrow: design education from kindergarten to PhD. Proceedings from the 2nd International Conference for Design Education Researchers, 14-17 May 2013, Oslo, Norway. ABM-media, Oslo, pp. 878-893. ISBN 9788293298021

Tillotson, Jenny (2011) Interactive interiors: soothing spaces. In: Design Futures. Merrell, UK, pp. 48-49. ISBN 1858945402

Tillotson, Jenny (2006) Scentsory design: the emotional living tissue. In: The Future of the 20th Century: Collecting, Interpreting and Conserving Modern Materials. Archetype Publications. ISBN 1904982174

Till, Jeremy (2011) The King Is Dead! Long Love the Queen! In: Waking Up from the Nightmare of Participation. Expothesis (2). Expodium, Amsterdam. ISBN 9789490474003

Throp, Mo (2011) 11 course leaders, 20 questions. In: 11 Course Leaders, 20 Questions. Q-Art, London, UK. ISBN 9780956435514

Throp, Mo (2010) Cosey Complex Reader. In: Cosey Complex Reader. Institute for Contemporary Arts (ICA), London., London, UK, pp. 20-27. ISBN 9781900300636

Smith, Dan (2010) Reading the Albert Memorial. In: Cultural Memory: Reformations of the Past in the Present, and the Present in the Past. University of Plymouth Press, Plymouth, pp. 10-25. ISBN 9781841022536

Silverthorne, Diane (2013) Vienna's 'Holy Spring' and beyond: Ver Sacrum (1898-1903), Almanach der Wiener Werkstätte (1911), Hohe Warte (1904-9), Deutsche Kunst und Dekoration (1897-1932). In: The Oxford critical and cultural history of modernist magazines. Volume III, Europe 1880-1940. Oxford University Press, Oxford, pp. 992-1013. ISBN 9780199659586

Scrivener, Stephen and Clements, Wayne (2010) Triangulating artworlds: gallery, new media and academy. In: Triangulating artworlds: gallery, new media and academy. Ashgate Publishing Ltd., Aldershot, Hants, pp. 9-26.

Scrivener, Stephen (2011) Reflections on interactive art and practitioner research: establishing a frame. In: Interacting: Art, Research and the Creative Practitioner. Libri Publishing, Faringdon, Oxfordshire. ISBN 9781907471483

Scrivener, Stephen (2010) Transformational practices: on the place of material novelty in artistic change. In: The Routledge Companion to Research in the Arts. Routledge, Abingdon, Oxford, pp. 259-276. ISBN 9780415581691

Sabin, Roger and Barker, Martin (2006) A Very American Fable: The Making of a Mohican's Adaptation. In: Nineteenth-Century American Fiction on Screen. Cambridge University Press, Cambridge, pp. 9-35. ISBN 9780521842211

Sabin, Roger (2017) 'Ally Sloper meets Jack the Ripper': Comedy and fear in the 19th century'. In: Comics An Der Grenze. Christian Bachmann Verlag, Berlin, pp. 59-79. ISBN 978-3-941030-68-8

Sabin, Roger (2006) Barefoot Gen in the US and UK: Activist Comic, Graphic Novel, Manga. In: Reading Manga: Local and Global Perceptions of Japanese Comics. University of Leipzig Press, Germany, pp. 39-57. ISBN 3865831230

Sabin, Roger (2001) The Comics Connection: Low Culture Meets Even Lower Culture. In: Action TV. Routledge, UK, pp. 205-220. ISBN 041522621X

Sabin, Roger (2015) 'Comics versus books: the new criticism at the 'fin de siècle'. In: Transforming Anthony Trollope. Studies in European Comics and Graphic Novels . Leuven University Press, Belgium, pp. 107-129. ISBN 9789462700413

Sabin, Roger (2009) Eurocomics. In: Introduction to Media Studies. Pearson/Longman. ISBN 9781405840361

Ryan, Nicky (2009) Wynn Las Vegas: a flagship destination resort. In: Flagship Marketing: Concepts and Places. Routledge, London, pp. 144-158. ISBN 9780415436021

Ryan, Nicky (2009) The network museum: commerce, culture and exchange. In: Networks of Design. Universal Publishers, Boca-Raton, pp. 486-491. ISBN 9781599429069

Quinn, Malcolm and James, Elkins and Newman, Michael and Legge, Elizabeth and Tuer, Dot (2011) Chigurh’s haircut: three dialogues on provocation. In: Transmission Annual: Provocation. Transmission . Artwords Press, London.

Quinn, Malcolm (2011) Art and psychoanalysis: among other discourses. In: Vicissitudes: Histories and Destinies of Psychoanalysis. The Institute of Germanic & Romance Studies [IGRS], University of London, London, UK.

Quinn, Malcolm (2010) Insight and rigour: a Freudo-Lacanian approach. In: The Routledge Companion to Research in the Arts. Routledge, Abingdon, Oxon, pp. 240-258. ISBN 978-0-415-58169-1

Quinn, Malcolm (2009) Lapdogs of the Bourgeoisie. In: Lapdogs of the Bourgeoisie: Class Hegemony in Contemporary Art. Sternberg Press, Berlin, Germany, pp. 125-127. ISBN 978-1933128887

Quinn, Malcolm (2013) The Pedagogy of Capital: Art History and Art School Knowledge. In: The Concept of the 'Master' in Art Education in Britain and Ireland, 1770 to the Present. Ashgate, London, UK, pp. 215-233.

Parab, Nikhil and Green, Phil (2011) Soft proofing of colours on substrates with optical brightening agents. In: Color Imaging XVI: Displaying, Processing, Hardcopy, and Applications (Proceedings Volume). Society of Photo-optical instrumentation Engineers and Society for Imaging Science and Technology (SPIE), Bellingham, WA. ISBN 9780819484031

Orr, Susan and McDougall, Julian (2014) Enquiry into Learning and Teaching in Arts and Creative Practice. In: Teaching and Learning in Higher Education: Disciplinary Approaches to Educational Enquiry. Sage, London. ISBN 9781446254639

O'Riley, Tim (2005) Representing Illusions. In: Thinking Through Art: Reflections on Art as Research. Routledge, pp. 92-105. ISBN 9780415576338

Musgrave, David (2011) Object, animal, anthropomorph. In: Bigminis: Fetishes of Crisis. Sternberg Press, France, pp. 302-311. ISBN 9781934105252

Morra, Joanne (2008) The work of research: remembering, repeating and working-through. In: What is research in the visual arts? Obsession, archive, encounter. Clark studies in the visual arts . Yale University Press and Sterling and Francine Clark Art Institute, Williamstown, Mass., pp. 46-63. ISBN 9780300134131

Milic, Nela and Dorrian, Edward (2020) Assembly - Drawing Models. In: Being Together is not Enough. Public Series, vols. 1-3, 2 (8). Five Years Publications, London, pp. 1-12. ISBN ISBN 9781903724194

Milic, Nela (2019) Undoing the War via Participatory Practice. In: Participatory Arts for Invisible Communities. Omnimedia, Zagreb, Croatia, pp. 199-203. ISBN 953-95119-1-7

Melvin, Jo (2011) Charles Harrison: democratize access to dialogue. In: Charles Harrison: looking back. Ridinghouse, London, pp. 13-19. ISBN 9781905464296

Melvin, Jo (2011) Conversation one: March 2007. In: Charles Harrison: looking back. Ridinghouse, London, pp. 23-70. ISBN 9781905464296

Melvin, Jo (2011) Conversation two: October 2007. In: Charles Harrison: looking back. Ridinghouse, London, pp. 71-92. ISBN 9781905464296

Melvin, Jo (2011) Kantor in Edinburgh in the photographs of Ian Knox. In: Kantor was here: Tadeusz Kantor in Great Britain. Black Dog, London, pp. 44-50. ISBN 9781907317323

Melvin, Jo (2011) Kantor in London: from David Gothard's archives. In: Kantor was here: Tadeusz Kantor in Great Britain. Black Dog, London, pp. 88-98. ISBN 9781907317323

Melvin, Jo (2011) The living archive, the death of rubbish and the aesthetics of the dustbin. In: Kantor was here: Tadeusz Kantor in Great Britain. Black Dog, London, pp. 148-157. ISBN 9781907317323

Mac Namara, Aoife (2008) Botanical Research Terrace. In: Spaces Buildings Make. Framework Press, Great Britain, pp. 14-57. ISBN 9780955721212

