Gverović, Tina and Cain, Ben (2017) Phantom Trades: Sea of People, Croatian Pavilion at Arsenale, 57th Venice Biennial. [Show/Exhibition]
Phantom Trades: Sea of People, Cr ... | Phantom Trades: Sea of People I, ... | Phantom Trades: Sea of People, Cr ... |
Type of Research: | Show/Exhibition | ||||||||
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Creators: | Gverović, Tina and Cain, Ben | ||||||||
Description: | Croatian Pavilion included work by two artists: Tina Gverović (in collaboration with Ben Cain), and Marko Tadić. In Phantom Trades: Sea of People, an installation involving paintings, video and objects Tina Gverović explores different processes, history and materiality, and bodies in transit as moving masses or geopolitical entities. The approach to display and the arrangement of materials in space consider the role of the observer, articulating their fluid, almost performative character of moving through the space. The work is catalogued in the main publication of Viva Arte Viva – 57. Venice Biennial (ISBN 9788898727087) and in the catalogue of the Croatian Pavilion. |
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Your affiliations with UAL: | Colleges > Camberwell College of Arts | ||||||||
Date: | 14 May 2017 | ||||||||
Funders: | Ministry of Culture of Republic of Croatia | ||||||||
Related Websites: | http://croatianpavilion-venicebiennale.hr, http://tinagverovic.com/phantom-trades-sea-of-people/ | ||||||||
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Related Exhibitions: | Bodies and Things, French Pavilion, Zagreb | ||||||||
Related Publications: | Viva Arte Viva – 57. Venice Biennial (ISBN 9788898727087), Horisont of Expectations, the catalogue of the Croatian Pavilion | ||||||||
Locations / Venues: | Location From Date To Date Arsenale, Venice Biennial, Venice, Italy 14 May 2017 22 November 2017 Gliptoteka, Zagreb, Croatia. 15 January 2018 28 February 2018 Archaeological Museum, Pula, Croatia 9 March 2018 1 April 2018 |
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Material/Media: | Installation composed of paintings, objects and video | ||||||||
Date Deposited: | 22 Jun 2018 12:37 | ||||||||
Last Modified: | 30 Oct 2018 10:20 | ||||||||
Item ID: | 12570 | ||||||||
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/12570 |
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