Items where Division is "CCW Graduate School"

Walsh, Maria (2024) Sirah Foighel Brutmann and Eitan Efrat: Là. Burlington Contemporary. ISSN 2631-5661

Walsh, Maria (2024) A few provocations on trauma in the artwork versus in the museum collection: could the museum be like an artwork? In: Workshop, 28 May 2024, GRASSI Museum for Ethnology, Leipzig, Germany. Item not available online.

Fairnington, Mark (2024) Suppose You Are Not. [Show/Exhibition]

Fairnington, Mark (2023) Reimag(in)ing the Victorians. [Show/Exhibition]

Fairnington, Mark and Silverton, Edward and Dixon, Sophie (2023) Good Morning Mr Bewick. [Art/Design Item]

Fairnington, Mark (2023) Wild World. [Show/Exhibition]

Fairnington, Mark (2023) Landscape of the Gods. [Show/Exhibition]

Fairnington, Mark (2023) Here's Looking at You. [Show/Exhibition]

Fairnington, Mark (2023) Arcadia for all? Rethinking Landscape Painting Now. [Show/Exhibition]

Behr, Bernd (2022) A Camera on Wheels: Situating the Self-driving Car within a Photographic Teleology. In: Camera-Centered Histories of Photography, 2 December 2022, California Museum of Photography, UCR Arts, University of California Riverside, USA & Online.

Behr, Bernd (2022) The Unknown Knowns of Machine Vision, or, How to Explain Pictures to a Self-driving Car. In: Aesthetics of Machine Vision, 15-16 September 2022, University of Southern Denmark, Odense, Denmark.

Thomas, Jennet (2022) The Great Curdling. [Art/Design Item]

Bradfield, Marsha and Meller, Fred (2022) REBEL: Producing Publics Through Playful Evaluation. Public Art Dialogue, 12 (1). pp. 138-157. ISSN 2150-2560

Melvin, Jo (2022) The aesthetics of silence, withdrawal and negation in conceptual art. In: Picturing the Invisible Exploring: interdisciplinary synergies from the arts and the sciences. UCL Press, London. ISBN 9781800081055

Wooldridge, Duncan (2021) To Be Determined: Photography and the Future. SPBH Essays . SPBH Editions, London and Milan. ISBN 978-1916041233

Melvin, Jo (2021) Seth Siegelaub: Better Read Than Dead Writings and Interviews 1964–2013. In: Seth Siegelaub: Better Read Than Dead Writings and Interviews 1964–2013, 29 September 2021, Commerce, Milan, Italy.

Melvin, Jo (2021) Portable Sculpture: Fold up, pack down or made on the move sculpture. In: Portable Sculpture: Fold up, pack down or made on the move sculpture Online Lecture, 18 August 2021, Henry Moore Institute, Online.

Melvin, Jo (2021) The Feuilleton: I will bear witness, Edicola, MACRO, Rome, Italy. [Show/Exhibition]

Melvin, Jo and Bonifati, Vittoria (2021) Painting Stone. [Show/Exhibition]

Melvin, Jo (2021) Barry Flanagan. [Show/Exhibition]

Melvin, Jo (2021) This is NOT art this is ART 'pataphysics, counterpoise and the tightrope in Barry Flanagan's sculptural practice. In: Barry Flanagan Newspaper. von Bartha, Switzerland.

Melvin, Jo and Campbell, Duncan and Greenan, Althea and Gupta, Sunil (2021) Archives and Identities, New Contemporaries & South London Gallery.

Melvin, Jo and Schaschl, Sabine and Wood, John (2021) Synchonicities, Wordplay and the Incidental. Networks and Constellations in Andrew Bick's Practice. In: Andrew Bick: Original/Ghost/Compendium. Hatje Cantz Verlag, pp. 89-112. ISBN 978-3775748568

Melvin, Jo (2021) An Archaeology of the Future - The Universe on the Other Side of the Skin. In: Words, Works, Worlds. Patrick Heide Contemporary Art, London, pp. 16-23.

