Minkin, Louisa and Dawson, Ian and Summers, Francis (2017) Pictures Not Homes. [Art/Design Item]
Pictures Not Homes, Athens | Pictures Not Homes, Athens | Pictures Not Homes, Athens |
Pictures Not Homes, Athens | Pictures Not Homes, Athens |
Type of Research: | Art/Design Item | ||||||||||||||||||||||||||||||||||
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Creators: | Minkin, Louisa and Dawson, Ian and Summers, Francis | ||||||||||||||||||||||||||||||||||
Description: | The project Pictures Not Homes is the result of the partial excavation of Taplow House, a South East London estate block earmarked for renewal and ‘bettering’. This is a documentary project using contemporary archaeological recording practices; photogrammetry, reflectance transformation imaging [RTI] and 3D laser scanning. Pictures not Homes is material documentation of the urban regeneration process enabled by new-imaging technologies; the wreckage of place salvaged as file types. The title is a reversal of the slogan ‘HOMES NOT PICTURES’ daubed by protesters across ‘social’ artwork on a demolition site hoarding. This work wanders about appearance and dwelling, through pictures and homes, divisions and productions, data-sets and concrete abstractions. It is also a way to frame questions of what pictures do: questions of capacities, anxiety and ambivalence. It evokes an environment of barricades, sandbags, file types and data as ruin. es is material documentation of the urban regeneration process enabled by new imaging technologies; the wreckage of place salvaged as file types. The title is a reversal of the slogan ‘HOMES NOT PICTURES’ daubed by protesters across ‘social’ artwork on a demolition site hoarding. This work wanders about appearance and dwelling, through pictures and homes, divisions and productions, data-sets and concrete abstractions. This is a documentary project using contemporary archaeological recording practices; photogrammetry, reflectance transformation imaging [RTI] and 3D laser scanning. It is also a way to frame questions of what pictures do: questions of capacities, anxiety and ambivalence. It evokes an environment of barricades, sandbags, file types and data as ruin. |
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Other Contributors: |
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Keywords/subjects not otherwise listed: | photogrammetry, RTI, | ||||||||||||||||||||||||||||||||||
Your affiliations with UAL: | Colleges > Central Saint Martins | ||||||||||||||||||||||||||||||||||
Date: | 20 April 2017 | ||||||||||||||||||||||||||||||||||
Funders: | British Council, UCA | ||||||||||||||||||||||||||||||||||
Related Websites: | http://gesturesofresistance.com/, https://www.britishcouncil.gr/en/events/exhibition-gestures-of-resistance, http://www.iandawsonstudio.com/dawson-gestures-of-resistance.html, http://www.romantso.gr/show_event.php?id=722 | ||||||||||||||||||||||||||||||||||
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Related Exhibitions: | Pictures Not Homes, Winchester Gallery, Annihilation Event, Lethaby Gallery CSM, Taplow House | Unit 001 | Room 001, ASC, London | ||||||||||||||||||||||||||||||||||
Related Publications: | Parking Lot Issue 2 including: A is for Frontline Louisa Minkin & Francis Summers April 2016, Tetterode, Amsterdam | ||||||||||||||||||||||||||||||||||
Locations / Venues: | Location From Date To Date Romantso Cultural Centre, Αναξαγόρα 3-5, Ομόνοια - Athens 20 April 2017 30 April 2017 |
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Material/Media: | 3D Prints, Digital Files, Moving Image, Printed textile, Barricades | ||||||||||||||||||||||||||||||||||
Measurements or Duration of item: | variable | ||||||||||||||||||||||||||||||||||
Date Deposited: | 10 May 2017 15:03 | ||||||||||||||||||||||||||||||||||
Last Modified: | 22 Feb 2024 14:43 | ||||||||||||||||||||||||||||||||||
Item ID: | 10855 | ||||||||||||||||||||||||||||||||||
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/10855 |
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