Items where Author is "Walsh:Maria::"

Walsh, Maria (2025) The Space of Thirdness: Intermediating performative treatments in artists’ moving image. In: Audiovisual Healing and Reparation: Recuperative Affect of Mediation. Routledge. ISBN 9781032647395 Item availability restricted.

Walsh, Maria (2024) The Recent, Eglė Budvytytė, Helen Cammock, Dorothy Cross, Regina de Miguel, Mikala Dwyer, Nicholas Mangan, Angelica Mesiti, Otobong Nkanga, Katie Paterson, Micol Roubini and Simon Starling, curated by Tessa Giblin, Talbot Rice Gallery, Edinburgh, 28 October 2023–17 February 2024. Moving Image Review & Art Journal (MIRAJ), 13 (1-2). pp. 110-116. ISSN 2045 6298 Item availability restricted.

Walsh, Maria (2024) Flagging It Up, Zarina Bhimji, curated by Fiona Bradley, Fruitmarket, Edinburgh, 28 October 2023–28 January 2024. Moving Image Review & Art Journal (MIRAJ), 12 (2). pp. 276-282. ISSN 2045-6301

Walsh, Maria (2024) Sirah Foighel Brutmann and Eitan Efrat: Là. Burlington Contemporary. ISSN 2631-5661

Walsh, Maria (2024) A few provocations on trauma in the artwork versus in the museum collection: could the museum be like an artwork? In: Workshop, 28 May 2024, GRASSI Museum for Ethnology, Leipzig, Germany. Item not available online.

Walsh, Maria (2024) Trauma and Repair in the Museum. In: Trauma and Re-traumatization in the Museum and Provenance Research, 27-29 May 2024, GRASSI Museum for Ethnology, Leipzig, Germany. Item not available online.

Walsh, Maria (2023) Filmmaking and wellbeing. In: Screening the Social: Beyond the Documentary, 13-24 November 2023, Online. Item not available online.

Walsh, Maria (2023) From “Lure” to “Cure”. From Critical Spectatorship to a Relational Space of Reverie. View. Theories and Practices of Visual Culture (35). ISSN 2300-200X

Walsh, Maria (2023) Unlearning Imperialism in the Gallery: Diasporic Reanimation of Art and Archives. Stedelijk Studies Journal (12). ISSN 2405-7177

Walsh, Maria (2022) Still Present! - 12th Berlin Biennale for Contemporary Art. Moving Image Review & Art Journal (MIRAJ), 11 (2). pp. 270-277. ISSN 2045-6301

Walsh, Maria (2022) Biennale de l’Image en Mouvement (Biennial of Moving Image) ’21: A Goodbye Letter, A Love Song, A Wake-Up Call, curated by DIS and Andrea Bellini. Moving Image Review & Art Journal (MIRAJ), 11 (1). pp. 120-126. ISSN 2045-6301

Walsh, Maria (2022) Performative ‘Healing’ in Artists’ Moving Image. In: NECS Conference 2022: Epistemic Media: Atlas, Archive, Network, 22-26 June 2022, Bucharest. Item not available online.

Walsh, Maria and Kokoli, Alexandra (2022) Trauma and repair in the museum: an introduction. Psychoanalysis, Culture and Society, 27 (1). pp. 4-19. ISSN 1088-0763

Walsh, Maria (2021) Tender Eating and (At)tending in the films of Ellie Kyungran Heo. LUX

Walsh, Maria (2021) Remoter Viewing. Art Monthly (450). pp. 8-11. ISSN 0142-6702

Walsh, Maria (2021) Last Stand: The Lookout as Protest. In: Falling Away: Catherine Yass at Ambika P3. University of Westminster, London, pp. 40-47. ISBN 9780992965761

Walsh, Maria (2021) Planetary Thinking: Re-encountering Nancy Holt’s and Robert Smithson’s Mono Lake (1968/2004). Moving Image Review & Art Journal (MIRAJ), 9 (2). pp. 154-160. ISSN 2045 6298

Walsh, Maria (2021) Performative 'healing' and/in Rehana Zaman’s Sharla Shabana Sojourner Selena. In: Inquiring healing across screen cultures: Recuperating narratives, mediums, and creativities, 1-2 June 2021, Online. Item not available online.

