Items where Division is "CCW Graduate School"

Fairnington, Mark and Silverton, Edward and Dixon, Sophie (2023) Good Morning Mr Bewick. [Art/Design Item]

Thomas, Jennet (2022) The Great Curdling. [Art/Design Item]

Thomas, Jennet (2018) Animal Condensed<Animal Expanded #2. [Art/Design Item]

Dennis, Jeffrey (2017) The Luton Host. [Art/Design Item]

Hamann, Sigune (2017) Freshers (Camberwell). [Art/Design Item]

Cottell, Fran and Mueller, Marianne (2016) Pentagon Petal. [Art/Design Item]

Bruton, Jo (2016) Cactus Canyon. [Art/Design Item]

Wooldridge, Duncan (2016) Reading Aram Saroyan on the Bus. [Art/Design Item]

Hamann, Sigune (2016) Film-strips. [Art/Design Item]

Hamann, Sigune (2016) Fair's fair. [Art/Design Item]

Donkor, Kimathi (2015) For Moses Had Married An Ethiopian Woman—Numbers 12:1. [Art/Design Item]

Hamann, Sigune (2015) The Multiple Store @ Canary Wharf. [Art/Design Item]

Dobai, Sarah and Gogol, Nicolai (2015) The Overcoat. [Art/Design Item]

Hogan, Eileen (2015) Self-portrait in Pembroke Studios. [Art/Design Item]

Quinn, Malcolm and Beech, Dave and Gadie, Robert and Namazi, Mohammad (2014) Reflections on Taste. [Art/Design Item]

Cross, David and Cornford, Matthew (2012) Afterimage. [Art/Design Item]

Walsh, Maria (2024) Sirah Foighel Brutmann and Eitan Efrat: Là. Burlington Contemporary. ISSN 2631-5661

Bradfield, Marsha and Meller, Fred (2022) REBEL: Producing Publics Through Playful Evaluation. Public Art Dialogue, 12 (1). pp. 138-157. ISSN 2150-2560

Melvin, Jo (2018) Fifteen People Select their Favourite Book. The Brooklyn Rail. pp. 1-118. ISSN 2157-2151

Melvin, Jo and Strebowski, Luke (2018) Introduction to Hélio Oiticica's "The Senses Pointing Towards A New Transformation" (1969). ARTMargins, 7 (3). pp. 115-128. ISSN 2162-2574

Collins, Jane and Anandhakrishnan, B. (2018) Against a hierarchy of expressive means; arguments for new pedagogies in performer education in India and the UK. Studies in Theatre and Performance. ISSN 2040-0616 online Print 14682761

Tulloch, Carol (2018) Units of Possibility: The Reknit Revolution. Fashion Practice The Journal of Design, Creative Process & the Fashion Industry. pp. 1-6. ISSN 1756-9370 (Print) 1756-9389 (Online)

Cardwell, Thomas (2017) Battle jackets, authenticity and ‘material individuality’. Metal Music Studies, 3 (3). pp. 437-458. ISSN ISSN 2052-3998 (Print); ISSN 2052-4005 (Online)

Wooldridge, Duncan (2016) Visibility and Realism: Photography and the Problems of Transparency. Philosophy of Photography, 7 (1 & 2). pp. 11-20. ISSN 2040-3682

Behr, Bernd (2016) Akeley inside the elephant: Trajectory of a taxidermic image. Philosophy of Photography, 7 (1-2). pp. 43-61. ISSN 2040-3682

Behr, Bernd (2016) Photographic indexicality: Once more, with feeling. Philosophy of Photography, 7 (1-2). pp. 3-10. ISSN 2040-3690

Wilson, Stephen (2016) Where Theory Belongs. Four Ways to Experience a Seminar in Contemporary Art. Tate Research Centre Working Papers.

Melvin, Jo (2016) The British Avant Garde: A joint venture between the New York Cultural Center and Studio International Magazine. British Art Studies (3). ISSN 2058-5462

Melvin, Jo (2016) Jo Melvin and Clive Phillpot in conversation at the exhibition Jeff Gibbons: IN Signific Landscapes at Take 5, Norwich. Journal of Contemporary Painting, 2 (1). pp. 97-114. ISSN 2052-6695 Item not available online.