Mac Namara, Aoife (2008) Bungalow Blitz: On Art, Architecture & Curating. In: Informal Architectures: On Space & Contemporary Culture. Black Dog Publishing, London, pp. 56-71. ISBN 9781906155339

Livergant, Elyssa (2019) Keeping up appearances: labour and exchange. In: Material. Siobhan Davies Dance, pp. 14-15. ISBN 978-0-9927974-3-0

King, Ian (2008) How We Know What We Know: The Potentiality of Art and Aesthetics. In: The SAGE Handbook of New Approaches in Management and Organization. SAGE, London, pp. 42-49. ISBN 9781412912181

Kikuchi, Yuko (2005) The Mingei Movement. In: International Arts and Crafts. V&A Publications: London, pp. 296-311. ISBN 1851774467

Kikuchi, Yuko (2012) Shui-Long Yen and Vernacularism in the Development of Modern Taiwanese Crafts. In: Shui-Long Yen: The Public Spirit, Beauty in the Making. Taipei Fine Arts Museum (TFAM), pp. 300-313. ISBN 9789860320060

Kesseler, Rob (2017) Science and Sensibility: An Artists Approach To Micro Imaging. In: Image in Science and Art: Actas do Colóquio Internacional "Image in Science and Art". Fim de Seculo, Lisbon, Portugal, pp. 123-129. ISBN 9789727542864

Kear, Adrian (2013) Traces of Presence. In: International Politics and Performance: Critical Aesthetics and Creative Practice. Routledge, Abingdon, pp. 19-39. ISBN 9780415706230

Hernández Velázquez, Yaiza María (2010) De los usos y desventajas del archivo para el arte. In: Memorias y Olvidos del Archivo. Lampreave, Madrid. ISBN 978-84-614-4738-1

Hernández Velázquez, Yaiza María (2019) Imagining Curatorial Practice After 1972. In: Curating After the Global. Roadmaps for the present. The MIT Press, Massachusetts, pp. 252-271. ISBN 9780262537902

Heathcote, Edwin and Croarke, Carmody and Baines, Phil and Dixon, Catherine (2009) Letters for London. In: 7 July 2005 Memorial. Department of Culture, Media & Sport, London.

Hatton, Kate (2016) A Poetical Journey: in what ways are theories derived from postcolonialism, whiteness and poststructural feminism implicated in matters of intercultural arts research? In: The Routledge International Handbook of Intercultural Arts Research. The Routledge International Handbook Series . Routledge/Taylor & Francis, London and New York, pp. 46-56. ISBN 9781138909939

Green, Phil and Revie, Craig and McDowell, David Q. (2011) A virtual printer and reference printing conditions. In: Proceedings of SPIE 7866 Color Imaging XVI: Displaying, Processing, Hardcopy, and Applications. Society of Photo-optical instrumentation Engineers and Society for Imaging Science and Technology, USA. ISBN 9780819484031

Green, Phil and High, Gregory and Coates, David and Hughes, Chris (2010) Colour management for cholesteric displays. In: Proceedings of the 31st International Congress On Imaging Science, Beijing. , Springfield, VA, USA, pp. 35-38. ISBN 978092082896

Green, Phil and Gibson, Ian (2010) Implementing colour appearance and local adaptation in digital photography. In: Proceedings of the 31st International Congress On Imaging Science, Beijing. , pp. 145-148. ISBN 978092082896

Green, Phil and Chang, Yerin (2011) A method to estimate the UV content of illumination sources. In: Color Imaging XVI: Displaying, Processing, Hardcopy, and Applications (Proceedings Volume). SPIE, USA. ISBN 9780819484031

Green, Phil (2010) Requirements for digital colour reproduction. In: Proceedings of the 31st International Congress On Imaging Science, Beijing. Society for Imaging Science and Technology, Springfield VA, USA, pp. 272-277. ISBN 978092082896

Green, Phil (2008) A smoothness metric for colour transforms. In: Proceedings of SPIE 6807 Color Imaging XIII: Processing, Hardcopy, and Applications. Society of Photo-Optical Instrumentation Engineers and Society for Imaging Science and Technology, USA, pp. 1-5. ISBN 9780819469793

Grandal Montero, Gustavo (2012) Kinkon biobib: life and work of Dom Sylvester Houedard. In: Notes from the Cosmic Typewriter: The life and work of Dom Sylvester Houédard. Occasional Papers, London, pp. 177-185. ISBN 978-0-9569623-3-1

Grainger, Hilary J. (2010) Ambiguity, evasion and remembrance in British crematoria. In: Lest We Forget. The History Press, Gloucestershire, UK, pp. 124-127. ISBN 9780752459653

Grainger, Hilary J. (2010) Maxwell Fry and the 'anatomy of mourning': Coychurch Crematorium, Bridgend, Glamorgan, South Wales. In: Deathscapes: Spaces for Death, Dying, Mourning and Remembrance. Ashgate Publishing, Farnham, UK, pp. 243-261. ISBN 9780754679752

Gould, Polly (2006) Breakfast at the Beauty Spot. In: The Alpine Fantasy of Victor B and Other Stories. Serpent's Tail, pp. 72-83. ISBN 1852429267

Gamman, Lorraine and Thorpe, Adam (2015) Building Resilience of Returning Citizens: Creative Ways to Survive Prison and Thrive Outside Without Crime. In: Cultures of Resistance. Hato Press, pp. 67-73. ISBN 978-1-910239-10-0

Fortnum, Rebecca (2009) Commentary in the book, 'Unspoken Interactions: Exploring the Role of Emotions and Social Interactions in Art and Design Education'. In: Unspoken Interactions: Exploring the Role of Emotions and Social Interactions in Art and Design Education. The Centre for Learning in Art and Design, University of the Arts, London. ISBN 9780954143992

Faure Walker, James (2008) Pride, Prejudice and the Pencil. In: Writing on Drawing: Essays on Drawing Practice and Research. Chicago University Press, Chicago. ISBN 9781841502007

Evans, Graeme (2015) Cultural Mapping and Planning for Sustainable Communities. In: Cultural Mapping as Cultural Inquiry. Routledge, New York, pp. 45-68. ISBN 9781138821866

Evans, Graeme (2018) Hydrocitizenship: concepts and insights from the Lee Valley,UK. In: Rivers and Society. Water Resource Management . Earthscan/Routledge, Abingdon, pp. 202-219. ISBN 9781138930902

Dibosa, David and Dewdney, Andrew and Walsh, Victoria (2012) Cultural diversity: politics, policy and practices. The case of Tate Encounters. In: Museums, Equality and Social Justice. Museum Meanings . Routledge, Abingdon, Oxon; New York, pp. 114-124. ISBN 9780415504683

De Dauw, Esther and Connell, Dan and Reynolds, Richard (2020) Emma Frost, The White Queen: Sexuality as Superpower. In: Toxic Masculinity. Mississippi University Press, Mississippi USA. ISBN 9781496828934

Cummings, Neil (2009) Lapdogs. In: Lapdogs of the Bourgeoisie: Class Hegemony in Contemporary Art. Sternberg Press, Berlin, Germany, pp. 105-124. ISBN 9781933128887

Cross, David and Cornford, Matthew (2010) A dialogue on art school. In: Curating and the Educational Turn. Open Editions/De Appel, London, UK/Amsterdam, Netherlands, pp. 262-270. ISBN 9780949004185

Courtney, Cathy (2007) Two interviews by Cathy Courtney with Stephen Willats and David Tremlett. In: Talking Art: Interviews with Artists since 1976. Ridinghouse and Art Monthly, 373-378; 393. ISBN 978-1-905464-04-3

Coupland, Geoffrey and Coupland, Orson and Kessler, Joseph (2014) 'Do Ya Worst', part of 'Into the fold'. In: Into the fold. Camberwell Press.