Walsh, Maria (2021) To Return (Home) is to Become (Unhomely): Reflections on Katharine Fry’s Please Call Me Home.

Walsh, Maria (2021) Who is the 'Self' in Self-care? In: Creative Practices, Education and Wellbeing Research Network, 28 April 2021, Online. Item not available online.

Walsh, Maria (2020) Therapeutic Aesthetics: Performative Encounters in Moving Image Artworks. Radical Aesthetics . Bloomsbury, London and New York. ISBN 978-1-350-09315-7 Item not available online.

Walsh, Maria and Throp, Mo (2020) Double Acts: Oscillating Between Optical and Haptic Visuality in a Digital Age. In: Revisiting the Gaze The Fashioned Body and the Politics of Looking. Bloomsbury Visual Arts, London and New York. ISBN 9781350154230 Item not available online.

Walsh, Maria (2020) Ancestral Spirits Calling. In: Writers in the Cinema. Projections, Newcastle Upon Tyne, pp. 40-49.

Walsh, Maria (2020) Kadie Salmon’s Moon Bathing: Performative Self-Othering in a Lunar Landscape London. In: Kadie Salmon. New Art Projects, London, pp. 62-71. ISBN 9781527211230

Walsh, Maria (2019) Amodal Perception and “la jouissance du voir”: News From Home The Redux Version. Moving Image Review & Art Journal, 8 (1 & 2). pp. 28-38. ISSN 20456298

Walsh, Maria (2019) Female Solidarity as Uncommodified Value: Lucy Beech’s Cannibals and Rehana Zaman’s Some Women, Other Women and all the Bittermen. In: Women Artists, Feminism and the Moving Image. Bloomsbury, London and New York, pp. 229-244. ISBN 9781784537005

Walsh, Maria (2019) Off With Their Heads. In: Rachel Maclean. Zabludowicz Collection, London. Item not available online.

Walsh, Maria (2019) The “Paradoxical Gift” of Another Woman’s Dreams: Daria Martin’s Tonight the World. In: Daria Martin: Tonight the World. Barbican Art Gallery, London, pp. 9-13. ISBN 9780995708259 Item not available online.

Walsh, Maria (2018) Rose Finn-Kelcey: Life, Belief and Beyond. Moving Image Review & Art Journal (MIRAJ), 7 (1). pp. 168-175. ISSN 20456298 Item not available online.

Walsh, Maria (2017) Chantal Akerman. Item not available online.

Walsh, Maria (2017) Acts of laughter, acts of tears: The production of ‘truth-effects’ in Oriana Fox’s ‘The O Show’ and Gillian Wearing’s ‘Self Made’. NECSUS European Journal of Media Studies, Spring (2017). ISSN 2213-0217

Walsh, Maria (2017) 'Corpus – Mary Kelly interviewed by Maria Walsh'. In: Talking Art 2. Ridinghouse, London, pp. 408-415. ISBN 9781909932425 Item not available online.

Walsh, Maria (2017) 'Lis Rhodes interviewed by Maria Walsh: Structural Slips'. In: Talking Art 2: Art Monthly interviews with artists since 2007. Ridinghouse, London, pp. 450-455. ISBN 9781909932425 Item not available online.

Walsh, Maria (2016) ‘Archiving Loss in The Green Backyard: Jessie Brennan’s Recollection-objects’. In: Re: development: Voices, Cyanotypes & Writings from The Green Backyard. Metal, Peterborough, pp. 88-90. Item not available online.

Walsh, Maria (2015) From Critique to Resistance to Autonomy: Alex Bag Meets Ann Hirsch. Moving Image Review & Art Journal (MIRAJ), 4 (1&2). pp. 13-41. ISSN 2045-6298 Item not available online.

Walsh, Maria and Throp, Mo (2015) Stories That Matter: Feminist methodologies in the archive. In: Stories That Matter: Feminist methodologies in the archive., 22 November 2015, Institute of Contemporary Arts, The Mall, London SW1Y 5AH.

