From White Brothers with No Soul to Feminist Prometheans: Lights Out at the White Supremacist Theory Disco

Annie Goh's recent critique of Xenofeminism explores the latest in a sequence of moves by which white feminist theorists have re-asserted new universalisms which thrive off but also re-marginalise the 'alien' identity of non-white and non-cis or non-straight others. This writing continues the project Goh began whilst working with Club Transmediale/CTM Festival Berlin of questioning complexifying the relationships to race and gender at the heart of the norms defining histories of club culture and electronic music. In conversation with Anthony Iles, Goh will attempt to work through the problems of who is, and who is not, written into or out of the dancefloor of history and what consequences this has for attempts to place emancipatory politics at the centre of the club's concerns.

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