Melvin, Jo and Bloem, Marja and van Haaften-Schick, Lauren and Martinetti, Sara and Siegelaub, Seth (2020) Seth Siegelaub: Better Read Than Dead Writings and Interviews 1964–2013. Verlag der Buchhandlung Walther Konig. ISBN 978-3863357849

Hodes, Charlotte (2020) Drawing, the Performative Body and the Object. In: Drawing, the Performative Body and the Object, a symposium at London College of Fashion, UAL, 11 March 2020, Lime Grove, London College of Fashion.

Fairnington, Mark (2020) The Landscape Room. [Show/Exhibition]

Fairnington, Mark (2020) Relics, Containing the figures of Saints, Martyrs, Sinners, Birds of Paradise, Beasts and Plants. [Show/Exhibition]

Tulloch, Carol (2019) Taste, the home and everyday life. In: The Persistence of Taste Art, Museums and Everyday Life After Bourdieu. Routledge, London, New York, pp. 253-256. ISBN 9780367877903 Item not available online.

Melvin, Jo and Corwin, Will (2019) Jo Melvin. In: &MODEL. Village Books, pp. 52-59. ISBN 978-1-5272540-8-4

Melvin, Jo and Goldsmith, Kenneth and Lovay, Balthazar and Quack, Gregor (2019) Between the Eyes Painting. Gene Beery: Para-Visual Painter of Word Signs. In: Gene Beery LIFE! Mousse Publishing, pp. 49-64. ISBN 9788867493746

Melvin, Jo and Horrigan, Michele and Lynch, Sean (2019) Publication Scaffold. [Show/Exhibition]

Melvin, Jo (2019) Barry Flanagan. [Show/Exhibition]

Hamann, Sigune (2019) Film-strip, Papworth Surround, Diorama Clouds and Sky Circles at New Papworth Hospital. [Show/Exhibition]

Coldwell, Paul (2019) Picturing the Invisible; The house seen from below. [Show/Exhibition]

Page, Kevin and Burrows, Toby and Hankinson, Andrew and Holford, Matthew and Morrison, Andrew and Lewis, David and Velios, Athanasios (2019) A Layered Digital Library for Cataloguing and Research: Practical Experiences with Medieval Manuscripts, from TEI to Linked Data. In: Digital Humanities Conference 2019, 9 - 12 July 2019, Utrecht, the Netherlands.

Dennis, Jeffrey (2019) Jeffrey Dennis: Traces of Occupation - Paintings 2019. [Show/Exhibition]

fitzPatrick, Edwina (2019) The Archive of the Trees: A Woodland Guide. Fermynwoods Contemporary Arts, UK. ISBN 978 1 78972 327 4

Velios, Athanasios and Gilroy, Nicole and Greathead, Alexandra (2019) A workflow for publishing Linked Data for conservation documentation: A case study from Oxford Museums and Libraries. In: Icon Conference 2019: New Perspectives: Contemporary Conservation Thinking and Practice, 12 - 14 June 2019, Belfast.

Hogan, Eileen (2019) Eileen Hogan: Personal Geographies. [Show/Exhibition]

Melvin, Jo (2019) David Nash: Sculpture speaks the language of wood. In: David Nash: 200 Seasons at Capel Rhiw. Amgueddfa Cymru - National Museum Wales. ISBN 9780720006360

Velios, Athanasios (2019) Integration of survey data using the CIDOC-CRM. In: Icon Care of Collections Group Condition Assessment Workshop, 4 April 2019, Cardiff.

Burns, Halle and Burrows, Toby and Downie, Stephen and Lewis, David and Page, Kevin and Velios, Athanasios (2019) Assessing the practicality of ARK identifier usage in a catalogue of medieval manuscripts. In: iConference 2019, 31 March 2019 - 3 April 2019, Washington DC.

Velios, Athanasios and Faubel, Sebastian and Eberl, Moritz (2019) Artivity, documenting digital art practice. In: Capturing practice research: improving visibility and searchability, 15 March 2019, London.