Church Gibson, Pamela (2008) Concerning Blondeness: Gender, Ethnicity, Spectacle And Footballers' Waves. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 141-149. ISBN 9781845207922

Cairns, Jon (2016) My Audiences with Adrian: Performance, Photography and Writing the Intimate Encounter. In: It’s All Allowed: The Performance Works of Adrian Howells. Intellect Live . Live Art Development Agency / Intellect. ISBN 9781783205899

Broad, Terence and Berns, Sebastian and Colton, Simon and Grierson, Mick (2021) Active Divergence with Generative Deep Learning - A Survey and Taxonomy. In: Proceedings of the 12th International Conference on Computational Creativity. Association for Computational Creativity. ISBN 978-989-54160-3-5

Biddle-Perry, Geraldine and Miller, Janice (2009) ...and if looks could kill: making up the face of evil. In: Something Wicked This Way Comes: Essays on Evil and Human Wickedness. At the Interface: Probing the Boundaries (57). Rodopi, Amsterdam/New York, pp. 7-25. ISBN 9789042025509

Biagioli, Monica and Pässilä, Anne and Owens, Allan (2021) The zine method as a form of qualitative analysis. In: Beyond Text Learning through Arts-Based Research. Intellect Books, Bristol UK, pp. 171-185. ISBN 9781789383553

Beech, Dave (2009) Introduction: art and the politics of beauty. In: Beauty. Documents of contemporary art . Whitechapel Art Gallery, London, pp. 12-19. ISBN 9780854881635

Beech, Dave (2009) Turning the whole thing around: text art today. In: Art and Text. Black Dog, London. ISBN 9781906155650

Beech, Dave (2010) Weberian Lessons: Art, Pedagogy and Managerialism. In: Curating and the Educational Turn. Open Editions; De Appel, London; Amsterdam. ISBN 9781906155650

Ayaka, Carolene and Hague, Ian (2015) Introduction: Representing Multiculturalism in Comics and Graphic Novels. In: Representing Multiculturalism in Comics and Graphic Novels. Routledge Research in Cultural and Media Studies . Routledge, London & New York, pp. 1-16. ISBN 9781138025158

Austin, Patricia (2009) Methods of teaching and learning to develop the city as a resource and site of art and design practices. In: City and Art Forum. Mimar Sinan Fine Arts University, Istanbul, Turkey. ISBN 9789756264324

Atkinson, Sarah (2008) Emotions and interactions. In: Unspoken Interactions: Exploring the Unspoken Dimension of Learning and Teaching in Creative Subjects. CLIP/CETL, London, UK. ISBN 9780954143992

Atkinson, Douglas (2017) Post-Industrial Fashion and the Digital Body. In: Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave Studies in Performance and Technology . Palgrave Macmillan UK. ISBN 978-1-349-95240-3

Asbury, Michael (2006) The Bienal de São Paulo: Between Nationalism and Internationalism. In: Espaço Aberto/ Espaço Fechado: Sites for Sculpture in Modern Brazil. The Henry Moore Institute, Leeds, pp. 72-83. ISBN 1900081997

Araujo, Ana (2009) Crafting a(s) conversation. In: Context Narratives and Boundaries: Summer Workshop. Toh Shimazaki Architecture Forum, 3 . Toh Shimazaki Architecture, London. ISBN 9780955488122

Conference, Symposium or Workshop Item

Windle, Amanda and Burley, Tim and Din, Zahida and Giagkoglou, Thomas (2014) What arts and culture venues need to know about the 65+ arts and culture attendees. In: Digital R&D Learning Event, Nesta, Plough Lane, London.

Willcocks, Marcus (2014) Positive: Says who? How So? In: Lisbon Street Art and Urban Creativity, 03-05 July 2014, Lisbon, Portugal.

Willcocks, Marcus (2010) Using cashpoint art to tackle ATM fraud. In: ATM Fraud Group meeting, November 2010. (Unpublished)

Wade, Glenis (2007) Listening to the locals: exploring how cultural norms persuade actions of new creative industry entrepreneurs. In: Perspectives on Entrepreneurship: Cultures and Contexts? 13-15 September 2007 Conference, RGU and Sorbonne Pariss III. (Unpublished)

Wade, Glenis (2007) There’s no point bargaining: Exploring the commerce- creative divide in perceptions of creative industry entrepreneurs. In: BAM (British Academy of Management) 2007 conference, Management Research, Education and Business Success: is the future as clear as the past?, University of Warwick 11-13 September 2007. (Unpublished)

Voegelin, Salomé (2021) Listening as Strategy for Research for and from the Arts. In: RMC CPH Online Lecture, 2 February 2021, Rhythmic Music Conservatory, Online.

Tulloch, Carol and Stockwell, Susan and Charles, Avis (2009) Conversations within Conversations. In: Black British Perspectives - Style, 12th November 2009, Impressions Gallery, Bradford. (Unpublished)

Tulloch, Carol (2008) Black Identities and the AutoBiographical/I. In: Please Disturb: Research-in-Progress, 19 May 2008, University of Brighton. (Unpublished)

Tulloch, Carol (2009) Research—Filling in Gaps, Opening Doors. In: Critical Debate Lecture Series, 25th March 2009, Leeds College of Art and Design. (Unpublished)

Tsutsumi, Maiko (2017) Material Engagement. In: Material Engagement, 30 October 2017, University of Westminster.

Tsutsumi, Maiko (2018) Thoughts and Utterances in Material Practice: Objects and Words / Thoughts and Actions. In: Utsuwa Utsumi, 4 May 2018, Chelsea College of Arts.

Toop, David (2017) Becoming Animal. In: Talk: David Toop, 4 February 2017, Camden Arts Centre, London.

Tillotson, Jenny and Lahiri, Kim (2012) Smell the colour of the rainbow. In: Colour My Wellbeing, 19 - 21st April 2012, University of Northampton. (Unpublished)

Tillotson, Jenny (2010) Avatars and robots: healthcare and wellbeing in the future. In: The Health and Wellbeing Lunch Debate, 2010. (Unpublished)

Tillotson, Jenny, Polyphotonix (2012) Check The Smell Print: Printed Electronic Perfumery. In: Plastic Electronics Seminar, 14th March 2012, Royal College of Arts. (Unpublished)

Tillotson, Jenny (2012) From flower to shower to empower: the fragrant future. In: From Flower to Shower, 18th October 2012, The Royal Society, London, UK. (Unpublished)

Tillotson, Jenny (2003) The OSMO dimension. In: user_mode = emotion + intuition in art + design, 9 - 11th May 2003, Tate Modern, UK.

Tillotson, Jenny (2010) Personalized timed/controlled fragrance delivery that changes with emotion. In: The UK Semiochemistry Network Chemical Signals in Vertebrates, British Workshop XVIII, 7 - 8th September 2010, Gonville and Caius College, Cambridge.

Tillotson, Jenny (2012) Scent phone: sensory mobiles where different scents could be transmitted across devices for wellbeing, fashion, lifestyle and social networking. In: The 4th Future of Wireless International Conference, 26 - 27th June 2012, The Møller Centre and Churchill College, Cambridge. (Unpublished)

Tillotson, Jenny (2003) Scentient beings and freebee: scentient bees. In: 2003 e-Culture Fair in Amsterdam, 23rd - 24th October 2003, Paradiso, Amsterdam. (Unpublished)

Tillotson, Jenny (2010) Scentient beings and the external nervous system: ancient memories for fashion futures. In: Human Document Project, 30th June - 02nd July 2010, Saarbrucken, Germany. (Unpublished)

Tillotson, Jenny (2005) Scentsory Design® for scentient beings. In: 3rd International Avantex Symposium for Innovative Apparel Textiles, 6 - 7th June 2005, Messefrankfurth, Germany.

Tillotson, Jenny (2012) Scentsory Design® to enhance user experience through the sense of smell - our most evocative sense. In: Improving the User Experience in the Next Decade: A 2020 Vision, 22nd March 2012, Philips Research Laboratories, 101 Cambridge Science Park, Milton Road, Cambridge, CB4 0FY. (Unpublished)

Tillotson, Jenny (2004) Scentsory Perception. In: Cheltenham Science Festival, 9 - 13th June 2004, Discovery Zone, Cheltenham Science Festival.

Tillotson, Jenny (2006) Smart Second Skin at Lille3000 Futuro Textile. In: Lille3000 'Futuro Textile', 14th October 2006 - 14th January 2007, Lille, France. (Unpublished)

Tillotson, Jenny (2011) Smell the colour of the rainbow. In: European Chemoreception Research Organization XXIst Congress 2011, 7 – 10th September 2011, Manchester Conference Centre, Manchester, UK. (Unpublished)

Tillotson, Jenny (2009) eScent® Appetite Suppressant. In: Fashion The Body & Material Cultures Research Centre Fashion & Food Symposium, June 2009, The ICA, London. (Unpublished)

Tillotson, Jenny (2011) A science fashion story. In: Women Shaping The Future, 15th February 2011, The Moller Centre Churchill College, Cambridge. (Unpublished)

Tillotson, Jenny (2011) A vision of preventing my bipolar relapse through smell. In: Quantified Self Europe Conference, 26 - 27th November 2011, Amsterdam, Netherlands. (Unpublished)

Tillotson, Jenny (2011) A wearable therapeutic stress management mood monitoring tools for bipolar affective disorder. In: Quantified Self Europe Conference 2011, 26 - 27th November 2011, Amsterdam, Netherlands. (Unpublished)

Throp, Mo and Davies, Kate (2010) A room of one’s own. In: Visual Thinking, 3rd March 2010, Camden Arts Centre, London, UK. (Unpublished)

Tatchell, Nick (2011) José Roca - Essays in Geopoetics: the notion of territory critically redefined from the perspective of artistic practice. In: TrAIN Open Lecture, 19/10/2011, Lecture Theatre - Chelsea College of Art and Design.

