Donkor, Kimathi (2017) Ink and Blood: Stories of Abolition / Challenging Histories. [Show/Exhibition]
Challenging Histories: Collecting ... | Installation of 'UK Diaspora' at ... | 'UK Diaspora' at the Internationa ... |
'UK Diaspora' at the Internationa ... | 'UK Diaspora' at the Internationa ... |
Participants gather at entrance to the International Slavery Museum to mark International Slavery Remembra ... |
Ink and Blood exhbition press release, International Slavery Museu ... (263kB) |
Subtitles and layout of all UK Diaspora artworks. Archival materia ... (2MB) |
Type of Research: | Show/Exhibition | ||||||||
---|---|---|---|---|---|---|---|---|---|
Creators: | Donkor, Kimathi | ||||||||
Description: | 'Ink and Blood: Stories of Abolition' was a special exhibition to mark 10 years of the International Slavery Museum in Liverpool, England. The press release declared the museum's intention to, 'explore abolition (the ending of slavery) and reveal the lives, losses, and triumphs of the people it affected in the 18th and 19th centuries and their later freedom... ...[the exhibition] will show abolition up close through ink (paper) and blood (people), revealing personal stories from Argentina, Cuba, Jamaica, the United States and Bahrain, through powerful modern creative responses to abolition, significant historical documents and rare objects... ...Highlights of Ink and Blood include... an artwork called UK Diaspora by Black British artist Kimathi Donkor...' (ISM, 2017) The press release also included the following statement by Kimathi Donkor, “In 2007, as we remembered Parliament’s abolition of the UK slave trade, I wondered if glamourous movies about Queen Elizabeth I, or portraits of George Washington on the dollar bill, made us forget how they and others masterminded slavery? As a person of both African and Jewish heritage, I wondered what I’d think if Germany tried to put Hitler on the Euro? So, in UK Diaspora, alongside Washington’s portrait, I’ve included things like his call for help in recapturing those who escaped his private slave-labour camp (which, at first, was part of Britain’s empire). My intention with these unusual juxtapositions is to question how historic images and institutions shape the perceptions of contemporary society.” UK DIASPORA 'I Give You' EVENTS PROGRAMME PERMANENT DISPLAY 'UK Diaspora' had been acquired by the museum through the Heritage Lottery Fund in 2017 (Accession number ISM.2017.10.5). So when 'Ink and Blood' came to an end the artwork remained on display in its specially constructed cabinet as part of a new long-term display called 'Challenging Histories: Collecting New Artworks', which continued until the planned closure of the museum for essential maintenance in January 2025. For 'Challenging Histories', the museum also created a virtual tour, enabling online visitors to explore the space and artworks remotely (see links below). PRESS & MEDIA |
||||||||
Other Contributors: |
|
||||||||
Keywords/subjects not otherwise listed: | Collage, Assemblage, History of Slavery, Black British Art, African Diaspora Art | ||||||||
Your affiliations with UAL: | Colleges > Camberwell College of Arts Colleges > Central Saint Martins Colleges > Wimbledon College of Arts Research Centres/Networks > Transnational Art Identity and Nation (TrAIN) |
||||||||
Date: | 21 August 2017 | ||||||||
Funders: | Heritage Lottery Fund | ||||||||
Related Websites: | https://www.liverpoolmuseums.org.uk/whatson/international-slavery-museum/exhibition/ink-and-blood-stories-of-abolition#section--the-exhibition, https://www.liverpoolmuseums.org.uk/news/press-releases/ink-and-blood-stories-of-abolition-opens, https://www.kimathidonkor.net/page-15/page24.php, https://www.youtube.com/watch?v=jX12STkwyxY&t=11s, https://www.liverpoolmuseums.org.uk/virtual-tours/challenging-histories-virtual-tour, https://my.matterport.com/show/?m=PN8cbdcejSs, https://artuk.org/discover/artworks/search/actor:donkor-kimathi-b-1965, http://www.catalystmedia.org.uk/archive/issues/misc/reviews/hawkins_co.php, https://books.google.co.uk/books?id=xcvAEAAAQBAJ&pg=PA75&printsec=frontcover&dq=%22uk+diaspora%22+kimathi+donkor&source=entity_page&newbks=0&hl=en&redir_esc=y#v=onepage&q=%22uk%20diaspora%22%20kimathi%20donkor&f=false, https://www.artrabbit.com/events/hawkins-and-co, https://www.london-se1.co.uk/whatson/event/1847/hawkins-and-co, https://www.antislavery.nottingham.ac.uk/items/show/764 | ||||||||
Related Websites: |
|
||||||||
Related Exhibitions: | 'Challenging Histories' at the International Slavery Museum, Liverpool, England (2018-2025), '154: Contemporary African Art' at Somerset House, London, England (2015), 'Hawkins & Co' at the Market Place Theatre Gallery, Armagh, N. Ireland (2008), 'Hawkins & Co' at the Contemporary Urban Centre, Liverpool, England (2008), 'Hawkins & Co' at the Elspeth Kyle Gallery, London, England (2007) | ||||||||
Related Publications: | Bernier, C. (2017). Tracing Transatlantic Slavery: In Kimathi Donkor's UK Diaspora. Nka: Journal of Contemporary African Art 41, 108-124. https://muse.jhu.edu/article/683357., Gibson, S., (2008) Hawkins & Co IN Nerve http://www.catalystmedia.org.uk/archive/issues/misc/reviews/hawkins_co.php [Accessed 17-12-24], Douglas, R. (2019). Making The Black Jacobins: C. L. R. James and the Drama of History. United Kingdom: Duke University Press., Bitaillou, C., Courty, V., Dubuisson, L., Kherbouche, I. (2023). Prépabac - Anglais LLCE Tle générale (spécialité) - Bac 2025: cours, méthodes & sujets corrigés (programme de Terminale). (n.p.): Hatier. | ||||||||
Projects or Series: | UK Diaspora, Hawkins & Co | ||||||||
Locations / Venues: | Location From Date To Date International Slavery Museum, Liverpool, England 21 August 2017 2 September 2018 |
||||||||
Material/Media: | Oil paints, collage, metal nails & screws, and mixed media assemblage on ten canvases | ||||||||
Measurements or Duration of item: | 230 x 142cm (the overall dimensions of all 10 canvases when installed together as instructed) | ||||||||
Date Deposited: | 19 Dec 2024 16:57 | ||||||||
Last Modified: | 19 Dec 2024 16:57 | ||||||||
Item ID: | 23147 | ||||||||
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/23147 |
Repository Staff Only: item control page | University Staff: Request a correction