Douglas, Lorrice (2019) Creative Curricula: Developing inclusion projects informed by states of identity and alienation. In: Inclusion and Intersectionality in Visual Arts Education. UCL IOE Press, London, pp. 56-77. ISBN 978-1-85856-898-3

Cronin, Rosemary (2018) Being a Fine Artist. In: Making It: Careers in Art and Design, 24 November 2018, Victoria and Albert Museum.

Velios, Athanasios (2018) An introduction to Linked Data and the CIDOC-CRM for bookbinding descriptions. In: Bookbindings as archaeology, Ein Workshop des GRK 2196 „Dokument – Text – Edition“, 6 - 7 November 2018, Bergische Universität Wuppertal.

Melvin, Jo (2018) Fifteen People Select their Favourite Book. The Brooklyn Rail. pp. 1-118. ISSN 2157-2151

Melvin, Jo and Bonifati, Vittoria (2018) ARCHEOLOGI Archeology of the mind: the metadata of Villa Lontana. [Show/Exhibition]

Love, Johanna (2018) Lithografietage International Exhibition. [Show/Exhibition]

Love, Johanna (2018) Johanna Love: Artist in residence Druckvereinigung Bentlage. [Show/Exhibition]

Love, Johanna (2018) Artist of the Day: Johanna Love. [Show/Exhibition]

Melvin, Jo and Strebowski, Luke (2018) Introduction to Hélio Oiticica's "The Senses Pointing Towards A New Transformation" (1969). ARTMargins, 7 (3). pp. 115-128. ISSN 2162-2574

Bolivar, Juan (2018) Juan Bolivar William de Kooning Academy presentation. In: Juan Bolivar's painting practice, June 13 and 14, 2018, Rotterdam. Item not available online.

Wooldridge, Duncan (2018) Technology and Interaction: Penelope Umbrico's TVs from Craigslist. In: Photography Reframed: Visions in Photographic Culture. I. B. Tauris, London, pp. 3-7. ISBN 978-1784538835

Melvin, Jo and Bonifati, Vittoria (2018) Sculptureless Sculpture. [Show/Exhibition]

Tsutsumi, Maiko (2018) Thoughts and Utterances in Material Practice: Objects and Words / Thoughts and Actions. In: Utsuwa Utsumi, 4 May 2018, Chelsea College of Arts. Item not available online.

Melvin, Jo and Bonifati, Vittoria (2018) Archeologi, The Metadata of Villa Lontana. Villa Lontana, Rome.

Tsutsumi, Maiko (2018) On the Way to Language. [Show/Exhibition]

Love, Johanna (2018) Lichtlose Luft: Staub und Verschwinden Zeichnen /Lightless Air: drawing dust and disappearance. Camberwell Press, Camberwell Press, London. ISBN 978-1-908971-55-5

Tsutsumi, Maiko (2018) On the Way to Language. Camberwell Space, London. Item not available online.

Melvin, Jo and Bonifati, Vittoria (2018) Sculptureless Sculpture, Villa Lontana. Villa Lontana, Rome, Italy.

Melvin, Jo (2018) Barry Flanagan The Hare is Metaphor. [Show/Exhibition]

Thomas, Jennet (2018) Animal Condensed<Animal Expanded #2. [Art/Design Item]

Collins, Jane and Anandhakrishnan, B. (2018) Against a hierarchy of expressive means; arguments for new pedagogies in performer education in India and the UK. Studies in Theatre and Performance. ISSN 2040-0616 online Print 14682761

Tulloch, Carol (2018) Units of Possibility: The Reknit Revolution. Fashion Practice The Journal of Design, Creative Process & the Fashion Industry. pp. 1-6. ISSN 1756-9370 (Print) 1756-9389 (Online)

Love, Johanna (2018) Re: Print. In: Re: Print. Marmalade Publishes of Visual Theory. ISBN 978-0-9933373-2-1

Melvin, Jo (2018) Installation paradigms: constructivism and light. In: The Order of Things. The Everyday Press. ISBN 9781912458004

Melvin, Jo (2017) Exhibiting from the Archive: Recent Projects. In: Exhibiting from the Archive: Recent Projects, 6 December 2017, Royal College of Art.