Studente, Sylvie and Seppala, Nina and Sadowska, Noemi (2014) Facilitating Creative Thinking in the Classroom: Investigating the Effects of Plants on Visual Creativity. In: Creativity and Thinking Skills in Learning, Teaching and Management, 19-20 September 2014, Riga, Latvia.

Stevenson, Caroline (2021) How to work better: Collective Action in London and Amsterdam. In: LCF Cultural and Historical Studies Digital Symposium, 11-12 June 2021, Online.

Stevenson, Caroline (2015) ‘Reading the landscape: The Performative Labour of Sue Tompkins and Matthew Damhave’. In: Fashioning Professionals: A Symposium on the Historical and Contemporary Representation of Cultural and Creative Professions, V&A Museum, London.

Stevenson, Caroline (2016) Working in the Interzone: Fashion as Interdisciplinary Practice. In: Working in the Interzone: Fashion as Interdisciplinary Practice, 11 May 2016, London College of Fashion.

Simonson, Caryn (2010) Chintz my ride. In: The Inaugural Conference for the International Journal of Motorcycle Studies, 3rd - 6th June 2010, University of Colorado, Colorado Springs, USA. (Unpublished)

Sabin, Roger (2008) Graham Rawle, Julie Doucet and the Art of Collage. In: In the Fold: Between Art and Narrative, April 2008, Chelsea College of Art and Design. (Unpublished)

Ryan, Nicky and Steele, Alistair (2011) From the gallery to the street: universities, museums and public engagement. In: Leisure in Transition: People, Policy and Places. Leisure Studies Association Conference, 5-7th July 2011, Southampton Solent University. (Unpublished)

Ryan, Nicky and Eysler, Adriana and Glavey, Paul (2010) Fear of Foucault: mapping the anxieties of art & design students in relation to critical theory. In: CAPPE: The Politics of Fear, Fear of Politics, 15-18th September 2010, Centre for Applied Philosophy, Politics and Ethics, Brighton University, UK. (Unpublished)

Ryan, Nicky (2010) Art and urban renewal: public and private developments in Las Vegas. In: 2nd International Colloquium on Place Marketing and Nation Branding, 23-24th September 2010, Brunel University. (Unpublished)

Ryan, Nicky (2005) Between the Store and the Gallery: Museums, art and shopping and Intersections: Retail Hybrid Spaces. In: Interrogating Fashion: New Paradigms for Fashion Design in the 21st Century conferences. (Unpublished)

Ryan, Nicky (2011) Fashion industry and arts patronage. In: Fashion Colloquia, 21-22nd September 2011, London. (Unpublished)

Ryan, Nicky (2010) From New York to the Congo via Marfa: branded occupation. In: Constructed Space, 2-4th July 2009, University of Brighton.

Ryan, Nicky (2006) How God would do it if he had money: Wynn Las Vegas A New Paradigm for Luxury Destination Resorts? In: Spaces and Places: Exploring the Flagship Concept Symposium, LCC 11 May 2006, London College of Communication, University of the Arts London.

Ryan, Nicky (2010) The new Medici: mediating luxury through art. In: In Pursuit of Luxury: Commercial and Academic Perspectives on Luxury, 18th June 2010, RIBA (organised by the University of Hertfordshire). (Unpublished)

Roth, Cara Lee and Johnston, Antony (2013) Student Enterprise and Sustainability. In: Learning and Teaching Conference 2013: Enhancing and Embedding Employability and Enterprise, Tuesday, 11 June 2013, University of Chichester.

Roth, Cara Lee and Johnston, Antony (2014) Student Enterprise and Sustainability in the Creative Arts. In: Education For Sustainable Development London - Annual Conference, June 10th 2014, London South Bank University.

Roth, Cara Lee (2014) Work of Art: Enterprise and Employability in Art and Design Teaching and Curricula. In: Learning and Teaching Day: Crossing Borders: Enhancing Teaching and Learning at UAL, 15 January 2014, Chelsea College of Art and Design.

Ridge, Sue (2011) Out there. In: Engaging and Creating’ : Artist and Maker Practitioner Residencies in Public Spaces, 6th - 8th April 2011, Sackler Centre, V&A Museum, London, UK. (Unpublished)

Revell, Tobias and Cormier, Dave and White, David (2019) Complexity and Creativity. In: Complexity and Creativity, Teaching Complexity, 19 February 2019, Online.

Revell, Tobias (2018) Algorithmic Bias. In: This Happened at the V&A Digital Weekend, 22-23 September 2018, V&A, London.

Ray, Sandra and La Salvatori, Mariste and Cattani, Maria Lucia and Coldwell, Paul and O'Riley, Tim and Kearney, Jonathan (2009) SCIRIA Symposium, points of contact. In: Points of contact, 28th September 2009. (Unpublished)

Rauch, Barbara and Mackay, Jem and Osborne, Richard and Pickup, Tim and Bunnell, Kate and Jorgensen, Tavs and Masterton, Drummond and Marshall, Justin and Brown, Steve and Folan, Andrew (2009) SCIRIA Openmind seminar series, autonomatic. In: autonomatic, 29th January 2009. (Unpublished)

Quinn, Malcolm (2010) Art schools and the pedagogical impulse: an historical perspective. In: International Journal of Art and Design Education conference: ‘Art and Design Education and Contemporary Culture’, 8 October 2010, Liverpool, UK. (Unpublished)

Quinn, Malcolm (2011) Reading Reynolds with Bentham: the idea of the art school in early nineteenth-century. In: Bentham Seminars, 02-23 March 2011, London, UK. (Unpublished)

Quinn, Malcolm (2009) The education of the Eyes of the People by Our Own Government: Utilitarianism and Sublimation in Public Space 1832 -52. In: History of Education Society, UK Annual Conference, 6 December 2009. (Unpublished)

Quinn, Malcolm (2010) The idea of the art school in early nineteenth-century Britain. In: The idea of the art school in early nineteenth-century Britain, 08 June 2010, London, UK. (Unpublished)

Powell, Gary (2010) CARIS homeless project: workshop series. In: CARIS homeless project, July and August 2010, CARIS Haringey, Avenue Road, London, N15. (Unpublished)

Plessner, Daphne (2011) Citizen artist press: independent publishing and the status of the self. In: To be confirmed, Autumn 2011, London, UK. (Unpublished)

Plessner, Daphne (2011) The citizen artist asks: is the idea of artistic transgression only a conceit? protest, subversion and resistance in contemporary artistic discourse. In: Art & Education and ArtForum Conference, 2011. (Submitted)

Panesar, Lucy and Patel, Rahul (2019) Decolonising the Arts Curriculum: Perspectives on Higher Education zine. In: iJADE Conference, 22nd February 2019, Goldsmiths University, London.

Panesar, Lucy and Jethnani, Hansika (2018) Collaborating for Change. In: Towards a critical (art) librarianship: theories and practices, 23.05.2018, Chelsea College of Arts, London.

Panesar, Lucy and Crilly, Jessica (2020) Decolonising Reading Lists. In: Decolonising the Curriculum – the library's role, 27 January 2020, Goldsmiths University.

Panesar, Lucy and Collingwood, Ruth and Clarey, Leo (2019) Collaborating to Liberate. In: LCC Teaching and Learning Conference, 1st May 2019, London College of Communication.

Panesar, Lucy (2016) Study support and BAME students - a data driven approach. In: LCF College Conference, Part 3: Race Matters: The attainment of BAME students, 22/06/2016, Mary Ward House, London.

Panesar, Lucy (2018) A workshop based on UAL’s approach to inclusive attainment. In: Advance HE: Attainment Symposium - Closing the gap: Student success for all, 23.05.2018, Advance HE, York.

