Brennan, Clare and De Lappe, Joseph and Wagenknecht, Addie and Fubara-Manuel, Irene Tokini and Keane, Keane and Vamos, Igor and Plummer-Fernandez, Matthew (2019) Re:make / Re:sist: an exhibition survey of digital arts activism. [Show/Exhibition]
| Type of Research: | Show/Exhibition |
|---|---|
| Creators: | Brennan, Clare and De Lappe, Joseph and Wagenknecht, Addie and Fubara-Manuel, Irene Tokini and Keane, Keane and Vamos, Igor and Plummer-Fernandez, Matthew |
| Description: | This exhibition, curated by Clare Brennan and Joseph Delappe, brings together emerging and established digital artists/activists whose work comments, reflects and challenges ideas relating to socio-political issues and events. It is a survey of media objects of protest against hostile acts and environments over the past 35 years. How are digital artists using their practice to facilitate conversations around complex socio-political issues? How do we protest differently in a digital age? These events and activities, while tied to specific cultural and socio-political contexts, often transcend borders and speak to collective concerns for alternative forms of democracy and citizen-informed solutions to complex issues. Digital devices and platforms have encouraged the public to engage more with social and political issues, expanding opportunities for citizens to directly participate in civil society action. Blogs, petition platforms, crowdfunding sites, e-voting and other online forums and tools offer new means for individuals to contribute to shaping political debate and driving ‘real-world’ change. It is against this diverse backdrop of politics, and the participatory nature of digital technologies, that many artists are producing work today. The exhibition reflects on gun culture through Joseph Delappe’s Elegy: GTA USA Gun Homicides and Addie Wagenknecht’s series The Liberator Vases of 3D printed vases made using the first open source downloadable handgun. Irene Tokini Fubara-Manuel’s videogame ‘Dreams of Disguise: Errantry’ we explore issues of agency at border control and in Tina Keane’s video installation we recognise women’s historical struggle against nuclear weapons at Greenham Common . Igor Vamos’ (Yes Men) Barbie Liberation Organization playfully challenges gender-norms and Echo Youth by Matthew Plummer-Fernandez frames physical protest for a digital era. |
| Your affiliations with UAL: | Colleges > Camberwell College of Arts Colleges > Chelsea College of Arts Colleges > Wimbledon College of Arts |
| Date: | November 2019 |
| Locations / Venues: | Location From Date To Date NEoN Digital Arts Festival: REACT, Dundee, Scotland 4 November 2019 10 November 2019 |
| Date Deposited: | 22 Apr 2026 09:16 |
| Last Modified: | 22 Apr 2026 09:16 |
| Item ID: | 26404 |
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/26404 |
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