Beech, Dave (2019) Art and the Politics of Eliminating Handicraft. Historical Materialism, 27 (1). pp. 155-181. ISSN 1465-4466
Type of Research: | Article |
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Creators: | Beech, Dave |
Description: | This essay charts the outlines of the historical transition from the artisanal workshop to the artist’s studio and the transition from the artisan to the artist, not through the transition from patronage to the art market but through an analysis of the transfor-mation of labour’s social division of labour. The essay reassesses the discourses on the artist as genius and the artist as worker through a reinterpretation of the elevation of the Fine Arts above handicraft. This sheds new light, also, on the discourse of de-skilling in art. This essay argues that the transition from the artisan to the artist is an effect of the social division of labour in which the knowledge, skills and privileges of the master artisan are distributed among a set of specialists. |
Official Website: | https://brill.com/abstract/journals/hima/27/1/hima.27.issue-1.xml |
Publisher/Broadcaster/Company: | Brill |
Your affiliations with UAL: | Colleges > Chelsea College of Arts |
Date: | 29 March 2019 |
Date Deposited: | 11 Jun 2019 08:59 |
Last Modified: | 13 Feb 2021 17:44 |
Item ID: | 14327 |
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/14327 |
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