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UAL Research Online

Items where Division is "CCW Graduate School"

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Number of items at this level: 165.

2024

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Fairnington, Mark (2024) Suppose You Are Not. [Show/Exhibition]

2023

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Fairnington, Mark (2023) Wild World. [Show/Exhibition]

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Fairnington, Mark (2023) Landscape of the Gods. [Show/Exhibition]

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Fairnington, Mark (2023) Here's Looking at You. [Show/Exhibition]

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2022

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Behr, Bernd (2022) A Camera on Wheels: Situating the Self-driving Car within a Photographic Teleology. In: Camera-Centered Histories of Photography, 2 December 2022, California Museum of Photography, UCR Arts, University of California Riverside, USA & Online.

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Behr, Bernd (2022) The Unknown Knowns of Machine Vision, or, How to Explain Pictures to a Self-driving Car. In: Aesthetics of Machine Vision, 15-16 September 2022, University of Southern Denmark, Odense, Denmark.

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Bradfield, Marsha and Meller, Fred (2022) REBEL: Producing Publics Through Playful Evaluation. Public Art Dialogue, 12 (1). pp. 138-157. ISSN 2150-2560

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Melvin, Jo (2022) The aesthetics of silence, withdrawal and negation in conceptual art. In: Picturing the Invisible Exploring: interdisciplinary synergies from the arts and the sciences. UCL Press, London. ISBN 9781800081055

2021

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Wooldridge, Duncan (2021) To Be Determined: Photography and the Future. SPBH Essays . SPBH Editions, London and Milan. ISBN 978-1916041233

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Melvin, Jo (2021) Seth Siegelaub: Better Read Than Dead Writings and Interviews 1964–2013. In: Seth Siegelaub: Better Read Than Dead Writings and Interviews 1964–2013, 29 September 2021, Commerce, Milan, Italy.

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Melvin, Jo (2021) Portable Sculpture: Fold up, pack down or made on the move sculpture. In: Portable Sculpture: Fold up, pack down or made on the move sculpture Online Lecture, 18 August 2021, Henry Moore Institute, Online.

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Melvin, Jo and Bonifati, Vittoria (2021) Painting Stone. [Show/Exhibition]

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Melvin, Jo (2021) Barry Flanagan. [Show/Exhibition]

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Melvin, Jo and Schaschl, Sabine and Wood, John (2021) Synchonicities, Wordplay and the Incidental. Networks and Constellations in Andrew Bick's Practice. In: Andrew Bick: Original/Ghost/Compendium. Hatje Cantz Verlag, pp. 89-112. ISBN 978-3775748568

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Melvin, Jo (2021) An Archaeology of the Future - The Universe on the Other Side of the Skin. In: Words, Works, Worlds. Patrick Heide Contemporary Art, London, pp. 16-23.

2020

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Hodes, Charlotte (2020) Drawing, the Performative Body and the Object. In: Drawing, the Performative Body and the Object, a symposium at London College of Fashion, UAL, 11 March 2020, Lime Grove, London College of Fashion.

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Fairnington, Mark (2020) The Landscape Room. [Show/Exhibition]

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2019

Tulloch, Carol (2019) Taste, the home and everyday life. In: The Persistence of Taste Art, Museums and Everyday Life After Bourdieu. Routledge, London, New York, pp. 253-256. ISBN 9780367877903 Item not available online.

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Melvin, Jo and Corwin, Will (2019) Jo Melvin. In: &MODEL. Village Books, pp. 52-59. ISBN 978-1-5272540-8-4

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Melvin, Jo and Goldsmith, Kenneth and Lovay, Balthazar and Quack, Gregor (2019) Between the Eyes Painting. Gene Beery: Para-Visual Painter of Word Signs. In: Gene Beery LIFE! Mousse Publishing, pp. 49-64. ISBN 9788867493746

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Melvin, Jo (2019) Barry Flanagan. [Show/Exhibition]

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fitzPatrick, Edwina (2019) The Archive of the Trees: A Woodland Guide. Fermynwoods Contemporary Arts, UK. ISBN 978 1 78972 327 4

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Velios, Athanasios and Gilroy, Nicole and Greathead, Alexandra (2019) A workflow for publishing Linked Data for conservation documentation: A case study from Oxford Museums and Libraries. In: Icon Conference 2019: New Perspectives: Contemporary Conservation Thinking and Practice, 12 - 14 June 2019, Belfast.