Tsutsumi, Maiko (2017) Material Engagement. In: Material Engagement, 30 October 2017, University of Westminster. Item not available online.

Hamann, Sigune (2017) Film-strip ( Mayday ) at Sigune Hamann Thomas Rentmeister Jörg Sasse. [Show/Exhibition]

Collins, Jane (2017) Playing with Materials: Performing effect on the indoor Jacobean stage. In: The Routledge Companion to Scenography. Routledge, Oxon and New York, pp. 215-224. ISBN 978-1-138-91780-4

Dennis, Jeffrey (2017) The Luton Host. [Art/Design Item]

Hamann, Sigune (2017) Freshers (Camberwell). [Art/Design Item]

Melvin, Jo and Weir, Grace (2017) Grace Weir Unfolded. [Show/Exhibition]

Melvin, Jo (2017) 15 People Select their favourite book. [Show/Exhibition]

Cardwell, Thomas (2017) Battle jackets, authenticity and ‘material individuality’. Metal Music Studies, 3 (3). pp. 437-458. ISSN ISSN 2052-3998 (Print); ISSN 2052-4005 (Online)

Love, Johanna (2017) A New Vision of Printmaking. [Show/Exhibition]

Locke, Lana (2017) The Feral, the Art Object and the Social. PhD thesis, University of the Arts London.

Love, Johanna (2017) Painting, Drawing and the Digital: International Symposium and Exhibition. [Show/Exhibition]

Batniji, Taysir and Behr, Bernd and Brognon, David and Cannito, Annalisa and Chernysheva, Olga and Dekyndt, Edith and Hammer, Jan Peter and Hong, James T. and Kovacevic, Milomir and Kriemann, Susanne and Margreiter, Dorit and Paolozzi, Eduardo and Pavlovic, Vesna and Perjovschi, Dan and Perjovschi, Lia and Ribalta, Jorge and Sokurow, Alexander and Sonntag, Jan-Peter E.R. and Vitaljic, Sandra (2017) Tito's Bunker. [Show/Exhibition]

Pickwoad, Nicholas (2017) The Techniques and Materials Used to Make bookbindings on Incunables. In: Materielle Aspekete in der Inkunabelforschung. Wolfenbütteler Schriften zur Geschichte des Buchwesens (49). Harrassowitz Verlag, Wiesbaden, pp. 189-212. ISBN 978-3-447-10719-8

Melvin, Jo (2017) Barry Flanagan: Light pieces and other works. [Show/Exhibition]

Dennis, Jeffrey (2017) Ringbinder. Slimvolume and Northern Gallery for Contemporary Art, London. ISBN 978 1 910516 05 8

Wooldridge, Duncan (2017) Stretching Painting and Photography: the morphologies of the digital image file. In: Painting Digital Photography International Conference, 9th May 2017, Derby QUAD.

Hogan, Eileen (2017) Artist-Not-In-Residence. [Show/Exhibition]

Wilson, Stephen and Jaffe, Deborah (2017) Memories of the Future: On Countervision. Cultural Memories (6). Peter Lang AG, International Academic Publishers, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien. ISBN 9781787075757

Asbury, Michael (2017) Some notes on the contamination and quarantine of Brazilian art. In: Art/Histories in Transcultural Dynamics: Perspectives on Narratives and Frameworks in the 20th and 21st Century. Wilhelm Fink GmbH & Co. Verlags-KG. ISBN 978-3-7705-5939-8

Mendelson, Zoë (2017) Spectacular Evidence: Theatres of the Observed Mind. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, Artsadmin, Toynbee Studios, 28 Commercial Street, London E1 6AB.

Cardwell, Thomas (2017) 'Bad Patch'. [Show/Exhibition]

Gialdini, Anna (2017) "Alla Greca"? Matter and Meaning of Greek-style bookbindings in Renaissance Venice. PhD thesis, University of the Arts London. Item availability restricted.

