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UAL Research Online

Antonio Manuel: a instalação como pintura: pintura como instalação (painting and installation in the work of Manuel Antonio)

Asbury, Michael (2010) Antonio Manuel: a instalação como pintura: pintura como instalação (painting and installation in the work of Manuel Antonio). In: The Contemporary Painting and (m) of their fields, 2010, Porto Alegre, Brazil. (Unpublished)

Type of Research: Conference, Symposium or Workshop Item
Creators: Asbury, Michael

The curator and professor at the University of Arts London Michael Asbury, focuses on the relationship between painting and installation in the work of Manuel Antonio. He recalled the history of the Brazilian artist and commented on his recent work, always complemented by painting facilities. Asbury reminded the trajectory of the Brazilian artist, who worked for many years upon the structure of layout found in newspapers. Currently, Manuel mainly produces facilities, but these are always complemented by the painting. Asbury said that, contrary to what may seem at first sight, "thematic and formal associations of these facilities has an agreement with the radical root of Manuel Antonio, from the year 1960." To illustrate his statement, the teacher reminded of Buffer Zone, Antonio Manuel explained in Cyprus. In this work, the artist painted several walls pitted in a clear reference to the division of the capital, held in 1974 after a civil-war.

Official Website: http://www.iberecamargo.org.br/content/multimidia/podcast.asp
Keywords/subjects not otherwise listed: Antonio Manuel, painting and installation, Michael Asbury podcast
Your affiliations with UAL: Colleges > Camberwell College of Arts
Research Centres/Networks > Transnational Art Identity and Nation (TrAIN)
Date: 14 April 2010
Event Location: Porto Alegre, Brazil
Projects or Series: Research Outputs Review (April 2010 - April 2011)
Date Deposited: 10 Feb 2012 14:14
Last Modified: 10 Feb 2012 14:14
Item ID: 4173
URI: https://ualresearchonline.arts.ac.uk/id/eprint/4173

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