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Melvin, Jo (2019) David Nash: Sculpture speaks the language of wood. In: David Nash: 200 Seasons at Capel Rhiw. Amgueddfa Cymru - National Museum Wales. ISBN 9780720006360

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Velios, Athanasios (2019) Integration of survey data using the CIDOC-CRM. In: Icon Care of Collections Group Condition Assessment Workshop, 4 April 2019, Cardiff.

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Velios, Athanasios and Faubel, Sebastian and Eberl, Moritz (2019) Artivity, documenting digital art practice. In: Capturing practice research: improving visibility and searchability, 15 March 2019, London.

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Douglas, Lorrice (2019) Creative Curricula: Developing inclusion projects informed by states of identity and alienation. In: Inclusion and Intersectionality in Visual Arts Education. UCL IOE Press, London, pp. 56-77. ISBN 978-1-85856-898-3

2018

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Cronin, Rosemary (2018) Being a Fine Artist. In: Making It: Careers in Art and Design, 24 November 2018, Victoria and Albert Museum.

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Velios, Athanasios (2018) An introduction to Linked Data and the CIDOC-CRM for bookbinding descriptions. In: Bookbindings as archaeology, Ein Workshop des GRK 2196 „Dokument – Text – Edition“, 6 - 7 November 2018, Bergische Universität Wuppertal.

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Melvin, Jo (2018) Fifteen People Select their Favourite Book. The Brooklyn Rail. pp. 1-118. ISSN 2157-2151

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Bolivar, Juan (2018) Juan Bolivar William de Kooning Academy presentation. In: Juan Bolivar's painting practice, June 13 and 14, 2018, Rotterdam. Item not available online.

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Wooldridge, Duncan (2018) Technology and Interaction: Penelope Umbrico's TVs from Craigslist. In: Photography Reframed: Visions in Photographic Culture. I. B. Tauris, London, pp. 3-7. ISBN 978-1784538835

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Tsutsumi, Maiko (2018) Thoughts and Utterances in Material Practice: Objects and Words / Thoughts and Actions. In: Utsuwa Utsumi, 4 May 2018, Chelsea College of Arts. Item not available online.

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Tsutsumi, Maiko (2018) On the Way to Language. [Show/Exhibition]

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Love, Johanna (2018) Lichtlose Luft: Staub und Verschwinden Zeichnen /Lightless Air: drawing dust and disappearance. Camberwell Press, Camberwell Press, London. ISBN 978-1-908971-55-5

Tsutsumi, Maiko (2018) On the Way to Language. Camberwell Space, London. Item not available online.

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  • + 1 others

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Tulloch, Carol (2018) Units of Possibility: The Reknit Revolution. Fashion Practice The Journal of Design, Creative Process & the Fashion Industry. pp. 1-6. ISSN 1756-9370 (Print) 1756-9389 (Online)

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Love, Johanna (2018) Re: Print. In: Re: Print. Marmalade Publishes of Visual Theory. ISBN 978-0-9933373-2-1

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Melvin, Jo (2018) Installation paradigms: constructivism and light. In: The Order of Things. The Everyday Press. ISBN 9781912458004

2017

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Melvin, Jo (2017) Exhibiting from the Archive: Recent Projects. In: Exhibiting from the Archive: Recent Projects, 6 December 2017, Royal College of Art.

Tsutsumi, Maiko (2017) Material Engagement. In: Material Engagement, 30 October 2017, University of Westminster. Item not available online.