Melvin, Jo (2016) Christine Kozlov: Conundrums of An Art Practice. Henry Moore Institute: Essays on Sculpture (74). pp. 5-16. ISSN 2047-2471 Item not available online.

Walsh, Maria (2015) From Critique to Resistance to Autonomy: Alex Bag Meets Ann Hirsch. Moving Image Review & Art Journal (MIRAJ), 4 (1&2). pp. 13-41. ISSN 2045-6298 Item not available online.

Collins, Jane (2015) Report from the Edinburgh International Festival August 2015. Theatre and Performance Design, 1 (3). pp. 256-267. ISSN 2332-2551

Love, Johanna (2015) Somewhere between Printmaking, Photography and Drawing: Viewing contradictions within the printed image. Journal of Visual Art Practice, 14 (3). pp. 214-223. ISSN 1470-2029

Melvin, Jo (2015) Holes in the Archive - to fill or to leave, that is the question... Bright Light (2). pp. 65-74. ISSN 2055-1606

Chorpening, Kelly (2014) The problem with making: A case for the expanded teaching of drawing. Art, Design & Communication in Higher Education, 13 (1). pp. 93-107. ISSN 1474-273X

Quinn, Malcolm (2014) ‘[T]he Royal Academy, and the effects produced by it’: accounting for art education in 1835. Journal of Visual Art Practice, 13 (1). pp. 7-16. ISSN 1470-2029 Item not available online.

Wooldridge, Duncan (2021) To Be Determined: Photography and the Future. SPBH Essays . SPBH Editions, London and Milan. ISBN 978-1916041233

Melvin, Jo and Bloem, Marja and van Haaften-Schick, Lauren and Martinetti, Sara and Siegelaub, Seth (2020) Seth Siegelaub: Better Read Than Dead Writings and Interviews 1964–2013. Verlag der Buchhandlung Walther Konig. ISBN 978-3863357849

fitzPatrick, Edwina (2019) The Archive of the Trees: A Woodland Guide. Fermynwoods Contemporary Arts, UK. ISBN 978 1 78972 327 4

Melvin, Jo and Bonifati, Vittoria (2018) Archeologi, The Metadata of Villa Lontana. Villa Lontana, Rome.

Love, Johanna (2018) Lichtlose Luft: Staub und Verschwinden Zeichnen /Lightless Air: drawing dust and disappearance. Camberwell Press, Camberwell Press, London. ISBN 978-1-908971-55-5

Tsutsumi, Maiko (2018) On the Way to Language. Camberwell Space, London. Item not available online.

Melvin, Jo and Bonifati, Vittoria (2018) Sculptureless Sculpture, Villa Lontana. Villa Lontana, Rome, Italy.

Dennis, Jeffrey (2017) Ringbinder. Slimvolume and Northern Gallery for Contemporary Art, London. ISBN 978 1 910516 05 8

Wilson, Stephen and Jaffe, Deborah (2017) Memories of the Future: On Countervision. Cultural Memories (6). Peter Lang AG, International Academic Publishers, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien. ISBN 9781787075757

Lebas, Chrystel (2017) Field Studies: Walking through Landscapes and Archives. Fw:Books, Amsterdam, The Netherlands. ISBN 13 978-94-90119-46-1

Melvin, Jo (2016) Barry Flanagan: Animal, Vegetable, Mineral Works 1964 - 1983. Waddington Custot, London. ISBN 978-0-9576612-7-1

Melvin, Jo (2015) The Xerox Project: Installation, Reading, Duration and Multiple Temporalities. Paula Cooper Gallery, New York City, New York USA.