Melvin, Jo (2017) From soft to hard and back again...Barry Flanagan and his contemporaries. In: Supporting Contemporary Japanese Art Future and Legacy: Contemporary/ Art/ Archives: Deposit, Output, Activation, January 14 - 15, 2017, National Art Center and Keio University, Tokyo.

Melvin, Jo (2017) Casting shadows in an apocryphal dialogue: Some notes for Sean Dower. In: Sean Dower. Published by Dom Omladine Beograda / Legat Franklin. ISBN 978-86-7698-027-7

Lebas, Chrystel (2017) Field Studies: Walking through Landscapes and Archives. Fw:Books, Amsterdam, The Netherlands. ISBN 13 978-94-90119-46-1

Bolivar, Juan (2017) It's a Long Way to the Top. [Show/Exhibition]

Quinn, Malcolm (2017) The Plot Against the Future. In: Memories of the Future: On Countervision. Cultural Memories (6). Peter Lang, Bern, pp. 33-48. ISBN 978-3-0343-1935-5 Item not available online.

Bolivar, Juan and Miller, N (2017) 'What you Will': the paintings of Alastair Gordon. In: Souvenirs from the Waste Land. Pinatubo Press, U.S.A, pp. 12-15. ISBN 0-9742683-7-2 Item not available online.

Wooldridge, Duncan (2016) Visibility and Realism: Photography and the Problems of Transparency. Philosophy of Photography, 7 (1 & 2). pp. 11-20. ISSN 2040-3682

Lebas, Chrystel (2016) Regarding Nature. [Show/Exhibition]

Behr, Bernd (2016) Akeley inside the elephant: Trajectory of a taxidermic image. Philosophy of Photography, 7 (1-2). pp. 43-61. ISSN 2040-3682

Behr, Bernd (2016) Photographic indexicality: Once more, with feeling. Philosophy of Photography, 7 (1-2). pp. 3-10. ISSN 2040-3690

Coldwell, Paul (2016) Henry Moore-Elephant Skull. In: Gérald Cramer and "his" artists, Chagall, Miro, Moore. Patrick Cramer, Geneva, pp. 55-63. ISBN 978-2-8399-1996-8

Wilson, Stephen (2016) Where Theory Belongs. Four Ways to Experience a Seminar in Contemporary Art. Tate Research Centre Working Papers.

True, Deborah (2016) Located Narrative: an interdisciplinary 'located narrative process' that explores and develops a tool to inform my site-specific contemporary art practice. PhD thesis, University of the Arts London. Item availability restricted.

Melvin, Jo (2016) The British Avant Garde: A joint venture between the New York Cultural Center and Studio International Magazine. British Art Studies (3). ISSN 2058-5462

Melvin, Jo (2016) The Alchemical Landscape II: Screen Media, Occulture and the Geographic Turn. In: Alchemical Landscapes II, 7 July 2016, Girton College, Cambridge. Item not available online.

Love, Johanna (2016) A Lot of Things Have Happened. [Show/Exhibition]

fitzPatrick, Edwina and Ackroyd, Heather and Harvey, Dan (2016) Getting Real: Interactive Fieldwork. In: Getting Real: Interactive fieldwork, 5 July 2016, Wimbledon.

Cottell, Fran and Mueller, Marianne (2016) Pentagon Petal. [Art/Design Item]

Tsutsumi, Maiko (2016) Reconfiguring making and design practices: reviewing the meaning of knowledge and skills in socio-cultural contexts. In: Undesign, 2 June 2016, University of Applied Arts Vienna, Austria.

Bruton, Jo (2016) Cactus Canyon. [Art/Design Item]

Wooldridge, Duncan (2016) Reading Aram Saroyan on the Bus. [Art/Design Item]

Evans, Geraint (2016) The Abject Object. [Show/Exhibition]

Hamann, Sigune (2016) Film-strips. [Art/Design Item]

Threapleton, James E. (2016) The Corroded Surface: Portrait of the Sublime. PhD thesis, University of the Arts London.