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Collins, Jane (2017) Playing with Materials: Performing effect on the indoor Jacobean stage. In: The Routledge Companion to Scenography. Routledge, Oxon and New York, pp. 215-224. ISBN 978-1-138-91780-4

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Dennis, Jeffrey (2017) The Luton Host. [Art/Design Item]

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Hamann, Sigune (2017) Freshers (Camberwell). [Art/Design Item]

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Melvin, Jo and Weir, Grace (2017) Grace Weir Unfolded. [Show/Exhibition]

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Cardwell, Thomas (2017) Battle jackets, authenticity and ‘material individuality’. Metal Music Studies, 3 (3). pp. 437-458. ISSN ISSN 2052-3998 (Print); ISSN 2052-4005 (Online)

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Love, Johanna (2017) A New Vision of Printmaking. [Show/Exhibition]

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Locke, Lana (2017) The Feral, the Art Object and the Social. PhD thesis, University of the Arts London.

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Pickwoad, Nicholas (2017) The Techniques and Materials Used to Make bookbindings on Incunables. In: Materielle Aspekete in der Inkunabelforschung. Wolfenbütteler Schriften zur Geschichte des Buchwesens (49). Harrassowitz Verlag, Wiesbaden, pp. 189-212. ISBN 978-3-447-10719-8

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Dennis, Jeffrey (2017) Ringbinder. Slimvolume and Northern Gallery for Contemporary Art, London. ISBN 978 1 910516 05 8

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Wooldridge, Duncan (2017) Stretching Painting and Photography: the morphologies of the digital image file. In: Painting Digital Photography International Conference, 9th May 2017, Derby QUAD.

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Hogan, Eileen (2017) Artist-Not-In-Residence. [Show/Exhibition]

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Wilson, Stephen and Jaffe, Deborah (2017) Memories of the Future: On Countervision. Cultural Memories (6). Peter Lang AG, International Academic Publishers, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien. ISBN 9781787075757

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Asbury, Michael (2017) Some notes on the contamination and quarantine of Brazilian art. In: Art/Histories in Transcultural Dynamics: Perspectives on Narratives and Frameworks in the 20th and 21st Century. Wilhelm Fink GmbH & Co. Verlags-KG. ISBN 978-3-7705-5939-8

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Mendelson, Zoë (2017) Spectacular Evidence: Theatres of the Observed Mind. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, Artsadmin, Toynbee Studios, 28 Commercial Street, London E1 6AB.

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Cardwell, Thomas (2017) 'Bad Patch'. [Show/Exhibition]

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Gialdini, Anna (2017) "Alla Greca"? Matter and Meaning of Greek-style bookbindings in Renaissance Venice. PhD thesis, University of the Arts London. Item availability restricted.

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Melvin, Jo (2017) From soft to hard and back again...Barry Flanagan and his contemporaries. In: Supporting Contemporary Japanese Art Future and Legacy: Contemporary/ Art/ Archives: Deposit, Output, Activation, January 14 - 15, 2017, National Art Center and Keio University, Tokyo.

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Melvin, Jo (2017) Casting shadows in an apocryphal dialogue: Some notes for Sean Dower. In: Sean Dower. Published by Dom Omladine Beograda / Legat Franklin. ISBN 978-86-7698-027-7

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Lebas, Chrystel (2017) Field Studies: Walking through Landscapes and Archives. Fw:Books, Amsterdam, The Netherlands. ISBN 13 978-94-90119-46-1

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Bolivar, Juan (2017) It's a Long Way to the Top. [Show/Exhibition]

Quinn, Malcolm (2017) The Plot Against the Future. In: Memories of the Future: On Countervision. Cultural Memories (6). Peter Lang, Bern, pp. 33-48. ISBN 978-3-0343-1935-5 Item not available online.

Bolivar, Juan and Miller, N (2017) 'What you Will': the paintings of Alastair Gordon. In: Souvenirs from the Waste Land. Pinatubo Press, U.S.A, pp. 12-15. ISBN 0-9742683-7-2 Item not available online.