Throp, Mo and Walsh, Maria (2015) CAN DO: Photographs and other material from the Women's Art Library Magazine Archive. [Show/Exhibition]

Walsh, Maria and Throp, Mo (2015) Introduction. In: Twenty Years of MAKE Magazine: Back to the Future of Women's Art. International Library of Modern and Contemporary Art . I.B.Tauris & Co Ltd, London. ISBN 9781780767574

Walsh, Maria (2014) The Poetic Reactivation of Historical Time: Eija-Liisa Ahtila’s Where is Where? Moving Image Review & Art Journal (MIRAJ), 3 (2). pp. 150-161. ISSN 2045-6298 Item not available online.

Walsh, Maria (2014) Dissonant Continuity in Omer Fast’s '5000 feet is the best'. In: Film-Philosophy International Conference: Thinking Reality and Time Through Film, 6-10 May 2014, Lisbon University. Item not available online.

Walsh, Maria and Throp, Mo (2014) The MAKE Archive: Re-contextualising Recurring Themes. In: Association of Art Historians Annual Conference, 2014, Royal College of Art. Item not available online.

Walsh, Maria (2013) I Object. Art Monthly (371). pp. 9-12. ISSN 0142-6702 Item not available online.

Minkin, Louisa and Walsh, Maria and Fortnum, Rebecca (2013) I close my eyes and count to ten. In: Rebecca Fortnum Self Contained. Research Group for Artists Publications (RGAP). Item not available online.

Walsh, Maria (2013) Image narration in a digital era: between the cut-up and the sequence. In: Misdirect Movies. Cornerhouse, Manchester, pp. 12-15. ISBN 9780956957153 Item not available online.

Walsh, Maria (2013) Oscillations Between Disciplinary and Productive Subjectivity in James Coupe’s Auto-Generative Online Film Project Today, too, I experienced something I hope to understand in a few days (2010). In: On the Verge of Photography: Imaging Beyond Representation. Article Press, Birmingham, pp. 171-190. ISBN 9781873352021 Item not available online.

Walsh, Maria (2013) Tracing a Maternalised Optics. In: Rebecca Fortnum: Self-Contained. RGAP (Research Group for Artists), Sheffield, pp. 69-76. ISBN 9780956902467 Item not available online.

Walsh, Maria (2012) Art and psychoanalysis. Art and- . I.B.Tauris Publishers, London, UK. ISBN 9781848857988

Walsh, Maria (2012) Re-enacting cinema at the crossroads: Nicky Coutts’ passing place. The Moving Image Review & Art Journal (MIRAJ), 1 (1). pp. 69-77. ISSN 2045-6298, 2045-6301 Item not available online.

Walsh, Maria (2011) Cannibalising Collaboration in Fine Art as Research: The Subjectivity & Feminisms Performance Dinners. In: Mutual Dependencies. Artwords Press, London, pp. 106-115. ISBN 9781906441258

Walsh, Maria (2011) Searching for the real in automated self-presentation. In: Technologies of the Self: New Departures in Self-Inscription, 02 - 03rd September 2011, University College Cork, Ireland. (Unpublished)

Walsh, Maria (2011) Adrian Piper: race, gender, and embodiment. Art Monthly (348). ISSN 01426702 Item not available online.

Walsh, Maria (2011) Corpus: Mary Kelly interviewed by Maria Walsh. Art Monthly (346). pp. 1-4. ISSN 0142-6702 Item not available online.

Walsh, Maria (2011) You've got me under your spell: the entranced spectator. In: Screen/Space: The Projected Image in Contemporary Art. Rethinking Art's Histories (4). Manchester University Press, Manchester, UK, pp. 111-125. ISBN 9780719084638, 0719084636 Item not available online.

Walsh, Maria (2011) Douglas Gordon: k.364. Art Monthly (345). ISSN 0142-6702 Item not available online.

Walsh, Maria (2011) Diane Thater. Art Monthly (344). ISSN 0142-6702 Item not available online.