Melvin, Jo (2016) Jo Melvin and Clive Phillpot in conversation at the exhibition Jeff Gibbons: IN Signific Landscapes at Take 5, Norwich. Journal of Contemporary Painting, 2 (1). pp. 97-114. ISSN 2052-6695 Item not available online.

Tulloch, Carol (2016) This Time It's Personal. In: UAL Professorial Platform Series 2015-16, 17 March 2016, Chelsea College of Art and Design, 16 John Islip Street, London SW1P 4JU.

Melvin, Jo (2016) Animal, Vegetable, Mineral. [Show/Exhibition]

Melvin, Jo (2016) Barry Flanagan: Animal, Vegetable, Mineral Works 1964 - 1983. Waddington Custot, London. ISBN 978-0-9576612-7-1

Jump, Sophie V. (2016) The convergence of influences on and evolving praxis of mid-twentieth century British theatre design (1935-1965) through a close study of selected works by Motley and Jocelyn Herbert. PhD thesis, University of the Arts London.

Melvin, Jo (2016) Christine Kozlov: Conundrums of An Art Practice. Henry Moore Institute: Essays on Sculpture (74). pp. 5-16. ISSN 2047-2471 Item not available online.

Hamann, Sigune (2016) Fair's fair. [Art/Design Item]

Rabourdin, Caroline (2016) Le SENS de la TRANSLATION: Essays on the Bilingual Body. PhD thesis, University of the Arts London.

Melvin, Jo (2016) The New Climate 1969-72. In: Conceptual Art in Britain 1964-1979. Tate, London, pp. 116-123. ISBN 978-1-84976-368-4

Behr, Bernd (2016) Phantom Limbs. In: Sprachen des Sammelns: Literatur als Medium und Reflexionsform des Sammelns. Wilhelm Fink Verlag, Paderborn, pp. 124-129. ISBN 978-3-7705-6097-4

Melvin, Jo (2016) Seth Siegelaub and Studio International: Conceptual Art and Production. In: Seth Siegelaub Beyond Conceptual Art. Walther Koenig and Stedlijk Museum Amsterdam, Cologne and Amsterdam, pp. 466-477. ISBN 978-3-86335-824-2

Melvin, Jo and Pavel, Pys (2015) Christine Kozlov: Information. [Show/Exhibition]

Throp, Mo (2015) Performance Dinners No. 8: The Bankorgs. [Show/Exhibition]

Walsh, Maria (2015) From Critique to Resistance to Autonomy: Alex Bag Meets Ann Hirsch. Moving Image Review & Art Journal (MIRAJ), 4 (1&2). pp. 13-41. ISSN 2045-6298 Item not available online.

Collins, Jane (2015) Report from the Edinburgh International Festival August 2015. Theatre and Performance Design, 1 (3). pp. 256-267. ISSN 2332-2551

Chorpening, Kelly (2015) Charcoal in Context.

Walsh, Maria and Throp, Mo (2015) Stories That Matter: Feminist methodologies in the archive. In: Stories That Matter: Feminist methodologies in the archive., 22 November 2015, Institute of Contemporary Arts, The Mall, London SW1Y 5AH.

Throp, Mo and Walsh, Maria (2015) CAN DO: Photographs and other material from the Women's Art Library Magazine Archive. [Show/Exhibition]

fitzPatrick, Edwina (2015) Larsen's Lost Water. [Show/Exhibition]

Love, Johanna (2015) Jo Love. [Show/Exhibition]

Love, Johanna (2015) Somewhere between Printmaking, Photography and Drawing: Viewing contradictions within the printed image. Journal of Visual Art Practice, 14 (3). pp. 214-223. ISSN 1470-2029 Item availability restricted.

Quinn, Malcolm (2015) Pop Goes Taste. In: Late Tuesday: Good Taste/Bad Taste, 27 October 2015, RIBA.