2016

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Wooldridge, Duncan (2016) Visibility and Realism: Photography and the Problems of Transparency. Philosophy of Photography, 7 (1 & 2). pp. 11-20. ISSN 2040-3682

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Lebas, Chrystel (2016) Regarding Nature. [Show/Exhibition]

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Behr, Bernd (2016) Akeley inside the elephant: Trajectory of a taxidermic image. Philosophy of Photography, 7 (1-2). pp. 43-61. ISSN 2040-3682

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Behr, Bernd (2016) Photographic indexicality: Once more, with feeling. Philosophy of Photography, 7 (1-2). pp. 3-10. ISSN 2040-3690

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Coldwell, Paul (2016) Henry Moore-Elephant Skull. In: Gérald Cramer and "his" artists, Chagall, Miro, Moore. Patrick Cramer, Geneva, pp. 55-63. ISBN 978-2-8399-1996-8

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Melvin, Jo (2016) The Alchemical Landscape II: Screen Media, Occulture and the Geographic Turn. In: Alchemical Landscapes II, 7 July 2016, Girton College, Cambridge. Item not available online.

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fitzPatrick, Edwina and Ackroyd, Heather and Harvey, Dan (2016) Getting Real: Interactive Fieldwork. In: Getting Real: Interactive fieldwork, 5 July 2016, Wimbledon.

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Cottell, Fran and Mueller, Marianne (2016) Pentagon Petal. [Art/Design Item]

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Bruton, Jo (2016) Cactus Canyon. [Art/Design Item]

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Evans, Geraint (2016) The Abject Object. [Show/Exhibition]

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Hamann, Sigune (2016) Film-strips. [Art/Design Item]

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Threapleton, James E. (2016) The Corroded Surface: Portrait of the Sublime. PhD thesis, University of the Arts London.

Melvin, Jo (2016) Jo Melvin and Clive Phillpot in conversation at the exhibition Jeff Gibbons: IN Signific Landscapes at Take 5, Norwich. Journal of Contemporary Painting, 2 (1). pp. 97-114. ISSN 2052-6695 Item not available online.

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Tulloch, Carol (2016) This Time It's Personal. In: UAL Professorial Platform Series 2015-16, 17 March 2016, Chelsea College of Art and Design, 16 John Islip Street, London SW1P 4JU.

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Melvin, Jo (2016) Animal, Vegetable, Mineral. [Show/Exhibition]

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Melvin, Jo (2016) Barry Flanagan: Animal, Vegetable, Mineral Works 1964 - 1983. Waddington Custot, London. ISBN 978-0-9576612-7-1

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Melvin, Jo (2016) Christine Kozlov: Conundrums of An Art Practice. Henry Moore Institute: Essays on Sculpture (74). pp. 5-16. ISSN 2047-2471 Item not available online.

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Hamann, Sigune (2016) Fair's fair. [Art/Design Item]

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Rabourdin, Caroline (2016) Le SENS de la TRANSLATION: Essays on the Bilingual Body. PhD thesis, University of the Arts London.

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Melvin, Jo (2016) The New Climate 1969-72. In: Conceptual Art in Britain 1964-1979. Tate, London, pp. 116-123. ISBN 978-1-84976-368-4

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Behr, Bernd (2016) Phantom Limbs. In: Sprachen des Sammelns: Literatur als Medium und Reflexionsform des Sammelns. Wilhelm Fink Verlag, Paderborn, pp. 124-129. ISBN 978-3-7705-6097-4

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Melvin, Jo (2016) Seth Siegelaub and Studio International: Conceptual Art and Production. In: Seth Siegelaub Beyond Conceptual Art. Walther Koenig and Stedlijk Museum Amsterdam, Cologne and Amsterdam, pp. 466-477. ISBN 978-3-86335-824-2

2015

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Walsh, Maria (2015) From Critique to Resistance to Autonomy: Alex Bag Meets Ann Hirsch. Moving Image Review & Art Journal (MIRAJ), 4 (1&2). pp. 13-41. ISSN 2045-6298 Item not available online.

