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Moloney, Alison (2018) Footnotes. [Show/Exhibition]
![[img]](https://ualresearchonline.arts.ac.uk/12844/1.haslightboxThumbnailVersion/Eelko_Moorer_Balance.jpeg) Anxiety Island by Eelko Moorer an ... | ![[img]](https://ualresearchonline.arts.ac.uk/12844/2.haslightboxThumbnailVersion/Ellen%20Sampson_Fragility.jpg) Ellen Sampson response to the Fra ... | ![[img]](https://ualresearchonline.arts.ac.uk/12844/3.haslightboxThumbnailVersion/Laila_Diallo_UnCommon.png) Dance response by Laila Diallo to ... |
![[img]](https://ualresearchonline.arts.ac.uk/12844/4.haslightboxThumbnailVersion/linda_brothwell.jpg) Linda Brothell repose to the Util ... |
| Type of Research: | Show/Exhibition | ||||||||||||
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| Creators: | Moloney, Alison | ||||||||||||
| Description: | This exhibition revealed shoes from the eclectic archive at London College of Fashion, UAL which includes 1930s orthopaedic footwear, silk slippers from the 1800s and even a shoe made for a sheep. Artists Linda Brothwell, Laila Diallo, Eelko Moorer and Ellen Sampson produced work inspired by the selected shoes, revealing new interpretations of aged objects through virtual reality, film, dance and handcrafted new objects. The installations formed a trail through the National Trust's Sutton House in east London. |
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| Keywords/subjects not otherwise listed: | installation, commissions, virtual reality, dance, film, craft tools | ||||||||||||
| Your affiliations with UAL: | Research Centres/Networks > Centre for Fashion Curation | ||||||||||||
| Date: | 9 May 2018 | ||||||||||||
| Funders: | Arts Council England, Kurt Geiger | ||||||||||||
| Related Websites: | http://events.arts.ac.uk/event/2018/5/9/Footnotes/ | ||||||||||||
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| Locations / Venues: | Location From Date To Date Sutton House, a National Trust property in east London 9 May 2018 31 July 2018 |
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| Material/Media: | Exhibition | ||||||||||||
| Date Deposited: | 04 Jul 2018 12:25 | ||||||||||||
| Last Modified: | 04 Jul 2018 12:25 | ||||||||||||
| Item ID: | 12844 | ||||||||||||
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/12844 |
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