Melvin, Jo (2015) Five Issues of Studio International. Raven Row, London. ISBN 978-0-9930350-1-2

Wooldridge, Duncan (2014) John Hilliard: Not Black and White. Ridinghouse, London. ISBN 9781905464937

Melvin, Jo (2022) The aesthetics of silence, withdrawal and negation in conceptual art. In: Picturing the Invisible Exploring: interdisciplinary synergies from the arts and the sciences. UCL Press, London. ISBN 9781800081055

Melvin, Jo (2021) This is NOT art this is ART 'pataphysics, counterpoise and the tightrope in Barry Flanagan's sculptural practice. In: Barry Flanagan Newspaper. von Bartha, Switzerland.

Melvin, Jo and Schaschl, Sabine and Wood, John (2021) Synchonicities, Wordplay and the Incidental. Networks and Constellations in Andrew Bick's Practice. In: Andrew Bick: Original/Ghost/Compendium. Hatje Cantz Verlag, pp. 89-112. ISBN 978-3775748568

Melvin, Jo (2021) An Archaeology of the Future - The Universe on the Other Side of the Skin. In: Words, Works, Worlds. Patrick Heide Contemporary Art, London, pp. 16-23.

Tulloch, Carol (2019) Taste, the home and everyday life. In: The Persistence of Taste Art, Museums and Everyday Life After Bourdieu. Routledge, London, New York, pp. 253-256. ISBN 9780367877903 Item not available online.

Melvin, Jo and Corwin, Will (2019) Jo Melvin. In: &MODEL. Village Books, pp. 52-59. ISBN 978-1-5272540-8-4

Melvin, Jo and Goldsmith, Kenneth and Lovay, Balthazar and Quack, Gregor (2019) Between the Eyes Painting. Gene Beery: Para-Visual Painter of Word Signs. In: Gene Beery LIFE! Mousse Publishing, pp. 49-64. ISBN 9788867493746

Melvin, Jo (2019) David Nash: Sculpture speaks the language of wood. In: David Nash: 200 Seasons at Capel Rhiw. Amgueddfa Cymru - National Museum Wales. ISBN 9780720006360

Douglas, Lorrice (2019) Creative Curricula: Developing inclusion projects informed by states of identity and alienation. In: Inclusion and Intersectionality in Visual Arts Education. UCL IOE Press, London, pp. 56-77. ISBN 978-1-85856-898-3

Wooldridge, Duncan (2018) Technology and Interaction: Penelope Umbrico's TVs from Craigslist. In: Photography Reframed: Visions in Photographic Culture. I. B. Tauris, London, pp. 3-7. ISBN 978-1784538835

Love, Johanna (2018) Re: Print. In: Re: Print. Marmalade Publishes of Visual Theory. ISBN 978-0-9933373-2-1

Melvin, Jo (2018) Installation paradigms: constructivism and light. In: The Order of Things. The Everyday Press. ISBN 9781912458004

Collins, Jane (2017) Playing with Materials: Performing effect on the indoor Jacobean stage. In: The Routledge Companion to Scenography. Routledge, Oxon and New York, pp. 215-224. ISBN 978-1-138-91780-4

Pickwoad, Nicholas (2017) The Techniques and Materials Used to Make bookbindings on Incunables. In: Materielle Aspekete in der Inkunabelforschung. Wolfenbütteler Schriften zur Geschichte des Buchwesens (49). Harrassowitz Verlag, Wiesbaden, pp. 189-212. ISBN 978-3-447-10719-8

Asbury, Michael (2017) Some notes on the contamination and quarantine of Brazilian art. In: Art/Histories in Transcultural Dynamics: Perspectives on Narratives and Frameworks in the 20th and 21st Century. Wilhelm Fink GmbH & Co. Verlags-KG. ISBN 978-3-7705-5939-8

Melvin, Jo (2017) Casting shadows in an apocryphal dialogue: Some notes for Sean Dower. In: Sean Dower. Published by Dom Omladine Beograda / Legat Franklin. ISBN 978-86-7698-027-7

Quinn, Malcolm (2017) The Plot Against the Future. In: Memories of the Future: On Countervision. Cultural Memories (6). Peter Lang, Bern, pp. 33-48. ISBN 978-3-0343-1935-5 Item not available online.