Naldi, Pat (2017) Artists and collective citizen responsibility. In: 7th Nordic Geographers Meeting, 18-21 June 2017, Stockholm University, Stockholm, Sweden.

Naldi, Pat (2015) Occupy UAL: the democratising of space. In: Spaces and tactics of politics: Transnational connections, neoliberalisation and the reshaping of civil society, 10-11 December 2015, University of Turku, Finland.

Milic, Nela (2020) Corona Defiance Gallery. In: Creative Jam, online.

Milic, Nela (2017) Performing Nostalgia: Yugo Yoga. In: Stepping Back in Time. Living History and other Performative Approaches to History in East-Central and Southeastern Europe, 23-24 February, German Historical Institute.

Milic, Nela (2018) Performing the Archive. In: Performing Archive, 16 -17 March 2018, IIT, Mumbai, India.

Milic, Nela (2019) Ruins as Backdrops of memory. In: Memory Studies Annual Conference (MSA), 25-28 June 2019, University of Copultense.

Ling, Wessie (2011) Hybridity, transnationalism and authenticity: the colloquial Hong Kong of G.O.D. In: Trans/National Clothing: Production and Consumption, 04th September 2011, Bath Spa University. (Unpublished)

Ling, Wessie (2012) Transnational flow, cultural production and identity: imagining red-white-blue. In: The Association of Asian Studies Annual Conference, 15th - 18th March 2012, Toronto, Canada. (Unpublished)

Ling, Wessie (2011) Transnationalism and fashion. In: Design History Seminar, 25th November 2011, Brighton University. (Unpublished)

Johnston, Antony and Roth, Cara Lee (2015) Teaching as Creative Practice Symposium. In: Teaching as Creative Practice Symposium, 22 April 2015, University of the Arts London, John Princes Street.

Johnston, Antony (2015) Curriculum development towards a sustainable university. In: Education for Sustainability in Higher Education – Achievements and Prospects, 8 January 2015, Plymouth University.

Johnston, Antony (2014) From Consumer to Citizen: engaging students with participative methods in design. In: 2nd World Symposium on Sustainable Development at Universities, 3-5 September 2014, Manchester Metropolitan University.

Houldsworth, Austin (2016) Incongruous Monetary Matters. In: MoneyLab #3 2016, 1st & 2nd December, pakhuis de zwijger, amsterdam.

Horton, Ian (2010) (Inter)national identities and the promotion of modern art. In: Displaying Word and Image: The Museum and the City: Placemaking, Branding, Identity, 04 - 06 June 2010, Belfast, Ireland. (Unpublished)

Holtham, Clive and Biagioli, Monica (2021) Addressing contested problems through the craft of paper-folding and the arts of writing and drawing. In: Learning at City Conference, 30 June - 1 July 2021, City, University of London.

Holtham, Clive and Biagioli, Monica (2021) Crafting Strategic Thinking. In: Responding, Reframing, Re-thinking: A new era in creative education for our sector?, 23 April 2021, Nottingham.

Holtham, Clive and Biagioli, Monica (2021) Making the Intangible Tangible: Imagination Workshop. In: MOBTS 2021, 15-19 June 2021, USA (online).

Holtham, Clive and Biagioli, Monica (2019) Thinking by Making. In: The Arts of Management Symposium, 5 December 2019, University of Basilicata, Matera, Italy.

Hibbett, Mark and Fleay, Rob (2018) The Swingin' Sounds of Sixties Marvel. In: Graphic Brighton 2018, 19 July 2018 - 20 July 2018, Brighton, United Kingdom.

Hibbett, Mark (2019) Cold War Latveria: US views of Eastern Europe in Marvel Comics. In: Crossing Borders, Boundaries, and Cultures: Studies in Transnational Comics, 6 March 2019, London, United Kingdom.

Hibbett, Mark (2018) Defining The Marvel Age: A Pulse-Pounding Periodisation. In: The Ninth International Graphic Novel and Comics Conference, 27-29 June 2018, Bournemouth, United Kingdom.

Hibbett, Mark (2018) Doctor Doom as The Avatar Of Villainy in Not Brand Ecch. In: Transitions 8, 10 November 2018, London, United Kingdom.

Hernández Velázquez, Yaiza María (2018) Beyond the Institution. Producing Knowledge and Training Artists between Museums and Universities. In: Beyond the Institution Producing Knowledge and Training Artists between Museums and Universities, 7 June 2018, Museo Nacional Centro de Arte Reina Sofía.

Hernández Velázquez, Yaiza María (2014) Crisis Management. In: Some Reasons for a Non-Dismissive Art, 26 October 2014, Fundacao Serralves Museu, Porto.

Hernández Velázquez, Yaiza María (2013) Cuestionando el "valor social". In: Horizontes del Arte en España, 27-Nov-2013, Museo Nacional Centro de Arte Reina Sofía, Madrid.

Hernández Velázquez, Yaiza María (2018) Liberating the Curator / Liberating the Museum. In: Post Graduate Art Talks: Yaiza Hernandez Velazquez, 26 November 2018, Goldsmiths College.

Hernández Velázquez, Yaiza María (2016) Los estudios expositivos en disputa. In: Departamento De Investigatión, Datos, Documentatión, Cuestionamiento y Causalidad DIDDCC), 4th November, 2016, Madrid, Spain.

Hernández Velázquez, Yaiza María (2015) New Institutionalism Revisited. In: Curating Europe's Futures, 14-April 2015, Centre for Contemporary Arts, Glasgow.

Hernández Velázquez, Yaiza María (2013) On The Limits of the Artist as Exemplary Labourer. In: La Empresa Soy Yo. Trabajo y Subjetividad, 29-31 Octubre 2013, Casa del Lago, UNAM, Mexico D.F..

Hernández Velázquez, Yaiza María (2014) Síntomas mórbidos en el cubo blanco. In: Reclaiming Public Space Through Culture, 13-15 June, 2013, Ateneu Sant Boià, Barcelona.

Hernández Velázquez, Yaiza María (2013) Vertex: conversations on art, politics and society. Round table#1. In: Vertex, conversations on art, politics and society, 24 January 2013, ADN Galería, Barcelona.

Hernández Velázquez, Yaiza María (2016) Why Exhibition Studies? In: Why Exhibition Studies?, AKADEMIROMMET, Oslo.

Hammond, Lynne (2010) The strategic challenges of academic collaboration between UK and China in relationship to employability and creative curriculum. In: Knowledge Transfer in Higher Education: Enhancing Entrepreneurship, Employability and Global Citizenship in the 21st Century, April 2010, University of Salford. (Unpublished)

Glinkowski, Paul (2005) National Studios Forum and associated conferences. In: National Studios Forum.

Franks, Matt (2010) For the public good? public art projects in London and the UK. In: Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010, 16th December 2010, 18th December 2010 and 10th March 2011, Arts college of Sichuan University, Chengdu, Sichuan Museum and Chinese Central Academy of Fine arts, Beijing, China. (Unpublished)

Francis, Mary Anne (2010) Between the studio and seminar: what does art school’s two-fold language do? In: Looking Back at the Life Room, 11 & 12 June 2010, University College London. (Unpublished)

Fortnum, Rebecca and MacDonald, Claire (2008) The internal quality audit: how artists judge themselves. In: Sensuous Knowledge 5: An international working conference on fundamental problems of artistic research and development, 2008, Bergen Academy of Art, Norway. (Unpublished)

Fortnum, Rebecca (2008) The Research Relevance of the Documentation of Artists Processes. In: Graduate Research Conference, March 2008, Southampton University. (Unpublished)

Eysler, Adriana, Precarious Workers Brigade (2011) Precarity: A Participatory People’s Tribunal. In: The Labour of Multitudes? Political Economy of Social Creativity, 20-22 October 2011, Free/Slow University of Warsaw, Warsaw.

Eysler, Adriana, Precarious Workers Brigade (2017) Prekäre Arbeit und Selbstorganisation. In: Wem gehört die Kunst?, 24-26 February 2017, Ringlokschuppen Ruhr.

Dines, Naomi (2017) Forensic Capture - Digital Found Objects. In: Entre capture et production (Between capture and production), Laboratoire de Recherche CCE - ENSA Limoges, France, 20-22 November 2017, Limoges, France.

