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Cannibalising collaboration in fine art as research: the subjectivity and feminisms performance dinners

Walsh, Maria (2011) Cannibalising collaboration in fine art as research: the subjectivity and feminisms performance dinners. In: Mutual Dependencies. Artwords Press, pp. 106-115. ISBN 9781906441258

Type of Research: Book Section
Creators: Walsh, Maria

Publisher's text about this book:

Recognition of collaboration and interdependencies between artists forms the core of this book. It posits the `social' notion of art practice and attempts to challenge the idea of the artist engaged in a `singular' dialogue. Mutual Dependencies is neither exactly an artists' book nor just academic research, it places itself firmly within fine art discourse at a time when re-examination of what this might mean is taking place: for example courses at Goldsmiths' in Art Writing, Camberwell in Book Arts, Poetic Practice at Royal Holloway, and the Whitechapel Art Gallery's Writers Residency. These pages include drawings, recollections, photographs and diagrams, writings, ruminations and tentative articulations; taken as a whole, it engages with overlaps between score, script, performance, concept and drawing.

Includes works and texts by Jeremy Akerman, Angela Bartman, Diann Bauer, Jon Bird, Sonia Boyce, Nicky Coutts, Gefn Press, Sigrid Holmwood, Susan Johanknecht, Katharine Meynell, Jim Mooney, Virginia Nimarkoh, Kit Poulson, Maria Walsh, H.F. Westley-Smith, Gary Stevens, Will Stone

Official Website: http://www.artwords.co.uk/acatalog/Artwords_Press.html
Publisher/Broadcaster/Company: Artwords Press
Your affiliations with UAL: Colleges > Chelsea College of Arts
Date: 5 December 2011
Projects or Series: Research Outputs Review (April 2010 - April 2011)
Date Deposited: 09 Jul 2012 08:51
Last Modified: 09 Jul 2012 08:51
Item ID: 3986
URI: http://ualresearchonline.arts.ac.uk/id/eprint/3986

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