The exhibition, curated by Dr Jo Melvin, offers new insights into the interconnectedness of seemingly distinct periods of Flanagan’s 40-year career, demonstrating an ongoing experimentation with materials and their properties and a symbiosis between abstraction and figuration. It challenges the supposition that Flanagan’s later works represent a marked shift in the artist’s approach to art-making. Rather, they represent the distillation of Flanagan’s decades-long fascination with ontology, movement and the physicality of the various materials with which he worked.