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UAL Research Online

Music, Modernism and the Vienna Secession: Musical Form in Ver Sacrum (1898-1903)

Silverthorne, Diane (2011) Music, Modernism and the Vienna Secession: Musical Form in Ver Sacrum (1898-1903). In: Music and Modernism c.1849-1950. Cambridge Scholars, Newcastle, pp. 26-52. ISBN 9781443826969

Type of Research: Book Section
Creators: Silverthorne, Diane

Publisher's description of the volume in which this chapter appears:

Music and Modernism is a collection of essays which re-evaluates the significant connections between the disciplines of music, fine art and architecture in the period covering the emergence and flowering of modernism, c. 1849–1950. Combining established scholars in the field with those at the start of their careers, this book presents an exceptional cross-section of European and American modernism through a series of detailed case-studies.

Avoiding a simplistic engagement with cross- or inter-disciplinarity, the focus of attention centres on themes that became key to modernist artists and critics: association, perception, representation, subjectivity, writing and language. Accordingly, this book re-thinks modernism itself in the light of both the fine arts and music, to advocate a multiplicity of modernisms from which it is necessary for scholars to construct their own narratives.

Official Website: http://www.c-s-p.org/Flyers/Music-and-Modernism--c--1849-19501-4438-2696-0.htm
Publisher/Broadcaster/Company: Cambridge Scholars
Your affiliations with UAL: Colleges > Central Saint Martins
Date: March 2011
Date Deposited: 04 Feb 2014 12:54
Last Modified: 04 Feb 2014 12:54
Item ID: 6446
URI: https://ualresearchonline.arts.ac.uk/id/eprint/6446

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