Davidmann, Sara (2009) Visible and invisible genders. In: Transgenders: New Identities and Visibilities, 22nd - 23rd May 2009, EHESS, 105 Boulevard Raspail, 75006 Paris. (Unpublished)

Cussans, John and Kenning, Dean (2011) The metallurgy of the subject/diagrammania. In: Project Space talks on the Diagram, 30th April 2011, Banner Repeater, Hackney Downs Station. (Unpublished)

Cummings, Neil (2014) More things can happen than will, or have. In: UAL Professorial Platform Series 2013-14, 19 June 2014, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Credland, Tony (2008) Networks of autonomy - opening up spaces for critical engagement. In: Mine Yours Ours: Consumers and/or Citizens, 09th - 12th October 2008, University of Rijeka. (Unpublished)

Credland, Tony (2011) Signs of revolt - creative resistance and social movements since Seattle. In: Memefest: International Festival of Radical Communication, Jan 2011, Slovenia. (Unpublished)

Cheang, Sarah (2010) Sinopticon: Contemporary Chinoiserie in Contemporary Art. In: Sinopticon: Contemporary Chinoiserie in Contemporary Art, 12 October 2010, Victoria and Albert Museum. (Unpublished)

Cheang, Sarah (2011) Why Hong Kong art can challenge cultural imperialism. In: Hong Kong Whispers, 31 January 2011, 198 Contemporary Arts & Learning, 198 Railton Road, London SE24 0JT. (Unpublished)

Carlyle, Angus (2011) Animal, vegetable, mineral. In: Rhythm & Event, 29th October 2011, London Graduate School. (Unpublished)

Cairns, Jon (2013) “Adventures in Critical Closeness: Intimate Encounters and the Writing of Performance”. In: Exhibiting Performance, 1-3 March 2013, University of Westminster.

Brown, Roni (2011) Creativity and the everyday: unravel – a festival of knitting. In: Transforming Audiences 3, Online and Mobile Media, Everyday Creativity and DIY Culture, 1 – 2 September 2011, University of Westminster 35 Marylebone Road London NW1 5LS. (Unpublished)

Boyce, Sonia (2011) The Future is Social (symposium). In: The Future is Social, 08 April 2011, Camberwell College of Art.

Bond, Peter (2016) Pertinent Interuptions. In: Tactics of Interruption (Lee Campbell), 9 June 2016, Arts Admin, Toynbee Studios, 28 Commercial Street, London E1 6AB.

Biagioli, Monica (2019) Zine Method workshop. In: Educating Creatively Conference, 4-7 September 2019, Storyhouse, Chester, UK.

Baines, Phil (2009) Grafist 13. In: Grafist 13, 12-17 October 2009, Mimar Sinan University, Istanbul. (Unpublished)

Baines, Phil (2010) Life is an Escapade. In: Escapade, 3-4th April 2009, Fachhochschule Dormund.

Austin, Patricia and Parsons, Allan (2015) storyworlds. In: Fourth International Visual Methods Conference, 15-17 September 2015, University of Brighton.

Atkinson, Sarah (2010) What next? supporting student progression. In: University of the Arts London Teaching and Learning Conference, 2010, University of the Arts London. (Unpublished)

Ashenden, Debi and Benqué, David and Houldsworth, Austin (2013) ‘IT Fauna’ and ‘Crime Pays’: Using Critical Design to Envision Cyber Security Futures. In: Praxis & Poetics, Research Through Design, 3rd – 5th September 2013, The Baltic Centre for Contemporary Art Newcastle upon Tyne & Gateshead, UK.

Asbury, Michael (2010) Afro modern: journeys through the black Atlantic. In: Ler a historia social através da arte en Brasil desde o século dezoito á actualidade: Algunhas Reflexions sobre o Atlantico Negro, 15 October 2010, Santiago de Compostela, Spain. (Unpublished)

Artinian, Emily (2010) From Ararat to anywhere? a review of the reception history of ‘From Ararat to Angeltown’ in the Armenian diaspora. In: International Conference on the Armenian Diaspora: Desnelle Armenian Artists Group Panel, Boston University, 13 - 14th February 2010. (Unpublished)

Artinian, Emily (2008) The oceanic page: Wikipedia and the artists book. In: The Liquid Page, June 2008, Tate Britain. (Unpublished)

Albano, Caterina and Wallace, Marina and Breward, Christopher (2008) Bodies objects rituals. In: Bodies Objects Rituals, 30th May 2008, Victoria and Albert Museum. (Unpublished)

Al-Ani, Jananne (2008) Contemporary art: an artist’s perspective exploring how artists from the Middle East negotiate the complexities and pressures of the growing interest in art and artists from the region. In: Spaces and Visions: Historians of Islamic Art Association Symposium, 16 -18th October 2008, Philadelphia, USA. (Unpublished)

Al-Ani, Jananne (2008) The desert between us. In: The Desert Between Us, 20th - 22nd November 2008, Arizona State University, Phoenix, USA. (Unpublished)

Addison, Gill and George, Doran (2008) Dancing with a dead man’s things. In: The Life of the Mourners Dance, March 2008, Queen Mary, University of London. (Unpublished)

Addison, Gill and Bruton, Jo and Oechsler, Monika and Addison, Gill and Walsh, Maria and Throp, Mo and Malacart, Laura (2009) The second sex dinner: a re-enactment. In: Creative Practice/Creative Research conference, 16th April 2009, St. John University, York. (Unpublished)

Addison, Gill (2010) Cosey complex. In: Cosy Complex, 27th March 2010, Institute of Contemporary Arts. (Unpublished)

Addison, Gill (2008) Pure mo(u)rning. In: Life of the Mourner's Dance, Queen Mary, University of London. (Unpublished)

Ackermann, Max (2010) PlusPad: injecting a little awesomeness into assessment. In: EduCamp conference, March 2010, The Innovation Centre at Central Saint Martins College, London. (Unpublished)

SCIRIA (2009) SCIRIA Openmind seminar series, games art. In: Games art, June 2009. (Unpublished)

Other

Pickwoad, Nicholas (2006) The St. Catherine's Library Survey of Bound Manuscripts Catherine on Mount Sinai.

Panesar, Lucy and Patel, Rahul and Jethnani, Hansika (2018) Decolonising the Arts Curriculum: Perspectives on Higher Education.

Baines, Phil and Ackermann, Max (2008) The man with kaleidoscope eyes: layout design.

Patent

Veronika Kapsali / MMT Textiles Ltd (2016) A material having moisture activatable elements. CA2716700 C.

Performance

Walsh, Maria and Throp, Mo and Ashery, Oreet and Addison, Gill and Biswas, Sutapa and Bruton, Jo and Burgin, Yolande and Chalkley, Brian and Cronin, Rose and Foust, Elisha and Fox, Oriana and Kieruzel, Dominika and Lopez de la Torre, Ana Laura and Loizidou, Elena and Maffioletti, Catherine and Lovelock, Kristen and Malacart, Laura and Merman, Mertle and Meynell, Katharine and Oechsler, Monika and Reynolds, Lucy and Suwanrumpha, Lilian and Thomas, Jennet and White, Molly (2011) The impenetrable power of the phallic matron: the Sarah Palin syndrome. [Performance]

Smith, Craig and Freedland, Lilah and Bakkon, Matthew (2005) Crank - collaborative performance staged at number of social sculpture events. [Performance]

Smith, Craig (2005) How do we Measure the Responsibility of a Crowd? [Performance]

Pilgrim, Geraldine (2005) Deep End. [Performance]

Pilgrim, Geraldine (2007) Dreams of a Winter Night. [Performance]

Pilgrim, Geraldine (2003) Spa: Site-Specific Performance. [Performance]

Musgrave, David and Daniels, William and Hornig, Sabine and Lockhart, Sharon and Rondinone, Ugo and Schlesinger, Ariel (2011) U. [Performance]

Florence, Linda (2008) Sugar Dance. [Performance]

Dimsdale, Edward and Jones, Simon (2011) Model love. [Performance]

Courtenay, Philip and Hatton, Peter and Hagerty, Peter (2006) in different places. [Performance]

Clarke, Leigh (2006) Shop local. [Performance]

Chicau, Joana and Chaim Reus, Jonathan (2018) Anatomies of Intelligence. [Performance]

Boyce, Sonia (2010) Gather: Justicia. [Performance]

Alarcon, Ximena (2012) Networked Migrations: listening to and performing the in-between space. [Performance]

Report

Zeilig, Hannah and Killick, John and Fox, Chris (2014) Mark Making: a critical review of the value of arts and culture for people living with a dementia. Project Report. AHRC. (Submitted)

Williams, Dilys and Burcikova, Mila and Tuft, Niamh (2023) Mapping trends and best practice in climate action and sustainability in the arts. Technical Report. British Council & University of the Arts London.

