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£35 Wash and Retwist—A Meditation on s-u-r-r-e-p-t-i-t-i-o-u-s modalities, 2018 page 81 of a Brief History of Seven Killings by Marlon James / currently being adapted by Melina Matsoukas for Amazon

Okon, Ima-Abasi (2018) £35 Wash and Retwist—A Meditation on s-u-r-r-e-p-t-i-t-i-o-u-s modalities, 2018 page 81 of a Brief History of Seven Killings by Marlon James / currently being adapted by Melina Matsoukas for Amazon. [Art/Design Item]

Type of Research: Art/Design Item
Creators: Okon, Ima-Abasi
Description:

New piece of work created for the group show FREE.YARD: PRAISE N PAY IT / PULL UP, COME INTO THE RISE at The South London Gallery.

free.yard is an ongoing, situation dependent project initiated by London-born artist and composer Adam Farah. Their first major presentation, PRAISE N PAY IT/ PULL UP, COME INTO THE RISE, follows a six-month period of enquiry and experimentation as the South London Gallery’s Post-Graduate Artist-in-Residence. This installation explores the structures of poetics, taste and class through promiscuous research methodologies.

The exhibition includes contributions from free.yard collaborators Christopher Kirubi, Ima-Abasi Okon and Shenece Oretha. Employing a range of media including drawing, sculpture, video and sound, this body of work considers the residual effects of ephemeral experiences.

Your affiliations with UAL: Colleges > London College of Communication
Date: 2018
Funders: Supported by the Paul and Louise Cooke Endowment
Related Websites: https://www.southlondongallery.org/exhibitions/free-yard-free-yard-praise-n-pay-pull-come-rise/, https://www.southlondongallery.org/wp-content/uploads/2018/02/SLG_freeyard_printed-guide_v04.pdf
Related Websites:
Related Exhibitions: PRAISE N PAY IT/ PULL UP, COME INTO THE RISE
Locations / Venues:
Location
From Date
To Date
South London Gallery
23 March 2018
27 May 2018
Material/Media: Laser printers, door stop, Brother Rupert's tamborine
Measurements or Duration of item: Dimensions variable
Date Deposited: 27 Jun 2018 10:09
Last Modified: 19 Feb 2026 11:41
Item ID: 12623
URI: https://ualresearchonline.arts.ac.uk/id/eprint/12623

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