Biagioli, Monica (2017) The Case for Informal Spaces in the Workplace. In: Integrating Art and Creativity into Business Practice. Research Essentials Collection . IGI Global, pp. 55-73. ISBN 9781522520504
Type of Research: | Book Section |
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Creators: | Biagioli, Monica |
Description: | Summary: This chapter makes the case for informal spaces in the workplace by emphasising the qualitative benefits they can provide, most specifically in the realm of innovation. This goes against the current bias in evidence-based policy that the most valued evidence is that which can be measured (Belfiore & Bennett, 2008, p.5) and aligns with qualitative forms of representing experience, knowledge, and outcomes. The link is made here between transformation and innovation. Innovation is seen as the fertile offshoot of creating a space for growth, debate and experimentation; one parallel to and overlapping with the more formal channels of established communication and interaction in the workplace. Transformation is difficult to substantiate and requires qualitative forms of expression and analysis to come into view. This chapter aims for a more balanced view of all forms of analysis and argues that qualitative forms are the most effective at capturing innovation. Background: The current bias for quantification is the result, as Eleonora Belfiore and Oliver Bennett outline in their intellectual history of cultural policy, of a growing reliance on evidence to make the case for policy. This took form in the 1990’s as a pragmatic response to what was then viewed as ideologically driven decision-making. Decisions would be based on effectiveness rather than political bias. Elements would be measured against one another in order to ascertain the best way forward. In an effort to make the case for evidence-based decision-making, “hard data, such as facts, trends and survey information, were widely seen as the ‘gold standard’” (Belfiore & Bennett, 2008, p.5). Quantitative forms of analysis took over as they provided a way of measuring and comparing which sated the need to base decisions on clearly-arguable numerical frameworks. If experiences and spaces can be reduced to numerical units, comparisons can be more readily made, and more importantly, argued. This approach was all about making the case and the decision was made to base it on scientific methods as those had the most credibility. The subtext riding below the surface of this approach was (and, it is argued, continues to be) that qualitative forms of analysis cannot be trusted to formulate decisions. |
Official Website: | http://www.igi-global.com/book/integrating-art-creativity-into-business/171300 |
Publisher/Broadcaster/Company: | IGI Global |
Your affiliations with UAL: | Colleges > London College of Communication Research Centres/Networks > Photography & the Archive Research Centre (PARC) |
Date: | 2017 |
Funders: | London College of Communication Research Fund |
Digital Object Identifier: | DOI: 10.4018/978-1-5225-2050-4.ch004 |
Date Deposited: | 24 Feb 2017 10:14 |
Last Modified: | 24 Feb 2017 10:14 |
Item ID: | 10736 |
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/10736 |
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