Donkor, Kimathi (2015) For Moses Had Married An Ethiopian Woman—Numbers 12:1. [Art/Design Item]

Melvin, Jo (2015) It might be contentious. It might not be contentious. In: Bill Beckley: An Accidental Poet 1968-1978. Albertz Benda, New York City, New York USA. ISBN 978-1-942359-06-7 Item not available online.

Hamann, Sigune (2015) The Multiple Store @ Canary Wharf. [Art/Design Item]

Moloney, Donal (2015) Slippages between the picture plane and the painting surface. An analysis, through my paintings, of specular highlights, proximal spaces and the Lacanian gaze. PhD thesis, University of the Arts London.

Melvin, Jo (2015) The Xerox Project: Installation, Reading, Duration and Multiple Temporalities. Paula Cooper Gallery, New York City, New York USA.

Love, Johanna (2015) A small constellation of photographic evidence. [Show/Exhibition]

Love, Johanna (2015) RE:Print/RE:Present. [Show/Exhibition]

Love, Johanna (2015) Dust: Exploring new ways of viewing the printed photographic image. In: Shadows: Traditional Photography Techniques in a Digital World., 18th May 2015, Camberwell College of Art, Wilson Road Lecture Theatre Wilson Rd Camberwell, London SE5 8PB. Item not available online.

Dobai, Sarah and Gogol, Nicolai (2015) The Overcoat. [Art/Design Item]

Melvin, Jo (2015) Palindromes: Exchanges between Barry Flanagan and John Latham. [Show/Exhibition]

Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London. Item not available online.

Melvin, Jo (2015) Holes in the Archive - to fill or to leave, that is the question... Bright Light (2). pp. 65-74. ISSN 2055-1606

Brew, Angela C. (2015) Learning to draw: an active perceptual approach to observational drawing synchronising the eye and hand in time and space. PhD thesis, University of the Arts London.

Melvin, Jo (2015) Five Issues of Studio International. Raven Row, London. ISBN 978-0-9930350-1-2

Bolivar, Juan (2015) The Armory, 2014. [Show/Exhibition]

Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048

Hogan, Eileen (2015) Self-portrait in Pembroke Studios. [Art/Design Item]

Ballie, Jennifer (2014) e‐Co-Textile Design: How can textile design and making, combined with social media tools, achieve a more sustainable fast fashion future? PhD thesis, University of the Arts London.

Melvin, Jo (2014) Two Pataphysicians: Flanagan Miró'. [Show/Exhibition]

Wooldridge, Duncan (2014) ABCEUM. [Show/Exhibition]

Chorpening, Kelly (2014) The problem with making: A case for the expanded teaching of drawing. Art, Design & Communication in Higher Education, 13 (1). pp. 93-107. ISSN 1474-273X

Love, Johanna (2014) drAwn 2gether. [Show/Exhibition]

Wooldridge, Duncan (2014) John Hilliard: Not Black and White. Ridinghouse, London. ISBN 9781905464937

Quinn, Malcolm (2014) ‘[T]he Royal Academy, and the effects produced by it’: accounting for art education in 1835. Journal of Visual Art Practice, 13 (1). pp. 7-16. ISSN 1470-2029 Item not available online.

Love, Johanna (2014) Combinations. [Show/Exhibition]

Sandino, Linda (2014) The chronicle: an everyday narrative form? In: Narrative Matters: Narrative Knowing / Récit et Savoir, 23 - 27 June 2014, Université Paris Diderot, France (in partnership with The American University of Paris).

Love, Johanna (2014) Intrusions: Looking After Aikman, Artists and the Uncanny. [Show/Exhibition]

Quinn, Malcolm and Beech, Dave and Gadie, Robert and Namazi, Mohammad (2014) Reflections on Taste. [Art/Design Item]

Love, Johanna (2014) Against Nature. [Show/Exhibition]

Lori, Ope (2014) The oppositional gaze: contemporary image-making practice and the implications of skin colour ideals. PhD thesis, University of the Arts London. Item availability restricted.

Cross, David and Cornford, Matthew (2012) Afterimage. [Art/Design Item]

Bolivar, Juan (2008) Juan Bolivar: Geometry Wars. [Show/Exhibition]