Bolivar, Juan and Miller, N (2017) 'What you Will': the paintings of Alastair Gordon. In: Souvenirs from the Waste Land. Pinatubo Press, U.S.A, pp. 12-15. ISBN 0-9742683-7-2 Item not available online.

Coldwell, Paul (2016) Henry Moore-Elephant Skull. In: Gérald Cramer and "his" artists, Chagall, Miro, Moore. Patrick Cramer, Geneva, pp. 55-63. ISBN 978-2-8399-1996-8

Melvin, Jo (2016) The New Climate 1969-72. In: Conceptual Art in Britain 1964-1979. Tate, London, pp. 116-123. ISBN 978-1-84976-368-4

Behr, Bernd (2016) Phantom Limbs. In: Sprachen des Sammelns: Literatur als Medium und Reflexionsform des Sammelns. Wilhelm Fink Verlag, Paderborn, pp. 124-129. ISBN 978-3-7705-6097-4

Melvin, Jo (2016) Seth Siegelaub and Studio International: Conceptual Art and Production. In: Seth Siegelaub Beyond Conceptual Art. Walther Koenig and Stedlijk Museum Amsterdam, Cologne and Amsterdam, pp. 466-477. ISBN 978-3-86335-824-2

Melvin, Jo (2015) It might be contentious. It might not be contentious. In: Bill Beckley: An Accidental Poet 1968-1978. Albertz Benda, New York City, New York USA. ISBN 978-1-942359-06-7 Item not available online.

Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048

Walsh, Maria (2024) A few provocations on trauma in the artwork versus in the museum collection: could the museum be like an artwork? In: Workshop, 28 May 2024, GRASSI Museum for Ethnology, Leipzig, Germany. Item not available online.

Behr, Bernd (2022) A Camera on Wheels: Situating the Self-driving Car within a Photographic Teleology. In: Camera-Centered Histories of Photography, 2 December 2022, California Museum of Photography, UCR Arts, University of California Riverside, USA & Online.

Behr, Bernd (2022) The Unknown Knowns of Machine Vision, or, How to Explain Pictures to a Self-driving Car. In: Aesthetics of Machine Vision, 15-16 September 2022, University of Southern Denmark, Odense, Denmark.

Melvin, Jo (2021) Seth Siegelaub: Better Read Than Dead Writings and Interviews 1964–2013. In: Seth Siegelaub: Better Read Than Dead Writings and Interviews 1964–2013, 29 September 2021, Commerce, Milan, Italy.

Melvin, Jo (2021) Portable Sculpture: Fold up, pack down or made on the move sculpture. In: Portable Sculpture: Fold up, pack down or made on the move sculpture Online Lecture, 18 August 2021, Henry Moore Institute, Online.

Hodes, Charlotte (2020) Drawing, the Performative Body and the Object. In: Drawing, the Performative Body and the Object, a symposium at London College of Fashion, UAL, 11 March 2020, Lime Grove, London College of Fashion.

Page, Kevin and Burrows, Toby and Hankinson, Andrew and Holford, Matthew and Morrison, Andrew and Lewis, David and Velios, Athanasios (2019) A Layered Digital Library for Cataloguing and Research: Practical Experiences with Medieval Manuscripts, from TEI to Linked Data. In: Digital Humanities Conference 2019, 9 - 12 July 2019, Utrecht, the Netherlands.

Velios, Athanasios and Gilroy, Nicole and Greathead, Alexandra (2019) A workflow for publishing Linked Data for conservation documentation: A case study from Oxford Museums and Libraries. In: Icon Conference 2019: New Perspectives: Contemporary Conservation Thinking and Practice, 12 - 14 June 2019, Belfast.

Velios, Athanasios (2019) Integration of survey data using the CIDOC-CRM. In: Icon Care of Collections Group Condition Assessment Workshop, 4 April 2019, Cardiff.

Burns, Halle and Burrows, Toby and Downie, Stephen and Lewis, David and Page, Kevin and Velios, Athanasios (2019) Assessing the practicality of ARK identifier usage in a catalogue of medieval manuscripts. In: iConference 2019, 31 March 2019 - 3 April 2019, Washington DC.

