Rae, Nicola (2013) 'Reciprocal Resonances Refracted, Venice' at Personal Structures: Culture-Mind-Becoming. [Show/Exhibition]
Film of 'Reciprocal Resonances Refracted' showing the refractions of live sound visualisations in the inne ... |
PDF catalogue for PERSONAL STRUCT ... (14MB) | Text for PDF catalogue page of Re ... (19kB) | PDF invitation for PERSONAL STRUC ... (3MB) |
Type of Research: | Show/Exhibition | ||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Creators: | Rae, Nicola | ||||||||||||||||||||||||||
Description: | This interactive installation was shown in the exhibition 'Personal Structures: Culture-Mind-Becoming', a Collateral Event taking place during the 55th Venice Biennale, 2013. It took place across three different venues in Venice: Palazzo Bembo, Palazzo Mora and Palazzo Marcello, My work was shown in Palazzo Bembo, Riva del Carbon 4793, 30124 Venice, Italy. The post-opening catalogue includes exhibition text by Nicola Rae and a photograph of Rae's installation: 'Reciprocal Resonances Refracted'. About 'Reciprocal Resonances Refracted, Venice 2013' The idea of using triangles as a source of interactive sound generation developed through looking at musical instruments played by Venetians during the Renaissance, when Pietro Bembo inhabited the Palazzo. During the Ottoman-Venetian wars at this time, triangles were played by invading Turkish soldiers as part of their percussive Janissary music. The Turkish triangles were made of brass and had rings hanging from their lower bars: but my triangles were made by Percussion Plus, a British percussion manufacturer recommended for their resonant tones. Although not intended to be a sonic ‘invasion’, there were moments when interactivity reached crescendos of sound that were unusual for the Palazzo. Audience participation during the four opening nights was memorable, as were the many conversations that took place. A deaf visitor was delighted to be able to see the sounds that she was making and so judge different levels of sound visually. Artists who were also musicians activated the installation in particularly inventive ways. Many children responded uninhibitedly to the prospect of sonic experimentation....as did so many others. The refraction of the two projector beams was caused by a Perspex cylinder, revolving at two revolutions per minute, which was powered by a mirror ball motor. At regular intervals the Perspex tube refracted the sound visualisations into circular patterns, activating the whole of the inner space. There are aspects of this effect that recall lighthouse beams across water, of which there are many around Venice. Yet this effect was discovered accidentally when experimenting with artist Paul Malone (my husband) in a small mock-up exhibition space within my studio. We tried out a few different refraction ideas yet we both immediately responded to seeing expanding circles of light arcing across the space, due to the refracting effects of the cheapest, extruded acrylic tube that had been roughly sawn.' |
||||||||||||||||||||||||||
Other Contributors: |
|
||||||||||||||||||||||||||
Official Website: | http://www.globalartaffairs.org/index.php?page=66&lang=en | ||||||||||||||||||||||||||
Additional Information (Publicly available): | Other artists exhibiting in Palazzo Bembo: |
||||||||||||||||||||||||||
Keywords/subjects not otherwise listed: | Interactive installation of visualised sound frequencies | ||||||||||||||||||||||||||
Publisher/Broadcaster/Company: | Global Art Affairs Foundation | ||||||||||||||||||||||||||
Your affiliations with UAL: | Other Affiliations > RAE 2008 Colleges > Camberwell College of Arts Colleges > Chelsea College of Arts Colleges > Wimbledon College of Arts |
||||||||||||||||||||||||||
Date: | 28 May 2013 | ||||||||||||||||||||||||||
Funders: | Universita Iuav di Venezia + many other funders | ||||||||||||||||||||||||||
Related Websites: | http://www.personalstructures.org/index.php?page=454&lang=en, http://www.nicolarae.co.uk/projects/sound-frequency%20projects/2013-bembo-venice/Venice-2013-frequencies.htm | ||||||||||||||||||||||||||
Related Websites: | |||||||||||||||||||||||||||
Related Exhibitions: | CYBERFEST 9: Patterns of the Mind, The State Hermitage Museum (Youth Education Centre), Moika River Embankment entrance, St Petersburg, Russia. (reshowing of an expanded, site-responsive version of this installation). | ||||||||||||||||||||||||||
Related Publications: | 'Personal Structures: Culture-Mind-Becoming' pre-opening published catalogue, Personal Structures: Works and Dialogues by Peter Lodermeyer | ||||||||||||||||||||||||||
Locations / Venues: | Location From Date To Date Palazzo Bembo, Rive del Carbon 4793, 30124 Venice, Italy. 28 May 2013 24 November 2013 The State Hermitage Museum (Youth Education Centre), Moika River Embankment entrance, St Petersburg, Russia. 25 November 2015 2 December 2015 |
||||||||||||||||||||||||||
Material/Media: | Interactive Sound Emission Analyzer (Sygyt Software), laptops, projectors, mirror ball motor, acrylic tube, microphones, 15 Percussian triangles and beaters., | ||||||||||||||||||||||||||
Measurements or Duration of item: | In two adjoining rooms: 1.94 m x 1.66 m and 1.85 m x 1.74 m | ||||||||||||||||||||||||||
Date Deposited: | 13 Jul 2016 10:07 | ||||||||||||||||||||||||||
Last Modified: | 16 Sep 2016 13:45 | ||||||||||||||||||||||||||
Item ID: | 10007 | ||||||||||||||||||||||||||
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/10007 |
Repository Staff Only: item control page | University Staff: Request a correction