Cobbing, William (2025) Inner Horizon. [Art/Design Item]
Inner Horizon, Utah Museum of Con ...
| Inner Horizon, Utah Museum of Con ...
| Inner Horizon, Utah Museum of Con ...
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Inner Horizon, Utah Museum of Con ...
| Inner Horizon, Utah Museum of Con ...
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| Type of Research: | Art/Design Item |
|---|---|
| Creators: | Cobbing, William |
| Description: | Commissioned by the Utah Museum of Contemporary Art, Inner Horizon is London-based artist William Cobbing’s first U.S. solo exhibition. Presented as a multi-channel video installation, the work documents Cobbing’s journey through Utah’s basin and range landscapes—sites marked by vast geologic time, mineral residue, and sculptural formations shaped by wind and erosion. Rather than intervening in the land, Cobbing approaches it as a space for reflection on its materiality. His presence is both active and recessive, using the land not as a stage but as a collaborator. The viewer inhabits his perspective through first-person camera work, transforming observation into dialogue. The result is not a heroic conquest of nature but a meditative encounter with it—one where the landscape is centered. The videos are mediated by sculptural clay head coverings—one with a mirrored surface, another marked by cave-like eyeholes—that function as both masks and tools. The mirrored headpiece captures the shifting terrain, clouds, and light, creating an uncanny visual feedback loop in which the viewer sees what the landscape reflects. The cave-eye mask evokes a primal mode of vision, emphasizing texture, sound, and proximity. This bodily engagement blurs the boundary between internal perception and external terrain, between human and geological time. Filmed in a single take at each location, Cobbing’s performances preserve the immediacy and unpredictability of first encounters. From the saline hues of Stansbury Island to the anthropomorphic formations of Goblin Valley and the rocky outcrops of Temple Mountain, these desert sites echo with the visual and conceptual legacies of land art. Fleeting glimpses of works by Nancy Holt and Robert Smithson appear, not as centerpieces but as background to a more ephemeral and entropic gesture—the dispersal and erosion of clay. In giving the land space to speak, Cobbing reframes authorship, inviting viewers to witness a conversation where vision becomes a form of listening. |
| Your affiliations with UAL: | Colleges > Camberwell College of Arts |
| Date: | 2025 |
| Funders: | Supported by ZAP and The Andy Warhol Foundation for the Visual Arts |
| Related Websites: | https://utahmoca.org/exhibition/william-cobbing-inner-horizon/ |
| Related Websites: | |
| Locations / Venues: | Location From Date To Date Utah Museum of Contemporary Art 27 June 2025 3 January 2025 |
| Material/Media: | Multi channel video |
| Measurements or Duration of item: | 32 minutes |
| Date Deposited: | 10 Jul 2026 15:05 |
| Last Modified: | 10 Jul 2026 15:06 |
| Item ID: | 27243 |
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/27243 |
| Licences: |
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