Caring to Listen (aka Capitalism Makes Me Sick)

I examine how working-class backgrounds shape experiences of success when working as a socially engaged artist. This research is important because until experiences of class inequality are better understood in relation to the working conditions and cultures of socially engaged art, the social turn cannot claim to be inclusive or ameliorative. Without evidencing how inequality in socially engaged art practices is understood and addressed, the socially engaged art sector risks making minor adjustments to the capitalist status quo. Findings arising from my praxis, evidence a paucity of research quantifying and analysing the experiences of working-class artists involved with producing contemporary socially engaged art. This represents a crisis of knowledge in terms of understanding how class background determines creative ideation and access to employment and validation when working as a socially engaged artist. More research is needed to understand the causes, scale, and experiences of multi-ethnic working-class people, involved with the production socially engaged art. Responding to these knowledge gaps, I develop artistic research processes, including The Convivial Listening Protocol; a new practice as research method that uses listening and privilege mapping activities to better understand how class origin shapes creative aspirations and experiences of people working as socially engaged artists.