Items where Author is "Ciammaroni:Stefano::"

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Number of items: 22.

Article

Ciammaroni, Stefano (2017) The “No You Can’t” of Italian Neo-Marxist Dissent. Social Text Online.

Ciammaroni, Stefano (2013) One Take, Many (Hi)stories: Notes for an Appreciation of Ang Damgo ni Eleuteria. Film International, 11 (3/4). pp. 96-99. ISSN 16516826

Ciammaroni, Stefano (2009) Archiwista narodzin i smierci: Jutrzenka i mise-en-mort w historiografiach wloskiego neorealizmu. Kwartalnik Filmowy (66-67). pp. 190-210. ISSN 0452-9502

Ciammaroni, Stefano (2014) Obsession; The Stendhal Syndrome; The Best of Youth; Something in the Air. In: World Film Locations: Florence. Intellect.

Ciammaroni, Stefano (2012) Giorni di gloria e la retorica della violenza nel cinema italiano del dopoguerra. In: Forme, volti e linguaggi della violenza nella cultura italiana. Edibom, Lonato del Garda (BS), Italy, pp. 13-27. ISBN 978-88-6472-018-0

Ciammaroni, Stefano (2008) From Cinema to Film: The Representation of Reality and the Place of Political Engagement in the Film Theory of Pier Paolo Pasolini. In: IX Estudos de Cinema / Socine 2008. Annablume, pp. 219-226. ISBN 978-85-7419-864-4

Ciammaroni, Stefano (2019) Best Kept Secrets: Integrating Student Films in Film History and Theory Classes. In: NAHEMI (National Association for Higher Education in the Moving Image) 'TALKING SHOP', 28 June 2019, University of the Arts London / London College of Communication.

Ciammaroni, Stefano (2014) In Too Deep (Red): Political Reality and the Specter of National Cinema in Dario Argento’s Profondo rosso. In: The Conference of the Society for Cinema and Media Studies, Seattle, USA. Item not available online.

Ciammaroni, Stefano (2013) Any Which Way They Could: How an Italian Cultural Left Made Clint Eastwood a Fellow Traveller. In: The Conference of the Society for Cinema and Media Studies, Chicago, USA. Item not available online.

Ciammaroni, Stefano (2012) A Cinema of Modernity: Roberto Rossellini’s Paisà. In: Guest Lecture, The University of Oregon, Eugene, Oregon, USA. Item not available online.

Ciammaroni, Stefano (2012) Forms and Culture of an Italian Cinema of Incivility. In: N/A, The University of Oregon, Eugene, Oregon, USA. Item not available online.

Ciammaroni, Stefano (2011) Stanley Kubrick’s The Shining and Gilles Deleuze’s Philosophy of Cinema. In: Cinema as Philosophy, The Manchester Metropolitan University, Cheshire Campus, Crewe, England. Item not available online.

Ciammaroni, Stefano (2008) Italian Neorealism and the Mise-en-Mort as Historiographical Category. In: Guest Lecture, 8 December 2008, University of Łódź, Łódź, Poland. Item not available online.

Ciammaroni, Stefano (2008) From Antifascism to Thirdworldism: Violence with a Vengeance in the Italian Political Western. In: NECS (European Network for Cinema and Media Studies), Budapest, Hungary. Item not available online.

Ciammaroni, Stefano (2007) Reality and Political Engagement in the Film Theory of Pier Paolo Pasolini. In: SOCINE (Sociedade Brasileira de Estudos de Cinema e Audiovisual), Rio de Janeiro, Brazil. Item not available online.

Ciammaroni, Stefano (2007) Violence, History and Excess in Roma città aperta and Giorni di gloria. In: Real Things: Matter, Materiality, Representation, 5-8 July 2007, The University of York / York, England. Item not available online.

Ciammaroni, Stefano (2007) The Italian Way of All Flesh: Violence and its Social Context from Westerns to Cannibal Cycles. In: Cine Excess I, London, England. Item not available online.

Ciammaroni, Stefano (2005) The Fate of Neorealism in Rossellini’s Viaggio in Italia and Visconti’s Vaghe stelle dell’orsa. In: Cinema Europe, The University of Amsterdam, Amsterdam, The Netherlands. Item not available online.

Ciammaroni, Stefano (2005) Cinema Year Zero: Character, Time, and Image in The Shining. In: Popular Culture Association Annual Conference, San Diego, USA. Item not available online.

Ciammaroni, Stefano (2011) The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). PhD thesis, New York University. Item not available online.

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