Livergant, Elyssa (2016) Belarus Free Theatre, Labour Mobility and the Cultural Politics of the Border. Contemporary Theatre Review, 26 (2). pp. 241-257. ISSN 1477-2264
Jump, Sophie (2020) One hundred and ninety-two thousand, two hundred and forty-eight steps: curating the Site Specific Performance Festival at PQ 2019. Theatre and Performance Design, 6 (1-2). pp. 69-80. ISSN 2332-2551
Creamer, Anne-Marie (2015) The Dilemmas of Adaptation: Making Treatment for Six Characters. Pirandello Studies, 35. pp. 106-115. ISSN 1471-9363
Barokka, Khairani (2017) Deaf-accessibility for spoonies: lessons from touring Eve and Mary Are Having Coffee while chronically ill. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 387-392. ISSN 1470-112X
Pearson, Deborah and Field, Andy and Brand, Ira (2016) Forest Fringe: The First Ten Years. Oberon Books, London. ISBN 9781783197514
Igweonu, Kene (2024) The Routledge Handbook of African Theatre and Performance. Routledge, Abingdon Oxon and New York. ISBN 9781032008400
Mendelson, Zoë (2017) Spectacular Evidence: Theatres of the Observed Mind. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, Artsadmin, Toynbee Studios, 28 Commercial Street, London E1 6AB.
Verma, Jatinder (2002) Journey to the West: A Trilogy on Migration. [Performance]
Stickland, Peter (2011) Frank and Moustique go boating. [Performance]
Pilgrim, Geraldine (2003) Spa: Site-Specific Performance. [Performance]
Pastor, Eugénie and Turner, Shamira (2023) A Very Serious Performance Lecture. [Performance]
Leister, Wiebke and Toop, David (2018) Echoes and Callings. [Performance]
Pearson, Deborah (2017) The Shape of a Thought: A Made Up Game. PhD thesis, Royal Holloway, University of London.