Saldanha, Charlotte and Smith, Dominic and Windle, Amanda (2015) The Voice of Culture Brainstorming Report: Audience Development Via Digital Means. Working Paper. European Commission.

Roth, Cara Lee and Hanceri, Ellen and Johnston, Amanda (2015) Postgraduate Project: Industry Engagement. Discussion Paper. University of the Arts London. (Unpublished)

Roth, Cara Lee and Beddoe, Stephen and Wells, Ismaril and Mills, Katie (2014) SEE Performance Report. Project Report. University of the Arts London, London. (Unpublished)

Roth, Cara Lee (2015) External Partnerships at University of the Arts London: Overview of findings from focus group and interviews. Project Report. University of the Arts London, London. (Unpublished)

Roth, Cara Lee (2013) Work of Art: Understanding Enterprise and Employability in Art and Design HE. Project Report. University of the Arts London, London, UK.

Rhodes, Sarah and Kimbell, Lucy (2019) Creative Lenses Catalyst Programme Case Study: Kaapeli. Documentation. Trans Europe Halles, Sweden.

Rhodes, Sarah and Kimbell, Lucy (2019) Creative Lenses Catalyst Programme Case Study: Manifatture Knos. Project Report. Trans Europe Halles, Sweden.

Rhodes, Sarah and Kimbell, Lucy (2019) Creative Lenses Catalyst Programme Case Study: Patricia Pardo Company. Documentation. Trans Europe Halles, Sweden.

Kimbell, Lucy and Rhodes, Sarah (2019) Creative Lenses Catalyst Programme Case Study: Projects Ingenu. Documentation. Trans Europe Halles, Sweden.

Gamman, Lorraine and Plant, Jessica (2014) Expert Workshop on "Exploring and Evaluating the Cultural Values of Arts and Creativity within the Criminal Justice System". Documentation. Arts and Humantities Research Council.

Blair, Bernadette and Orr, Susan and Yorke, Mantz (2011) How art and design students understand and interpret the National Student Survey. Project Report. Higher Education Academy, HEA Website.

Aronstam, Diana (2009) Bridging from FdA onto honours degrees: a report on students’ perceptions. Project Report. National Arts Learning Network, York, UK.

Show/Exhibition

Zmpounou, Martha (2018) Face Studies. [Show/Exhibition]

Whitelegg, Isobel (2011) Sergio sister: entre tanto. [Show/Exhibition]

Wallace, Marina and Kemp, Martin and Bernstein, Joanne (2008) Seduced: Art & Sex from Antiquity to Now. [Show/Exhibition]

Wallace, Marina and Albano, Caterina and Kemp, Martin and Cavalli-Sforza, L. (2002) The Genius of Genetics: A Celebration of Gregor Mendel through Science and Art. [Show/Exhibition]

Wainwright, Chris and Buckland, David (2010) U-n-f-o-l-d. [Show/Exhibition]

Voorsanger, Jessica, Bob & Roberta Smith (2006) Hearing Voices Seeing Things. [Show/Exhibition]

Tsutsumi, Maiko and Richmond, Karen (2011) Thingness. [Show/Exhibition]

Tsutsumi, Maiko (2018) On the Way to Language. [Show/Exhibition]

Toop, David and Herrington, Tony (2010) Blow Up: Exploding Sound and Noise (London to Brighton, 1959-1969). [Show/Exhibition]

Tillotson, Jenny (2009) Second skin, second life. [Show/Exhibition]

Tillotson, Jenny (2005) Sensitive Shoes and Smart Second Skin at the V&A. [Show/Exhibition]

Throp, Mo and Walsh, Maria and Addison, Gill and Oechsler, Monika and Bruton, Jo (2010) Subjectivity and feminisms: peepshow project. [Show/Exhibition]

Throp, Mo and Walsh, Maria (2004) Transmogrifications. [Show/Exhibition]

Throp, Mo (2005) Configuring Desire. [Show/Exhibition]

Thornett, Lucy (2014) These Forgotten Things. [Show/Exhibition]

Temin-Vergez, Claude, Lubomirov-Easton Gallery (2014) A5, Art Athina. [Show/Exhibition]

Temin-Vergez, Claude (2006) Ebb and Flow. [Show/Exhibition]

Talbot, Emma, Galerie Onrust (2016) Emma Talbot/William N Copley/Ina Van Zyl exhibition at Galerie Onrust, Amsterdam. [Show/Exhibition]

Storey, Helen and Coan, Jim and Chango, Joanna Marie, Helen Storey Foundation (2013) Eye & I at the Manchester Science Festival. [Show/Exhibition]

Storey, Helen and Coan, Jim (2004) Eye and I. [Show/Exhibition]

Stevenson, Caroline and Fleming, Patricia (2012) Graphoder. [Show/Exhibition]

Stevenson, Caroline and Fleming, Patricia (2008) The Local. [Show/Exhibition]

Stevenson, Caroline (2011) Hum. [Show/Exhibition]

Steeds, Lucy and Mabaso, Nkule (2017) Exhibition Histories and Afrofictions. [Show/Exhibition]

Smith, Donald (2009) Mick Jones: The Rock & Roll Public Library. [Show/Exhibition]

Smith, Donald (2010) Re:Public/Towards an art for the public realm. [Show/Exhibition]

Smith, Donald (2011) Stephen Willats: west London social resource project 1972. [Show/Exhibition]

Ryan, Paul (2011) What the folk say - contemporary artist interventions. [Show/Exhibition]

Ryan, Nicky (2011) Museum Futures. [Show/Exhibition]

Putnam, James and Berengo, Adriano (2013) Glasstress: White Heat White Light. [Show/Exhibition]

Putnam, James (2016) "Ara Lucidus" by Iyvonne Khoo. [Show/Exhibition]

Putnam, James (2017) "The Art of Useful Things", David Usborne Collection. [Show/Exhibition]

Putnam, James (2017) "Collection", by Nancy Fouts, Joseph Kosuth and Gavin Turk. [Show/Exhibition]

Putnam, James (2016) "Daydreaming with... Stanley Kubrick". [Show/Exhibition]

Putnam, James (2017) Force of Nature. [Show/Exhibition]

Putnam, James (2017) "Speaking in Tongues" by Paul Benney. [Show/Exhibition]

Putnam, James (2015) 'Wittgenstein's Dream' by Gavin Turk. [Show/Exhibition]

Priest, Colin (2017) Dopey Dick is 40! [Show/Exhibition]

Potter, Cher and Culp, Samantha (2012) No More Westerns. [Show/Exhibition]

Plessner, Daphne (2011) The citizen artist asks: what is a University? [Show/Exhibition]

Musgrave, David and Daniels, William and Hornig, Sabine and Lockhart, Sharon and Rondinone, Ugo and Schlesinger, Ariel (2011) Durchsichtige dinge/transparent things. [Show/Exhibition]

Melvin, Jo (2009) An Impossible Journey: the art and theatre of Tadeusz Kantor. [Show/Exhibition]

Ling, Wessie and Ossman, Susan (2012) The Fabric of Fieldwork. [Show/Exhibition]

Kovats, Tania (2013) Oceans. [Show/Exhibition]

Hopkins, Amanda (2005) Prospects. [Show/Exhibition]

Hodes, Charlotte (2002) Digital surface within fine art practice. [Show/Exhibition]

Hatt, Christine (2002) Going Continental: group exhibition in Vienna. [Show/Exhibition]

Goodwin, Paul and Himid, Lubaina (2012) Thin Black Line(s). [Show/Exhibition]

Goodwin, Paul (2012) New Diasporic Voices in Migrations: Journeys into British Art. [Show/Exhibition]

Geesin, Frances and Hosozawa, Kaori (2003) Through the Surface. [Show/Exhibition]

Gamman, Lorraine and O'Mara, Séan (2001) Dirty Washing - The Hidden Language of Soap Powder Boxes. [Show/Exhibition]

Fortnum, Rebecca (2008) The Notebook Project. [Show/Exhibition]

Faure Walker, James (2009) The Best of Digital Art. [Show/Exhibition]

Faure Walker, James (2008) Digital Eyes: New Aesthetic Dimensions in Computer Visualization. [Show/Exhibition]

Faure Walker, James (2008) Imaging By Numbers: A Historical View of the Computer Print. [Show/Exhibition]

