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Why censor a nude painting? Kuroda Seiki and the nude painting controversy

Watanabe, Toshio (2010) Why censor a nude painting? Kuroda Seiki and the nude painting controversy. In: Censure, Autocensure et Tabous. Actes du quatrieme colloque d'etudes japonaises de l'Universite de Strasbourg . P. Picquier, Arles, pp. 188-199. ISBN 9782809702569

Type of Research: Book Section
Creators: Watanabe, Toshio
Description:

T his paper will examine perhaps the most famous or rather the most notorious case of censoring a nude painting during the Meiji period in Japan. This is the so-called Nude Painting Controversy (rataiga ronsō), when whether one should censor a nude painting or not was hotly debated. This case represents a seminal moment in the development of modern Japanese painting and also shows the complex nature of the impact of European ideas on Japanese culture. I should like to sketch the story of the controversy surrounding Kuroda Seiki’s nude paintings f irst, then discuss the development of the ideology of and the practice of law enforcement in the Meiji period (1868-1912), and finally examine the context of the debate within the Meiji art.

Keywords/subjects not otherwise listed: Censorship, nude painting, Seiki Kuroda, Japan, gendered space
Publisher/Broadcaster/Company: P. Picquier
Your affiliations with UAL: Research Centres/Networks > Transnational Art Identity and Nation (TrAIN)
Colleges > Chelsea College of Arts
Date: 2010
Projects or Series: Research Outputs Review (April 2010 - April 2011)
Date Deposited: 21 Feb 2012 11:19
Last Modified: 09 Dec 2024 10:51
Item ID: 3224
URI: https://ualresearchonline.arts.ac.uk/id/eprint/3224
Licence: Creative Commons Attribution Non-commercial No Derivatives

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