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UAL Research Online

New Poetics of the Film Body: Docility, Molecular Fundamentalism and Twenty First Century Destiny

Flynn, Susan (2015) New Poetics of the Film Body: Docility, Molecular Fundamentalism and Twenty First Century Destiny. American, British and Canadian Studies, 24 (1). pp. 5-23. ISSN 1841-1487 (Print) 1841-964X (online)

Type of Research: Article
Creators: Flynn, Susan

Twenty first century film evokes a new topology of the body. Science and technology are the new century’s ‘sovereign power’ which enforces biopolitics through bodies which, by virtue of being seen at their most fundamental level, have become docile surfaces. The film body is at once manipulated and coerced into an ethos of optimization; a thoroughly scientific and ‘molecular’ optimization which proffers ‘normalization’ and intimately regulated bodies. In the film bodies of this millennium, bodily intervention results in surveillance becoming internalized. Now the body is both a means and an end of social control. This essay applies the philosophies Michel Foucault and Nikolas Rose to twenty first century Hollywood film, elucidating a new tropos, a new film body/body of film.

Official Website: https://www.degruyter.com/downloadpdf/j/abcsj.2015.24.issue-1/abcsj-2015-0001/abcsj-2015-0001.pdf
Additional Information (Publicly available):

This article is freely available from the publisher's website. See https://www.degruyter.com/view/j/abcsj.2015.24.issue-1/abcsj-2015-0001/abcsj-2015-0001.xml

Publisher/Broadcaster/Company: de Gruyter
Your affiliations with UAL: Colleges > London College of Communication
Date: 4 April 2015
Digital Object Identifier: 10.1515/abcsj-2015-0001
Date Deposited: 14 Nov 2017 13:53
Last Modified: 14 Nov 2017 13:53
Item ID: 12097
URI: https://ualresearchonline.arts.ac.uk/id/eprint/12097

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