The Object in the Mirror: of process and the practice of heterotopia

The paper proposes an exploration of two scenes, one from the writings of Michel Foucault and the other from a composition by John Cage, through which to stage a conjunction, or an overlapping, to produce an aberrant reading, to produce an experiment. Or better still, through this staging to think around the idea of the experimental. For the purposes of this paper, we could think about the experimental as a sound, and the conjunction as a reverberation.