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Collins, Jane (2015) Report from the Edinburgh International Festival August 2015. Theatre and Performance Design, 1 (3). pp. 256-267. ISSN 2332-2551

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Walsh, Maria and Throp, Mo (2015) Stories That Matter: Feminist methodologies in the archive. In: Stories That Matter: Feminist methodologies in the archive., 22 November 2015, Institute of Contemporary Arts, The Mall, London SW1Y 5AH.

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fitzPatrick, Edwina (2015) Larsen's Lost Water. [Show/Exhibition]

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Love, Johanna (2015) Jo Love. [Show/Exhibition]

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Love, Johanna (2015) Somewhere between Printmaking, Photography and Drawing: Viewing contradictions within the printed image. Journal of Visual Art Practice, 14 (3). pp. 214-223. ISSN 1470-2029

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Quinn, Malcolm (2015) Pop Goes Taste. In: Late Tuesday: Good Taste/Bad Taste, 27 October 2015, RIBA.

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Melvin, Jo (2015) It might be contentious. It might not be contentious. In: Bill Beckley: An Accidental Poet 1968-1978. Albertz Benda, New York City, New York USA. ISBN 978-1-942359-06-7 Item not available online.

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Melvin, Jo (2015) The Xerox Project: Installation, Reading, Duration and Multiple Temporalities. Paula Cooper Gallery, New York City, New York USA.

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Love, Johanna (2015) RE:Print/RE:Present. [Show/Exhibition]

Love, Johanna (2015) Dust: Exploring new ways of viewing the printed photographic image. In: Shadows: Traditional Photography Techniques in a Digital World., 18th May 2015, Camberwell College of Art, Wilson Road Lecture Theatre Wilson Rd Camberwell, London SE5 8PB. Item not available online.

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Dobai, Sarah and Gogol, Nicolai (2015) The Overcoat. [Art/Design Item]

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Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London. Item not available online.

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Melvin, Jo (2015) Holes in the Archive - to fill or to leave, that is the question... Bright Light (2). pp. 65-74. ISSN 2055-1606

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Melvin, Jo (2015) Five Issues of Studio International. Raven Row, London. ISBN 978-0-9930350-1-2

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Bolivar, Juan (2015) The Armory, 2014. [Show/Exhibition]

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Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048

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2014

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Wooldridge, Duncan (2014) ABCEUM. [Show/Exhibition]

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Chorpening, Kelly (2014) The problem with making: A case for the expanded teaching of drawing. Art, Design & Communication in Higher Education, 13 (1). pp. 93-107. ISSN 1474-273X

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Love, Johanna (2014) drAwn 2gether. [Show/Exhibition]

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Wooldridge, Duncan (2014) John Hilliard: Not Black and White. Ridinghouse, London. ISBN 9781905464937

Quinn, Malcolm (2014) ‘[T]he Royal Academy, and the effects produced by it’: accounting for art education in 1835. Journal of Visual Art Practice, 13 (1). pp. 7-16. ISSN 1470-2029 Item not available online.

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Love, Johanna (2014) Combinations. [Show/Exhibition]

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Sandino, Linda (2014) The chronicle: an everyday narrative form? In: Narrative Matters: Narrative Knowing / Récit et Savoir, 23 - 27 June 2014, Université Paris Diderot, France (in partnership with The American University of Paris).

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Love, Johanna (2014) Against Nature. [Show/Exhibition]

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Lori, Ope (2014) The oppositional gaze: contemporary image-making practice and the implications of skin colour ideals. PhD thesis, University of the Arts London. Item availability restricted.

2012

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Cross, David and Cornford, Matthew (2012) Afterimage. [Art/Design Item]

2008

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Bolivar, Juan (2008) Juan Bolivar: Geometry Wars. [Show/Exhibition]

This list was generated on Tue Mar 19 08:39:39 2024 GMT.