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Leister, Wiebke and Toop, David (2016) Echoes and Afterlives. [Performance]
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![[img]](https://ualresearchonline.arts.ac.uk/10795/1.haslightboxThumbnailVersion/WL_Echoes_CollStage.jpg) still from performance documentat ... | ![[img]](https://ualresearchonline.arts.ac.uk/10795/2.haslightboxThumbnailVersion/WL_Echoes_Coll1.jpg) 'Echoes and Afterlives', performe ... | ![[img]](https://ualresearchonline.arts.ac.uk/10795/3.haslightboxThumbnailVersion/WL_Echoes_Coll2.jpg) 'Echoes and Afterlives', performe ... |
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| Type of Research: | Performance | ||||
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| Creators: | Leister, Wiebke and Toop, David | ||||
| Description: | 'Echoes and Afterlives' is a 20 minute performance with electro-acoustic sound, various flutes, de-collaged publication and live projection for 3 performers (David Toop, Emi Watanabe, Wiebke Leister). Event: ‘Masking and Enmasking: Noh Theatre as a Strategy in Contemporary Art and Performance’ Part of two-day festival ‘Noh Reimaginged’ curated by Akiko Yanagisawa, mu:arts (13-14 May 2016). The event consisted of 4 performances and a panel discussion: A screening of Simon Starling’s film from 'Project for a Masquerade (Hiroshima)', which connects the making of contemporary Noh masks with Cold War politics, nuclear development and art. Ignacio Jarquin presented the beginning of his 'Madam Butterfly Returns' with music by Michael Finnissy and a libretto by Andrew G Marshall. Ami Skånberg Dahlstedt and Palle Dahlstedt's piece 'Hero' looked at the role of hero and victim in Noh through movement and sound fragments. David Toop, Emi Watanabe and Wiebke Leister explored the psychological and aesthetic significance of voice and face masking. Followed by the launch of the artist publication 'Echoes and Afterlives' by Wiebke Leister. |
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| Keywords/subjects not otherwise listed: | Noh theatre, live collage, improvisation, performance, performed publication, theatre of photography, Performance, art and technology | ||||
| Your affiliations with UAL: | Colleges > London College of Communication Research Centres/Networks > Creative Research into Sound Arts Practice (CRiSAP) Research Centres/Networks > Photography & the Archive Research Centre (PARC) |
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| Date: | 14 May 2016 | ||||
| Funders: | LCC College Research Fund, PARC, Kings Place, mu:arts | ||||
| Related Websites: | http://noh.muarts.org.uk/noh-theatre-as-a-strategy-in-contemporary-art-and-performance/, http://www.kingsplace.co.uk/whats-on/curated-weeks/noh-reimagined-the-contemporary-art-of-classical-japanese-theatre, http://www.photographyresearchcentre.co.uk/what-we-do/exhibitions/2016-echoes-and-afterlives, https://youtu.be/4rEdYtDmXtQ | ||||
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| Related Exhibitions: | Wiebke Leister, 'Echoes and Afterlives', PARCspace, 3 May-30 August 2016 | ||||
| Related Publications: | 'Echoes and Afterlives', Fieldstudy 22, Photography and the Archive Research Centre, UAL | ||||
| Locations / Venues: | Location From Date To Date Kings Place, 90 York Way, London N1 9AG 14 May 2016 |
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| Measurements or Duration of item: | 20 minutes | ||||
| Date Deposited: | 29 Mar 2017 13:19 | ||||
| Last Modified: | 18 Sep 2024 14:24 | ||||
| Item ID: | 10795 | ||||
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/10795 |
Available Versions of this Item
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Echoes. (deposited 17 Jun 2016 14:41)
- Echoes and Afterlives. (deposited 29 Mar 2017 13:19) [Currently Displayed]
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