Walsh, Maria (2011) Film space: invisible sculpture: Jane and Louise Wilson’s haptic visuality. Quarterly Review of Film and Video, 28 (2). pp. 155-161. ISSN 10509208/15435326

Walsh, Maria and Throp, Mo and Ashery, Oreet and Addison, Gill and Biswas, Sutapa and Bruton, Jo and Burgin, Yolande and Chalkley, Brian and Cronin, Rose and Foust, Elisha and Fox, Oriana and Kieruzel, Dominika and Lopez de la Torre, Ana Laura and Loizidou, Elena and Maffioletti, Catherine and Lovelock, Kristen and Malacart, Laura and Merman, Mertle and Meynell, Katharine and Oechsler, Monika and Reynolds, Lucy and Suwanrumpha, Lilian and Thomas, Jennet and White, Molly (2011) The impenetrable power of the phallic matron: the Sarah Palin syndrome. [Performance] Item not available online.

Walsh, Maria (2010) Believable fictions. Art Monthly (342). pp. 11-14. ISSN 0142-6702 Item not available online.

Throp, Mo and Walsh, Maria and Addison, Gill and Oechsler, Monika and Bruton, Jo (2010) Subjectivity and feminisms: peepshow project. [Show/Exhibition] Item not available online.

Walsh, Maria (2010) James Coupe: today, too, I experienced something I hope to understand in a few days. Art Monthly (340). p. 37. ISSN 0142-6702

Walsh, Maria (2010) Peepshow: in memory of you. [Show/Exhibition]

Walsh, Maria (2010) Melanie Gilligan: popular unrest, Chisenhale Gallery, London. Art Monthly (337). ISSN 0142-6702 Item not available online.

Walsh, Maria (2010) Hannah Sawtell. Art Monthly (336). p. 38. ISSN 0142-6702 Item not available online.

Walsh, Maria (2010) Haptic visuality in Jane and Louise Wilson and Salla Tykkä. In: Association of Art Historians Annual Conference, 15-17 April 2010, Glasgow, Scotland. (Unpublished) Item not available online.

Walsh, Maria (2010) Eija-Liisa Ahtila: Parasol Unit, London. Art Monthly (335). pp. 26-27. ISSN 01426702

Addison, Gill and Bruton, Jo and Oechsler, Monika and Addison, Gill and Walsh, Maria and Throp, Mo and Malacart, Laura (2009) The second sex dinner: a re-enactment. In: Creative Practice/Creative Research conference, 16th April 2009, St. John University, York. (Unpublished) Item not available online.

Throp, Mo and Walsh, Maria (2008) Machinic Alliances. [Show/Exhibition] Item not available online.

Walsh, Maria (2008) Zizek, Deleuze, and the Feminine Cinematic Sublime. Rhizomes (16). ISSN 1555-9998 Item not available online.

Walsh, Maria (2007) The Light Fantastic: Angela Bulloch interviewed by Maria Walsh. In: Talking Art Monthly: Interviews with Artists since 1976. Ridinghouse, London, pp. 567-573. ISBN 9781905464043 Item not available online.

Walsh, Maria (2007) Lost in Translation: Tacita Dean interviewed by Maria Walsh. In: Talking Art Monthly: Interviews with Artists since 1976. Ridinghouse, London, pp. 582-587. ISBN 9781905464043 Item not available online.

Walsh, Maria (2005) 'Good Girls go to Heaven, Bad Girls go to London. But there is No Place like Home'. In: Sarah Miles - No Place. Film and Video Umbrella : London, pp. 3-16. ISBN 190427 019 0 Item not available online.

Walsh, Maria (2004) 'The Immersive Spectator: A Phenomenological Hybrid'. Angelaki: Journal of the Theoretical Humanities, 9 (3). pp. 169-186. ISSN 0969-725X Item not available online.

Walsh, Maria (2004) 'Intervals of Inner Flight: Chantal Akerman's News From Home'. Screen, 45 (3). pp. 190-205. ISSN 0036-9543 Item not available online.

Throp, Mo and Walsh, Maria (2004) Transmogrifications. [Show/Exhibition] Item not available online.

Walsh, Maria (2004) Narrative Duration: Tacita Dean's Disappearance at Sea. In: Reading Images and Seeing Words. Rodopi, Amsterdam; New York, pp. 57-69. ISBN 9789042017719 Item not available online.