Farid, Mark and le Roux, Sophie (2019) Being a Citizen in the Digital Age (Strasbourg Biennale of Contemporary Art). [Show/Exhibition]

Farid, Mark (2015) Data Shadow (All Saints Gardens, Cambridge). [Show/Exhibition]

Farid, Mark (2016) Poisonous Antidote (Gazelli Art House). [Show/Exhibition]

Esche, Charles and Niemann, Kerstin and Smith, Stephanie (2010) Heartland. [Show/Exhibition]

Esche, Charles and Eilat, Galit (2010) It doesn’t always have to be beautiful unless it’s beautiful (S’ëstë e thënë që gjithnjë të jetë e bukur, përveç nëse është e bukur), the 9th Annual Muslim Mulliqi Prize International Exhibition. [Show/Exhibition]

Esche, Charles (2010) An idea for living: realism and reality in contemporary art in Slovenia. U3 – 6th triennial of contemporary art in Slovenia. [Show/Exhibition]

Elwes, Catherine (2010) Figuring landscapes. [Show/Exhibition]

Dower, Sean (2002) Air Guitar: Art Reconsidering Rock Music. [Show/Exhibition]

Donszelmann, Bernice and Renshaw, Tim and Maclean, Mary (2009) Outside Architecture. [Show/Exhibition]

Dimsdale, Edward and Devison, Nick and Love, Johanna and Shaw, Mark and Ryan, David and Evans, Michael (2011) Viewfinder. [Show/Exhibition]

Cummings, Neil and Lewandowska, Marysia (2001) Capital. [Show/Exhibition]

Cummings, Neil and Lewandowska, Marysia (2002) Free Trade. [Show/Exhibition]

Cummings, Neil (2011) Self portrait: Arnolfini. [Show/Exhibition]

Cross, David and Cornford, Matthew (2012) The White Bear Effect. [Show/Exhibition]

Credland, Tony (2011) Political poster workshop and exhibition. [Show/Exhibition] (Unpublished)

Courtenay, Philip and Hatton, Peter (2003) Loop-pool II. [Show/Exhibition]

Courtenay, Philip and Hagerty, Peter and Hatton, Peter and Kearney, Jonathan (2006) No place - Some place. [Show/Exhibition]

Cottell, Fran (2004) The Suicide of Objects. [Show/Exhibition]

Cole, Sarah (2003) Spit Girl. [Show/Exhibition]

Coldwell, Paul (2013) Re-Imagining Scott: Objects and Journeys. [Show/Exhibition]

Cohen, Nathan and Kubota, Reiko (2017) Memory Box. [Show/Exhibition]

Cohen, Nathan and Kubota, Reiko (2017) Viola Odorata. [Show/Exhibition]

Cobbing, William (2010) Man in the Planet. [Show/Exhibition]

Clarke, Leigh (2014) The Right Hands Gives, the Left Takes Away. [Show/Exhibition]

Carlyle, Angus and Cox, Rupert (2011) Air pressure. [Show/Exhibition]

Bugg, Jessica and Ziesche, Anna-Nicole (2015) Fashion and Performance 2: Materiality, Meaning, Media. [Show/Exhibition]

Broadhead, Caroline and Militsi, Maria (2015) Second Hand, First Hand. [Show/Exhibition]

Broadhead, Caroline and Broadhead, Maisie (2011) Taking the chair. [Show/Exhibition]

Broadhead, Caroline (2018) Caroline Broadhead. [Show/Exhibition]

Branagan, Ben (2016) Storage Facility / Craft Emergency 2016. [Show/Exhibition]

Bradley, Kerry and Blunck, Marie and Haseler, Glenda (2014) Masquerade (production, set and props). [Show/Exhibition]

Boyce, Sonia (2007) Devotional. [Show/Exhibition]

Boyce, Sonia (2011) The Future is Social (exhibition). [Show/Exhibition]

Bick, Andrew (2006) The Kingston Turnpike. [Show/Exhibition]

Austin, Patricia (2013) The Museum of the Future. [Show/Exhibition]

Albano, Caterina (2009) Exploring the invisible. [Show/Exhibition]

Albano, Caterina (2010) Psychoanalysis: The Unconscious in everyday life. [Show/Exhibition]

Al-Ani, Jananne (2010) Jananne Al-Ani: solo show. [Show/Exhibition]

Al-Ani, Jananne (2004) Production stills from film 'Muse'. [Show/Exhibition]

Al-Ani, Jananne (2003) Veil. [Show/Exhibition]

Thesis

Wick, Jodie (2016) The Infrastructure of the Animation Industry in the East of England between 2009 & 2011. PhD thesis, Norwich University of the Arts.

Tillotson, Jenny (1997) Interactive olfactory surfaces: The Wellness Collection: a science fashion story. PhD thesis, Royal College of Art.

Stockburger, Axel (2006) The Rendered Arena: Modalities of Space in Video and Computer Games. PhD thesis, University of the Arts London.

Sawa, Marin (2016) A design-led investigation at the intersection of algal biotechnology and design. PhD thesis, University of the Arts London.

Sakuma, Hana (2006) The notion of 'we': Articulating ethical moments in art. PhD thesis, University of the Arts London.

Sabbagh, Shaza Abdulgh (2016) Body Motion to Body Adornment: A 'culturally-informed' use of digital tools and the female body as creative instrument within an innovative jewellery design process. PhD thesis, University of the Arts London.

Ross, Michaela Louise (2012) The artist-as-educator: dialogue, community and the institutional site. PhD thesis, University of the Arts London.

Narielwalla, Hormazd Geve (2013) Patterns as Documents and Drawings: An artistic exploration of tailoring patterns as historical documents and drawings abstracting the human form. An analysis from the perspective of a creative art practitioner. PhD thesis, University of the Arts London.

Mendonca, Penelope (2018) Values-Based Cartooning: Mothers Storying the Absent Father (A Case Study). PhD thesis, University of the Arts London.

McPeake, Aaron (2012) Nibbling at clouds: the visual artist encounters adventitious blindness. PhD thesis, University of the Arts London.

Maffioletti, Catherine (2012) Beyond the Mirror: Towards a feminised (cartographic) process of spatiality in moving-image & installation based art. PhD thesis, University of the Arts London.

Lori, Ope (2014) The oppositional gaze: contemporary image-making practice and the implications of skin colour ideals. PhD thesis, University of the Arts London.

Lamont, Bethany Rose (2018) ‘Post Traumatic Web Disorder’: Navigating the Relationship between Humorous Representation of Childhood Sexual Abuse and Digital Spaces. PhD thesis, University of the Arts London.

Huang, Shu-fang (2009) The Traces of a Traveller: Textile-Based Narrative in Contemporary Art Practices. PhD thesis, University of the Arts London.

Horton, Sarah (2017) Decoration: Disrupting the Workplace and Challenging the Work of Art. PhD thesis, University of the Arts London and Norwich University of the Arts.

Hodgson-Teall, Angela (2014) Drawing on the nature of empathy. PhD thesis, University of the Arts London.

Hjelde, Katrine (2012) Constructing a Reflective Site: Practice between art and pedagogy in the art school. PhD thesis, University of the Arts London.

Hewitt, Andy (2012) Art and counter-publics in Third Way cultural policy. PhD thesis, University of the Arts London.

Gfader, Verina (2005) Doubling in a practice of animation. PhD thesis, University of the Arts London.

Corby, Tom (2000) The disappearing frame: a practice-based investigation into composing virtual environment artworks. PhD thesis, University of the Arts London.

Clements, Wayne (2005) Always follow the instructions: rules and rule following in visual art. PhD thesis, University of the Arts London.

Cartiere, Cameron (2003) RE/placing public art: the role of place specificity in new genre public art. PhD thesis, University of the Arts London.

Bradfield, Marsha (2013) Utterance and Authorship in Dialogic Art: or An Account of a Barcamp in Response to the Question, ‘What is Dialogic Art?’. PhD thesis, University of the Arts London.

Arnold, Bram (2016) Walking Home: The path as transect in an 800km autoethnographic enquiry. PhD thesis, University of the Arts London and Falmouth University.

Alaluusua, Elisa (2016) Sketchbooks – A Comparative Analysis of the Use of Sketchbooks by Contemporary Artists. PhD thesis, University of the Arts London.

Adil Reid, Alev (2013) Drifting in the Dead Zone in Cyprus: the mediation of memory through expanded life writing. PhD thesis, University of the Arts London.

This list was generated on Thu Mar 28 12:42:20 2024 GMT.