Velios, Athanasios and Faubel, Sebastian and Eberl, Moritz (2019) Artivity, documenting digital art practice. In: Capturing practice research: improving visibility and searchability, 15 March 2019, London.

Cronin, Rosemary (2018) Being a Fine Artist. In: Making It: Careers in Art and Design, 24 November 2018, Victoria and Albert Museum.

Velios, Athanasios (2018) An introduction to Linked Data and the CIDOC-CRM for bookbinding descriptions. In: Bookbindings as archaeology, Ein Workshop des GRK 2196 „Dokument – Text – Edition“, 6 - 7 November 2018, Bergische Universität Wuppertal.

Bolivar, Juan (2018) Juan Bolivar William de Kooning Academy presentation. In: Juan Bolivar's painting practice, June 13 and 14, 2018, Rotterdam. Item not available online.

Tsutsumi, Maiko (2018) Thoughts and Utterances in Material Practice: Objects and Words / Thoughts and Actions. In: Utsuwa Utsumi, 4 May 2018, Chelsea College of Arts. Item not available online.

Melvin, Jo (2017) Exhibiting from the Archive: Recent Projects. In: Exhibiting from the Archive: Recent Projects, 6 December 2017, Royal College of Art.

Tsutsumi, Maiko (2017) Material Engagement. In: Material Engagement, 30 October 2017, University of Westminster. Item not available online.

Wooldridge, Duncan (2017) Stretching Painting and Photography: the morphologies of the digital image file. In: Painting Digital Photography International Conference, 9th May 2017, Derby QUAD.

Mendelson, Zoë (2017) Spectacular Evidence: Theatres of the Observed Mind. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, Artsadmin, Toynbee Studios, 28 Commercial Street, London E1 6AB.

Melvin, Jo (2017) From soft to hard and back again...Barry Flanagan and his contemporaries. In: Supporting Contemporary Japanese Art Future and Legacy: Contemporary/ Art/ Archives: Deposit, Output, Activation, January 14 - 15, 2017, National Art Center and Keio University, Tokyo.

Melvin, Jo (2016) The Alchemical Landscape II: Screen Media, Occulture and the Geographic Turn. In: Alchemical Landscapes II, 7 July 2016, Girton College, Cambridge. Item not available online.

fitzPatrick, Edwina and Ackroyd, Heather and Harvey, Dan (2016) Getting Real: Interactive Fieldwork. In: Getting Real: Interactive fieldwork, 5 July 2016, Wimbledon.

Tsutsumi, Maiko (2016) Reconfiguring making and design practices: reviewing the meaning of knowledge and skills in socio-cultural contexts. In: Undesign, 2 June 2016, University of Applied Arts Vienna, Austria.

Tulloch, Carol (2016) This Time It's Personal. In: UAL Professorial Platform Series 2015-16, 17 March 2016, Chelsea College of Art and Design, 16 John Islip Street, London SW1P 4JU.

Walsh, Maria and Throp, Mo (2015) Stories That Matter: Feminist methodologies in the archive. In: Stories That Matter: Feminist methodologies in the archive., 22 November 2015, Institute of Contemporary Arts, The Mall, London SW1Y 5AH.

Quinn, Malcolm (2015) Pop Goes Taste. In: Late Tuesday: Good Taste/Bad Taste, 27 October 2015, RIBA.

Love, Johanna (2015) Dust: Exploring new ways of viewing the printed photographic image. In: Shadows: Traditional Photography Techniques in a Digital World., 18th May 2015, Camberwell College of Art, Wilson Road Lecture Theatre Wilson Rd Camberwell, London SE5 8PB. Item not available online.

Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London. Item not available online.

Sandino, Linda (2014) The chronicle: an everyday narrative form? In: Narrative Matters: Narrative Knowing / Récit et Savoir, 23 - 27 June 2014, Université Paris Diderot, France (in partnership with The American University of Paris).